Antonio Janigro - conductor and cellist

Musician who found ‘accidental’ fame in Yugoslavia

Antonio Janigro spent much of his career in
Yugoslavia after being trapped there on holiday

The conductor and cellist Antonio Janigro, who spent more than two decades as an orchestra leader in Zagreb, Yugoslavia, was born on this day in 1918 in Milan.

An accomplished cello soloist in Italy, his adventure in Yugoslavia happened by accident, in a way.  He was on holiday there in 1939 when the Second World War began, leaving him stranded with no prospect of returning home.

Happily, Zagreb Conservatory offered Janigro a job as professor of cello and chamber music. This turned out to be a providential turn of fate and he was to remain in Yugoslavia for much of his life.

He founded the school of modern cello playing in Yugoslavia, formed the exemplary chamber orchestra I Solisti di Zagreb with Dragutin Hrdjok in 1954 and for 10 years led the Radio Zagreb symphony orchestra.

Raised in a house on the Via Guido d’Arezzo in Milan, Janigro was born in a musical family, although his father’s dream of becoming a concert pianist had to be abandoned, sadly, when he lost his arm after being shot in the First World War. 

Janigro himself studied piano from the age of six, and then began playing the cello in 1926, when he was eight years old. In less than a year he had progressed enough to be admitted to the Milan Conservatory.

Janigro was admitted to the Milan
Conservatory at the age of nine

At the age of 11, through the efforts of his mother Nicola, he found the opportunity to play for Pablo Casals, the world renowned  Spanish cellist, who gave him a recommendation to study at the École Normale in Paris, describing him as “a brilliant instrumentalist with a fine sense of style.”

Janigro moved to Paris in 1934, when he was 16, coming into contact there with other great cellists and musicians, including the violinist Jacques Thibaud, the composers Paul Dukas and Igor Stravinsky and the conductor Nadia Boulanger. The pianist Dinu Lipatti and the violinst Genette Neveu were fellow students.

He began a solo career immediately after graduating, playing in recitals with Lipatti and Paul Badura-Skoda, another gifted pianist. He often travelled between Milan and Paris on the railway, seeking out empty compartments in which to practice his cello.

Janigro’s relocation to Yugoslavia may have been an accident, but he would remain there continuously until 1968. At the same time, he maintained his solo career, travelling as far away as South America and the Far East. In 1959, he was Hungarian conductor Fritz Reiner's soloist in a renowned Chicago Symphony Orchestra recording of Richard Strauss's Don Quixote.

He returned to Milan after the break-up of I Solisti di Zagreb but then devoted himself increasingly to teaching, with positions at the Düsseldorf Conservatory, the Salzburg Mozarteum, and the Stuttgart Conservatory attracting students from all over the globe.

Among his many students who would themselves excel were the Swiss cellist Thomas Demenga, the Brazilian Antonio Meneses and the Italian Mario Brunello, the latter two bringing him prestige by winning the International Tchaikovsky Competition.

He died in 1989, having spent his final years in Zagreb.

The Parco Guido Vergani is a park established on former
industrial land in the heart of Milan

Travel tip:

Janigro’s childhood home in Via Guido d’Arezzo in Milan is close to Parco Guido Vergani,  also known as Parco Pallavicino, an area of reclaimed land that used to be occupied until the mid-1930s by railway sidings and the small Sempione Airport. The park, inaugurated in the sixties, covers an area of ​​approximately 88,000 square metres. The park is rich in tree varieties, a fountain and areas for games and dog walking. Like most of the green areas in Milan, it was named after famous personalities - in this case, the Milanese journalist and writer Guido Vergani.

Janigro was a precociously talented child musician who was
admitted to Milan Conservatory (above) at nine years old

Travel tip:

The Milan Conservatory - also known as Conservatorio di musica “Giuseppe Verdi” di Milano - was established by a royal decree of 1807 in Milan, capital of the Napoleonic Kingdom of Italy. It opened the following year with premises in the cloisters of the Baroque church of Santa Maria della Passione in Via Conservatorio. The largest institute of musical education in Italy, its alumni include Giacomo Puccini, Amilcare Ponchielli, Arrigo Boito, Pietro Mascagni, Riccardo Muti and Ludovico Einaudi.

