Andrea del Sarto – painter

The brief career of an artist ‘senza errori’

Andrea del Sarto, captured here in a self-
portrait. lived in Florence all his life

Renaissance artist Andrea del Sarto was born Andrea d’Agnolo di Francesco di Luca di Paolo del Migliore on this day in 1486 in Florence.

He had a brilliant career but died at the age of 43 during an outbreak of plague and afterwards his achievements were eclipsed by the talents of Da Vinci, Michelangelo and Raphael.

Andrea’s father, Agnolo, was a tailor and therefore the child became known as del Sarto, meaning son of the tailor.

As a young boy del Sarto was apprenticed to a goldsmith and then a woodcarver before being sent to learn to be an artist.

He decided to open a joint studio with an older friend, Franciabigio, and from 1509 onwards they were employed to paint a series of frescoes at Basilica della Santissima Annunziata in Florence. Del Sarto also painted a Procession of the Magi, in which he included a self-portrait, and a Nativity of the Virgin for the entrance to the church.

He married Lucrezia del Fede, a widow, in 1512 and often used her as a model for his paintings of the Madonna.

Part of Del Sarto's fresco series at the Villa Medici at
Poggio a Caiano, near Florence

After spending a year as court painter to Francis I of France in 1518, del Sarto returned home to his wife and was offered a major commission by the Medici family, to decorate the Villa Medici at Poggio a Caiano near Florence. The work was offered to him by Pope Leo X but the project ended when the Pope died in 1521.

Del Sarto’s fresco at the villa, Tribute to Caesar, is a fragment now incorporated into a much later decorative scheme.

His most important work is considered to be a series of frescoes on the life of St John the Baptist in the Chiostro dello Scalzo in Florence. He started the series in 1511 and it was not completed until 1526, so the work spans a large part of his career and most of the paintings are by his own hand.

Del Sarto's Nativity of the Virgin at the Basilica
della Santissima Annunziata in Florence.

His artistic style reflected his interest in colour and atmosphere and showed natural expressions of emotion. Del Sarto had a reputation for integrity and professionalism and was regarded by his peers as an artist ‘senza errori’ - faultless.

Del Sarto had a house built for himself in Florence, which was modified by other painters who lived there later. He died at his home after plague swept the city in 1530. The exact date of his death is unknown but he was buried in the Basilica of Santissima Annunziata on September 29, 1530.

A play, Andrea del Sarto, by Alfred de Musset, was premiered in Paris in 1848. The 1968 opera Andrea del Sarto by the French composer Jean-Yves Daniel-Lesur was based on de Musset’s play.

The Basilica della Santissima Annunziata in Florence

Travel tip:

The Basilica della Santissima Annunziata, where Andrea del Sarto is buried, is in the Piazza della Santissima Annunziata in the San Marco district of Florence. The church was founded by the Servite order in 1250 and later rebuilt by Michelozzo between 1444 and 1481. Del Sarto’s frescoes can be seen in the atrium of the church. Newly wed couples traditionally visit the church to present a bouquet of flowers to a painting of the Virgin by a 13th century monk, where they pray for a long and fruitful marriage.

The Chiostro dello Scalzo in Via Cavour

Travel tip:

The Chiostro dello Scalzo, where del Sarto painted his fresco cycle featuring the life of St John the Baptist, is in Via Cavour in the San Marco area near the Basilica della Santissima Annunziata. The cloister used to be the entrance to the chapel of the Confraternity of St John the Baptist, which was founded in 1376 and lasted until 1786. Thankfully the frescoes were preserved and can be viewed free of charge in the cloister every Monday and Thursday and on some Saturdays and Sundays each month.

More reading:

The precocious genius of Raphael

Michelangelo 'the greatest of all time'

The multiple talents of Leonardo da Vinci

Also on this day:

1194: The birth of Saint Clare of Assisi

1852: The birth of Neapolitan sculptor Vincenzo Gemito

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Guido Crepax - cartoonist

Erotic character Valentina captured spirit of 1960s Italy

Erotic imagery was central to the success of Crepax's
most famous character, Valentina

The cartoonist Guido Crepax, whose character Valentina became a heroine of the 1960s generation in Italy and beyond, was born on this day in 1933 in Milan.

Valentina first appeared in May 1965 as a secondary character in another cartoon, the photographer girlfriend of an art critic and amateur sleuth.

But the sinuous, sensual female depicted by Crepax, her hair cut in a glossy bob, soon acquired fans both male and female.

In an era when Italian society was beginning to experience a sense of sexual liberation for the first time, Valentina’s eroticism naturally attracted a legion of male fans. But her assertive individuality struck a chord with many modern Italian women, too, even if her readiness to shed her clothes caused outrage among others.

