Alberto Rabagliati - singer and actor

Performer found fame through radio

Alberto Rabagliati won a contest as
a Rudolph Valentino lookalike

The singer and movie actor Alberto Rabagliati, who became one of the stars of Italian radio in the 1930s and 40s, was born on this day in 1906 in Milan.

His movie career reached a peak in the post-War years, when he had roles in the Humphrey Bogart-Ava Gardner hit Barefoot Contessa and in Montecarlo, starring Marlene Dietrich.

The son of parents who had moved to Milan from the village of Casorzo, near Asti, in Piedmont, Rabagliati’s career in the entertainment business began when he entered a competition in 1927 to find a Rudolph Valentino lookalike.

To his astonishment he won.  The prize was to be taken to Hollywood to audition, so his life changed overnight.  Later he recalled his own wide-eyed incredulity as he sailed across the Atlantic, bound for a new life.  "For someone like me, who had never been beyond Lake Como or Monza Cathedral, finding myself on board a luxury steamer with three cases full of clothes, a few rolls of dollars, gran-duchesses and countesses flirting with me was something extraordinary".

He lived in America for the next four years but never achieved more than modest success and decided to return to Italy. During his time in America, however, he took the opportunity to get to know some new musical genres such as jazz, swing, and ‘scat’ singing, in which the vocalist uses his or her voice to make sounds rather than words, such as the ‘doo wah, doo wah, doo wah, doo wah’ lines repeated in It Don’t Mean a Thing if it Ain’t Got That Swing.

On coming home he was determined he would make a success as a singer and he realised his ambition in some style.

Rabagliati recording one of his radio shows in the 1940s

After joining a popular band called the Lecuona Cuban Boys, in which he performed with his face painted black, he met the songwriter Giovanni D'Anzi who arranged for him to have an audition with the Italian state radio station, EIAR, in Rome.

Rabagliati soon became a star and by 1941 had his own show, Canta Rabagliati ("Rabagliati sings"). It spurned a string of hits, including Ma l'amore no, Mattinata fiorentina, and Bambina innamorata.  He developed a huge following, mainly among women, and when he appeared on stage he would have hundreds of roses thrown at his feet.

He owned a large American car, which the Italian authorities at one time threatened to confiscate, because the Fascist regime banned all manifestations of foreign culture.

The Fascist leader Benito Mussolini, however, sensed he could use Rabagliati’s popularity to his own advantage and personally intervened to ensure the singer kept his car.  Mussolini persuaded Rabagliati to lend one of his songs to the government’s campaign to persuade Italians to buy into his vision of Fascist family life, adopting Sposi (c'è una casetta piccina) as an anthem for the campaign, celebrating newlyweds in their own "little house".

Rabagliati was lined up to work alongside
Raffaella Carrà in a new TV show

It is said that Mussolini privately despised Rabagliati’s music, with its heavy American influences, and reputedly flew into a rage one day when he discovered his mistress, Clara Petacci, listening to one of his records, dragging it off the turntable and smashing it.

Rabagliati used his fame as a singer to kick-start his film career and appeared in more than 20 films between 1940 and the mid-1960s, including Barefoot Contessa, Montecarlo, Il vedova (The Widow) and The Christmas That Almost Wasn’t, in which he played Santa Claus.

He began to act on stage too, landing many parts in musical revues and comedies.  It seemed he was about to break into television in a big way, too, making a guest appearance on a new show Milleluci, presented by Mina Mazzini and Rafaella Carrà.

He was so impressive that Mina wanted him to be on the show regularly and he was about to agree a deal on becoming a co-host in March 1974 when he collapsed and died from a cerebral haemorrhage. He was 67.

Rabagliati, who had married Maria Antonietta Tonnini in 1954, was buried at the Cimitero Flaminio in Rome, next to his mother.

The impressive Baroque cathedral at Asti

Travel tip:

Asti is one of the most important cities in Piedmont in terms of art and literature, notably as the birthplace of Vittorio Alfieri, the famous 18th century poet and dramatist. The town's historic centre, is charmingly quaint, the highlight of which is the triangular Piazza Alfieri, where the town’s famous Palio horse race is staged.   It has a wealth of palaces, towers and ancient churches, and a magnificent Gothic cathedral.

