Calogero Vizzini - Mafia chieftain

‘Man of Honour’ installed as Mayor by Allies

Calogero Vizzini used his power to solve
problems and settle disputes

The Sicilian Mafia boss Calogero Vizzini, known as Don Calò, died on this day in 1954 in Villalba, a small town in the centre of the island about 100km (62 miles) southeast of the capital, Palermo.

He was 76 and had been in declining health. He was in an ambulance that was taking him home from a clinic in Palermo and was just entering the town when he passed away.

His funeral was attended by thousands of peasants dressed in black and a number of politicians as well as priests played active roles in the service. One of his pallbearers was Don Francesco Paolo Bontade, a powerful mafioso from Palermo.

Although he had a criminal past, Don Calò acquired the reputation as an old-fashioned ‘man of honour’, whose position became that of community leader, a man to whom people looked to settle disputes and to maintain order and peace through his power.

In rural Sicily, such figures commanded much greater respect than politicians or policemen, many of whom were corrupt.

In his own words, in a newspaper interview in 1949, his view of the world was that “in every society there has to be a category of people who straighten things out when situations get complicated.

Like many traditional Mafia figures,
Vizzini dressed like a peasant

“Usually they are functionaries of the state. Where the state is not present, or where it does not have sufficient force, this is done by private individuals."

His position in this regard was legitimised after the Second World War when the US military government of the occupied territories was looking to ensure the defeated Fascists did not retain any vestige of power on the island.

The Americans wanted positions in a restructured local government on the island to be given to known opponents of Fascism.

Vizzini had once supported Mussolini and had even attended a dinner with the future dictator in Milan in 1922 but turned against him when the Fascists sent Cesare Mori, the so-called Iron Prefect, to Sicily on a mission to destroy the Mafia.

He, and other mafiosi, who would have been almost wiped out but for the Allied invasion, had joined the movement for an independent Sicily and were therefore seen as fitting the bill by the Americans, who installed Vizzini as Mayor of his home town.

For many years, the story has been told that Mafia figures were handed key political positions in return for facilitating the Allied landings but many historians dismiss this as a myth.

A scene from Vizzini's funeral in July 1954

A much more likely scenario is that the Mafia were seen as an important block not only on any  resurgence in Fascism but against the growing support on the mainland for communism.  Where the Mafia leaders had rebelled against Fascism, they were never likely to support the Italian Communists.

Whatever the truth,  Don Calò had moved from a life of crime - his ‘charge sheet’ included scores of murders, attempted murders, robberies, thefts and extortions - to one in which local people revered him as a bastion of law and order and a protector of his community.

He had run protection rackets, smuggled livestock, controlled flour mills and sulphur mining, ‘acquired’ considerable land from aristocratic absentee landlords, and operated a huge black market business during the Second World War selling goods stolen from warehouses and army bases.

Yet after his death a notice was pinned on the door of the church where his funeral mass would take place. It read: "Humble with the humble. Great with the great. He showed with words and deeds that his Mafia was not criminal. It stood for respect for the law, defence of all rights, greatness of character: it was love."

The Chiesa Madre di San Giuseppe on the main square
in Vizzini's home town of Villalba

Travel tip:

Villalba is a town with a population of a little less than 2,000 in the province of Caltanissetta, about 51km (32 miles) northwest of the town of the same name and 68km (42 miles) inland from Agrigento.  The name of the village has has Spanish origins, meaning "the white city" because of town's white houses. Villalba is known for the production of cereals, grapes, vegetables, tomatoes, and lentils. The Sagra del Pomodoro (tomato festival) is held in August each year.  Important churches include the Chiesa Madre, built in 1700, and the Chiesa della Concezione, erected in 1795, preserving a statue by artist Filippo Quattrocchi.

The Greek Temple of Concordia is one of the attractions in
the Valley of the Temples outside Agrigento

Travel tip:

Agrigento, a city of 55,000 inhabitants on the southern coast of Sicily, is built on the site of an ancient Greek city. It is regularly visited by tourists, largely for the ruins of the Greek city Akragas, a UNESCO World Heritage Site generally known as the Valley of the Temples and, at 1,300 hectares, the largest archaeological site in the world.  The site features a series of temples, the most impressive of which is the Temple of Concordia, one of the largest and best preserved Doric temples in the world, with 13 rows of six columns, each 6m (20ft) high, still virtually intact.

