28 October 2017

Sergio Tòfano – actor and illustrator

The many talents of stage and screen star


Sergio Tofano as Professor Toti, in Luigi  Pirandello's comic play Pensaci, Giacomino!
Sergio Tòfano as Professor Toti, in Luigi
 Pirandello's comic play Pensaci, Giacomino!
Comic actor, director, writer and illustrator Sergio Tòfano died on this day in 1973 in Rome.

He is remembered as an intelligent and versatile theatre and film actor and also as the creator of the much-loved cartoon character Signor Bonaventura, who entertained Italians for more than 40 years.

Tòfano was born in Rome in 1886, the son of a magistrate, and studied at the University of Rome and the Academy of Santa Cecilia. He made his first appearance on stage in 1909.

He soon specialised as a comic actor and worked with a string of famous directors including Luigi Almirante and Vittorio de Sica.
  
He became famous after his performance as Professor Toti in Luigi Pirandello’s comic play, Pensaci, Giacomino! 

Also a talented artist and writer, Tòfano invented his cartoon character Signor Bonaventura for the children’s magazine, Il Corriere dei Piccoli, signing himself as Sto.

Signor Bonaventura made his first appearance in 1917. The character wore a red frock coat and a hat and his fans interpret him as showing how good people, despite making mistakes, can avoid the bad outcome they seem fated to experience, even in complicated situations, because there is always hope.

Tofano's invention, the cartoon character Signor Bonaventura
Tòfano's invention, the cartoon
character Signor Bonaventura
After the Second World War Tòfano continued to act, working with important directors such as Luchino Visconti and Giorgio Strehler at the Piccolo Teatro in Milan performing in plays by Ibsen and Shakespeare. He also took parts in plays by Molière and Goldoni at the Teatro dei Satiri in Rome.

Tòfano has a string of film and television credits to his name, his most successful films including Goffredo Alessandrini’s 1934 comedy Seconda B, the Raffaello Matarazzo drama Giù il Sipario (1940) and Partner (1968), directed by Bernardo Bertolucci and based on the on the novel The Double by Fyodor Dostoyevsky

He continued to act until his death at the age of 87, having survived his wife, Rosetta, a costume designer he married in 1923, by 13 years.

Before 1935, Rome University's base was in the Palazzo della Sapienza, near Piazza Navona
Before 1935, Rome University's base was in
the Palazzo della Sapienza, near Piazza Navona
 
Travel tip:

Rome University, where Tòfano studied, is often known simply as La Sapienza, which means ‘the wisdom’.  It can trace its origins back to 1303, when it was opened by Pope Boniface VIII as the first pontifical university. In the 19th century the University broadened its outlook and started to offer more than just ecclesiastical studies. Today’s campus was built near the Termini railway station in 1935. Rome University now caters for more than 112,000 students.

Travel tip:

The Piccolo Teatro della Città di Milano, where Tòfano performed regularly after it was founded in 1947, was Italy’s first permanent repertory company. It now operates from three venues in Milan, the Teatro Grassi, the Teatro Studio and the Teatro Strehler.





27 October 2017

Enrico Mattei – industrialist and entrepreneur

Death in plane crash remains an unsolved mystery


Enrico Mattei rose to political prominence in the years after the Second World War
Enrico Mattei rose to political prominence in the years
after the Second World War
Enrico Mattei, one of the most important figures in Italy’s post-War economic rebirth, was killed on this day in 1962 in a plane crash near the village of Bascapè in Lombardy.

Accompanied by a Time-Life journalist, William McHale, Mattei was returning to Milan from Catania in Sicily in a French-built four-seater Morane-Saulnier jet being flown by Irnerio Bertuzzi, a respected pilot who had flown many daring missions during the Second World War.

They were on their descent towards Milan Linate when the crash happened, less than 17km (10.5 miles) from the airport.

Mattei, a politically powerful industrialist, best known for turning round Italy’s seemingly unviable oil industry, was not short of enemies and after his death there was considerable speculation that it did not happen by accident.

A government-led investigation, overseen by the then Italian Defence Minister Giulio Andreotti, concluded that a storm was to blame for the crash, even though the pilot was highly experienced and very unlikely to have allowed bad weather to bring him down.

Questions about the initial inquiry’s findings led to a second inquiry was opened in 1966 but shelved without reaching a conclusion.

