Cesare Pavese - writer and translator

Author introduced great American writers to Fascist Italy

Cesare Pavese translated the works
of many American novelists

Cesare Pavese, the writer and literary critic who, through his work as a translator, introduced Italy to the Irish novelist James Joyce and a host of great American authors of the 20^th century, was born on this day in 1908 in Santo Stefano Belbo, a town in Piedmont about 60km from Turin.

Pavese would become an acclaimed novelist after the Second World War but was frustrated for many years by the strict censorship policies of Italy’s Fascist government.

It is thought he devoted himself to translating progressive English-language writers into Italian as the best way by which he could promote the principles of freedom in which he believed.

Pavese’s translations would have given most Italians they first opportunity to read writers such as Herman Melville, William Faulkner, Charles Dickens, Gertrude Stein, John Steinbeck, John Dos Passos and Daniel Defoe, as well as Joyce, who would ultimately spend many years living in Italy.

The son of Eugenio Pavese, an officer of the law courts in Turin, Cesare had a fractured childhood. His father died when he was only six and his mother, Consolina, is said to have shown him little affection, as a result of which he grew up learning how to fend for himself.

He was born in Santo Stefano Belbo, situated in a picturesque vine-growing area east of Alba in southern Piedmont, because his parents were staying at their holiday home there when his mother went into Labour.  As soon as he was old enough, he moved to Turin and attended the lyceum – the Licio Classico Massimo d’Azeglio – where he was taken under the wing of the Italian anti-Fascist intellectual Augusto Monti.

Pavese hid in the hills outside Turin during the Second
World War occupation of the city by German soldiers

Monti was later imprisoned by the regime for his vociferous opposition, a fate that would befall Pavese not long after he had left the University of Turin, where he was mentored by Leone Ginzburg, husband of the author Natalia Ginzburg.

He had begun an affair with Tina Pizzardo, a young Communist he met at the sparsely-attended anti-Fascist meetings he used to frequent, and agreed for her to use his address as somewhere to which she could have correspondence delivered because her own movements were under surveillance.

However, when the authorities intercepted letters from Altiero Spinelli, a jailed anti-Fascist dissident, and found they were addressed to Pavese’s apartment, he was arrested and sent to a prison at Brancaleone in Calabria, almost 1,400km (870 miles) from Turin.

Pavese later wrote a book about his ordeal, although for many years his work remained unpublished by his own choice, rather than it be censored.  When a volume of his poetry was published during his incarceration, a number of poems were deleted by the Fascist authorities.

On his return to Turin after a little more than a year in jail, he found that Pizzardo had begun another relationship and countered his sadness by throwing himself into his work, again mainly in translating.  He became a close associate of Giulio Einaudi – father of the pianist and composer Ludovico Einaudi and son of the politician Luigi Einaudi – with whom he helped establish the Einaudi publishing house. Natalia Ginzburg also worked there.

The young communist Tina Pizzardo,
with whom Pavese had an affair

Pavese was conscripted to fight in Mussolini’s Fascist army but avoided front-line action because he suffered from asthma. Instead, he was confined to a military hospital for six months.

In his absence, German troops occupied Turin and on returning to civilian life when he was discharged on health grounds Pavese went into hiding in the hills around Serralunga di Crea, near Casale Monferrato, where he remained between 1943 and 1945.

Most of Pavese’s work, mainly short stories and novellas, was published by Einaudi, appearing between the end of the Second World War and his death. In that time he was a member of the Italian Communist Party and worked on the party’s newspaper L’Unità.

The main character in many of Pavese’s stories was often a loner, whose relationships with both men and women tended to be short-lived. The stories are often bleak yet he was admired for the tautness of his prose, which was favourably compared to that of Ernest Hemingway.

They tended to draw comparison with his own life. As well as his affair with Pizzardo, whom he felt deserted him, he had a brief relationship after the war with Constance Dowling, an American actress, but that too failed and is seen to have been a contributory factor in his death at the age of only 41.

It came at a moment when he appeared to be at the height of his career, hailed as one of Italy’s greatest living writers.

Works such as La casa in collina (The House on the Hill) and Il carcere (The Prison), which were published as a two-novella volume entitled Prima che il gallo canti (Before the Cock Crows) and based in his experiences in prison, were regarded as confirming his genius, as were Il Compagno (The Comrade), Dialoghi con Leucò (Dialogues with Leucò) - philosophical dialogues between classical Greek characters – and La luna e i falò (The Moon and the Bonfires), which he dedicated to Dowling.  

In 1950, he won the prestigious Strega Prize but two months after receiving the honour he was found dead in an hotel room in Turin, having swallowed an overdose of barbiturates.  Entries in his diary indicated that he had been profoundly depressed following his break-up with Dowling, which he took as a sign that he would never find happiness in marriage, or with other people.

