Alfredo Ildefonso Schuster – Cardinal

Blessed monk who tried to preach humility to Mussolini

Alfredo Ildefonso Schuster: a
photograph taken in 1930

Alfredo Ildefonso Schuster, who was a Benedictine monk and served as Cardinal and Archbishop of Milan during World War II, was born on this day in 1880 in Rome.

Towards the end of the war, Schuster attempted to arrange a truce between Mussolini and the partisans, but failed because Mussolini refused to accept the demands for total surrender made by the partisan delegates.

More than 40 years after his death, Cardinal Schuster was beatified on 12 May 1996 by Pope John Paul II.

Schuster was the son of a Bavarian tailor who had moved to live in Rome and he served as an altar boy at a German Church near St Peter’s Basilica.

In 1898 he joined the Order of Saint Benedict and took the name Ildefonso before entering the monastic community of Saint Paul Outside the Walls.

He studied while he was a monk and graduated as a Doctor of Philosophy in 1903, later receiving a Doctorate in Theology.

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Schuster was ordained as a priest in Rome in 1904 and then returned to his community of Saint Paul Outside the Walls where he became Master of Novices.

The statue of St Paul at the church of
St Paul Outside the Walls in Rome

He held various pontifical offices between 1914 and 1928 and toured the country visiting Catholic seminaries.

After being elected Archbishop of Milan in 1929 he took the oath of loyalty to the Italian state in front of King Victor Emmanuel III of Italy, the first Italian bishop to be required to do so by the Lateran Treaty.

He was created Cardinal Priest by Pope Pius XI in 1929, receiving the Church of Santi Silvestro e Martino ai Monti. He was consecrated in the Sistine Chapel by Pope Pius XI personally.

Despite claims during the process for Schuster’s beatification that he had been sympathetic to Italian Fascism, he had in fact denounced the anti-Christian element of Fascism. He is reported to have refused to participate in any ceremonies involving Mussolini and to have condemned racist legislation during the period.

He had supported the Italian invasion of Ethiopia in 1935 by asking God to protect the Italian troops, ‘as they opened the door of Ethiopia to the Catholic faith’.

Benito Mussolini rejected Schuster's attempt
to broker a truce with partisans

But in 1938, after the annexation of Austria by Nazi Germany, Schuster’s views changed sharply.

During the unsuccessful meeting between Mussolini and the partisans in the Archbishop’s Palace in Milan, Schuster is reported to have made an attempt to preach humility to the Fascist leader.

After the war, Cardinal Schuster frequently emphasised the danger of totalitarianism, whether inspired by fascism or communism.

Schuster died in 1954 at Venegono Inferiore near Milan. Cardinal Angelo Roncalli, the future Pope John XXIII, celebrated his funeral and afterwards Schuster was buried in the Cathedral of Milan.

Travel tip:

The Sistine Chapel, where Schuster was consecrated as Cardinal Priest by Pope Pius XI, is in the Apostolic Palace, where the Pope lives, in Vatican City. The chapel takes its name from Pope Sixtus IV, the uncle of Pope Julius II, who had it restored during his papacy. Between 1508 and 1512, Michelangelo painted the ceiling at the request of Pope Julius II.  His amazing masterpiece, now a popular tourist attraction, is in bright colours, easily visible from the floor, and covers more than 400 square metres.

The carving over the Altar of the Madonna at the Duomo
in Milan, beneath which Schuster was buried

Travel tip:

Schuster was buried in the Duomo of Milan, Milan’s cathedral, which is the largest church in Italy and the fifth largest in the world. Construction of the Duomo began in 1386 using marble brought into the city along Milan’s Navigli canals. Although it was consecrated as a Cathedral in 1418, building work on the Duomo was not finally completed until the 19th century when Napoleon organised the façade to be finished before his coronation there.

More reading:

How the Lateran Treaty recognised the Vatican as an independent state

Overthrown Mussolini meets his fate at the hands of the partisans

Angelo Roncalli - the farmer's son who became pope

Also on this day:

1543: The birth of madrigal composer Alfonso Ferrabosco


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Antonio Moscheni - Jesuit painter

Unique legacy of chapel frescoes in India

Antonio Moscheni made his own paint
using vegetable dye

The painter Antonio Moscheni, best known for the extraordinary frescoes he created in the chapel of St Aloysius College in Mangalore, India, was born on this day in 1854 in the town of Stezzano, near Bergamo in Lombardy.