Mattei established ENI as Italy's state oil company in the early 1950s
Mattei established ENI as Italy's state oil
company in the early 1950s
In the fevered atmosphere that prevailed in Italy at the time, however, with much social unrest and the Italian Communist Party threatening the grip of the Christian Democrats, the conspiracy theories never went away.

Indeed, there were good grounds to imagine that dark forces might have been involved, given the controversial way in which Mattei had gone about reviving Italy’s ailing oil industry.

Born at Acqualagna in Marche in 1906, Mattei had experience in the tanning and chemical industries in the late 1920s and early 1930s and joined the Fascist Party in 1931, although he was never active politically and was persuaded by the disastrous course of the Second World War to join anti-Fascist groups during the 1940s.

After Mussolini was ousted in 1943, Mattei supplied weapons to the Italian resistance and aligned himself with the newly-formed Christian Democrats, participating in the Northern Italian military command of the National Liberation Committee.

He went on to become a powerful figure within the Christian Democrats, for whom he sat in the Chamber of Deputies between 1948 and 1953.

But it was the decision of the National Liberation Committee, in the immediate aftermath of war, to put him in charge of the Fascist-instigated state-owned oil company, Agip (Azienda Generale Italiana Petrolio), that defined his life.

A Morane-Saulnier MS 760 similar to the one in which Mattei was travelling when he was killed
A Morane-Saulnier MS 760 similar to the one in which
Mattei was travelling when he was killed
Mattei’s brief was to close Agip, which was seen as unsustainable.  Instead, Mattei rebuilt it, exploiting newly-discovered oil and methane sources in the Po Valley, which he used to supply the postwar industrial growth in northern Italy with vital energy supplies.

He ploughed profits back into more exploration and ultimately persuaded the government, despite opposition from within his own party, to set up a new company, called Ente Nazionale Idrocarburi (ENI) with control over the petrochemical industry throughout Italy.

It was as president of ENI that Mattei began to acquire enemies. Keen to develop international operations once it became clear Italy could not be self-sufficient in oil, he persuaded parliament to support a massive expansion of the company, often – it became clear later – using company money to pay sweeteners.

However, in the international field he was up against the might of the cartel he dubbed the Seven Sisters – the seven major companies, mainly American, that controlled 85 per cent of the world’s petroleum reserves and kept prices at a high level.

Mattei's desk is preserved at a small museum dedicated to his memory in his home town of Acqualanga
Mattei's desk is preserved at a small museum dedicated
to his memory in his home town of Acqualanga
Determined to get a better deal for Italy, Mattei began to make arrangements of his own that bypassed the cartel, with the poorer Middle East and north African countries and, most controversially, with Russia. 

This engendered opposition from the United States, who saw the deals he struck with Morocco, Tunisia, Egypt and Iran as severely detrimental to their own interests, and from NATO, who feared that a major trade link between Italy and Russia would only aid the march of communism in Italy, which they were committed to preventing.

Mattei upset the French, too, by secretly funding the independence movement in French colonial Algeria, again to facilitate preferential oil agreements.

Thus the finger of suspicion soon began to point at America and France, in the shape of the CIA, the French secret services and the French far-right paramilitary group, the OAS.

In 1974 there was another inquiry, prompted by the disappearance in Sicily of a journalist, Mauro de Mauro, who was looking into Mattei’s business dealings for a film about him being planned by the director, Francesco Rosi, and the claim by a former agent of the French intelligence agency SDECE, that Mattei had been eliminated by them.

Again, no conclusion was reached but in 1995 a further inquiry was launched, which took into account a claim by the Mafia pentito (supergrass) Tommaso Buscetta that Sicilian Cosa Nostra members had killed Mattei at the request of the American Mafia, but was largely concerned with some wreckage from the plane that had found its way to the officer of the public prosecutor in Pavia, under whose jurisdiction that crash scene fell.

Fragments saved at the scene by an Italian secret service agent had been handed to Mattei’s nephew, Angelo, who in turn gave them to the prosecutor.  This prompted an exhumation of the bodies of Mattei and Bertuzzi, the pilot, and a new post mortem that identified clear indications that an explosion had taken place on the plane while it was still in the air, almost certainly caused by a bomb triggered when the landing gear was activated.

