Eleonora Gonzaga – Holy Roman Empress

Pious princess who promoted the arts and education

Eleonora Gonzaga: a portrait by
 Frans Luycx, the Flemish artist

Eleonora Gonzaga, Princess of Mantua, Nevers and Rethel, was born on this day in 1630 in Mantua.

She grew up to marry the Holy Roman Emperor, Ferdinand III, and established a reputation as one of the most educated and virtuous women of her time.

Eleonora became fascinated by religious poetry, founded a literary academy and was a patron of musical theatre.

As Holy Roman Empress she developed the cultural and spiritual life at the Imperial Court in Vienna, continuing the work of her great aunt, also called Eleonora, who had introduced opera to Vienna in the early part of the 17th century.

Vienna subsequently became recognised as the music capital of Europe.

Eleonora was the second child of Charles Gonzaga, Duke of Nevers, who was heir to the Duchy of Mantua, and Maria Gonzaga, who was heiress to the Duchy of Montferrat.

She was given a good education, became fluent in French, Spanish and Italian and learnt about literature, music and art.

Having become interested in poetry, she composed religious and philosophical poems herself.

Ferdinand III, as depicted by Jan van den Hoecke

A marriage was arranged for her with the Holy Roman Emperor, who imposed the condition that the Duchy of Mantua had to remain loyal to the Empire. It was agreed that Mantua would stay loyal to the empire provided it didn’t have negative consequences for the Duchy.

It was the third marriage for Ferdinand, who had children from both his previous marriages.

But after the wedding in April 1651 at Wiener Neustadt, he became happy with Eleonora and she established good relationships with all her stepchildren.

She learned German and Ferdinand learned Italian. They were both interested in literature and music and enjoyed going to the theatre and hunting together.

They founded a literary academy and encouraged the development of science.

Italians became more influential at the Imperial Court and Italian became the most used language among the German aristocracy.

They had four children between 1652 and 1657, but Ferdinand died two months after the birth of his first son by Eleonora, Ferdinand Joseph Alois, who himself died just over a year later.

But under Ferdinand’s will, Eleonora assumed guardianship of all his children and she supported her stepson, Leopold I, when he became the new Emperor.

She tried to improve the standard of education for girls by inviting the Ursuline nuns to Vienna, where they established a monastery, church and school. She also established the Order of Virtuosity and the Order of the Starry Cross for women.

After Eleonora’s death in Vienna in 1686 she was buried in the Imperial Crypt.

The Basilica of Sant'Andrea in Mantua

Travel tip:

Mantua, where Eleonora Gonzaga was born, is an atmospheric old city in Lombardy, to the south east of Milan. In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

Hotels in Mantua by Hotels.com

Travel tip:

Mantua is famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Eleonora’s ancestor, Ludovico Gonzaga and his family in the 15th century. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

More reading:

Monteverdi's l'Orfeo, the oldest opera still regularly performed, makes its debut in Mantua

Claudio Monteverdi - the viola player at the court of Vincenzo Gonzaga who became the first great opera composer

How Andrea Mantegna from Mantua used perspective to break new ground in painting

Also on this day:

1626: The consecration of St Peter's Basilica in Rome

(Picture of Basilica di Sant'Andrea in Mantua by Vitold Muratov via Wikimedia Commons)

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Giovanni Pico della Mirandola – philosopher

Writer of the 'Manifesto of the Renaissance' met an early death

Giovanni Pico della Mirandola: this portrait by
Cristofano dell'Altissimo hangs in the Uffizi

Renaissance nobleman and philosopher, Giovanni Pico della Mirandola died on this day in 1494 in Florence, sparking a murder mystery still not solved more than 500 years later and that led to the exhumation of his body in 2007.

Pico became famous for writing the Oration on the Dignity of Man, which was later dubbed the Manifesto of the Renaissance.

At its heart, the Oration proposed that man is the only species of being to which God assigned no specific place in the chain of being and that man could ascend the chain through the exercise of his intellectual capacity, and for that reason it stresses the importance of the human quest for knowledge.

Renowned for his memory as well as his intellect, he could recite Dante’s Divine Comedy line-by-line backwards and by the time he was 20 he has mastered six languages.

But he made enemies and it his thought that his death at the age of just 31 was the result of poisoning because of concerns that he had become too close to hellfire preacher Girolamo Savonarola, an enemy of Florence's ruling Medici family.

It was Savonarola himself who delivered the funeral oration when Pico was buried at the Convent of San Marco in Florence where he was the Prior.

The philosopher was born into a noble family at Mirandola, near Modena, in 1463. He was the youngest son of Gianfrancesco della Mirandola, Count of Concordia, who lived in the Castle of Mirandola and was closely related to the Sforza, Gonzaga and Este dynasties.

