8 March 2016

La Festa della Donna – Women’s Day

Bright fragrant mimosa signals respect 


Mimosa flowers are the traditional gift to mark La Festa della Donna
Mimosa flowers are the traditional
gift to mark La Festa della Donna
La Festa della Donna - Women’s Day - is celebrated in Italy on this day every year and is an occasion for men to show their appreciation for the women in their lives.

All over Italy today men will be seen carrying bunches of prettily wrapped mimosa to give to women who are special to them.

The flowers might be for their wives, girlfriends, mothers, friends or even employees and are meant as a sign of respect for womanhood.

The custom of men giving mimosa to their ladies began in the 1940s after the date 8 March was chosen as the Festa della Donna (Festival of the Woman) in Italy.

The date, which coincides with International Women's Day, has a political significance for campaigners for women's rights in Italy, marking the anniversary of a strike by female textile workers in New York in 1857 and the so-called 'bread and peace' strike by women in Russia in 1917, but has more recently become a celebration similar to Mothering Sunday or St Valentine's Day.

Yellow mimosa was chosen as the flower to give because it is in bloom at the beginning of March, it is relatively inexpensive,and the scent of it in the atmosphere is a sign that primavera (spring) is just round the corner.

Continuing with the theme of mimosa, you might see on restaurant menus at this time of the year variations of dishes such as risotto mimosa, or pasta mimosa (made with finely scrambled eggs). Many restaurants will have a special menu just for today to celebrate the occasion.

And some cake shops will have Torta Mimosa in their windows, a concoction made with sugar, orange juice, whipped cream and orange liqueur.

Buona Festa!


Ristorante La Ciotola in Bergamo has a special  menu to celebrate La Festa della Donna
Ristorante La Ciotola in Bergamo has a special
menu to celebrate La Festa della Donna
Travel tip:

In Bergamo in Lombardy a special menu to celebrate La Festa della Donna has been devised by Ristorante Pizzeria La Ciotola in the lower town. The restaurant in Via Papa Giovanni XXIII invites people wishing to celebrate the occasion to share 'a peaceful and relaxing evening with friends’ and enjoy some Bergamo specialities, such as casoncelli alla bergamasca and polenta taragna.

Hotels in Bergamo by Booking.com



The Teatro Donizetti in Bergamo, built in the 1780s, was  renamed in 1897 to mark the centenery of the composer's birth
The Teatro Donizetti in Bergamo, built in the 1780s, was
renamed in 1897 to mark the centenery of the composer's birth

Travel tip:

After enjoying a special meal to celebrate La Festa della Donna in Bergamo, why not enjoy a walk along Via Sentierone in the lower town, past Teatro Donizetti, to the monument to Bergamo’s celebrated composer. It was erected in 1897 in Piazza Cavour, off the Sentierone, to commemorate the 100th anniversary of Donizetti’s birth. An imposing structure in white marble, it depicts the composer sitting on a bench gazing at the figure of a female playing the lyre. Set in the middle of a pond and surrounded by plants and trees, the monument is inscribed simply ‘A Gaetano Donizetti’. You could almost imagine the prolific composer of operas is looking longingly past the mythical musician in the direction of the nearby theatre, which was renamed Teatro Donizetti in 1897.

7 March 2016

Alessandro Manzoni – novelist

Writer who produced the greatest novel in Italian literature


Alessandro Manzoni wrote the first novel to be written in the Italian language rather than regional dialect
A lithograph of the writer Alessandro Manzoni
Italy’s most famous novelist, Alessandro Manzoni, was born on this day in 1785 in Milan.

Manzoni was the author of I promessi sposi (The Betrothed), the first novel to be written in modern Italian, a language that could be understood by everyone.

The novel caused a sensation when it was first published in 1825. It looked at Italian history through the eyes of the ordinary citizen and sparked pro-unification feelings in many Italians who read it, becoming a symbol of the Risorgimento movement.

I promessi sposi is now considered to be the most important novel in Italian literature and is still required reading for many Italian schoolchildren.

