Bianca Cappello – noblewoman

Tragic end for the mistress who earned promotion to Grand Duchess 

Bianca Cappello became the
mistress of Francesco I

Bianca Cappello, the mistress of Francesco I Grand Duke of Tuscany, who became his Grand Duchess after he married her in the face of widespread criticism, died on this day in 1587 in Poggio a Caiano.

Grand Duchess Bianca died just one day after her husband, and historians are still divided between the theories that either they were both poisoned, or that they each died of malarial fever.

Bianca had been born in Venice in 1548, the only daughter of a Venetian nobleman, and as she grew up, she was acknowledged to be a great beauty.

At the age of 15, Bianca fell in love with a young Florentine clerk and she eloped with him to Florence, where they were married. She gave birth to a daughter one year later.

The Venetian government tried to have Bianca arrested and brought back to Venice, but Cosimo I, the Grand Duke of Tuscany, intervened on her behalf and she was allowed to stay in Florence. However, she found that she did not get on well with her husband’s family, who, because they had little money, made Bianca do menial work. 

Because of her beauty, Bianca attracted the attention of the Grand Prince Francesco, the son and heir apparent of Tuscany’s Grand Duke Cosimo I.

Even though Francesco was married to Joanna of Austria, he seduced Bianca, and as a reward, he gave her money and jewellery as presents. Bianca’s own husband was given employment at the Medici court for a while, until he was murdered in a street in Florence in 1572.

After Francesco became Grand Duke on the death of his father in 1574, he installed Bianca in her own palace, which is now known as Palazzo Bianca Cappello, and he flaunted his mistress in front of his wife.

Francesco I de' Medici succeeded
Cosimo I as Grand Duke of Tuscany

Francesco had no legitimate son to inherit the Duchy from him and he thought that a child by Bianca could be a potential heir for him, even though it would be illegitimate.

But after Bianca gave birth to his son, Antonio, in 1576, Francesco refused to acknowledge him, because he was still hoping to have a legitimate heir with his wife, Joanna.

Joanna succeeded in producing a son, Grand Prince Philip de’ Medici, in 1577, crushing Bianca’s hopes of becoming anything more than a mistress who was favoured by Francesco.

However, after Joanna’s death in 1578, Francesco secretly married Bianca, only a few months later.

The marriage was announced publicly in 1579 and Bianca’s son, Antonio, was finally acknowledged as the Duke’s son. Two days later, Bianca was crowned Grand Duchess of Tuscany at Palazzo Vecchio in Florence.

The Venetian government sent a representative to the magnificent, official wedding festivities that were held, because they realised that Bianca Cappello could be useful to them as an instrument for cementing good relations with Tuscany.

But Bianca’s position was still insecure because her son, Antonio, was illegitimate, and he was therefore barred from inheriting the Duchy. She was also aware that if her husband died before she did, she would be lost, because his family all disliked her and regarded her as an interloper.

Bianca and Francesco's son,
Antonio, was born in 1576

Then, in 1582, Francesco’s heir, Grand Prince Philip, died, and so Francesco had Antonio legitimised, and declared him to be the heir apparent to the Duchy, making Bianca’s position stronger. In the event, Antonio never succeeded his father, whose title was instead taken by his brother, Ferdinando.

But on 19 October that year, at the Villa Medicea in Poggio a Caiano, Francesco died. The following day, Bianca also died. Both deaths were believed to be either the result of poisoning, or of malarial fever.

Francesco’s brother did not allow Bianca to be buried in the Medici family tomb, and it is thought that she may have been buried in an unmarked, mass grave under the church of San Lorenzo in Florence.

Bianca’s sad story was used as the basis for a tragic drama, Women Beware Women, written  by Thomas Middleton, which was staged for the first time in 1621. She has also been used as a main character in three different novels. 

