30 January 2019

Feast of Saint Martina of Rome

The day Pope Urban VIII’s own hymns are sung


Saint Martina as portrayed in Pietro da Cortona's Saint Martina Refuses to Adore the Idols
Saint Martina as portrayed in Pietro da Cortona's
 Saint Martina Refuses to Adore the Idols

The feast day of Saint Martina of Rome, who was martyred by the Romans in 228, is celebrated every year on this day.

Martina is now a patron saint of Rome and the patron saint of nursing mothers.

She was the daughter of an ex-consul, one of the chief magistrates of the Roman Republic, but became an orphan while still young.

Described at the time as a noble and beautiful virgin who was charitable to the poor, she openly testified to her Christian faith.

She was persecuted during the reign of Emperor Alexander Severus and arrested and commanded to return to idolatry, the worship of false gods.

When she refused she was whipped and condemned to be devoured by wild beasts in the amphitheatre. When she was miraculously untouched by the animals she was thrown on to a burning pyre from which she is also said to have escaped unhurt. Finally she was beheaded.

Afterwards it was claimed some of her executioners converted to Christianity and were also later beheaded.

In 1634 the relics of Martina were rediscovered by the artist Pietro da Cortona. They were in the crypt of a church originally built in the sixth century on the site of the ancient temple of Mars near the Mamertine Prison and Foro Romano in Rome.

Gian Lorenzo Bernini's portrait of Pope Urban VIII, who supported the rebuilding of the church
Gian Lorenzo Bernini's portrait of Pope Urban
VIII, who supported the rebuilding of the church
Da Cortona had been elected president of the Academy of San Luca, the academy of painters, sculptors and architects in Rome, which had been given the church in 1588.  It was after Da Cortona had begun restoring the crypt that he discovered Martina’s remains.

The Pope at that time was Urban VIII, who visited the church with his nephew, Cardinal Francesco Barberini the month after Da Cortona’s discovery. They dedicated 6000 scudi towards the cost of rebuilding the church. The saint’s body was then returned to the church, which rededicated to saints Luca and Martina.

Da Cortona’s beautiful painting, Saint Martina Refuses to Adore the Idols, was probably painted for Cardinal Barberini. It is now in the Princeton University Art Museum in America.

It has been claimed Pope Urban VIII himself composed the hymns that are sung each year on Martina’s feast day.

The Chiesa dei Santi Luca e Martina, where Martina's remains are buried
The Chiesa dei Santi Luca e Martina,
where Martina's remains are buried
Travel tip:

The Chiesa dei Santi Luca e Martina, where Martina is buried, is in Via della Curia between the Mamertine prison and the Foro Romano. Two stairways from the upper church lead down to the lower church and the chapel of Saint Martina, which is below the high altar, is richly decorated with colour, marble and gilt bronze.

The Forum was the centre of life in Ancient Rome
The Forum was the centre of life
in Ancient Rome
Travel tip:

The Roman Forum, off Via dei Fori Imperiali, was once the centre of day to day life in Rome, the venue for public speeches, criminal trials and the nucleus of commercial affairs. It has the most concentrated array of excavated Roman buildings in the city. It is open to visitors from 8.30 am till one hour before sunset.

More reading:

How Pietro da Cortona decorated some of Italy's finest palaces

Francesco Barberini - the Inquisition chief who refused to condemn Galileo

Why Urban VIII's papacy ended in disgrace

Also on this day:

1629: The death of architect Carlo Maderno

1721: The birth of painter Bernardo Bellotto

1935: The birth of actress Elsa Martinelli


Home


29 January 2019

Bomb destroys Archiginnasio anatomical theatre

Historic facility hit in 1944 air raid



The Archiginnasio anatomical theatre is surrounded by statues of eminent physicians carved in wood
The Archiginnasio anatomical theatre is surrounded by
statues of eminent physicians carved in wood
The historic anatomical theatre of the Palazzo Archiginnasio, the original seat of the University of Bologna, was almost completely destroyed in a bombing raid on the city by Allied forces on this day in 1944.