Pico studied at the University of Padua, where he wrote sonnets in Latin and Italian, which because of the influence of Savonarola, who encouraged his followers to burn possessions that might tempt them into sin, he destroyed towards the end of his life.

Portrait of Lorenzo de' Medici by the Flemish
Baroque painter Peter Paul Rubens

He travelled to Paris, the most important centre in Europe for Philosophy and Theology and it is thought while he was there he began writing his celebrated 900 Theses on religion, philosophy and magic, and came up with the idea of defending them in a public debate.

When he returned to Florence in 1484 he met for the first time Lorenzo de' Medici, also known as Lorenzo the Magnificent, who seems to have been charmed by him and wished to help him.

On his way to Rome, where he intended to publish his 900 Theses and debate them with other scholars, Pico stopped off in Arezzo, where he had a love affair with the wife of one of Lorenzo de' Medici’s cousins. He attempted to run away with her but was caught, wounded and imprisoned. He was released only after the intervention of Lorenzo himself.

While recovering from his wounds he became interested in Hebrew writings, which he believed educated people should study. He travelled to Rome to publish his 900 Theses and offered to pay the expenses of any scholars who came to Rome to debate them publicly.

But Pope Innocent VIII halted the proposed debate and condemned part of his 900 Theses as heretical.

Pico fled to France where he was arrested and imprisoned but at the instigation of Lorenzo de Medici he was released and allowed to move back to Florence. He settled in a villa near Fiesole provided by Lorenzo and carried on writing.

After the death of Lorenzo, Savonarola became increasingly influential. This led to a wholesale destruction of books and paintings in Florence.

Pico was determined to become a monk and destroyed his own poetry and gave away his fortune.

When he fell ill in 1494, the King of France, Charles VIII, whose armies would take control of Florence on the day of Pico's death, driving the Medici into exile, sent his own physicians to tend to him but after two weeks of suffering he passed away.

The Castello dei Pico in an image from a 1940s postcard

It was rumoured that Pico was poisoned by his own secretary, who is said to have made a confession to that effect two years later after being arrested by Savonarola, who by then had taken control of Florence from the French.  Some historians believe it was Piero de' Medici, the son of Lorenzo, who ordered his killing.

Another theory was that Pico had died of syphilis but when his body was exhumed in 2007, as part of a project led by Giorgio Gruppioni, a professor of anthropology from Bologna, tests showed toxic levels of arsenic in his remains.

Travel tip:

The small city of Mirandola, which is about 30km north-east of Modena in Emilia-Romagna, developed as a fortress city in Renaissance times and was once an independent principality.  The Palazzo Communale and the Castello dei Pico can both be found in Piazza della Costituente.  The castle was forced to close its door to the public because of damage sustained in an earthquake in 2012.

Hotels in Mirandola from Hotels.com

Fra Angelico's stunning fresco The Last Judgment

Travel tip:

The Convent of San Marco in Florence, which holds the major collection of the works of Giovanni of Fiesole, known as Fra Angelico, stands on the site of a 12th century monastery. It was rebuilt in 1437 by Cosimo il Vecchio de’ Medici, who entrusted the work to Michelozzo, with the decoration of the walls carried out by Fra Angelico and his assistants, who included Benozzo Gozzoli.   His masterworks are considered to be the The Last Judgment and the The Crucifixion.

Hotels in Florence from venere.com

More reading:

Girolamo Savonarola and the 'Bonfire of the Vanities'

Cosimo de' Medici - banker who founded the dynasty

Why Cosimo II de' Medici was the patron of Galileo

Also on this day: 

1878: Umberto I survives assassination attempt



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Sofonisba Anguissola – Renaissance artist

Portrait painter paved the way for other women artists

Anguissola's painting of herself being painted by her teacher,
Bernardino Campi, during her early days in Cremona

Painter Sofonisba Anguissola died on this day in 1625 in Palermo at the age of 93.

As a young woman Anguissola had been introduced to Michelangelo in Rome, who had immediately recognised her talent.

She served an apprenticeship with established painters, which set a precedent for women to be accepted as students of art in the 16th century. Her success later in life paved the way for other women to pursue serious careers as artists. Many of her paintings can still be seen in prestigious galleries all over the world.

Anguissola was born in Cremona in Lombardy in 1532 to noble parents who believed they had a connection to the ancient Carthaginians and named their first daughter after the tragic Carthaginian figure, Sophonisba.

All their children were encouraged to cultivate their talents and five of the daughters became painters, but Sofonisba was the most accomplished and became the most famous.

Sofonisba was 14 when she was sent with her younger sister, Elena, to study with Bernardino Campi, a respected portrait and religious painter. When he moved to another city she continued her education with Bernardino Gatti.