On the basis of this evidence, a judge quashed Andreotti’s original pronouncement that the deaths were caused accidentally and reclassified them as homicide, although the identity of the perpetrators remains an unsolved mystery.

The beautiful Gola di Furlo
The beautiful Gola di Furlo
Travel tip:

The town of Acqualagna, which is situated about 40km (25 miles) inland of Pesaro to the southwest, is in the valley of the Candigliano river close to where it is joined by the Burano, just upstream from the beautiful Gola di Furlo – the Furlo pass – a gorge formed between two mountain peaks by the force of the Candigliano, along which was built the Roman road Via Flaminia, part of which passes through a tunnel built into the rock by the Romans at the narrowest part of the gorge.  The house in which Mattei was born contains a small museum dedicated to his memory, which can be viewed by appointment.

Milan's Linate airport as it appeared when commercial operations began in 1930s
Milan's Linate airport as it appeared when commercial
operations began in 1930s
Travel tip:

Linate airport, situated less than 10km (6 miles) from Piazza del Duomo, is Milan’s city airport, although it nowadays handles considerably fewer passengers than Malpensa, which is almost 50km (30 miles) out of town, just a few kilometres from Lake Maggiore. Linate began commercial operations in the 1930s when it was built to replace Taliedo airport, just to the south of the city, which had been one of the world’s first aerodromes but was too small for significant commercial traffic.








26 October 2017

Giuditta Pasta – soprano

The first singer to perform the roles of Anna Bolena and Norma


Giuditta Pasta was a mezzo-soprano much in demand among 19th century composers
Giuditta Pasta was a mezzo-soprano much in
demand among 19th century composers
Singer Giuditta Pasta, whose voice was so beautiful Gaetano Donizetti wrote the role of Anna Bolena especially for her, was born on this day in 1797 in Saronno in Lombardy.

Her mezzo-soprano voice was much written about by 19th century opera reviewers and in modern times her performance style has been compared with that of Maria Callas.

Indeed, Vincenzo Bellini’s opera Norma, which Callas would turn into her signature role, was actually written for Pasta in 1831.

Pasta was born Giuditta Negri, the daughter of a Jewish soldier. She studied singing in Milan and made her operatic debut there in 1816.

Later that year she performed at the Theatre Italien in Paris as Donna Elvira in Don Giovanni, but it was not until 1821 that her talent was fully recognised when she appeared in Paris as Desdemona in Gioachino Rossini’s Otello.

Giuditta married another singer, Giuseppe Pasta, in 1816 and as well as being her regular leading man he handled her business affairs and identified likely roles and composers who might wish to work with her.

An illustration of Giuditta Pasta in the  premiere of La Sonnambula
An illustration of Giuditta Pasta in the
premiere of La Sonnambula
She sang regularly in Milan, Naples, Paris and London and her unique voice attracted a lot of attention.

The French writer Stendhal wrote about her: ‘She can achieve perfect resonance on a note as low as bottom A and can rise as high as C sharp or even to a slightly sharpened D, and she possesses the rare ability to be able to sing contralto as easily as she can sing soprano.’

He argued for a score to be composed expressly for Pasta. Donizetti responded with the role of Anna Bolena in the opera of the same name and Pasta performed it at Milan’s Teatro Carcano in 1830, giving the composer the greatest success of his career to that point.

Bellini wrote for her the part of Amina in La Sonnambula and the protagonist’s part in Norma and these were also major successes for Pasta in 1831. She retired from the stage in 1835 when her voice began to deteriorate.

After her husband’s death, she taught singing and among her pupils were contralto Emma Albertazzi, soprano Marianna Barbieri-Nini, and the English soprano Adelaide Kemble. Another pupil, Carolina Fermi, who also became a noted Norma, taught the soprano Eugenia Burzio, whose recordings are known for their passionate expression.

Pasta died in Blevio in the province of Como at the age of 67.

The Sanctuario della Madonna dei Miracoli in Saronno
The Sanctuario della Madonna dei Miracoli in Saronno
Travel tip:

Saronno, where Giuditta Pasta was born, is a large town in Lombardy in the province of Varese. It is well known for the production of amaretti di Saronno, small almond-flavoured biscuits, and the liqueur, amaretto. One of the town’s most beautiful buildings is the Santuario della Madonna dei Miracoli, built in 1498, which has a stunning fresco, The Concert of Angels, by Gaudenzio Ferrari.