The northern Italian city was a frequent target during the final two years of the conflict because of its importance as a transport hub and communications centre.  The wing of the palazzo housing the anatomical theatre, built between 1636 and 1638, took a direct hit on the night of January 29.

Although it is unlikely that the university - the oldest in the world - was a specific target, bombing was much less precise 75 years ago and collateral damage was common and often widespread.

As well as its importance in the history of medical research, the anatomical theatre was notable as an art treasure, mainly for the 18th century carved wooden statues by Silvestro Gianotti depicting great physicians of history, from the Greek physicians Hippocrates and Galenus onwards, including many who worked at the university, such as Fabrizio Bartoletti, Marcello Malpighi, Mondino de Liuzzi and Gaspare Tagliacozzi.

Gaspare Tagliacozzi was one of the many physicians who worked in the Archiginnasio
Gaspare Tagliacozzi was one of the many
physicians who worked in the Archiginnasio
The theatre, built in the form if an amphitheatre, was designed in 1637 by the Bolognese architect Antonio Levanti, a pupil of Annibale Carracci.

The ceiling, completed between 1647 and 1649 had the figure of Apollo, the god of Medicine, in the middle, surrounded by symbolic images of constellations carved in wood.

The centrepiece of the table was the white table on which the dissection of human or animal bodies took place.  These were open to the public and took place in the presence of an Inquisition priest.

To the side, in an elevated position, the cattedra del lettore - teacher’s desk - was flanked by two spellati - skinned men - statues, sculpted in 1734 from drawings by Ercole Lelli, a local painter of the late Baroque period who became famous for his anatomical sculptures in wax.

Incredibly, despite the destruction, the theatre was faithfully reconstructed after the war had ended thanks to the painstaking recovery from the rubble of anything that could be reused, including the majority of the statues.

The theatre today is open daily to the public, along with other parts of the Palazzo Archiginnasio, which was the seat of the university until 1803. The original marble table is not the one on display, mainly out of consideration for visitors whose sensitivities might be offended by the sight of indelible blood stains.

The city of Bologna as a whole suffered extensive damage from bombing during the Second World War II. The worst raids took place in 1943. On July 24, a massive bombardment destroyed a significant part of the historic city centre and killed about 200 people, with 44 per cent of the buildings in the centre listed as having been destroyed or severely damaged. On September 25, sustained bombing of the wider city left more than 1,000 people dead.

The inner courtyard of the Archiginnasio, which was completed in 1563
The inner courtyard of the Archiginnasio,
which was completed in 1563
Travel tip:

The construction of the Archiginnasio, situated behind the Basilica di San Petronio, began after nearby Piazza Maggiore was remodeled under papal orders in the 16th century. It was commissioned by Pope Pius IV through the papal legate Charles Borromeo, who entrusted the project to the architect Antonio Morandi. The building, inaugurated on October 21, 1563, was to house the Schools of the Legisti (Canon and Civil law) and Artisti (philosophy, medicine, mathematics, natural sciences and physics). The building was named Archiginnasio after the classical term which was used to designate the Studium, as the University was first called, of Bologna. The Archiginnasio ceased to be the seat of the university in 1803, when the university moved to Palazzo Poggi, where it is still located today.  The original building now houses the Archiginnasio Municipal Library, the largest library in Emilia-Romagna.

he Basilica di San Petronio is the largest brick-built church in the world, reaching 51m (167ft) high
The Basilica di San Petronio is the largest brick-built church
in the world, reaching 51m (167ft) high
Travel tip:

The Basilica di San Petronio, is the main church of Bologna, located in Piazza Maggiore in the centre of the city. It is the largest, brick-built church in the world. Building work began on the church in 1390 and it was dedicated to San Petronio, who had been the Bishop of Bologna in the fifth century. The 10th-largest church in the world at 132m (433ft) long and 66m (271ft), the vault reaches 45m (148ft) inside and 51m (167ft) in the facade. The basilica, built as a communal project, was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000.  Work on the facade was abandoned in the early 16th century by order of Pope Pius IV over fears that it would upstage St Peter's Basilica in Rome as the grandest church in Italy. It has never been completed.

