26 February 2018

Dante Ferretti – set designer

Three-times Oscar winner worked with Fellini and Scorsese


Dante Ferretti has worked in the film industry for more than 50 years
Dante Ferretti has worked in the film
industry for more than 50 years
Dante Ferretti, who in more than half a century in movie production design has been nominated for 10 Academy Awards and won three, was born on this day in 1943 in the city of Macerata, in the Marche region of central Italy.

Ferretti, who works in partnership with his wife, the set decorator Francesca Lo Schiavo, won two of his Oscars for films directed by Martin Scorsese, with whom he has enjoyed a collaboration that began 25 years ago this year.

Nominated for his first film with Scorsese, The Age of Innocence (1993) and subsequently for Kundun (1998) and Gangs of New York (2003), he was successful with The Aviator (2005) and Hugo Cabret (2012).

Both Oscars, for Best Scenography, were shared with Lo Schiavo, with whom he also shared an Oscar for Tim Burton’s 2008 film Sweeney Todd: The Demon Barber of Fleet Street.

Ferretti also enjoyed long collaborations with Federico Fellini and Pier Paolo Pasolini, and worked with a string of other major directors, including Elio Petri, Ettore Scola, Franco Zeffirelli, Jean-Jacques Annaud, Terry Gilliam, Anthony Minghella, Brian de Palma, Julie Taymor and Kenneth Branagh.

Born a few months before Macerata would become something of a battleground in the Second World War, occupied by Nazi troops in the wake of Mussolini’s downfall and then subjected to allied bombing, Ferretti had design in his blood, coming from a family of furniture makers.


Gangs of New York was shot almost entirely on sets built by Dante Ferretti at Cinecittà
Gangs of New York was shot almost entirely on sets built
by Dante Ferretti at Cinecittà
After completing school, he went to Rome, graduated from the Academy of Fine Arts and, fascinated with the film industry, began working at the Cinecittà studios, where he would eventually have his own permanent office.

After cutting his teeth as an assistant on a number of Pasolini titles, he landed his first appointment as set director for Pasolini’s 1969 film Medea

His work on that movie caught with attention of Fellini, his partnership with whom he described as a “dream come true”.  Notable successes over the next two decades included The City of Women and Ginger and Fred.

In the mid-1980s, he worked outside Italy for the first time, on such titles as The Name of the Rose (1986), French director Jean-Jacques Annaud’s film version of the novel by Umberto Eco, and The Adventures of Baron Munchausen (1988), directed by the former Monty Python star Terry Gilliam, for which he received his first Oscar nomination.

Martin Scorsese worked with Ferretti on nine movies, two of which won him Oscars
Martin Scorsese worked with Ferretti on
nine movies, two of which won him Oscars
His association with Scorsese did not begin until 1993, although they had met some years earlier at Cinecittà. To date, they have made nine films together, the most ambitious and challenging of which, he said in a recent interview, was Gangs of New York, the epic period drama set in the notorious Five Points district of New York, for which Ferretti constructed full-scale models of New York street scenes within Cinecittà. There was even a set designed to represent the Hudson River, complete with a full-size ship.

More recently, he and Lo Schiavo worked on Scorsese’s Silence, his film about Jesuits in Japan persecuted for their Christian faith in the 17th century, which involved reconstructions of the Japanese city of Nagasaki and the Chinese port of Macau.

A passionate fan of opera, Ferretti has also designed sets for some of the world’s most famous opera houses, including Teatro alla Scala in Milan, the Teatro Regio in Turin, the Metropolitan Opera in New York, the Opéra in Paris, the Royal Opera House in London and the Teatro Colón in Buenos Aires.

The Ben Hur set at Cinecittà World, outside Rome
Travel tip:

As well as admiring his work on the screen, fans of Ferretti’s sets can see examples of his creativity at first hand at the Rome theme park, Cinecittà World, which was opened in 2014 in the grounds of the former studio complex Dinocittà, which was set up in the 1960s by the producer Dino De Laurentiis. Containing 26 sets to represent different themes and genres in cinema history, all of which were designed by Ferretti, the park is at Castel Romano, about 25km (16 miles) south of Rome in the Decima Malafede nature reserve.