Manzoni spent a lot of his childhood in Lecco, on Lago di Lecco, where his father’s family originated, and he chose to set his great work there.

Lago di Lecco is an arm of Lago di Como and is surrounded by dramatic mountain scenery that is so stunning it is said to have inspired Leonardo da Vinci for settings for his paintings.

More than two centuries later, fans of Manzoni’s novel continue to visit Lecco to see the places he described and the buildings featured in the book that remain.

The excellent Trattoria Vecchia Pescarenico
in the fisherman's quarter in Lecco that
featured in Manzoni's I promessi sposi
When visiting Lecco it is well worth taking the time to visit the historic fishermen’s quarter of Pescarenico, which was immortalised in I promessi sposi. It was the setting for Padre Cristoforo’s convent in the book and it was also from Pescarenico’s shore that one of the main characters, Lucia, set off in a boat to escape the clutches of the evil Don Rodrigo.

The village grew from a cluster of fishermen’s homes at the side of Lago di Lecco and an inn became established there in the 19th century.

Now named Trattoria Vecchia Pescarenico, the inn is at number eight in Via Pescarenico, a small street leading down to the side of the lake. Today it is an excellent restaurant specialising in seafood.

I promessi sposi created expressions and sayings that are still commonly used in Italian today, the most famous being: “Questo matrimonio non s’ha da fare…” (This marriage is not to be performed.)

This famous quote from the novel is still regularly used by Italians, in an ironic manner, when they are talking about weddings.

Manzoni died at the age of 88 after having had a fall on the steps of the church of San Fedele in Milan. There is now a statue of Manzoni in Piazza San Fedele.

Travel tip:

When you arrive in Lecco, it is a short walk from the railway station to the side of the lake. If you visit the Ufficio Informazione Turistiche (Tourist Information Office) in Via Sauro, just before you reach the lake, the staff will give you a free map of Lecco with places mentioned in the novel marked on it, such as Lucia’s house, Don Rodrigo’s castle and the famous marriage church. For more information about Lecco visit www.turismo.provincia.lecco.it.

  
Casa Manzoni was Manzoni's home in Milan until his death in 1873
The Casa Manzoni in Milan, where the author
lived until his death in 1873
Travel tip:

You can visit Casa Manzoni in Via Morone in Milan, where the author lived until his death in 1873 after his fall on the steps of the San Fedele church. The house is now used as the Centre for Manzoni Studies. The novelist’s tomb is in the Cimitero Monumentale in Milan. 


Also on this day:






6 March 2016

La traviata - the world's favourite opera

Verdi's masterpiece performed for the first time


The poster advertising the first performance of Verdi's famous opera at Teatro La Fenice in Venice
The poster advertising the first performance of Verdi's
famous opera at Teatro La Fenice in Venice
Giuseppe Verdi's opera, La traviata, was performed in front of a paying audience for the first time on this day in 1853.

The premiere took place at Teatro La Fenice, the opera house in Venice with which Verdi had a long relationship, one that saw him establish his fame as a composer.  La traviata would ultimately cement his reputation as a master of opera after the success of Rigoletto and Il trovatore.

La traviata has become the world's favourite opera, inasmuch as no work has been performed more often, yet the reception for the opening performance was mixed, to say the least.

Reportedly there was applause and cheering at the end of the first act but a much changed atmosphere in the theatre in the second act, during which some members of the audience jeered.  Their displeasure was said to be aimed in part at the two male principals, the baritone Felice Varesi and the tenor Lodovico Graziani, neither of whom was at his best.  There was also criticism of the soprano Fanny Salvini-Donatelli, the first to be given the role of Violetta, the opera's heroine.

Although an acclaimed singer, Salvini-Donatelli was 38 years old and somewhat overweight, whereas Verdi's character was both young and slight and, of course, would ultimately die from consumption.  Verdi had tried in vain to persuade the manager at La Fenice to re-cast the role with a younger singer.  He had also been overruled over his wish to give the opera a modern setting, in which he had the support of the librettist, Francesco Maria Piave, because the management insisted that the story be set in the past, in around 1700.