The village of Santo Stefano Belbo

Travel tip:

Pavese’s life is commemorated in several ways in Santo Stefano Belbo, where there is a museum housed in the house his parents owned in what is now Via Cesare Pavese, while the Cesare Pavese Foundation, which was established in 1973 and has its headquarters in Piazza Confraternita off Via Cavour, promotes not only the work of Pavese but encourages and supports other writers.

A plaque marks where Cesare Pavese lived in Turin

Travel tip:

In Turin, Pavese lived in the same building for 20 years on the Via Alfonso Lamarmora, one of the elegant residential streets in the grid of criss-crossing thoroughfares that characterises the centre of the city.  Via Lamarmora links Corso Stati Uniti with Via Sebastiano Caboto, bisecting the busy Corso Luigi Einaudi. There is a wall plaque marking the building that contained his apartment.

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Michelangelo’s David

Masterpiece emerged from an abandoned block of marble

A replica of Michelangelo's David now stands
 in front of the Palazzo Vecchio in Florence

A huge statue of the Biblical hero David, sculpted by Michelangelo, was unveiled in Piazza della Signoria in Florence on this day in 1504.

The 5.17m (17ft) high statue was placed outside the Palazzo Vecchio, the seat of civic government in Florence. The sculpture symbolised the defence of civil liberties in the republic of Florence, which at the time was an independent city state threatened on all sides by rival states. It was thought that the eyes of David were looking towards Rome and seemed to have a warning glare.

David is regarded as one of Michelangelo’s masterpieces. He was sculpted from a block of Carrara marble originally designated to be one of a series of prophets for Florence Cathedral. The marble was worked on by two artists before being abandoned and left exposed to the elements in the yard of the Cathedral workshop.

The original statue in its home in
Galleria dell'Accademia

After 25 years of neglect, the Cathedral authorities decided to find an artist to produce a sculpture from their expensive block of marble.

At the age of 26, it was Michelangelo who convinced the overseers of works for the Cathedral that he deserved the commission.

He began work early in the morning of September 13, 1501. The resulting statue of a nude David produced nearly three years later is thought to represent the hero after he had made the decision to fight Goliath but before the battle has actually taken place. It is one of the most recognised works of sculpture from the Renaissance period and is a symbol of strength and youthful beauty.

On completion, the statue was moved the half mile from Michelangelo’s workshop to Piazza della Signoria, a journey that took four days. It was to remain there for more than 300 years.

But in 1873 David was removed from the piazza, allegedly to protect the statue from damage, and put on display in the Galleria dell’Accademia in Florence, where it has attracted many thousands of visitors over the years. A replica of the original statue now stands outside the Palazzo Vecchia.

The L-shaped Piazza della Signoria in Florence

Travel tip:

Piazza della Signoria is an L-shaped square in the centre of Florence, important as the location of the 14th century Palazzo Vecchio, the focal point for government in the city. Citizens gathered here for public meetings and the religious leader Girolamo Savonarola was burned at the stake in the square in 1498. The piazza is a unique outdoor sculpture gallery filled with statues, some of them copies, commemorating major events in the city’s history.

Travel tip:

The Galleria dell’Accademia in Florence has become famous as the home of Michelangelo’s statue of David. It is the second most visited museum in Italy, after the Uffizi, the main art gallery in Florence. The Galleria dell’Accademia was established in 1784 in Via Ricasoli in Florence. For more information about the gallery visit galleriaaccademiafirenze.beniculturali.it

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Kidnapping of Pope Boniface VIII

When the Pope was slapped down by a disgruntled landowner

Boniface VIII had a long-running
conflict with Philip IV of France

An army, representing King Philip IV of France and the anti-papal Colonna family, entered Anagni in Lazio and captured Pope Boniface VIII inside his own palace on this day in 1303.

The Pope was kept in custody for three days and was physically ill-treated by his captors until the local people rose up against the invaders and rescued him.

Boniface VIII returned to Rome, but he was physically and mentally broken after his ordeal and died a month later.

The Pope had been born Benedetto Caetani in Anagni in 1230. He became Pope Boniface VIII in 1294 after his predecessor abdicated. He organised the first Catholic Jubilee Year to take place in Rome in 1300 and founded Sapienza University in the city in 1303, the year of his death.

But Boniface VIII is mainly remembered for his conflicts with Philip IV of France. In 1296 Boniface VIII issued the bull Clericis Laicos which forbade under the sanction of automatic excommunication any imposition of taxes on the clergy without express licence by the Pope. Then in 1302 he issued a bull proclaiming the primacy of the Pope and insisting on the submission of the temporal to the spiritual power.

The 'Anagni slap' as depicted by French
 artist Alphonse de Neuville

Philip IV countered this with an order forbidding all exports of money and valuables from France to the Papal States along with the expulsion of foreign merchants.

The squabble escalated until Boniface VIII excommunicated the King of France and released a decree stating that every human creature was subject to the Roman pontiff.