The open-air Arena Sferisterio at Macerata
The open-air Arena Sferisterio at Macerata
Travel tip:

The city of Macerata, home to about 43,000 people, is situated in an inland area of Marche, about 48km (30 miles) south of Ancona and 30km (19 miles) from the coastal town of Civitanova Marche. Not a well-known tourist destination, it nonetheless has a charming hilltown feel, with a maze of narrow cobblestone streets and one of Italy’s oldest universities, dating back to 1290. It is the setting each summer for a month-long opera festival at the atmospheric Arena Sferisterio, which has attracted some of the world’s biggest stars.
















25 February 2018

Giovanni Battista Morgagni - anatomist

The father of modern pathological anatomy


Giovanni Battista Morgagni taught at the  University of Padua for 56 years
Giovanni Battista Morgagni taught at the
University of Padua for 56 years
Anatomist Giovanni Battista Morgagni, who is credited with turning pathology into a science, was born on this day in 1682 in Forlì in Emilia-Romagna.

Morgagni was professor of Anatomy at the University of Padua for 56 years and taught thousands of medical students during his time there.

He was sent by his parents to study philosophy and medicine at the University of Bologna when he was 18 and he graduated as a doctor from both faculties.

In 1706 he published his work, Adversaria Anatomica, which was to be the first volume of a series and helped him become known throughout Europe as an accurate anatomist.

He succeeded to the chair of theoretical medicine at the University of Padua in 1712 and was to teach medicine there until his death in 1771.

Morgagni was promoted to the chair of anatomy after his first three years in Padua, following in the footsteps of many illustrious scholars. He brought out five more volumes of his Adversaria Anatomica during his early years in Padua.

Morgagni's Adversaria Anatomica helped establish his reputation
Morgagni's Adversaria Anatomica helped
establish his reputation
In 1761, when he was nearly 80, he brought out the work that was to make pathological anatomy into a science – De Sedibus et causis morborum per anotomem indagatis (Of the seats and cause of diseases investigated through anatomy). This work, which contained the records of 646 dissections, was later reprinted several times in its original Latin and translated into French, English and German.

Morgagni was the first anatomist to understand and to demonstrate the absolute necessity of basing diagnosis, prognosis and treatment on an exact and comprehensive knowledge of anatomical conditions. His precision, thoroughness and freedom from bias are modern scientific qualities and he was also a widely respected clinician who maintained an active practice. His treatise was to lead to steady progress in pathology and practical medicine.

Morgagni had married a noble lady from Forlì during his early years in Padua who bore him three sons and 12 daughters. He died at the age of 89 in Padua.

He is today regarded as the father of modern pathological anatomy as his works helped to make it into an exact science.

Forlì's Palazzo Poste e Telegrafi in Piazza Saffi
Forlì's Palazzo Poste e Telegrafi in Piazza Saffi
Travel tip:

Forlì, where Morgagni was born, is today a prosperous city with a beautiful main square, Piazza Saffi, named after Aurelio Saffi, a radical republican who was a prominent figure in the Risorgimento. The square is dominated by the monumental Palazzo Poste e Telegrafi, designed by Cesare Bazzani in 1932 to celebrate the Fascist regime. Benito Mussolini was born in nearby Predappio and blatantly favoured the area of his birth with imposing new buildings.


Palazzo del Bò in the centre of the city is the main building of the University of Padua
Palazzo del Bò in the centre of the city is the
main building of the University of Padua
Travel tip:

The University of Padua, where Morgagni taught for most of his life, was established in 1222 and is one of the oldest in the world, second in Italy only to the University of Bologna. The main university building, Palazzo del Bò in Via VIII Febbraio in the centre of Padua, used to house the medical faculty. You can take a guided tour to see the pulpit used by Galileo when he taught at the university between 1592 and 1610.