Soon, Valentina left behind her fictional boyfriend and starred in a series of her own adventures, which Crepax continued to produce for three decades. She was outspoken in her left-wing political views, while her uninhibited fantasies increasingly reflected the world of dreams and psychoanalysis that fascinated her creator.  Her style even influenced the Milan fashion world.

Guido Crepax created his most
famous character in 1965

Crepax was born Guido Crepas, the son of Gilberto Crepas, a musician from Venice who had moved to Milan to play at Teatro alla Scala, where he eventually became first cellist under the direction of Arturo Toscanini. 

The family home in Milan was virtually destroyed during a bombing raid in the Second World War but Guido survived to study architecture at Milan University. He graduated in 1958, by which time he had already begun  working as a graphic artist with some success.

His design work included advertising posters, record sleeves - among them Domenico Modugno's hit Nel blu, dipinto di blu (aka Volare) - and magazine and book covers.

His publicity campaign for Shell Oil won him the Palme d'Or for advertising in 1957. The following year he began a long-running collaboration with Tempo Medico, the first Italian medical journal, for which he designed every cover for 22 years.

Then came his first experience of drawing cartoons, with which he had been involved only two years when Valentina appeared for the first time in Linus magazine, in a series in which the main character was her boyfriend Philip Rembrandt, an art critic in his day job who led a double life as the crime fighter Neutron, helped by having the power to freeze people with a penetrating gaze.

Crepax created a back story for Valentina that in many ways reflected his own.

Guido Crepax designed the sleeve for Domenico
 Modugno's hit, Nel blu, dipinto di blu

He named her Valentina Rosselli after the resistance heroes Nello and Carlo Rosselli, whose courage he admired. He gave her an address in Milan's Via De Amicis, where he lived, and filled her apartment with the books that he and his intellectual circle were inspired and informed by.

She was modelled, in part, on the silent movie actress Louise Brooks, who favoured the archetypal ‘flapper’ look with the short bob, and on Crepax's own wife, Luisa.

Valentina was far from Crepax’s only character. He created several other female heroines, such as Belinda, Bianca and Anita, for whom the inspiration was Anita Ekberg, the star of Federico Fellini’s La Dolce Vita.

He also drew cartoons based on works of literature, such as Robert Louis Stevenson’s Dr Jekyll and Mr Hyde, Mary Shelley’s Frankenstein, Bram Stoker’s Dracula, the scandalous novels of the Marquis de Sade, the Gothic novels of Edgar Allan Poe and Franz Kafka’s The Trial.

None, however, brought him the acclaim of Valentina, who was published in France, Brazil, Spain, Germany, Japan, the United States, Finland and Greece as well as Italy.

Valentina was twice adapted for the screen: in the 1973 Franco-Italian production Baba Yaga, and as a television series, starring the American actor Demetra Hampton. Both were a disappointment for her author.

A long-time sufferer from multiple sclerosis, Crepax died in Milan in 2003, at the age of 69.

Via Edmondo de Amicis, where Guido Crepax lived

Travel tip:

The Via Edmondo de Amicis, where Crepax lived and where he placed the fictional apartment of his comic book heroine Valentina, is in central Milan, between the Carrobbio and San Vittore neighbourhoods to the southwest of the city centre. A pleasant urban boulevard, it is a short distance from the Basilica of Sant’Ambrogio, one of the most ancient churches in the city, the original structure of which was built in the 4th century. The Baroque church that stands there today was completed in the 11th century.

The Teatro alla Scala, where Crepax's father was a musician,
has become of the world's premier opera houses

Travel tip:

The Teatro alla Scala - usually referred to by its abbreviated name La Scala - was built in the late 18th century as a replacement for the Teatro Regio Ducale, which was destroyed in a fire in 1776.  The project was financed by some 90 wealthy Milanese and built on the site of the church of Santa Maria alla Scala, from which it takes its name. The theatre has come to be regarded as the premier opera venue in Italy and one of the most important venues for opera and ballet in the world, with ambitious young singers and dancers from every corner of the globe clamouring for places at La Scala Theatre Academy.

More reading:

Hugo Pratt - the Rimini-born artist behind the adventurer Corto Maltese

How Franco Bonvicini's characters mocked the Nazis

The cinematic legacy of Fellini

Also on this day:

1823: Ancient Roman basilica badly damaged by fire

1850: The birth of Frances Xavier Cabrini - America's first saint


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Camillus de Lellis - saint

Reformed gambler who became devoted to caring for sick

Camillus de Lellis, depicted in a French
church, was a reformed gambler

Camillo de Lellis, a gambler and streetfighter who reformed his life and eventually set up a religious order to tend the wounds of soldiers on the battlefield, died on this day in 1614 in Rome.

He was made Saint Camillus de Lellis by Pope Benedict XIV in 1746. Nowadays he is recognised as the patron saint of the sick, hospitals, nurses and physicians. Sometimes his assistance is also invoked by individuals with gambling problems.