He sent mercenaries to destroy other people’s castles and declared the anti-papal Colonna family’s property forfeited. He then shared their land out among his own family members.

An army representing the powerful Colonna family and accompanied by Guillaume de Nogaret, Philip IV’s minister, marched into Anagni where the Pope was spending the summer at his palace. They kidnapped the Pope and demanded that he abdicate.

When he refused he was allegedly slapped by Sciarra Colonna, which famously became known as the 'Anagni slap' - lo schiaffo di Anagni. The Colonna family wanted to kill the Pope but de Nogaret wanted to take him to France to try him for his crimes in front of a General Council.

According to many accounts Boniface VIII was subjected to ill-treatment over a period of three days until he was rescued by local people. He survived the attack only to die a month later after he had returned to Rome.

The writer Dante Alighieri had been personally exiled by the Pope for supporting the limitation of papal powers, so when he wrote his Divine Comedy he had his revenge by placing Boniface VIII in hell.

Boniface's papal palace in Anagni

Travel tip:

Anagni is an ancient town in the province of Frosinone in Lazio. It is south east of Rome in an area known as Ciociaria, named after the primitive footwear, named ciocie, favoured for many years by people living in the area. Boniface VIII was the fourth Pope produced by Anagni but after his death the power of the town declined and the papal court was transferred to Avignon. The medieval Palace of Boniface VIII, where he received the Anagni slap, is near the Cathedral.  Close by there is a restaurant named Lo Schiaffo.

Part of the Giotto fresco
 commemorating the Jubilee

Travel tip:

The Papal Archbasilica of San Giovanni in Laterano in Rome houses a small portion of a fresco cycle painted by Giotto for the Jubilee of 1300, called by Pope Boniface VIII after he was elected to the Papacy.

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Francesco I d’Este – Duke of Modena

Military leader left legacy of fine architecture

Diego Valásquez's portrait of Francesco I

Francesco I, Duke of Modena, who was to be immortalised in a bust by the sculptor, Bernini, was born on this day in 1610 in Modena in Emilia-Romagna.

He is remembered as a skilful military commander, who enriched Modena with the building of the Ducal Palace.

Francesco was the eldest son of Alfonso III d’Este and Isabella of Savoy and became Duke of Modena in 1629 after the death of his mother had prompted his grieving father to abdicate in order to take religious vows and become a Capuchin Friar in Merano.

During the next two years about 70 per cent of the inhabitants of Modena were killed by the plague.

The Duke’s father, now known as Fra’ Giambattista da Modena, tried to help the dying and went about preaching during the outbreak of plague, before retiring to a convent built by Francesco for him in Castelnuovo in Garfagnana.

After the outbreak of the Thirty Years War, Francesco sided with Spain and invaded the Duchy of Parma, but when he went to Spain to claim his reward he was able to acquire only Correggio, for a payment of 230,000 florins.

Francesco then sided with Venice, Florence and Parma against Pope Urban VIII and tried unsuccessfully to conquer Ferrara.

Gian Lorenzo Bernini's 1651 bust of Francesco I d'Este

Francesco had married Maria Caterina Farnese, but after she died in 1646, he married her sister, Vittoria, who died in 1649.

Modena then became the ally of France, through the intercession of Cardinal Mazarin, but Francesco later made an agreement with Spain because they seemed to be on the winning side in the Thirty Years War.

He married off his son and heir, Alfonso, to Laura Martinozzi, Mazarin’s niece.

Francesco’s third and final marriage was to Lucrezia Barberini, the daughter of Taddeo Barberini, who his troops had at one stage fought against during the Thirty Years War. He had 11 children in total and two of them, Alfonso and Rinaldo, later became Dukes of Modena.

He fought alongside France and Savoy in 1656, conquering Alessandria and Valenza. In 1658 he conquered Mortara, but he became ill with malaria and died in Santhia in Vercelli in the Piedmont region.

Francesco I is remembered for his good character and religious ideals and for improving and enriching Modena.

Balsamic vinegar is big
business in Modena

Travel tip:

Modena is a city on the south side of the Po Valley in the Emilia-Romagna region of Italy. It is known for its car industry, as Ferrari, De Tomaso, Lamborghini, Pagani and Maserati have all been located there. The city is also well known for producing balsamic vinegar. Operatic tenor Luciano Pavarotti and soprano Mirella Freni were both born in Modena.

The Ducal Palace is a dominant feature of the Modena skyline

Travel tip:

One of the main sights in Modena is the huge, baroque Ducal Palace, which was begun by Francesco I on the site of a former castle in 1635. His architect, Luigi Bartolomeo Avanzini, created a home for him that few European princes could match at the time. The palace is now home to the Italian national military academy. In the Galleria Estense, on the upper floor of the Palazzo dei Musei in Modena, the one-metre high bust of Francesco I d’Este, Duke of Modena, by Gian Lorenzo Bernini, still seems to be commanding the city.

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