More reading:

Cesare Mori - Mussolini's fabled Mafia buster

How Charles 'Lucky' Luciano played a part in the Allied invasion of Sicily

Politics, the Mafia and a Labour Day massacre

Also on this day:

138AD - The death of the Roman emperor Hadrian

1897: The birth of former NATO secretary-general Manlio Brosio

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Ottorino Respighi – violinist and composer

Talented Bolognese brought a Russian flavour to Italian music

Ottorino Respighi brought a Russian flavour
to 20th century Italian music

The musician Ottorino Respighi was born on this day in 1879 in an apartment inside Palazzo Fantuzzi in the centre of Bologna.

As a composer, Respighi is remembered for bringing Russian orchestral colour and some of Richard Strauss’s harmonic techniques into Italian music.

He is perhaps best known for his three orchestral tone poems Fountains of Rome, Pines of Rome and Roman Festivals, but he also wrote several operas.

Respighi was born into a musical family and learnt to play the piano and violin at an early age.

He studied the violin and viola with Federico Sarti at the Liceo Musicale in Bologna and then went to St Petersburg to be the principal violinist in the orchestra of the Imperial Theatre. While he was there he studied with Nicolai Rimsky-Korsakov and acquired an interest in orchestral composition.

One of Respighi’s piano concertos was performed at Bologna in 1902 and an orchestral piece by him was played at the Metropolitan Opera House in New York the same year.

Respighi played one of his own piano
concertos in New York in 1925

His operas brought him more recognition and in 1913 he was appointed as professor of composition at the prestigious St Cecilia Academy in Rome, a post he held for the rest of his life.

Respighi’s Roman compositions, written between 1916 and 1928, sought to reflect the sensual, decadent climate of the city depicted by Gabriele D’Annunzio in his poetry.

The composer was also interested in 16th and 17th century Italian music, which he transcribed for orchestra from compositions written for old instruments, such as the lute.

In 1919 Respighi married one of his pupils, Elsa Olivieri-Sangiacomo, who was a singer and composer.

He performed in New York for the first time in 1925, playing one of his own piano concertos at Carnegie Hall.

Respighi continued to go on tour and to compose music until his health deteriorated in 1936. He died that year at the age of 56 in Rome. A year after his death his remains were moved to his birthplace, Bologna and reinterred at the city’s expense at the Certosa di Bologna.

The Palazzo Fantuzzi in Bologna, where Respighi was born

Travel tip:

The Palazzo Fantuzzi, where Resphigi was born, is a Renaissance-style palace in Via San Vitale, close to the Church of Santi Vitale e Agricola. It is also known as Palazzo degli Elefanti because of the sculpted, elephant decorations on the façade. The Palace was designed in 1517 by Andrea da Formigine. Part of the palace is now used for art exhibitions.

Before the move to the Parco della Musica,
the Academy was in Campo Marzio

Travel tip:

The St Cecilia Academy - Accademia Nazionale di Santa Cecilia - where Respighi taught and also met his wife, is one of the oldest musical academies in the world. It was founded in Rome by Pope Sixtus V in 1585 at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members of the Academy, which lists opera singers Beniamino Gigli and Cecilia Bartoli among its alumni. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano.

More reading:

The powerful voice of mezzo-soprano Cecilia Bartoli

The poetry and politics of Gabriele D'Annunzio

Anselmo Colzani, Italian star of the New York Met

Also on this day:

1950: The birth of tennis star Adriano Panatta 

2006: Italy win their fourth World Cup by beating France

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Artemisia Gentileschi – painter

Brilliant artist who survived torture by thumbscrews 

Artemisia Gentileschi: a self-portrait as a lute player
painted in around 1615-17

Artemisia Gentileschi, who followed in the footsteps of the Baroque painter Caravaggio by painting biblical scenes with dramatic realism, was born on this day in 1593 in Rome.

As a young woman she was raped by an artist friend of her father who had been entrusted with teaching her, and when he was brought to trial by her father she was forced to give evidence under torture.