Anguissola's most famous painting was of her three sisters,
Lucia, Minerva and Europa, playing chess

Her most important early work was Bernardino Campi painting Sofonisba Anguissola, a double portrait showing her art teacher painting a picture of her.

At the age of 22 she was introduced to Michelangelo in Rome by another painter familiar with her work. Michelangelo asked her to draw a weeping boy and she drew Boy Bitten by a Crayfish and sent it to Michelangelo who could tell she had talent.

He sent her sketches from his notebooks for her to draw in her own style and offered her advice on the results. This informal tuition went on for about two years.

As a woman, Anguissola was not allowed to draw from life, which ruled out having models pose for her, so she could not undertake large-scale, historical or religious paintings.

Instead, she experimented with new styles of portrait painting. Her most famous painting of Three Sisters Playing Chess shows a family scene where the formally-dressed subjects have informal facial expressions, which was unusual for Italian art at this time.

Anguissola's portrait of Queen Elizabeth of Spain

King Phillip II of Spain invited her to be a lady-in-waiting and art teacher to his new Queen, Elizabeth of Valois, who was herself a keen portrait painter and Anguissola went to join the Spanish court at the age of 26.

She painted many vibrant portraits of members of the Spanish royal family. A painting of Phillip II, which had long been attributed to another artist, has only recently been acknowledged as by Anguissola.

The King chose a Sicilian nobleman for an arranged marriage with Anguissola and paid her a royal pension after her marriage so she could continue painting.

After her husband’s death, Anguissola was travelling by boat to Genoa when she fell in love with the ship’s captain and married him.

They lived in Genoa until 1620 and she then moved to Palermo for the last years of her life, where she was visited by the young Flemish painter, Anthony van Dyck. She gave him advice about painting that he claimed taught him more about the true principles of art than anything else in his life and he painted a portrait of her at the age of 92.

On November 16, 1625 she died in Palermo at the age of 93 and was buried at the Church of San Giorgio dei Genovesi.

Cremona's enormous bell tower, Il Torrazzo,
is the tallest in Italy

Travel tip:

Cremona, where Anguissola was born, is famous for having the tallest bell tower in Italy, Il Torrazzo, which measures more than 112 metres in height. As well as making violins, Cremona is also famous for producing confectionery. Negozio Sperlari in Via Solferino specialises in the city’s famous torrone (nougat). A school in Cremona is named Liceo Statale Sofonisba Anguissola in her honour.


Travel tip:

Palermo, the capital of Sicily, where Anguissola died and was buried, is a vibrant city with a wealth of beautiful architecture bearing testament to European and Arabic influences. The city, on the northern coast of the island, has plenty of shops and markets to browse in, and a large opera house, the Teatro Massimo.

More reading:

Why Michelangelo is recognised as one of the greatest artists in history

Lisa del Giocondo - the merchant's wife immortalised as Da Vinci's Mona Lisa

How mystery surrounded the death of Caravaggio

Also on this day

1975: Doctor and scientist Giuseppe Moscati beatified by Pope Paul VI 

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Francesco Rosi - film director

Documentary style put him among greats of Italian cinema

Francesco Rosi

The film director Francesco Rosi, one of Italy's most influential movie-makers over four decades, was born on this day in 1922 in Naples. 

Rosi, who made his directing debut in 1958 and filmed his last movie in 1997, built on the fashion for neo-realism that dominated Italian cinema in the immediate post-war years and his films were often highly politicised.

Many of his works were almost pieces of investigative journalism, driven by his revulsion at the corruption and inequality he witnessed in the area in which he grew up, and the dubious relationships between local government and figures from the crime world.

His film Hands Over the City, for example, starring Rod Steiger as unscrupulous land developer, sought to show how the landscape of Naples was shaped by greed and political interests.  The film's disclaimer stated that “All characters and events narrated in this film are fictitious, but the social reality that created them is authentic.”

The Mattei Affair, which starred Gian Maria Volonté - himself a political activist - tells the story of Enrico Mattei, a former Italian resistance fighter who rose to be head of ENI, the state-owned oil company, and died in a plane crash in Sicily. Conspiracy theorists linked his death with his attempt, in the middle of the Cold War, to break America's dominance of the Italian market, sign deals with Arab countries and even court Russia as a possible trading partner.

The project took Rosi's team into such dangerous political territory that one of his researchers, the journalist Mauro de Mauro, disappeared. He was never found and it is presumed he was murdered for finding out too much about the case.

Gian Maria Volonté (centre) in a scene from The Mattei Affair

Lucky Luciano, which featured Volonté and Steiger, was another movie filmed in the style of a documentary investigation, this time with its focus on the controversial role of a repatriated Sicilian-American Mafia boss in the Allied liberation of Sicily and the assault on the Italian mainland towards the end of the Second World War.