St Aloysius, situated in the state of Karnataka in south-west India, was built by Italian Jesuit Missionaries in 1880 and the chapel added four years later.  A beautiful building, it would not look out of place in Rome and the Baroque extravagance of Moscheni's work, which adorns almost every available wall space and ceiling, makes it unique in India.

The chapel welcomes thousands of visitors each year simply to marvel at Moscheni's art for the vibrancy of the colours and the intricacy of the detail.

Scenes depicted include the life of St. Aloysius, who as the Italian aristocrat Aloysius Gonzaga became a Jesuit and was studying in Rome when he died at the age of just 23, having devoted himself to caring for the victims of an outbreak of plague.

The interior of the chapel at St Aloysius, painted in its
entirety by Moscheni in the space of two and a half years

Also painted are the Apostles, the lives of the Saints and the life of Jesus. The picture of Jesus with a group of children on the rear wall, opposite the main altar, is considered the best of Moscheni’s work.

The artist's skill enabled him to create the illusion of three dimensions, so that figures painted on flat walls, for example, appear at first glance to be statues.

Another interesting feature is the chapel floor, all of which is paved with stones brought from Bergamo which again creates the perception of three dimensions. Visitors at first can mistake the tiles for steps.

Remarkably, often hanging precariously from scaffolding, Moscheni painted the entire 829 square metres of surface area by himself, using paints he made using vegetable dyes, the project taking two and a half years.

The Jesuits were lucky that they had such a talented artist among their brethren.

The Chapel of the College of St Aloysius in Mangalore

Educated at the prestigious Accademia Carrara in Bergamo, where he studied with accomplished masters from whom he learned the most advanced techniques, he also spent a year in Rome studying the masterpieces of Michelangelo at the Vatican.

When he returned to Bergamo his ability was in great demand. He was commissioned by many churches in the city and the surrounding area and his work at the Sanctuary of Madonna dei Campi in his home town of Stezzano was particularly admired. He exhibited in Milan and Turin and had the prospect of a brilliant career ahead of him.

In 1889, at age 35, however, Moscheni turned his back on fame to enter the Society of Jesus, enrolling himself as a lay brother.

Yet it was not the end of his career as an artist.  Aware of his talents, his superiors wasted no time, once his novitiate was completed, in despatching him to Croatia and Albania to work on Jesuit churches, and on his return sending him to Piacenza and Modena.

The Villa Moscheni in Stezzano is a private house

He left for India in 1898 and expected to return to Italy once the St Aloysius project was finished, yet his reputation spread in India as it had at home.

He was asked to decorate the Hospital Chapel at Kankanady, as well as a local church and the Seminary of Mangalore before being invited to paint frescoes at the Holy Name Cathedral in Mumbai.

Moscheni moved from there to the Basilica of Santa Cruz at Fort Kochi, in the state of Kerala, at the personal invitation of the Bishop in 1905.  Sadly, Moscheni fell ill with dysentery while he was working there, although he battled against the illness with impressive fortitude and finished the job. He died in November 1905, four days before the consecration of the church, and is said to have been buried at the Carmelite Monastery in Manjummel.

Travel tips:

Stezzano, situated just outside Bergamo not far from the airport at Orio al Serio, marked the 100th anniversary of the death of Moscheni in 2005 when a bust created by a local sculptor, Learco Campana, was unveiled in the Biblioteca Comunale.  Moscheni's home in Stezzano, the Villa Moscheni, in Via Carrara Beroa, is in private ownership and has been fully renovated. The six-bedroom property, which includes some frescoes by Moscheni, has been on the market recently for €980,000.

The Sanctuary of Madonna dei Campi at Stezzano

Travel tips:

The historic centre of Stezzano is a fortified farming village of medieval origin that has changed little in appearance. It is mainly characterised by former farmhouses and four substantial 17th century villas - the Villa Zanchi, Villa Morlani, Villa Maffeis and Villa Moroni, which dominates the picturesque Piazza Libertà. The grand parish church of San Giovanni Battista is a short distance away in Piazza Dante. The Sanctuary of Madonna dei Campi can be found a little out of the centre, on the road towards Grumello del Piano.

More reading:

The Chapel in Padua that is home to Giotto's stunning frescoes

How the work of Tintoretto still adorns Venice

The mysterious death of Caravaggio

Also on this day:

1472: Birth of Guidobaldo da Montefeltro, Duke of Urbino

(Picture credits: chapel interior by Vijay Bhat; chapel exterior by Haydn Blackley; Sanctuary of Madonna dei Campi by Luigi Chiesa; all via Wikimedia commons)



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Count Vittorio Alfieri – playwright and poet

Romantic nobleman inspired the oppressed with his writing

A painting by Francois-Xavier Fabre of Alfieri,
property of the High Museum of Art in Atlanta

Dramatist and poet Count Vittorio Alfieri was born on this day in 1749 in Asti in Piedmont.