More reading:

Paolo Mascagni, the first physician to map the human lymphatic system

How Gabriele Falloppio made key discoveries about human reproduction

Hieronymus Fabricius, the father of embyology



24 February 2018

Cesare “Caesar” Cardini – restaurateur

Italian emigrant who invented Caesar salad


Cesare 'Caesar' Cardini with the ingredients for his famous salad
Cesare 'Caesar' Cardini with the
ingredients for his famous salad
The restaurateur who history credits with inventing the Caesar salad was born on this day in 1896 in Baveno, a small town on the shore of Lake Maggiore.

Cesare Cardini was one of a large family, with four brothers and two sisters.  In common with many Italians in the early part of the 20th century, his brothers Nereo, Alessandro and Gaudenzio emigrated to the United States, hoping there would be more opportunities to make a living.

Nereo is said to have opened a small hotel in Santa Cruz, California, south of San Francisco, while Alessandro and Guadenzio went to Mexico City.

Cesare left Italy for America in 1913. Records indicate he disembarked at Ellis Island, New York on May 1, having endured the transatlantic voyage as a steerage passenger, sleeping in a cargo hold equipped with dozens of bunk beds, which was the cheapest way to travel but came with few comforts.

He is thought then to have returned to Italy for a few years, working in restaurants in Milan, but ventured back to the United States in 1919.  This time he settled, first in Sacramento, then in San Diego, on the Pacific Ocean and close to the border with Mexico.

During the Prohibition Era, from 1920 to 1933, when alcoholic drinks were illegal in the US, many restaurateurs in San Diego crossed the border in Tijuana, where there were no restrictions, and attracted streams of American diners.

Cardini had many thriving restaurants in California and, for a while, in Tijuana, just over the Mexican border
Cardini had many thriving restaurants in California and, for
a while, in Tijuana, just over the Mexican border
The story is that Cesare – by now known as Caesar – opened a business in Tijuana, probably with his brother, Alessandro, who was calling himself Alex.  They were always busy on the major public holidays and Cesare’s daughter, Rosa, claimed that Caesar salad came into being on Independence Day, 1924. With a packed restaurant, her father suddenly found himself running short of ingredients.

Whenever a diner found his choice of dish was no longer available, Cesare is said to have offered to make them a special salad, made with such a mouthwatering combination of ingredients they would be delighted they opted to try it.

In fact, the only salad ingredient he had left was some romaine lettuces. Yet with great theatre, he is said to have arrived at the table with a bowl of lettuce leaves, into which he tossed raw eggs, olive oil, garlic, parmesan cheese and Worcestershire sauce, mixed them all together and invited diners to savour the flavour by eating the coated leaves by holding the stem with their fingers.

Needless to say, the combination of sweet lettuce and the creamy, tangy dressing proved a big hit. The restaurant became even more popular and over the next few years the recipe rapidly spread across America.

The Cardini brand is still on sale today
The Cardini brand is still on sale today
Wallis Simpson, the Socialite for whom the English king, Edward VIII, so controversially gave up the throne in 1936, is said to have introduced the salad to Europe by insisting that her French chef learned how to make it.

Meanwhile, back in Mexico, a change in the gambling laws caused tourism to Tijuana to go into decline, and Cesare Cardini, with wife, Camille, and daughter Rosa, moved back to the United States, first to San Diego in 1935, and then to Los Angeles in 1938.

Demand for the salad dressing continued, and friends began asking for bottles and jars to be filled with it so they might enjoy it at home.  In time, Rosa began to sell bottles of the dressing on a market stall and was so successful her father decided it was worth producing on a commercial scale.

In 1948, he patented the recipe and established Caesar Cardini Foods, which gradually expanded its range of dressings and became an established name on tables across America and beyond.

Cardini died in 1956 after suffering a stroke at his Los Angeles home but Rosa took over the running of the company and developed the business to the extent that, at its peak, one in every four bottles of dressing on US tables had Cardini’s name on it.

She retired in 1988, although the name lives on. The licence to use the brand name is currently held by T Marzetti and Company, a business also founded by Italian emigrants, Teresa and Giuseppe Marzetti.