The historic figure of Bianca Cappello was also a main protagonist in The Venetian, a play written by Clifford Vax, which opened in London’s West End in 1931, before moving on to be staged in venues in America. 

The Palazzo Bianca Cappello can be
found in Via Maggio in Florence

Travel tip:

The Palazzo Bianca Cappello in Florence's Via Maggio was renovated by Bernardo Buontalenti between 1570 and 1574 at the direction of Grand Duke Francesco I in order to install his lover, Bianca Cappello, in a location close to the Grand Ducal residence of Palazzo Pitti, which was less than 200m (220 yards) away. After Bianca had become Grand Duchess and moved permanently to the Palazzo Pitti, she ceded the palace to the Hospital of Santa Maria Nuova.  The palace was linked to the Palazzo Pitti by an underground corridor so that Bianca and Francesco could meet secretly during the time they were lovers. Thanks to this corridor, numerous artworks in the Vasari corridor, the elevated enclosed passageway connecting the Palazzo Vecchio with the Palazzo Pitti, were kept out of the hands of German occupiers in World War Two. Notable for a facade decorated using the sgraffito technique, with images scratched into layers of different coloured plaster, the palace today houses an hotel.

The Ponte Leopoldo was one of the earliest 
suspension bridges to be built in Italy

Travel tip:

A settlement since Roman times, Poggio a Caiano is a town of almost 10,000 residents on the banks of the river Ombrone in the Montalbano area northwest of Florence. First the Strozzi and then the Medici families populated the area, an important point of reference for trade and communication. The town is home to the magnificent Villa Medicea, the mansion commissioned by Lorenzo the Magnificent. Built between the 15th and 16th centuries by the architect Giuliano da Sangallo, the Villa Medicea is considered a masterpiece and is a UNESCO World Heritage Site. The villa was the scene of the sudden and mysterious death of Francesco I de' Medici and his second wife Bianca Cappello. Between Poggio and neighbouring Poggetto, the Torrente Ombrone river is crossed by the Ponte Leopoldo, built in 1833 and one of Italy's first suspension bridges.

Also on this day:

1438: The death of sculptor Jacopo della Quercia

1950: The birth of television presenter Mara Venier

1951: The birth of football manager Claudio Ranieri

1962: The birth of jazz musician Dado Moroni

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19 October

Fiorenzo Magni - cycling champion

Rider from Tuscany won Giro d'Italia three times

Italy lost one of its finest professional riders and its last link with the so-called golden age of Italian cycle racing when Fiorenzo Magni died on this day in 2012.  Tuscan-born Magni was a multiple champion, winning the Giro d'Italia three times, as well as three Italian Road Race Championships.  He had seven stage wins in the Tour de France, in which he wore the yellow jersey as race leader for a total of nine days.  His other major victories were in the demanding Tour of Flanders, in which he became only the second non-Belgian winner in 1949 and went on to win three times in a row, a feat yet to be matched.  Magni might have been even more successful had his career not coincided with those of two greats of Italian cycling, the five-times Giro champion Fausto Coppi, who was twice winner of the Tour de France, and Gino Bartali, who won three Giros and one Tour de France.  His reputation for toughness, however, was unrivalled.  He relished racing in harsh, wintry weather, as often prevailed in the Tour de Flanders, and refused to give in to injuries if he happened to have a fall.  The classic example of this came in the 1956 Giro d'Italia, his final ride in Italy's foremost event, when an accident left him with a broken left collarbone only halfway through the race. Read more…