The Order of Clerks Regular, Ministers of the Infirm (M.I), better known as the Camillians, is seen as the original Red Cross on account of an incident during the Battle of Canizza in 1601, when a tent containing all of the Camillians’ equipment and supplies was destroyed in a fire.

Among the ashes, the red cross from the back of a religious habit belonging to one of the Camillians was found to have survived. It became known as the Red Cross of Camillus.

The Order’s activities eventually extended to caring for the sick generally, particularly during outbreaks of Bubonic plague. They established a presence in hospitals in Naples and Milan and in time the Camillians ran hospitals of their own.

Images of Saint Camillus often
show him caring for the sick

It was on an inspection tour of hospitals around Italy that he fell ill and died. He had suffered periods of illness most of his adult life, mainly on account of a leg wound suffered while serving in the Venetian army, which he had joined as a young man.

Born in 1550 in Bucchianico, a small town in Abruzzo, about 30km (19 miles) inland from what is now the coastal resort of Pescara, De Lellis had a difficult upbringing. His father, an officer in both the Neapolitan and French armies, was seldom at home, and his mother found his violent tempers hard to control.

After she died in 1562 he was looked after by relatives but received little affection and his violent nature led him into many street fights. He was tall for his age and at the age of 16 he decided to follow his father’s lead and take up military service.

Fighting for Venice in a war against the Turks provided him with an outlet for his aggression, but not for his parallel fixation, with gambling. On his discharge from the Venetian army at the age of 25 he had nothing, having gambled away his savings, the weapons he owned and virtually every other possession, save for the shirt on his back.

He travelled south to Manfredonia, on the coast of Apulia, 35km (22 miles) north of Foggia, where he was taken on as a labourer at a Capuchin friary. His temper still frequently got the better of him, and he continued to gamble, but the guardian of the friary eventually persuaded him to mend his ways.

The church of St Mary Magdalene in Rome

De Lellis hoped to become a friar himself but was denied admission to the order of Capuchin friars because of his leg wound, which was deemed incurable. He decided to move to Rome, where he entered the San Giacomo Hospital, which cared for incurable diseases, at first as a patient, and then as a carer.

Feeling that the care given to the sick in the hospital was generally inadequate, he invited a group of pious men to express their faith by caring for patients at the hospital and determined that he would establish his own religious community in order to follow what he now felt was his calling in life. To do so, he took up seminary studies so that he could seek Holy Orders and was ordained as a priest in 1584.

Thus he was able to establish the Camillians, who were granted the status of Congregation in 1586 and as an Order in 1591, assigned to the church of St Mary Magdalene in Rome, where his remains were entombed after his death. 

His name is today honoured around the world in churches, hospitals, care facilities and charitable groups.

Church of San Camillo de Lellis in Rome

Travel tip:

The church of San Camillo de Lellis is on Via Sallustiana in Rome, a short distance from Via Vittorio Veneto. It was built under Pope Pius X, with construction under the architect Tullio Passarelli beginning in 1906. It was consecrated and made a parochial church in 1910. In 1965, Pope Paul VI elevated the church to the status of minor basilica. 

The hilltop town of Bucchianico in Abruzzo

Travel tip:

Bucchianico, where De Lellis was born, is typical of many charming small towns in the Abruzzo region. Located on top of a hill, it offers offers a beautiful panorama that stretches from the mountain peaks of the Majella to the coast line of the Adriatic Sea. Not well known among tourists, it is a medieval town that represents an ideal retreat from the chaos and traffic associated with bigger, bustling urban centers of the area. It is well known for the annual celebrations of the Festa dei Banderesi, a historical commemoration of the victory against the Invasion of Teate, a nearby city today known as Chieti.

More reading:

Alberto Marvelli - the Good Samaritan of wartime Rimini

Why Padre Pio is one of the most popular saints in history

The nurse who was made a saint after being stabbed to death by a patient

Also in this day:

1902: The dramatic collapse of St Mark's Campanile

1948: The leader of Italy's Communists shot and wounded in Rome


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Tommaso Buscetta - Mafia ‘pentito’

Sicilian gangster’s testimony put hundreds behind bars

Buscetta's testimony led to hundreds
of Mafia-related arrests

The Sicilian mobster Tommaso Buscetta, who was the first major Mafia figure to break the code of omertà and pass details of organised criminal activity to the authorities, was born on this day in 1928 in Palermo.

His evidence to the celebrated anti-Mafia judge Giovanni Falcone paved the way for the so-called Maxi Trial, a process lasting six years that led to the conviction and jailing of 350 mafiosi.

Buscetta’s testimony in the Pizza Connection Trial in New York State at around the same time in the mid-1980s led to the conviction of several hundred more mobsters both in Italy and the United States, including the powerful Sicilian Mafia boss Gaetano Badalamenti.