This event shaped her life and she poured out her horrific experiences into brutal paintings, such as her two versions of Judith Slaying Holofernes.

Gentileschi was notable for pictures of strong and suffering women from myths, allegories, and the Bible. Some of her best known themes are Susanna and the Elders, Judith Slaying Holofernes, the most famous of which, painted between 1614 and 1620, is in the Uffizi in Florence, and Judith and Her Maidservant. 

She had an ability to produce convincing depictions of the female figure, anywhere between nude and fully clothed, that few male painters could match.

Judith Slaying Holfernes (1614-20), which can
be found in the Uffizi Gallery in Florence

It was many years before Gentileschi’s genius was fully appreciated, but a newly discovered self portrait depicting herself as St Catherine of Siena has just been bought by the National Gallery in London for £3.6 million, a record amount for her work.

Her artist father, Orazio Gentileschi, was an admirer of the painter Caravaggio. He taught his daughter to paint in his interpretation of Caravaggio’s style.

After her father’s friend, the landscape painter Agostino Tassi, raped her, he was brought to trial in 1612 and she had to give evidence while being subjected to a thumbscrew-like torture ‘to make sure her evidence was honest’.

After the trial Gentileschi moved to Florence, married a Florentine and became the first woman to join Florence’s Academy of Design.

Unlike other women artists of the time she specialised in history painting. She painted an Allegory of Inclination for the series of frescoes honouring the life of Michelangelo in Casa Buonarroti.

Gentileschi's painting San Gennaro
nell'Anfiteatro

She moved to Naples, where she painted many important religious paintings for churches, such as San Gennaro nell’Anfiteatro di Pozzuoli (Saint Januarius in the Amphitheatre of Pozzuoli).

Later, she went to London where she worked alongside her father for King Charles I on ceiling paintings for the Queen’s House in Greenwich. She also painted many portraits and eventually became more famous than her father.

It is believed that Artemisia Gentileschi died in Naples during a devastating epidemic of plague that swept the city in 1656.

The bust of Michelangelo
at Casa Buonarroti

Travel tip:

Casa Buonarroti, which Artemisia Gentileschi helped decorate, is now a museum in Via Ghibellina in Florence in a building Michelangelo left to his nephew, Leonardo Buonarroti. The house was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger. It houses Michelangelo’s early sculptures and a library with some of Michelangelo’s letters and drawings.

The interior of the Anfiteatro di Pozzuoli

Travel tip:

Pozzuoli’s Flavian Amphitheatre (Anfiteatro di Pozzuoli) was the third largest Roman amphitheatre in Italy, holding up to 50,000 spectators. Only the Colosseum in Rome and the Capuan Amphitheatre are larger. It was built during the reign of Vespasian by the same architects who previously constructed the Colosseum. Although most of the superstructure has been destroyed in an area subject to frequent seismic activity, the underground interior is still largely intact and well worth a visit. The amphitheatre is in the centre of the town, about 20km (12 miles) west of Naples, close to the Pozzuoli’s Metro station.

More reading:

The mysterious death of Caravaggio

The brilliance of Michelangelo

The rival who broke Michelangelo's nose in a fight

Also on this day:

1822: The death of the poet Shelley in a storm at sea

1918: Ernest Hemingway wounded working for Red Cross in Italy 

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1990 World Cup - Italy’s consolation prize

Azzurri beat England for third place

The Italian team that faced England in Bari to decide
which nation finished third at the 1990 World Cup

Italy beat England 2-1 in Bari to claim third place in the World Cup finals, of which they were the host nation, on this day in 1990.

It was a small consolation for the team, managed by Azeglio Vicini, who had played some of the best football of all the competing nations to reach the semi-finals, only to be held to a 1-1 draw by Argentina in Naples and then lose the match on a penalty shoot-out.

Their heartbreak mirrored that suffered by England, who had also suffered a defeat on penalties in their semi-final against West Germany in Turin.

Many neutrals believed that Italy and England would have been more worthy finalists, particularly in retrospect after West Germany had beaten Argentina by a penalty five minutes from the end of 90 minutes in a match of cynical fouls and attritional football that is seen as the poorest World Cup final in the competition’s history.