Dismayed, Verdi condemned the premiere as a failure, making it clear that he blamed the choice of singers.  Impresarios from other cities were eager to put on their own productions but Verdi was reluctant to allow the opera to be staged anywhere if he could not be given assurances over the casting.

In the end, more than a year after its debut, he allowed the opera to be performed again at Teatro San Benedetto, also in Venice, with the much younger Maria Spezia-Aldighieri in the role of Violetta. This time it was a huge success.

La traviata -- generally translated as 'the fallen woman' -- is the story of the ailing courtesan Violetta, who initially resists but then falls for a young admirer, Alfredo, for whom she gives up her party life in Paris to settle in the countryside.

Their blissful relationship is shattered, however, when Violetta is persuaded by Alfredo's father to turn away from his son for the sake of his daughter, whose own engagement is threatened because of the family's links with a courtesan.

Placido Domingo has played tenor and baritone roles in La Traviata
Plácido Domingo, who has sung both
tenor and baritone roles in La traviata
Photo: Rmm413 (CC BY-SA 4.0)
Unaware of the truth, Alfredo suspects Violetta's former lover, Baron Douphal, of being behind her change of heart, and confronts the two at a party in Paris.  Ultimately, having got the better of the Baron at the gaming table, Alfredo insults Violetta by throwing his winnings at her feet as payment for her services.

They are reconciled only when Violetta falls gravely ill with tuberculosis, or consumption as it was then called, and Alfredo's father tells him the truth just in time for him to arrive at her bedside and ask for forgiveness moments before she dies in his arms.

Verdi based the story of that of a real Parisian courtesan, Marie Duplessis, who similarly died from consumption but was immortalised by Alexandre Dumas fils, the French writer and dramatist, in his novel, La Dame aux Camélias, based on the relationship he had with Duplessis.

A huge success after it was published just eight months after her death, the novel was turned into a stage drama by Dumas and Verdi is said to have seen it while staying in Paris with his lover, the singer Giuseppina Strepponi.

As well as being performed at opera houses around the world, La traviata has twice been made into a film, notably by Franco Zeffirelli in 1982, when Plácido Domingo starred as Alfredo opposite the Canadian soprano, Teresa Stratas.  Domingo, then only 41, has in more recent years taken the role of Alfredo's father, Giorgio, which is normally assigned to a baritone.

A lavish new production, directed by the American film director Sofia Coppola with the support of the fashion designer, Valentino, is to be staged at the Opera of Rome in May of this year.

The Teatro San Benedetto, which is nowadays a cinema, was Venice's major opera venue before La Fenice
The Teatro San Benedetto, which is nowadays a cinema,
was Venice's major opera venue before La Fenice
Travel tip:

The Teatro San Benedetto, which was situated just 200 metres away from La Fenice's location in the San Marco district of Venice, predates La Fenice and itself staged the premieres of more than 140 operas but after a legal battle in the late 18th century forced a change of ownership the theatre declined in importance.  Its name changed to Teatro Venier, Teatro Gallo and finally Teatro Rossini, in honour of the opera composer Gioachino Rossini but as La Fenice flourished it never regained its position as Venice's major opera venue.  In the 1930s it was remodelled as a cinema and although the original building was demolished in 1951 the theatre was reconstructed on the same site in Salita del Teatro and now forms part of the Multisala Rossini, which is Venice's largest cinema.