The Teatro Carcano is in Corso di Porta Romana on the  south-east side of Milan city centre
The Teatro Carcano is in Corso di Porta Romana on the
south-east side of Milan city centre
Travel tip:

The Teatro Carcano in Milan, where Giuditta sang the role of Anna Bolena for the first time in 1830, is still a working theatre and can be found in Corso di Porta Romana. Although it now presents mainly plays and ballets, it was an opera house for most of the 19th century. It was built in 1803 on the site of a former convent for Milanese aristocrat and theatre-lover Giuseppe Carcano. The world premiere of Anna Bolena took place at the theatre on December 26, 1830 and the world premiere of La Sonnambula on March 6, 1831.




25 October 2017

Carlo Gnocchi – military chaplain

Remembering a protector of the sick and the mutilated


Carlo Gnocchi as a young priest
Carlo Gnocchi as a young priest
Carlo Gnocchi, a brave priest who was chaplain to Italy’s alpine troops during the Second World War, was born on this day in 1902 in San Colombano al Lambro, near Lodi in Lombardy.

In recognition of his marvellous life, which was dedicated to easing the wounds of suffering and misery created by war, his birthday was made into his feast day when he was beatified by Pope Benedict XVI on October 25, 2009 in Milan.

Gnocchi was the youngest of three boys born to Henry and Clementine Gnocchi. His father died when he was five years old and his two brothers died of tuberculosis before he was 13.

He was ordained a priest in 1925 in the archdiocese of Milan and afterwards worked as a teacher.

When war broke out he joined up as a voluntary priest and departed first for the front line between Greece and Albania and then for the tragic campaign in Russia, which he miraculously survived, despite suffering from frostbite.

While he was chaplain to alpine troops in the war he helped Jews and Allied prisoners of war escape to Switzerland. During this time he was imprisoned for writing against Fascism.

Gnocchi pictured with General Luigi Reverberi at the Russian Front
Gnocchi (left) pictured with General Luigi
Reverberi at the Russian Front
As he assisted the wounding and dying soldiers and listened to their last wishes the idea came to him to create a charity that was to become a reality after the war.

Gnocchi founded the Fondazione Pro Juventute after the war and worked to provide care for those orphaned or disabled during the conflict. The Foundation gradually expanded its operations to care for children suffering from polio.

Today the Don Carlo Gnocchi Foundation also cares for children or young people with disabilities or diseases and for patients of any age with debilitating diseases. In 2003 the president of the Italian Republic awarded it a gold medal for service to public health.

Gnocchi died of cancer in 1956 in Milan and on his deathbed donated his corneas, which returned sight to two, blind young people.

After his death many people invoked his name when in danger and claimed Gnocchi had saved their lives. An electrician from Villa d’Adda said he had survived a serious accident at work after praying to him in 1979.

He was venerated in December 2002 by Pope John Paul II and in 2009 his beatification was celebrated in Piazza del Duomo in Milan on October 25, the date of his birth 107 years before.

A panoramic view over San Colombano al Lambro
A panoramic view over San Colombano al Lambro
Travel tip:

San Colombano al Lambro, where Gnocchi was born, has the distinction of being the only wine producing town in the province of Milan. An area of 100 hectares (250 acres) grows the grapes to produce the acclaimed red wine San Colombano DOC. San Colombano is an exclave of the province of Milan, as it is completely surrounded by the territory of the provinces of Lodi and Pavia. When the province of Lodi was carved out of Milanese territory, the people in San Colombano voted in a referendum to stay part of Milan.

The Santuario del Beato Don Gnocchi is next door to the Fondazione Don Carlo Gnocchi in the San Siro district
The Santuario del Beato Don Gnocchi is next door to the
Fondazione Don Carlo Gnocchi in the San Siro district
Travel tip:

Gnocchi’s remains were transferred in 1960 from the Cimitero Monumentale in Milan to the Fondazione Don Carlo Gnocchi, which is close to Via Don Carlo Gnocchi in the San Siro district of Milan. The foundation stone for the building was laid in September 1955 but Carlo Gnocchi did not live long enough to see the construction completed. Named after him, the organisation was originally set up to provide care, rehabilitation and social integration for children who had lost limbs during wars but has expanded over the years to provide treatment for adult patients as well.