Arguably the most shocking information he passed on to the authorities concerned Italy’s three-times former prime minister, the late Giulio Andreotti, whose links with the Cosa Nostra he exposed shortly after Falcone was murdered in May 1992, killed by a massive bomb placed under the motorway linking Palermo with the city’s international airport.

Buscetta arriving at the court in
Palermo during the Maxi Trial

Andreotti was found guilty of complicity in the Mafia assassination of a journalist and sentenced to 24 years in jail, although he never went to prison and was acquitted after a number of appeals. His links with the Mafia were considered proven, although by the time that verdict was reached too much time had elapsed under Italian law and the judgment was cancelled.

The route to Buscetta becoming the Mafia’s first ‘pentito’ began in Palermo, where he was the youngest of 17 children fathered by a poorly-paid worker in a glass factory.

He followed the usual route out of poverty by becoming involved with crime. He was only 17 when he joined the mob in 1945. In the years that followed he became a fully-fledged member of the Porta Nuova Family, mainly working in cigarette smuggling.

Buscetta was part of the
Mafia from a young age

In 1963 Buscetta fled to the United States, shortly after the Ciaculli Massacre, which was part of an internal Mafia conflict known as the First Mafia War. His connections enabled him to join the Gambino crime family in New York, who gave him a front of legitimacy in a pizza business. In 1968, he was convicted in his absence of double murder by an Italian court.

Two years later he was arrested by police in New York who were aware of his conviction but released after Italian authorities failed to request his extradition.  After his later arrest in Brazil, however, he was returned to Italy and began his life sentence.

Eight years later, on day release from prison, he escaped and went back to Brazil, desperate to escape the so-called Second Mafia War, fearing for his life after several of his allies and family members had been eliminated by the ruthless boss, Toto Riina, including his close associate and friend, Stefano Bontade. It was Riina who arranged the murder of Falcone, as well as that of his fellow magistrate, Paolo Borsellino.

When Buscetta was arrested and sent back to Italy again he was so fearful of Riina that he attempted to kill himself in prison before deciding he would seek revenge on Riina by other means. He asked to talk to Falcone, and began his life as an informant - a ‘pentito’.

The judge Giovanni Falcone, to whom
Buscetta disclosed his secrets

The irony was that Buscetta was never more than a footsoldier in the Mafia hierarchy, yet always seemed to have a glamorous girlfriend and dressed as if he was wealthy. He became well connected both in Sicily and the United States.

He was therefore able to provide information about the structure, the recruitment techniques and the functions of the Cosa Nostra, providing the authorities with an understanding of the Mafia phenomenon about which they could previously only speculate.

He was the first to reveal the existence and the inner workings of the Cupola - the Mafia commission that governed the organisation and ordered the elimination of its erring members.

Buscetta’s reward was to be given special police protection, a generous income and a new identity in the United States, where he died in 2000 at the age of 71.

There are now several hundred Mafia turncoats helping Italian justice to fight organised crime.

Palermo's imposing monumental
arch at Porta Nuova

Travel tip:

One might imagine that an area that lends its name to a Mafia family to be poor and down at heel but the Porta Nuova is anything but. A giant monumental arch built in the 15th century and rebuilt in the 16th century, it opens into what was the Cassaro, the city’s most ancient street, which runs from the Norman Palace next to the Villa Bonanno park in a straight course right down to the harbour. The street has been renamed Via Vittorio Emanuele but many local people still refer to it as Cassaro.

The magnificent Teatro Massimo is seen as a symbol of
Palermo's rebellion against the grip of the Mafia

Travel tip:

Palermo’s Renaissance-style Teatro Massimo, opened in 1897, has become a symbol of the city’s fight back against the grip of the Mafia. The largest opera house in Italy and the third biggest in Europe after the Opéra National de Paris and the K. K. Hof-Opernhaus in Vienna, originally designed with an auditorium for 3,000 people, it was closed for supposedly minor refurbishments in 1974. But at a time when local government was at its most corrupt and when the Mafia controlled almost everything in the city there was little money in the public purse and the theatre, which once attracted all the great stars from the opera world, would remain dark for 23 years. However, after the Falcone murder, the city turned against the mob as never before and the reopening in 1997, with a concert by the Berlin Philharmonic conducted by the esteemed maestro Claudio Abbado, was seen as a motif for Palermo’s rebirth. 

More reading:

The anti-Mafia crusade of Giovanni Falcone

Stefano Bontade - Mafia boss with close ties to ex-PM Giulio Andreotti

How Carlo Gambino became one of the world's most powerful crime bosses

Also on this day:

1478: The birth of Giulio d'Este di Ferrara, nobleman who spent half his life in jail

1814: The founding of the Carabinieri military police force

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