Later, with Illustrious Corpses, Rosi sought to shine light on the dark machinations of what would come to be known as 'The Strategy of Tension' during the 1980s, in which a series of deadly attacks carried out by right-wing extremists with the apparent collusion of the secret services would be blamed on activists on the hard left in order to derail an alliance being proposed between the Christian Democrat Party and the Communist Party.

Among his many awards was a Palme d'Or at the 1972 Cannes Film Festival for The Mattei Affair, a Golden Lion at the 1963 Venice Biennale for Hands Over the City and ten David di Donatello awards from the Academy of Italian Cinema.

In 2012, he was awarded an honorary Golden Lion at the Venice Biennale for lifetime achievement and leaving "an indelible mark on the history of Italian film-making".

Rosi was born in Montecalvario, a neighbourhood of central Naples that includes part of the Spanish Quarter, the Piazza Carità and the bustling Via Toledo.  His father worked in the shipping industry, but also drew satirical cartoons, once earning a reprimand for his insulting depictions of Benito Mussolini and King Vittorio Emmanuel III.

Giorgio Napoletana, a schoolfriend of Francesco Rosi,
who would go one to become President of the Republic

Rosi went to college with Giorgio Napolitano, who would later become Italian President, and they would remain lifelong friends.  He studied law but his career took him in a different direction, first as an illustrator of children's books, then as a reporter with Radio Napoli.

The connections he made through the radio station led him into theatre work and film.  After several films as assistant director, learning from Ettore Giannini and Luchino Visconti among others, he made his solo debut in 1958 with La Sfida (The Challenge), an expose of corruption in the retail trade in Naples which quickly made clear Rosi's preoccupation with social justice and the complex labyrinths in Italian society.

His breakthrough in terms of international acclaim came in 1962 with Salvatore Giuliano, a fictional exploration of the life of the Sicilian bandit of the title, his connections with the state and the church, and his role in fighting against communism in Sicily.  Rosi's aim was to use the bandit’s life and death to convey the complexities of post-war Sicilian politics and society in which "resolving the truth was an impossibility."

Salvatore Giuliano won the Silver Bear for Best Director at the Berlin International Film Festival in 1962 and established Rosi as one of the central figures of the post-neorealist phase in Italian cinema, along with Gillo Pontecorvo, Pier Paolo Pasolini, the Taviani brothers, Ettore Scola and Valerio Zurlini.

Rosi’s later movies were accomplished productions but critics felt they lacked the power of his earlier work, although in his adaptation of Christ Stopped at Eboli, Carlo Levi's memoir about his experiences as a doctor exiled in southern Italy for his anti-Fascist views, with Volonté in the title role, came close, winning a BAFTA for Best Foreign Language Film.

After ending his career in film with The Truce, based on holocaust survivor Primo Levi's memoir of returning to Italy after his liberation from Auschwitz, he returned to theatre, notably directing the Neapolitan comedies of Eduardo De Filippo.

He spent his last years living in Rome on Via Gregoriana, near the Spanish Steps.   He died in 2015 aged 92.

The Via Toledo in Naples has a typical flavour of the city

Travel tip:

Montecal- vario, where Francesco Rosi was born, is said by many visitors to capture the essence of Naples.  Bordered on one side by the Via Toledo, the busy shopping street which links Piazza Dante with Piazza Trieste e Trento, it includes the part of the Spanish Quarter in which can be found the Teatro Nuovo, an historic theatre originally built in 1724 and twice destroyed by fire.  The theatre became famous for comic opera in the 19th century and in the 20th century staged the plays of the great Neapolitian comic dramatist, Eduardo de Filippo.

Hotels in Napoli by Booking.com

Travel tip:

The Via Gregoriana, where Francesco Rosi spent his last years, is a street almost in the centre of Rome, very close to the tourist hubbub of Piazza di Spagna and the Spanish Steps, yet still retains the air of a peaceful residential thoroughfare, the kind you might expect to find in a well-to-do suburb.  Commissioned by Pope Gregory XIII in 1575, it runs from the church of Trinita dei Monti, which looks down over Piazza di Spagna, towards Via del Tritone and has long been popular with artists and intellectuals.

Rome hotels by Booking.com

More reading:

Ennio Morricone, the film music maestro enters his 89th year

Anna Magnani - Oscar winning star of neo-realist fashion

The legacy of Fellini and La Dolce Vita

Also on this day:

1905: The birth of conductor Annunzio Mantovani


(Picture credits: Francesco Rosi by Georges Biard; Gian Maria Volonté by Pèter; Giorgio Napoletana by Ralf Roletschek; Via Toledo by Inviaggiocommons all via Wikimedia Commons)

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