More reading:

How Luigi Boccherini popularised cello music in the 18th century

The double bass virtuoso Giovanni Bottesini

Alfredo Casella - composer from a family of cellists

Also on this day:

1916: The birth of World Cup-winning footballer Pietro Rava

1926: The birth of Nobel Prize-winning neuroscientist Camillo Golgi

1949: The birth of chef Gennaro Contaldo


Home

Rafael Bombelli – mathematician

First person to explain algebra in simple language

The front cover of the 1579 edition of
Bombelli's text, published in Bologna

Rafael Bombelli, the mathematician regarded as the inventor of complex numbers, was baptised and was also probably born on this day in 1526 near Bologna.

He wrote a book about algebra in simple language that could be understood by everyone, giving a comprehensive account of what was known about the subject at the time. The first three volumes, published in 1572, were the first European texts to explain how to perform computations with negative numbers.

Rafael Bombelli was the eldest son of Antonio Mazzoli, a wool merchant, who had changed his name to Bombelli to disassociate himself from the reputation of his family. His grandfather had taken part in a failed attempt to seize Bologna on behalf of the Bentivoglio family but had been caught and executed. Antonio Mazzoli was able to return to Bologna only after changing his name to Bombelli.

It is thought that Rafael Bombelli did not attend university but was taught by an engineer-architect named Pier Francesco Clementi.

He followed Clementi into the profession and acquired a patron, Alessandro Rufini. His patron was given the right to reclaim marsh land in the Val di Chiana by the Pope and Bombelli worked on this project until 1555 when there was an interruption to the reclamation work.

Bombelli wrote his algebra book while staying in
his patron's villa in Frascati, outside Rome

While he was waiting for the project to start again he decided to write an algebra book, while living in the comfortable surroundings of his patron’s villa just outside Rome in Frascati.

He felt that the reason for arguments between mathematicians was the lack of a careful exposition of the subject. The only books about algebra were not accessible to people without a thorough grasp of mathematics and he deliberately used simple language to make the book available to people who had not received higher education.

He died in Rome in 1572, soon after the first three volumes of the book were published. The unfinished manuscript of the other two volumes was discovered in a library in Bologna in 1923 and published in 1929.

Despite the delay in publication, Bombelli’s Algebra was a very influential work and was praised by later mathematicians because his analysis of the subject showed him to be far ahead of his time.

A crater on the moon has been named the Bombelli crater in honour of him.

The church of Santa Maria Assunta in Borgo Panigale

Travel tip:

Bombelli’s family lived in Borgo Panigale, a small town to the north of Bologna, which was annexed to the city by the Fascist government in 1937. It is now home to Bologna’s Guglielmo Marconi airport and the motorbike manufacturer Ducati. The Bologna artist Elisabetta Sirani painted an altarpiece for the parish church of Borgo Panigale. It is thought the name stems in part from the land around the site of the town, which was formerly used for the cultivation of the foxtail millet cereal called panìco in Italian.

The facade of the Villa Falconieri in
Frascati, where Bombelli stayed

Travel tip:

The Villa Falconieri in Frascati, to the south of Rome, was originally called Villa Rufina, having been built for Alessandro Rufini in 1546. It was while staying in this villa that Bombelli wrote his famous work on Algebra, which he dedicated to his patron, Rufini. The villa, which was renovated by the leading Roman Baroque architect Francesco Borromini after it was sold in 1628, houses many beautiful frescoes and is surrounded by splendid Italian gardens with a small lake bordered by cypresses. Now the headquarters of the Vivarium Novum Latin and Humanities Academy, it is open to the public from 10am to 1pm each Sunday.