Azeglio Vicini was Italy's head coach for the
1990 World Cup on home soil

The play-off for third place lacked the intensity of a final, reflecting the heavy weight of disappointment each set of players was carrying.

Yet it was important to the Azzurri to finish on a high note and a crowd of 51,426 inside the Stadio San Nicola - a new stadium built specially for Italia ‘90 - saw the game decided with three goals in the final quarter.

The decider was particularly significant - a penalty converted by Salvatore ‘Toto’ Schillaci in the 86th minute.

The goal gave the Sicilian striker, an inspired choice for Vicini’s team who had been the revelation of the tournament, his sixth goal in Italia ‘90, earning him the coveted Golden Boot as the highest goalscorer, ahead of the Czechoslovakia forward Tomáš Skuhravý, whose tally of five included a hat-trick against Costa Rica in the round of 16 but whose team did not progress beyond the quarter-finals.

Italy’s first goal had been scored by Roberto Baggio, then with Fiorentina, who had been another of Italy’s stars. The brilliant playmaker had scored one of the best goals of the tournament against Czechoslovakia in the group stages.

Vicini’s team, in fact, was packed with exciting talent.  With one of the best defences in international football - comprising the AC Milan players Franco Baresi and Paolo Maldini, and the Internazionale duo Giuseppe Bergomi and Riccardo Ferri - the coach could afford to attack with gusto and in addition to Baggio and Schillaci, he told the likes of Giuseppe Giannini, Roberto Donadoni and Gianluca Vialli to express their creative instincts whenever there was opportunity.

The Azzurri's brilliant playmaker, Roberto
Baggio, scored against England

The match was the first between Italy and England at a World Cup finals. The second, at the Brazil 2014 tournament, also ended in a 2-1 win for the Azzurri, although in the event neither qualified for the round of 16.

Of 27 international meetings in total, eight of them in competitive championship matches, Italy have 10 wins to England’s eight.

Today, England play Sweden in the quarter-finals of the 2018 World Cup in Russia, hoping to reach the semi-finals for the first time since Italia ‘90.

Italy, meanwhile, have been absent from the finals for the first time since 1958, their 60-year run of qualifying ended coincidentally by Sweden, who beat them in a two-leg play off last November.

Their new coach is Roberto Mancini, who was a member of Vicini’s squad at Italia ‘90 but did not play.

Renzo Piano's Stadio San Nicola, built especially for the
1990 World Cup finals, is now the home of FC Bari

Travel tip:

The Stadio San Nicola in Bari was designed by the award-winning Italian architect Renzo Piano, whose other creations include the Centre Georges Pompidou in Paris, the Whitney Museum of American Art in New York City and the Shard in London.  He saw the stadium as resembling an open flower, with spectators housed in 26 petals separated from one another by eight-metre wide void spaces. Purpose-built for the 1990 World Cup, it has a capacity of more than 58,000. After the World Cup it was the venue for the 1991 European Cup final between Marseille and Red Star Belgrade and became the home of FC Bari, who currently play in Serie B, the second tier of Italian domestic football.

The Stadio delle Alpi in Turin was unpopular with fans
for a variety of reasons

Travel tip:

Work on the Stadio delle Alpi in Turin began in 1988 and was completed in time for the World Cup.  Apart from hosting matches in the Italia ‘90 tournament it was to be the new home of Juventus and FC Torino following the closure of the Stadio Olimpico. But it was never popular. Apart from its out-of-town location - 8km (5 miles) from the city centre - compared with the Olimpico, fans disliked the stadium for giving them a poor viewing experience, mainly because of the distance between the stands and the pitch, with an athletics track surrounding the playing area. Advertising hoardings also affected the view.  Many fans boycotted it. One Coppa Italia match between Juventus and Sampdoria attracted just 237 spectators. It was demolished in 2006. Torino moved to a redeveloped Stadio Olimpico, which they shared with Juve until a purpose-built Juventus Stadium, with no running track, was built on the site of the Stadio delle Alpi.

More reading:

Was Roberto Baggio Italy's greatest player?

Azeglio Vicini and the heartbreak of Italia '90

The golden moment of Salvatore Schillaci

Also on this day:

1573: The death of architect Giacomo Barozzi da Vignola

1901: The birth of film director Vittorio De Sica

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