He earned himself the title of ‘the precursor of the Risorgimento’ because the predominant theme of his poetry was the overthrow of tyranny and with his dramas he tried to encourage a national spirit in Italy. He has also been called ‘the founder of Italian tragedy.’

Alfieri was educated at the Military Academy of Turin but disliked military life and obtained leave to travel throughout Europe.

In France he was profoundly influenced by studying the writing of Voltaire, Rousseau and Montesquieu and in England he embarked on a doomed affair with an unsuitable woman.

When he returned to Italy in 1772 he settled in Turin and resigned his military commission.  Soon afterwards, he wrote a tragedy, Cleopatra, which was performed to great acclaim in 1775.

He decided to devote himself to literature and began a methodical study of the classics and of Italian poetry.

Since he expressed himself mainly in French, which was the language of the ruling classes in Turin, he went to Tuscany to familiarise himself with pure Italian.

Francois-Xavier Fabre also painted Alfieri with the Countess
of Albany, with whom he lived in Italy and France

Over the next few years he wrote 14 tragedies and numerous poems. He wrote five odes on American independence, an ode on the fall of the Bastille in Paris in 1789 and a political treatise on tyranny.

While in Florence, Alfieri met Princess Louise of Stolberg Gedern, also known as the Countess of Albany, who was the wife of the Stuart pretender to the English throne.

Although she was living with her husband, Charles Edward Stuart, otherwise known as Bonnie Prince Charlie, Alfieri formed a serious relationship with her. When she moved to Rome to get away from her husband, Alfieri followed her there.

She then moved to France and he went to join her there. They lived together in both Alsace and Paris, but eventually left France because of the revolution and returned to live in Florence. Alfieri remained deeply attached to her for the rest of his life.

He chose to use a dramatic style in his writing to persuade the oppressed to accept his political ideas and to inspire them to heroic deeds. Most of his tragedies represented the struggle between a champion of liberty and a tyrant.

This statue of Alfieri is a feature
of Piazza Alfieri in Asti

One of the best of his published tragedies is Filippo, in which Philip II of Spain is presented as a tyrant. Saul, which is considered to be his masterpiece, has been singled out as the most powerful drama ever presented in the Italian theatre.

Alfieri died in Florence in 1803. His autobiography, Vita di Vittorio Alfieri scritta da esso, The life of Vittorio Alfieri written by himself, was published posthumously in 1804.

Alfieri and the Countess of Albany were both buried in the Basilica of Santa Croce in Florence.

Travel tip:

Asti, where Alfieri was born, is a city in the Piedmont region of northern Italy, situated about 55 kilometres to the east of Turin. It is famous for its high-quality wines, Moscato d’Asti, a sparking white wine and Barbera, a prestigious red. Every year a Palio, a bare-back horse race, is held in Piazza Alfieri, the square named after the writer, on the third Sunday in September.

The tomb of Vittorio Alfieri in the Basilica of Santa
Croce in Florence was sculpted by Antonio Canova

Travel tip:

The Basilica of Santa Croce in Florence, where Vittorio Alfieri is buried, is the largest Franciscan church in the world and the present building dates back to the 13th century. The Basilica has 16 chapels, many of them decorated with frescoes by Giotto and his pupils. It is the burial place for many important Italians, including Michelangelo, Galileo, Machiavelli and Rossini. Alfieri's tomb was sculpted by Antonio Canova, who is considered one of Italy's greatest sculptors.

More reading:

Bonnie Prince Charlie - Italian-born heir to the throne of Great Britain

The genius of Antonio Canova

Giuseppe Mazzini - hero of the Risorgimento

Also on this day:

1957: The death of conductor Arturo Toscanini

(Picture credits: Asti statue by Palladino Neil; Santa Croce tomb by jollyroger; via Wikimedia Commons)

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Gigi Radice - football coach

Former Milan player steered Torino to only title in 68 years

Gigi Radici, whose coaching methods were inspired
 by the 'total football' of Dutch coach Rinus Michels

Luigi 'Gigi' Radice, the only coach to have won the Italian football championship with Torino in the 68 years that have elapsed since the Superga plane crash wiped out the greatest of all Torino teams, was born on this day in 1935 in Cesano Maderno, near Monza, some 24km (15 miles) north of Milan.