Rosa Cardini’s version of the origins of Caesar salad is not universally accepted.  Paul Maggiora, a partner of the Cardinis, claimed to have tossed the first Caesar salad in 1927 for American airmen from San Diego and called it Aviator's Salad.

Alessandro Cardini also claimed ownership of the recipe, which he also called Aviator's Salad, while Livio Santini, who worked in the kitchen at Cesare’s Tijuana restaurant, said that he made the salad from a recipe of his mother, and that Cesare borrowed the recipe from him.

The waterfront at Baveno, Cardini's home town on the western shore of Lake Maggiore
The waterfront at Baveno, Cardini's home town on the
western shore of Lake Maggiore
Travel tip:

The lakeside town of Baveno, where Cesare Cardini was born, lies on the western shore of Lake Maggiore, just a few kilometres from its better known neighbour, Stresa. Both look out over the Borromean Islands, famous for their beautiful cultivated gardens.  The attractions of Baveno include its mineral water springs, the pink granite that is quarried nearby and a series of opulent villas dotted along the nearby coastline, including the Villa Henfrey-Branca, noticeable for its castle-like turrets, where Queen Victoria was a regular visitor from Britain as a guest of the engineer Charles Henfrey.






The island of Isola Bella is a major tourist attraction
The island of Isola Bella is a major tourist attraction
Travel tip:

Although smaller in area than Lake Garda, Lake Maggiore is the longest of the Italian lakes, stretching for 65km (40 miles) from Arona in Lombardy to its northern extreme in Locarno in Switzerland.  It is also extremely deep, plunging 179m (587ft) at its deepest.  Because of its length, it has a different character at the Swiss end, where the scenery has an alpine feel, compared with the southern tip, which is at the edge of the Lombardy plain. The Borromean islands are the lake's biggest draw for tourists, with three of them - Isola Bella, Isola Madre and Isola dei Pescatori are accessible to the public.


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23 February 2018

Giovanni Battista de Rossi - archaeologist

Excavations unearthed massive Catacomb of St Callixtus


Grave niches were carved out of the rock in the  passageways of the Roman catacombs
Grave niches were carved out of the rock in the
passageways of the Roman catacombs
Giovanni Battista de Rossi, the archaeologist who revealed the whereabouts of lost Christian catacombs beneath Rome, was born on this day in 1822 in the Italian capital.

De Rossi’s most famous discovery – or rediscovery, to be accurate – of the Catacomb of St Callixtus, thought to have been created in the 2nd century by the future Pope Callixtus I, at that time a deacon of Rome, under the direction of Pope Zephyrinus, established him as the greatest archaeologist of the 19th century.

The vast underground cemetery, located beneath the Appian Way about 7km (4.3 miles) south of the centre of Rome, is estimated to have covered an area of 15 hectares on five levels, with around 20km (12.5 miles) of passageways.

It may have contained up to half a million corpses, including those of 16 popes and 50 Christian martyrs, from Pope Anicetus, who died in 166, to Damasus I, who was pontiff until 384. Nine of the popes were buried in a papal crypt.

The archaeologist Giovanni Battista de Rossi
The archaeologist Giovanni Battista de Rossi
The complex steadily fell into disuse thereafter and the most important relics were removed over the centuries and relocated to churches around Rome.  The last wave of removals took place in the 9th century, after which the entrances became overgrown, and new buildings were constructed or land cultivated on the site. 

De Rossi, however, whose fascination with Rome’s underground history had begun when he was a boy, felt their whereabouts needed to be known.

He devoted his life to expanding his knowledge, assembling a network of friends and contacts among archaeologists and museum curators across Europe to collate everything that was known from ancient discoveries and ultimately identified the probable location of several catacombs.

In 1849, he was given permission to tramp round a vineyard off the Appian Way, where he found a broken marble slab bearing an incomplete inscription “NELIUS. MARTYR”. Aware from his research that Pope St. Cornelius had been buried in the area he asked the incumbent pope, Pius IX, to buy the vineyard so that he could begin an excavation.