More reading:

The 16th century plastic surgeon who pioneered nose jobs

San Marino is bombed by British planes

Allied troops land at Salerno

Also on this day:

1909: The death of Felice Beato, war photographer

1924: The birth of avant-garde musician Luigi Nono

1996: Fire destroys La Fenice opera house in Venice


Home






28 January 2019

Giovanni Alfonso Borelli – physiologist and physicist

Neapolitan was the first to explain movement


Giovanni Alfonso Borelli was a  pioneer of biomechanics
Giovanni Alfonso Borelli was a
pioneer of biomechanics
The scientist who was the first to explain muscular movement according to the laws of statics and dynamics, Giovanni Alfonso Borelli, was born on this day in 1608 in Naples.

Borelli was also the first to suggest that comets travel in a parabolic path.

He was appointed professor of mathematics at Messina in 1649 and at Pisa in 1656. After 1675 he lived in Rome under the protection of Christina, the former Queen of Sweden. She had abdicated her throne in 1654, had converted to Catholicism and gone to live in Rome as the guest of the Pope.

Remembered as one of the most learned women of the 17th century, Christina became the protector of many artists, musicians and intellectuals who would visit her in the Palazzo Farnese, where she was allowed to live by the Pope.

Borelli’s best known work is De Motu Animalium - On the Movement of Animals - in which he sought to explain the movements of the animal body on mechanical principles. He is therefore the founder of the iatrophysical school. He dedicated this work to Queen Christina, who had funded it, but he died of pneumonia in 1679 before it was published.

A page from Borelli's De Motu Animalium on arm movement
A page from Borelli's De Motu
Animalium
on arm movement
For this work he has become known as the father of modern biomechanics. The American Society of Biomechanics named its most prestigious award the Giovanni Borelli Award in 1984.

The award is given to scientists for the originality, quality and depth of their research, and its relevance to the field of biomechanics.

Borelli also wrote astronomical works, including a treatise in 1666 that considered the influence of attraction on the satellites of Jupiter.  In a letter published in 1665, using the pseudonym Pier Maria Mutoli, he was the first to suggest the idea that comets travel in a parabolic path.

The Castel Nuovo in Naples, built in the 13th century and rebuilt by Alfonso I in 1453
The Castel Nuovo in Naples, built in the 13th century
and rebuilt by Alfonso I in 1453
Travel tip:

Borelli was born in the Castel Nuovo area of Naples to a Spanish infantryman serving in the city and a young Neapolitan girl. The castle was called ‘nuovo’, new, when it was built in the 13th century to distinguish it from two earlier ones in Naples, Castel d’Ovo and Castel Capuano. Alfonso I, King of Naples and Sicily, had it completely rebuilt in 1453, the year of his triumphant entry into Naples. Alfonso later ordered the construction of the superb Arco di Trionfo, one of the most significant expressions of early Renaissance culture in southern Italy.

The Palazzo Farnese in Rome, once home of the former Queen Christina of Sweden, now houses the French embassy
The Palazzo Farnese in Rome, once home of the former
Queen Christina of Sweden, now houses the French embassy
Travel tip:

Palazzo Farnese, where Borelli would visit his patron, Queen Christina, is one of the most important High Renaissance palaces in Rome. Owned by the Italian republic, the palazzo in Piazza Farnese was given to the French Government in 1936 for a period of 99 years and currently serves as the French embassy in Italy. One of the scenes in Puccini’s opera Tosca is set in Palazzo Farnese.