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Umberto Boccioni - painter

Artist who died tragically young was key figure in Futurism

The painter Umberto Boccioni, who became arguably the leading artist of Italian Futurism before the First World War, was born on this day in 1882 in Reggio Calabria.  Futurism was an avant-garde artistic, social and political movement that was launched by the poet Filippo Tommaso Marinetti in 1909.  Its ethos was to embrace modernity and free Italy from what was perceived as a stifling obsession with the past. The Futurists admired the speed and technological advancement of cars and aeroplanes and the new industrial cities, all of which they saw as demonstrating the triumph of humanity over nature through invention. Their work attempted to capture the dynamism of life in a modern city, creating images that convey a sense of the power and energy of industrial machinery and the passion and violence of social change.  Boccioni became part of the movement after meeting Marinetti in Milan early in 1910, after which he joined Giacomo Balla, Gino Severini, Carlo Carrà and Luigi Russolo in signing Il manifesto dei pittori futuristi - the Manifesto of Futurist Painters.  In the same year, Boccioni completed one of his finest works, entitled La città che sale, which is translated as The City Rises and which many consider to be the first truly Futurist painting.  Read more…

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Carlo Urbani – microbiologist

Infectious disease expert who identified SARS

The doctor and microbiologist Carlo Urbani, whose decisive action after discovering the deadly SARS virus saved millions of lives, was born on this day in 1956 in Castelplanio, near Ancona.  Dr Urbani himself died after contracting the condition, which had been given the name severe acute respiratory syndrome.  He identified it in an American businessman who had been taken ill in Hanoi, the capital of Vietnam, with suspected influenza.  Recognising quickly that what he was dealing with was not a straightforward case of ‘flu, Urbani, who was working in Vietnam as an infectious diseases specialist for the World Health Organisation, immediately alerted WHO headquarters in Geneva.  He convinced them that what he had discovered posed a grave threat to life and thus sparked the most effective response to a major epidemic in the history of medicine.  At a local level, be persuaded the Vietnamese health authorities to introduce a raft of preventative measures, including large-scale screening and prompt, secure isolation of suspected victims, that slowed the spread of the disease.  It was as a result of Urbani’s actions that the epidemic was largely contained.  Read more…

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Book of the Day: Pedalare! Pedalare! A History of Italian Cycling, by John Foot

Cycling was a sport so important in Italy that it marked a generation, sparked fears of civil war, changed the way Italian was spoken and led to legal reform. It was a sport so popular that it created the geography of Italy in the minds of her citizens, and some have said that it was cycling, not political change, that united Italy.  Pedalare! Pedalare! is the first complete history of Italian cycling to be published in English. The book moves chronologically from the first Giro d'Italia (Italy's equivalent of the Tour de France) in 1909 to the 21st century. The tragedies and triumphs of great riders such as Fausto Coppi and Gino Bartali appear alongside stories of the support riders, snow-bound mountains and the first and only woman to ride the whole Giro.  Cycling's relationship with Italian history, politics and culture is always up front, with reference to fascism, the cold war and the effect of two world wars. The sport is explored alongside changes in Italian society as a whole, from the poor peasants who took up cycling in the early, pioneering period, to the slick, professional sport of today. Scandals and controversy appear throughout the book as constant features of the connection between fans, journalists and cycling.

John Foot is an English academic historian specialising in Italy. He is the author of several books, including histories of Italian football, Italian cycling and the story of the pioneering psychiatrist, Franco Basaglia, who led a revolution in mental health care in Italy. 

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18 October

Theft of Caravaggio masterpiece

Fate of Nativity taken from Palermo church remains a mystery

One of the most notorious art crimes in history was discovered on this day in 1969 when a housekeeper at the Oratory of Saint Lawrence in Palermo arrived for work to find that the Nativity with St. Francis and St. Lawrence, painted by the Renaissance master Caravaggio in 1609, had been stolen. The painting sat above the altar in the Oratory, which is situated in Via Immacolata in the centre of the Sicilian capital, adjacent to the Basilica of Saint Francis of Assisi, but when the housekeeper, Maria Gelfo, opened up with her sister on the morning of 18 October, they were confronted with an empty frame.  Worth an estimated £20 million (€23.73 million; $27.52 million), the painting has never been found, leaving half a century’s worth of theories about its fate to remain unproven.  Most of the theories link the theft to the Sicilian Mafia.  It is assumed that the painting was taken during the night of the 17-18 October, although the weather was reportedly awful, with a lightning storm raging for much of the night and Palermo suffering a deluge of rain, hardly ideal conditions for carrying a valuable work of art from a church to a waiting vehicle.  Read more…