It was not long before he found the other half of Pope St Cornelius’s marble tombstone and through a painstaking process over the next few years De Rossi gradually revealed the wealth of history he had known for so long was waiting to be found.

The entrance to the Catacomb of St Callixtus as it is today
The entrance to the Catacomb of St Callixtus as it is today
De Rossi had been born in the Campo Marzio area of the 4th Rione and was baptized at the church of Santa Maria sopra Minerva. Academically gifted, he attended the Collegio Romano, the Jesuit college in Rome, where he studied philosophy, before graduating in law from the Sapienza University of Rome.

His interest in Roman history, and in particular of what lay beneath the ground, had been piqued at an early age, his father giving him a copy of Antonio Bosio’s vast history, La Roma Sotterranea - Underground Rome -  for his 11th birthday. As a teenager, he befriended Giuseppe Marchi, the city’s Superintendent of Sacred Relics and Cemeteries.

Marchi, who showed him inside one of the catacombs – of which there are thought to have been at least 40 around the city – taught De Rossi the value of studying archaeological finds in situ rather than removing them, so as not to lose sight of their context.

In his career, De Rossi also explored the catacombs of Praetextus, Thrason and Priscilla.

A plate from De Rossi's book shows a reconstruction of the Crypt of the Popes
A plate from De Rossi's book shows a
reconstruction of the Crypt of the Popes
De Rossi’s travels around Europe were made easier by managing to secure for himself an important although not particularly time-consuming position as Scriptor of the Vatican Library upon completing his degree studies, an appointment that required him to catalogue manuscripts in the library but allowed him plenty of opportunities to continue his private study.

Among his other discoveries was the Codex Amiatinus, the earliest surviving manuscript of the complete Bible in the Latin Vulgate version. He also made a substantial contribution to the literature of archaeological study.

He produced a four-volume work, of which the final manuscript was completed just before he died, entitled La Roma Sotterranea Cristiana, which was an updated Christian version of Bosio’s masterpiece that he had found so inspiring as a boy, and left details of much of his work to posterity in the regularly updated Bulletino di archeologia cristiana.

De Rossi died in 1894 at Castel Gandolfo, one of the Castelli Romani in the Alban Hills south of Rome, and where a summer residence allowed the popes to escape the city during the oppressively hot months of July and August.

Richard Meier's Museum of the Ara Pacis
Richard Meier's Museum of the Ara Pacis
Travel tip:

The Campo Marzio area of Rome, where De Rossi grew up, is a small section of the 4th Rione of the city, extending roughly from the Palazzo del Quirinale to the Piazza del Popolo, and bordering the Tiber river.  Among other buildings, it is the home of something rare in the historic centre of the city – a modern edifice. The Museum of the Ara Pacis was built in glass, travertine and steel to house the 1st century Ara Pacis of Augustus, a Roman altar dedicated to Pax, the goddess of peace, that was discovered under 13 metres of silt before being result in its present location in 1938.  The museum, which replaced a structure built to protect the arch in the Fascist era, was designed by the American architect Richard Meier.


Castel Gandolfo sits atop a hill overlooking Lago Albano
Castel Gandolfo sits atop a hill overlooking Lago Albano
Travel tip:

Castel Gandolfo, which overlooks Lago Albano from its wonderful position in the hills south of Rome, is one of the towns within the regional park of the Castelli Romani. It owes its fame to being the home of an Apostolic Palace, built in the 17th century by Carlo Maderno on behalf of Urban VIII, that was traditionally the incumbent pope’s summer residence, with commanding views over the lake. The palace ceased to be a papal residence in 2016 at the behest of Pope Francis, and visitors can now go inside and enjoy a guided tour of the papal apartments and grand reception rooms.

Hotels in Castel Gandolfo from Booking.com

More reading:

Giuseppe Fiorelli - the archaeologist who saved Pompeii

Edward Gibbon's moment of inspiration

The Vesuvius eruption of AD79