More reading:

The physicist who inspired Mary Shelley's Frankenstein

The 18th century anatomist who turned pathology into a science

The scientist who gave new 'life' to a dead frog and a new word to the language

Also on this day:

1453: The birth of Renaissance beauty Simonetta Vespucci

1813: The birth of scientist Paolo Gorini

1978: The birth of goalkeeper Gianluigi Buffon


Home

27 January 2019

Roberto Paci Dalò – composer and film maker

Music maker coined the definition ‘media dramaturgy’


Roberto Paci Dalò has composed and directed more than  30 groundbreaking music-theatre works
Roberto Paci Dalò has composed and directed more than
30 groundbreaking music-theatre works
The award-winning contemporary musician and composer Roberto Paci Dalò was born on this day in 1962 in Rimini.

Paci Dalò is the co-founder and director of the performing arts ensemble Giardini Pensili and has composed music for theatre, radio, television and film.

After completing musical, visual and architectural studies in Fiesole, Faenza and Ravenna, Paci Dalò focused on sound and design and their use in film, theatre and collaborative projects.

He has been a pioneer in the use of digital technologies and telecommunication systems in art and has been particularly interested in performing arts as a meeting point of languages.

Since 1985 he has written, composed and directed more than 30 groundbreaking music-theatre works which have been presented worldwide.

Roberto Paci Dalò has worked at some of Italy's leading universities
Roberto Paci Dalò has worked at some
of Italy's leading universities
Paci Dalò has composed music for acoustical ensembles, electronics and voices and has produced radio works for the main European broadcasting corporations.

His films and videos have been regularly presented in international festivals.

Paci Dalò taught Media Dramaturgy at the University of Siena and collaborates with institutions such as the University of Bologna, University of Rome, University of Ascoli Piceno and the Brera Fine Arts Academy in Milan, where he develops projects in collaboration with designers, architects, planners, artists, programmers and hackers.

He coined the term ‘media dramaturgy’ - an extension of the study of composition of drama and adapting stories to actable form to cover not only the theatre but radio, television and film - in describing his own work.

He has been internationally acclaimed for leading the way in multimedia.

As a performer he has also developed extended techniques on the clarinet and with electronics.

Paci Dalò currently lives and works in the hills above Rimini.

The 13th century Tempio Maletestiano in Rimini has frescoes by Piero della Francesca and works by Giotto
The 13th century Tempio Maletestiano in Rimini has
frescoes by Piero della Francesca and works by Giotto
Travel tip:

With wide sandy beaches and plenty of hotels and restaurants, Rimini is one of the most popular seaside resorts in Europe, but it is also a historic town with many interesting things to see. The Tempio Maletestiano is a 13th century Gothic church originally built for the Fransiscans that was transformed on the outside in the 15th century and decorated inside with frescoes by Piero della Francesca and works by Giotto and many other artists. In 1993 Paci Dalò conceived the project Publiphono for his native town, using the public address system of the beach at Rimini to create environmental audio performances along 15km (9 miles) of the coast.


The Piazza della Libertà in the centre of Faenza, the city
in Emilia Romagna where Paci Dalò studied
Travel tip:

Paci Dalò studied at Faenza, a city about 72km (45 miles) kilometres northwest of Rimini, which is famous for the manufacture of a type of decorative majolica-ware known as faience. It is also home to the International Museum of Ceramics, which has examples of ceramics from ancient times, the Middle Ages and the 18th and 19th centuries as well as displaying work by important contemporary artists. The museum is in Viale Baccarini in Faenza. For more information visit www.micfaenza.org

More reading:

The unique style of contemporary composer Ludovico Einaudi

The Futurist artist who invented 'noise music'

How Luigi Nono used avant-garde music as a means of political expression

Also on this day:

98AD: Trajan becomes Roman Emperor

1901: The death of Giuseppe Verdi

1927: The birth of novelist Giovanni Arpino


Home