Travel tip:

The Cimitero Flaminio is in the Rome suburb of Prima Porta, which is so called because of an arch under an aqueduct carrying water across the Via Flaminia, which was considered a gateway into Rome from the north.  The Via Flaminia, which effectively begins at Piazza del Popolo in the centre of Rome, stretches all the way across the Apennines to what is now Rimini on the Adriatic coast.

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Aldo Serena - footballer

Azzurri striker left field in tears after penalty miss

Aldo Serena places the ball on the spot before
his fateful penalty kick against Argentina

Aldo Serena, one of the two Italian players who most felt the agony of defeat after the Azzurri suffered the pain of losing at the semi-final stage when the football World Cup last took place on home soil, was born on this day in 1960 in Montebelluna, a town in the Veneto.

The match that ended the host nation's participation in the Italia '90 tournament took place in Naples against an Argentina side that included the local hero, Diego Maradona. It was decided on penalties after finishing 1-1 over 120 minutes. 

Italy converted their opening three penalties, as did Argentina.  Then Roberto Donadoni’s shot was saved by the Argentina goalkeeper, Sergio Goycochea.  Up stepped Maradona, who scored, to the delight of many in the crowd who had divided loyalties.

Suddenly, everything was down to Aldo Serena, who could not afford to miss if Italy were to stay alive in a tournament in which they had played football at times that deserved to win.

Serena, the Internazionale striker, had been a fringe player for Italy throughout the tournament, picked only as a substitute, although he had scored in that capacity against Uruguay in the round of 16 – on his 30^th birthday.

Roberto Baggio consoles Aldo Serena (left) after
Italy's defeat in the semi-final

He had said since that he never wanted such responsibility, but Azeglio Vicini, the Italy coach, said there was no choice.  Gianluca Vialli and Giuseppe Giannini, who would have been chosen ahead of Serena, had both been substituted, while Toto Schillaci, who had emerged as Italy’s talisman during the tournament, had finished extra time with a groin injury, which Vicini felt might be too big an impediment. Serena had scored more than 100 goals during his Serie A career. He knew what it took to put the ball in the net.

Yet though hit a firm enough shot Goycochea read his intentions, diving to his left to smother the ball. Unlike Donadoni, who had dropped to his knees, head in hands, Serena remained upright.  Hands on hips, he tipped his head back and looked towards the heavens.  Goycochea ran past him, eager to join his team-mates as they celebrated their passage to the final.

Serena had not done too much wrong throughout the tournament so to be held responsible in some ways for the Azzurri demise was unfair. Twenty-four hours later, it would be the turn of Stuart Pearce and Chris Waddle to be Donadoni and Serena as England were knocked out by West Germany, also on penalties.

Serena with the trophy he won as
Serie A's top scorer in 1988-89

Yet at that moment it must have seemed there was no consolation or comfort available. The hopes of a nation had rested on his shoulders and he had not been able to deliver. No wonder he left the field in tears.

The moment should not have defined his career but it has tended to overshadow his achievements, which were not inconsiderable.  He won the Serie A title no fewer than four times, with Juventus (1985-86), Inter (88-89), and AC Milan (91-92 and 92-93), although his contribution to the two Milan championships was minimal because of injuries.

A powerful, athletic centre forward with good aerial ability and a fierce shot in his left foot, his best years were at Inter, where he was Serie A’s leading scorer in 1988-89 with 22 goals.  Yet fans of the nerazzurri found it hard to forgive him for joining their arch rivals AC Milan under Fabio Capello.

He retired in 1993 as the only player to have played for both Milan clubs and both Turin clubs, having spent part of the 1984-85 season on loan with Torino.  Nowadays he works as a TV pundit.

The church of Santa Maria in Colle
in Montebelluna

Travel tip:

Montebelluna is situated about 22km (14m) northwest of Treviso and about 67km (42m) from Venice on the way to the Valdobbiadene wine growing region famous for prosecco. A pleasant, orderly town, it is best known for its long tradition in the footwear industry, particularly the production of sports footwear, from ski boots to football boots.  There is a museum dedicated to the industry in Vicolo Zuccareda, not far from the church of Santa Maria in Colle. The international sportswear giant Nike has a factory nearby, while another, Fila, has a research facility based at Montebelluna.