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Ludovico Scarfiotti - racing driver

Last Italian to win ‘home’ Grand Prix

The racing driver Ludovico Scarfiotti, whose victory in the 1966 Italian Grand Prix at Monza is the last by an Italian, was born on this day in 1933 in Turin.  His success at Monza, where he came home first in a Ferrari one-two with the British driver Mike Parkes, was the first by a home driver for 14 years since Alberto Ascari won the last of his three Italian Grand Prix in 1952.  It was Scarfiotti’s sole victory - indeed, his only top-three finish - in 10 Formula One starts. His competitive career spanned 15 years, ending in tragic circumstances with a fatal crash in 1968, little more than a month after he had come home fourth in the Monaco Grand Prix in a Cooper-BRM.  Scarfiotti in some respects was born to race. His father, Luigi, a deputy in the Italian parliament who made his fortune from cement, had raced for Ferrari as an amateur.  His uncle was Gianni Agnelli, the powerful president of Fiat.  He first raced in 1953 and he won his class in the 1956 Mille Miglia. He joined Ferrari in 1960 and finished fourth on the Targa Florio. Although he subsequently drove for OSCA and Scuderia Serenissima, he returned to Ferrari in 1962.  Read more…

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Luca Giordano – artist

Talented Neapolitan was renowned for being a fast worker

Luca Giordano, the most celebrated and prolific Neapolitan painter of the late 17th century, was born on this day in 1634 in Naples.  His nicknames were Luca Fa Presto - "Luca work faster" - said to derive from the way his father, the copyist Antonio Giordano, used to admonish him, Fulmine (the Thunderbolt) because of his speed, and Proteus, because he was reputed to be able to imitate the style of almost any other artist.  Giordano’s output both in oils and in frescoes was enormous and he is said to have once painted a large altarpiece in just one day.  He was influenced at the start of his career by Jose de Ribera, who he was apprenticed to, and he also assimilated Caravaggio’s style of dramatic intensity.  But after Giordano had travelled to Rome, Florence and Venice, his style underwent a profound change. The influence of Pietro da Cortona’s frescoes in the Pitti Palace in Florence can be detected in Giordano’s huge ceiling fresco in the ballroom of the Palazzo Medici-Riccardi, which he completed in 1683, and he became noted for his showy use of colour.  He went to Spain in 1692 as court painter to Charles II and stayed there till 1702.  Read more…

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Cristoforo Benigno Crespi - entrepreneur

Textile boss created industrial village of Crespi d’Adda

The entrepreneur Cristoforo Benigno Crespi, who became famous for creating a company-owned village around his textile factory in Lombardy, was born on this day in 1833 in Busto Arsizio, about 34km (21 miles) northwest of Milan.  A textile manufacturer, in 1869 Crespi bought an area of land close to where the Brembo and Adda rivers converge, about 40km (25 miles) northeast of Milan, with the intention of building a cotton mill on the banks of the Adda.  The factory he built was substantial, with room for 10,000 spindles, but as well the capacity to produce textiles on a large scale, Crespi recognised that it was essential to his plans to have a contented workforce. Consequently, following the lead of other manufacturers in the textile industry outside Italy, he set about providing on site everything to meet the daily needs of his employees.  In addition to the factory premises, he built homes for his workers, a school, a wash-house, a hospital, a church and a grocery store.  Houses were built in English-style parallel rows, with gardens and vegetable plots, and the streets were the first in Italy to have modern electric lighting.  Read more…