An attacking full-back with AC Milan, where he won the Scudetto three times and was a member of the team that won the 1962-63 European Cup, Radice made five appearances for Italy, including two at the 1962 World Cup finals in Chile.

He switched to coaching in 1965 after a serious knee injury ended his playing career prematurely and achieved immediate success with his local club, Monza, whom he guided to promotion as champions in Serie C.

After leading Cesena to promotion to Serie A for the first time in the Emilia-Romagna club's history in 1972-73 Radice had spells with Fiorentina and Cagliari before Torino owner Orfeo Pianelli hired him in 1975.

Stadio Comunale, now the Stadio Olimpico Grande Torino,
 has been the home of Torino for much of the club's history

Torino had finished third in 1971-72 and in the top six in each of the following three seasons but were not close to breaking the dominance of city rivals Juventus, whose 1974-75 Serie A title was their third in four seasons and 16th overall.

Yet Radice transformed Torino's fortunes instantly, toppling the bianconeri at the first attempt as I granata - the Maroons - finished two points ahead of Juventus to win their seventh Scudetto and the first since the Grande Torino team of the 1940s.

Crucially, Torino beat Juventus in both of the season's derby matches, each played at the shared Stadio Comunale.  Radice's team won 2-0 as the 'home' side in December and by the same scoreline in the return fixture in March, the two games watched by a total of almost 120,000 spectators.

Radice had a reputation for taking a tough, no-nonsense approach with his players that earned him the nickname 'the Iron Sergeant' and sometimes 'the German.'  On the field, his Torino teamed played at a high tempo, pressing their opponents all over the pitch as Radice tried to implement the so-called 'total football' created by the Dutch coach Rinus Michels, of whom he was a great admirer.

Paolino Pucci with the trophy he won as
Serie A's top scorer in 1975-76

It was an antidote to the rather sterile, defensive tactics favoured by some Italian coaches and earned Radice the Seminatore d'Oro award as Serie A's best coach for 1975-76. His two strikers, Paolino Pulici and Francesco Graziani, thrived in his system, scoring 36 goals between them in the title-winning season.

For Pucci, who spent 15 seasons with the club, ending his career as Torino's all-time record goalscorer with 172 goals, it was the best season of his career, bringing him 21 Serie A goals.

Juventus reasserted their superiority in the city by winning back their crown the following season, with Radice's Torino runners-up.

Radice achieved two more top-three finishes before leaving the club in 1980, a year after he had suffered serious injuries in a road accident.  He returned for a second spell in charge in 1984, again achieving success at the first attempt when Torino were runners-up to Verona in 1984-85.

He moved on again after Torino were relegated in 1989 and his coaching career never again reached the same heights, although his Fiorentina's team were second at the half-way stage in the 1992-93 season before a row with the club's chairman, Vittorio Cecchi Gori, cost him his job.

He retired at the age of 63, having returned to his first club, Monza, where he ended on a high note by winning promotion to Serie B.  Now 82, he still lives in Monza. His son, Ruggero, one of three children, followed him into football and was a member of the Siena team that won an historic promotion to Serie A in 2003. He now coaches in the youth section at the Tuscan club.

The black and white marble facade of the Duomo in Monza

Travel tip:

Cesana Maderno is a town of around 35,000 inhabitants situated about 15km from Monza, the Lombardy city best known for its motor racing circuit, which has been the home of the Italian Formula One Grand Prix every year bar one since 1950.  The city has other attractions, including a 14th century Duomo, built in Romanesque-Gothic style with a black and white marble facade, and the church of Santa Maria in Strada, also built in the 14th century, which has a facade in terracotta. The Royal Villa, on the banks of the Lambro river, dates back to the 18th century, when Monza was part of the Austrian Empire.

Travel tip:

Although the home of Italy's former royal family and the first capital of the modern Italy, its architectural style gives Turin a different look from most Italian cities.  Dominated by Baroque palaces and churches built when Turin was part of the Kingdom of Savoy, it is sometimes called 'the little Paris' on account of the wide boulevards and white buildings that are typical of the French capital, of which the elegant 19th century cafes in the city centre are another echo.

More reading:

Nevio Scala - the coach behind Parma's golden era

Claudio Ranieri - the man who made the Leicester miracle happen

The Torino winger who became the world's most expensive footballer

Also on this day:

1926: The death of Giambattista De Curtis, songwriter who penned 'Torna a Surriento'

(Picture credit: Stadio Comunale by Peter Collins; Monza Duomo by Scruch)

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