Inside the Stadio San Paolo

Travel tip:

The football stadium in Naples, where the 1990 semi-final took, place is the Stadio San Paolo, built in the Fuorigrotta neighbourhood on the north side of the city and completed in 1959, more than 10 years after work began.  It is the third largest football ground in Italy with a capacity of 60,240. Diego Maradona played there for SC Napoli between 1984 and 1991, helping the club to the most successful period in their history, in which they won the Serie A title twice, the Coppa Italia and the UEFA Cup. The local council wanted to rename the ground Stadio Diego Maradona but Italian law prohibits the naming of a public building after any person who has not been dead at least 10 years.

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Piero Barone – singer

Young tenor found fame on TV talent show

Piero Barone, one of the stars
of the group Il Volo

Piero Barone, one of the three singers who make up the Italian opera and pop group, Il Volo, was born on this day in 1993 in Naro, a town in the province of Agrigento in Sicily.

Il Volo hit the headlines after winning the Sanremo Music Festival in 2015. They came third when they represented Italy in the Eurovision Song Contest with their hit Grande Amore later that year in Austria and have since acquired growing popularity world wide.

In 2016, the group, together with tenor Placido Domingo, released Notte Magica – A Tribute to the Three Tenors, a live album featuring many of the songs performed by the Three Tenors (Domingo, Luciano Pavarotti and Jose Carreras) for their iconic concert held at the Baths of Caracalla in Rome on the eve of the Italia ’90 World Cup.

Piero’s father, Gaetano Barone, is a mechanic and his mother, Eleonora Ognibene, a housewife.

His musical talent was discovered by his grandfather, Pietro Ognibene, when he was just five years of age. Pietro was a blind musician who had written a song in Sicilian and when Piero sang it for him he was amazed by his voice.

The family helped Piero develop his talent and his grandfather paid for him to have piano lessons. Piero sang at school and in the church choir and even earned money as a wedding singer.

Il Volo performing at the Eurovision Song Contest in 2015

Considered a spinto tenor, a singer who easily reaches high notes but has elements of a baritone, Piero’s voice is powerful and he can sustain notes for a long while.

He had professional singing tuition while he was growing up and won a number of singing festivals in Italy. When he took part in the TV talent show, Ti Lascio Una Canzone, in 2009 he met fellow contestants Ignazio Boschetto and Gianluca Ginoble, with whom he would later form the group, Il Volo.

On the show, Piero sang with them for the first time in a rendition of the famous Neapolitan song, O’ Sole Mio.

Il Volo describe their music as ‘popera’ and sing at venues all over Italy and abroad. They have so far released five CDs, which have been hits all over the world.

Grande Amore was part of an album issued as L'amore si muove - Love moves - in Italy, which reached number one in the Italian album charts.

The view over Naro from the medieval castle

Travel tip:

Naro in Sicily, where Piero Barone was born, dates back to Roman times and the remains of catacombs and villas have been found there. The town has a medieval castle, the ruins of a Norman Church and several Baroque buildings. It is famous for the festival held on 18 June every year to remember the patron saint, San Calogero, when a statue of the saint is carried through the streets in a procession. The composer, Achille Campisiano, was born in the town in 1837.

Piazza Santa Croce is one of the most famous
squares in Florence

Travel tip:

Il Volo’s album, Notte Magico – A Tribute to the Three Tenors, was recorded at a live concert held on July 1, 2016 in Piazza Santa Croce in Florence accompanied by the orchestra of the Teatro Massimo di Palermo. The tenor, Placido Domingo, conducted the orchestra for eight pieces and joined with Il Volo to sing Non ti scordar di me. Set in one of the most famous squares in Florence, the concert took place against the backdrop of the 13th century church of Santa Croce, which contains the tombs of many illustrious Florentines, including Michelangelo and Galileo.

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Claudio Capone – actor and dubber

The Italian voice of a host of stars

The dubbing professional Claudio Capone
 was the Italian voice of many stars 

Italy lost one of its most famous voices on this day in 2008 with the premature death of Claudio Capone.

The Rome-born actor was working in Scotland when he suffered a stroke. He was admitted to hospital in Perth but despite the best efforts of doctors he died two days later, at the age of only 55.

Although he began his career with the ambitions of any actor to reach the top of his profession, he was offered an opportunity only a few years out of drama school to do some voice-over work and found the flow of work in dubbing to be so consistent he ultimately made it his career.