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Luke the Evangelist

Scientists believe Saint is buried in Padua

The feast day of St Luke the Evangelist - la festa di San Luca - is celebrated in Padua and throughout Italy on this day every year.  Luke the Evangelist is believed to be one of the four authors of the Gospels in the New Testament. Both the Gospel according to St Luke and the book of Acts of the Apostles have been ascribed to him.  Luke is believed to have been a doctor who was also a disciple of St Paul. It has been claimed he was martyred by being hung from an olive tree, although other sources say he worked as a doctor until his death at the age of 84.  He is regarded as the patron saint of artists, physicians, surgeons, students and butchers and it is strongly believed that his body lies in the Basilica of Santa Giustina in Prato della Valle in Padua.  It is thought that Luke was a Greek physician who lived and worked in the city of Antioch in ancient Syria.  He is mentioned in some of St Paul’s Epistles and he is believed to have been with Paul in Rome near the end of his life.  After Luke’s death it is believed he was buried in Thebes but his remains were later transferred to Constantinople.  They are thought to have been bought by a Serb who later sold them on to the Venetian Republic.  Read more…

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Book of the Day: Caravaggio: A Life Sacred and Profane, by Andrew Graham Dixon

Michelangelo Merisi da Caravaggio lived the darkest and most dangerous life of any of the great painters. The worlds of Milan, Rome and Naples through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and whores, prayer and violence. On the streets surrounding the churches and palaces, brawls and swordfights were regular occurrences. In the course of this desperate life Caravaggio created the most dramatic paintings of his age, using ordinary men and women - often prostitutes and the very poor - to model for his depictions of classic religious scenes. Andrew Graham-Dixon's exceptionally illuminating readings of Caravaggio's pictures, which are the heart of Caravaggio: A Life Sacred and Profane, show very clearly how he created their drama, immediacy and humanity, and how completely he departed from the conventions of his time.

Andrew Graham-Dixon is a British art historian, art critic, author and broadcaster. A former chief art critic of the Independent and later the Sunday Telegraph, he has presented numerous art documentaries on BBC television and is the author of several books, including Howard Hodgkin; A History of British Art; Paper Museum: Writings About Painting, Mostly; Renaissance; and In the Picture.

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Alessandro Antonelli – Architect

The creator of Turin’s striking Mole 

Turin at dusk, with the Alps in the background and
Antonelli's Mole towering above the skyline

Alessandro Antonelli, who became famous for designing what has become Turin’s most iconic building, died on this day in 1888 in the Piedmont capital.

Antonelli was the architect of the Mole Antonelliana, which was named after him. The Mole now houses the National Museum of Cinema. At 167.5 metres (550ft), it remains the tallest unreinforced brick building in the world, and is believed to be the tallest of any construction to house a museum.

Mole is an Italian word that is used to describe a building of monumental proportions. Turin’s impressive Mole is represented on the obverse side of the Italian two euro cents coin, which is the side that displays the nationality of the country that has issued the coin.

Antonelli was born in Ghemme, a town near Novara in Piedmont, in 1798. His father was a notary and he was one of 11 children. He studied architecture in Milan and Turin before taking a job in the state territorial planning offices. But after winning an architecture competition he moved to Rome in 1828 to study geometry.

Antonelli was renowned for the
ambitious nature of his projects

He developed a functional ideal of architecture, which inspired him to draw up an ambitious plan for the renovation of Turin’s historical centre.

Antonelli returned to his native city in 1836 and became a professor at the Albertina Academy, which was an institute of higher education in Turin. He also became a deputy in the Kingdom of Sardinia’s parliament and served as a councillor in both Turin and Novara.

Among the many villas, churches, and public buildings Antonelli designed during his career, he is particularly remembered for Novara Cathedral. ll Cattedrale di Santa Maria Assunta, or Duomo di Novara, was designed in neoclassical style by Antonelli and was built between 1863 and 1869 to replace the original 11th century church that had previously occupied the site. The cathedral incorporated the original mosaic floor of the presbytery and a chapel dedicated to Saint Syrus from the structure that preceded it. 