The statue of Verdi can be found in his home town of Busetto in Emilia-Romagna
The statue of Verdi in Busseto
Photo: Viva-Verdi (CC BY-SA 3.0)
Travel tip:

Giuseppe Verdi was born at Le Roncole, a village in the Parma province of Emilia-Romagna in 1813 and moved in 1824 to the nearby town of Busseto, which stages an annual opera competition, Voci Verdiane (Verdian Voices), and has a number of monuments to the composer, including the Teatro Giuseppe Verdi.  The Casa Barezzi, close to Busseto's main square, was the home of Antonio Barezzi, Verdi's first patron.  Since 2001 it has housed a permanent exhibition of objects and documents relating to Verdi, including his first portrait and a number of letters.  For more information, visit www.museocasabarezzi.it

Busseto hotels from Booking.com

More reading:

Verdi - Italy's mourning for the death of a national symbol

Rigoletto's debut at La Fenice

How rival fans wrecked the premiere of Rossini's Barber of Seville

Also on this day:

1483: The birth of historian Francesco Guicciardini

1933: The birth of Augusto Odone, inventor of 'Lorenzo's oil'

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5 March 2016

Giovanni Battista Tiepolo – artist

 Painter’s decorative work can be seen all over Venice


Tiepolo painted his self-portrait in around 1753
Giovanni Battista Tiepolo: self-portrait
Painter and print maker Giovanni Battista Tiepolo was born on this day in 1696 in Venice.

Also sometimes known as Gianbattista or Giambattista Tiepolo, his output was prolific and he enjoyed success not only in Italy, but in Germany and Spain as well.

Highly regarded right from the beginning of his career, he has been described by experts as the greatest decorative artist of 18th century Europe. Although much of his work was painted directly on to the walls and ceilings of churches and palaces in his native Venice, many of Tiepolo’s paintings on canvas are now in art galleries all over the world.

Tiepolo was the youngest child of a Venetian shipping merchant who died a year after his birth leaving his mother to struggle to bring up her six children alone.

In 1710 he became a pupil of Gregorio Lazzarini, a successful established painter, but Tiepolo quickly developed a style of his own.

His earliest known works are depictions of the apostles, which form part of the decoration of the interior of the Church of Santa Maria dei Derelitti at Ospedaletto in Venice , painted in 1717.


The Church of Santa Maria dei Derelitti in Venice, where can be  found Tiepolo's earliest work
The Church of Santa Maria dei
Derelitti in Venice, where can be
found Tiepolo's earliest work
Tiepolo was commissioned to produce portraits for the Doge and he started painting frescoes directly on to the walls of churches in 1717.

In 1719 Tiepolo married Maria Cecilia Guardi, the sister of painters Francesco Guardi and Giovanni Antonio Guardi and they had nine children. Two of his sons, Domenico and Lorenzo, eventually painted with him as assistants.

Tiepolo was commissioned to produce paintings for many churches in Venice but also for the interiors of palaces in Milan and for the Colleoni Chapel in Bergamo.

At the request of a German prince, Tiepolo travelled to Wurzburg in 1750 to produce ceiling paintings for his palace.

He returned to Venice where he continued to produce paintings for churches and palaces until in 1761 he was invited to Madrid by King Charles III to create a ceiling fresco for the throne room of the Royal Palace. He fulfilled other commissions in Madrid, although he had to put up with jealousy from the other artists working for the king at the time. Tiepolo died in Madrid in 1770.

The meeting of Anthony and Cleopatra, depicted by Tiepolo,  can be found in Palazzo Labia
The meeting of Anthony and
Cleopatra, depicted by Tiepolo,
can be found in Palazzo Labia
Travel tip:

Palazzo Labia in Fondamenta Labia in Venice has frescoes in the ballroom depicting the life of Cleopatra, painted by Tiepolo between 1745 and 1750. The prestigious palace is on the wide Cannaregio Canal , close to its junction with the Grand Canal , but the entrance to it is off Campo San Geremia. The palace sometimes holds free classical concerts in the magnificently decorated ballroom, or visitors can arrange to see the frescoes by appointment.

Venice hotels from Booking.com

Travel tip:

The Church of the Gesuati in Fondamenta delle Zattere in Venice has a ceiling frescoed by Tiepolo with scenes from The Life of St Dominic. The impressive work of art, painted between 1737 and 1739, demonstrates the artist’s amazing mastery of light and colour.