Unlike some countries, Italian cinema and TV audiences have always preferred to watch imported films and TV shows with dubbed Italian voices rather than subtitles, which meant that a talented dubbing actor was seldom unemployed.

Capone was among the best and it was down to him that many foreign stars became famous in Italy, even though many did not speak a word of Italian.

The biggest example of this was the American actor Ronn Moss, who played the part of fashion magnate Ridge Forrester in the CBS soap opera The Bold and the Beautiful.

Moss, who had enjoyed a successful pop career as a member of a band he formed with friends in Los Angeles, called Player, was by no means an outstanding actor but when in 1990 the Italian station Rai bought the rights to The Bold and the Beautiful, which they repackaged as simply Beautiful, his fame took off – in Italy, at any rate.

The American actor Ronn Moss owed his fame
in Italy at least in part to Claudio Capone

He became a favourite with Italian TV audiences, although his appeal owed as much to Capone as his own good looks or acting ability.

Capone gave him a deep, husky voice that female viewers found irresistible. The show quickly built a following, and when it was bought by Silvio Berlusconi’s Fininvest in 1994 and broadcast on Canale 5, Capone continued in the role.

Moss became a star in Italy, yet when he was a celebrity dancer in the 2010 series of Ballando con le Stelle – the Italian equivalent of America’s Dancing with the Stars and the UK show Strictly Come Dancing – audiences were shocked that his own Italian was so limited he needed the show’s host, Milly Carlucci, to interpret for him.

There was much more to Capone’s career than simply being the voice of Ronn Moss, although he also dubbed his part in an Italian-made Romantic comedy, Christmas in Love, in which Moss appeared as himself.

Indeed, his movie credits read like a cinema who’s who, such was his versatility and ability to tailor his voice for an extraordinary range of diverse parts.

He was the voice of Mark Hamill as Luke Skywalker in Star Wars, of Brad Davis as Billy Hayes in Midnight Express, of Stephen Fry as Oscar Wilde in Wilde, of Steve Guttenberg as Carey Mahoney in the Police Academy series and of Martin Sheen as Carruthers Kit in Badlands.

Claudio Capone at work behind a microphone

Others for whom he was the Italian voice – and this list is by no means comprehensive – included John Travolta, Alan Alda, Richard Dreyfuss, Christopher Walken, Chuck Norris, Michael Douglas, Jeff Bridges, Kyle MacLachlan, Jean-Claude Van Damme, Ralph Fiennes, Willem Dafoe and Michael York.

On the small screen, he dubbed for Don Johnson in Miami Vice and Michael Newman in Baywatch, and – again showing his versatility – for John Nettles as an English detective in Midsomer Murders (shown in Italy as Inspector Barnaby), a sitcom doctor played by Alexander Armstrong in TLC and the English vet in Africa (Stephen Tompkinson) in Wild at Heart, shown as Cuore D’Africa.

In addition to his film and TV drama roles, Capone’s other outstanding success was as the Italian voice of documentaries on the Discovery Channel, and as the narrator of the hit Italian science programme Quark.

He was in Scotland to narrate a documentary programme when he was taken ill.  The older of his two sons, David, also became a voiceover specialist.

Rome's Piazza del Popolo

Travel tip:

Claudio Capone’s funeral in Rome attracted many of his fans to pay their respects, with hundreds gathering as his coffin was carried through Piazza del Popolo.  The name of the large square at one end of the Via del Corso, the long, straight thoroughfare stretching north from Piazza Venezia, is often taken to mean the square “of the people”. In fact, many people believe Popolo derives from the Latin populus – poplar – after the trees from which the church of Santa Maria del Popolo is named.

The church of Santa Maria del Popolo

Travel tip:

The Basilica Parrocchiale Santa Maria del Popolo, which can be found on the north side of Piazza del Popolo, is a minor, parish basilica yet contains works by several famous artists, including Raphael, Gian Lorenzo Bernini, Caravaggio and Donato Bramante.  There is a tradition of appointing Catholic ministers from around the world as Cardinal Priest of the church. In fact, there has not been an Italian appointment since 1886. The last six Cardinal Priests have included two Spaniards, an American, a Canadian, a Senegalese and the present incumbent, a Pole.

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