Antonelli also designed the dome of the Basilica of San Gaudenzio in Novara, a 75m (246ft) structure which brought the total height of the basilica to 121m (397ft), dwarfing the adjoining campanile, built earlier to designs by Benedetto Alfieri.  It was a highly ambitious project that had to be modified and reinforced to stop it collapsing under its own weight, yet it survived and dominates the Novara skyline as the Mole does in Turin.

The Orphan’s Hospice at Alessandria, a villa at Romagnana Sesia, and churches in Bellinzago Novarese and Borgo Lavezzarro are other buildings designed by Antonelli.

However, Antonelli’s most famous work was undoubtedly the 167.5m (550ft) Mole Antonelliano, which has become the symbol of the city of Turin. 

The cupola of the Basilica of San
Gaudenzio in Novara

It was begun in 1863 as a Jewish synagogue and was not finished until after Antonelli had died, construction having been halted in 1876 because Antonelli’s frequent modifications meant that costs had risen well beyond his original estimates and the Jewish community decided they could no longer afford to fund the project.

It was completed after the city’s municipal authorities agreed to finance the remaining work, compensating the Jewish community by building another synagogue elsewhere.

Work was finished in 1897 with the exception of the statue of a winged angel with which Antonelli planned to top the spire. This was added after his death but has since been replaced after the original was twice dislodged by storms.

From 1908 until 1938, the Mole housed the city’s Museum of the Risorgimento. Although the uppermost part of the spire was destroyed during a burst of violent weather in 1953, it was rebuilt in 1961, according to Antonelli’s original drawings. The building has been home to the Museo Nazionale del Cinema since 2000.

Following Antonelli’s death in 1888, his body was taken to Maggiora in the province of Novara to be buried in his family’s tomb.

Ghemme DOCG
is a renowned wine

Travel tip:

Ghemme, where Antonelli was born, is a town of just over 3,000 inhabitants in the province of Novara situated on the River Sesia, about 80 km (50 miles) north east of Turin and about 25 km (16 miles) north west of Novara. The small town’s main attraction is the Ricetto Castle, which dates back to the 11th century.  It was there in 1467 that a peace treaty was signed between the Duchy of Milan and Duchy of Savoy, ending several years of conflict. The the town is also famous for its red wine, Ghemme DOCG, which is produced in the surrounding Colli Novaresi. Ghemme’s wine was awarded DOC status in 1969 and was classified DOCG in 1997. The wine is made primarily from the Nebbiolo grape and it has to be aged for at least three years. Ghemme is also synonymous with the production of honey, being home to more than 600 bee hives. The town's acacia honey is regarded as one of the finest honeys produced in all of Italy.

The facade of the Palazzo Madama was designed,
like the Basilica di Superga, by Filippo Juvarra

Travel tip:

Much of the architecture of Turin illustrates its rich history as the home of the Savoy Kings of Italy. In the centre of the city, Piazza Castello, with the royal palace, royal library, and Palazzo Madama, which used to be where the Italian senate met, showcases some of the finest buildings in ‘royal’ Turin. Some members of the House of Savoy are buried in Turin’s Duomo in Piazza San Giovanni, which is also famous for being the home of the Turin shroud. Many people believe that the cloth now preserved in the Chapel of the Holy Shroud was the actual burial shroud of Jesus Christ. As well as the Mole Antonelliana, Turin is home to another architectural wonder in the Filippo Juvarra's magnificent Basilica di Superga, which sits on a hill above the city topped by another colossal dome, rising to 75m (246 feet). 

Also on this day:

1634: The birth of painter Luca Giordano

1833: The birth of entrepreneur Cristoforo Benigno Crespi

1933: The birth of racing driver Ludovico Scarfiotti

1969: Caravaggio masterpiece stolen in Palermo

Feast Day of Luke the Evangelist

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