More reading:

The mathematician who turned down Peter the Great of Russia

The maths professor who won the equivalent of a Nobel Prize at just 34

The mathematician and scientist who discovered the secret of embalming

Also on this day:

1920: The birth of filmmaker Federico Fellini

1950: The birth of former Vogue editor Franca Sozzani

1987: The birth of motorcycle racer Marco Simoncelli


Home

Giuseppe Bonomi - architect

Roman who became famous for English country houses

Joseph Bonomi the Elder: a painting by John
Francis Rigaud (Royal Academy of Arts, London) 

The architect Giuseppe Bonomi, who became better known by his Anglicised name Joseph Bonomi after spending much of his working life in England, was born on this day in 1739 in Rome.

Records nowadays refer to him as Joseph Bonomi the Elder, to distinguish him from his son of the same name, who became a sculptor, artist and Egyptologist of some standing and tends to be described as Joseph Bonomi the Younger.

Joseph Bonomi the Elder is known primarily for designing a number of English country houses in the last two decades of the 18th century and the early years of the 19th.

Among these are Lambton Castle in County Durham, Barrells Hall in Warwickshire, Longford Hall in Shropshire and Laverstoke House in Hampshire.

He also designed the saloon the in grand house of Lady Mary Wortley Montagu in Portman Square in London, sadly destroyed during the Blitz in the Second World War.

A painting of Lambton Castle in County Durham, one of
several country houses in England designed by Bonomi

Bonomi’s father hailed from the Veneto and was an agent to members of the Roman aristocracy. Giuseppe was educated at the Collegio Romano, the Jesuit school in Rome that taught pupils from elementary school to university age.

Giuseppe was said by his son Ignatius to have been a pupil of the architect Antonio Asprucci, although other sources suggest his pupillage was with the nobleman and amateur architect, Girolamo Teodoli (or Theodoli), famed as the designer of the Teatro Argentina and the belltower of the church of Santa Maria dei Miracoli, both in Rome.

Bonomi worked in Rome initially and acquired a good enough reputation that a meeting in Rome in with Robert and James Adam, the Scottish architects and furniture designers who developed the Adam Style, led to an invitation to work for the brothers in London, who employed him as a draughtsman from 1768.

He continued in their London office until 1781 but became frustrated at not receiving any large commissions of his own.

Barrells House in Warwickshire featured the deep portico
that became one of Bonomi's trademarks

In the meantime, he had become a close friend of the Swiss painter Angelica Kauffman and married her cousin, Rosa Florini. In 1783 Kauffman persuaded Bonomi to move back to Rome, where he returned with his wife and children. He became a member of the Clementine Academy in Bologna and the Academy of St Luke in Rome, which pointed to the move being permanent.

However, the following year he returned to London, probably to work on the design of Dale Park, a country house at Madehurst in Sussex. He was to remain in London for the rest of his life.

An innovative designer whose style has been described as modernised Roman, he added touches that became associated with his designs, such as porticoes that were deep enough to provide a shelter for carriages.

He became a favourite of the English nobility, his clients including John Lamboton, Earl of Durham, for whom he built the now Grade II listed Lambton Castle, near Chester-le-Street, and Heneage Finch, the Earl of Aylesford for whom he built the gallery at Packington Hall in Warwickshire. Bonomi also built St James’s Church, within the estate.

His fame was such that he was mentioned in Jane Austen's novel Sense and Sensibility.

In 1804, Bonomi was appointed architect of St. Peter's at Rome, although this was apparently an honorary position only. He died in London in March 1808, aged 69, and was buried in the Marylebone Cemetery.  Another of his sons, Ignatius, followed in his father’s footsteps by becoming an important architect in England, where he was active in particular in the northeast.

The Teatro Argentina in Rome was built over the site of the
curia of the Theatre of Pompey, where Julius Caesar was killed

Travel tip:

The Teatro Argentina, now an opera house and theatre located in Largo di Torre Argentina, is one of the oldest theatres in Rome, constructed in 1731. Commissioned by the Sforza-Cesarini family and designed by the architect Gerolamo Theodoli, it is built over part of the curia section of the Theatre of Pompey, the location of the assassination of Julius Caesar. Duke Francesco Sforza-Cesarini, who ran the Teatro Argentina Theatre from 1807 to 1815, was a theatre fanatic who reportedly ran up huge debts in pursuit of his passion. Rossini’s The Barber of Seville was given its premiere there in February 1816, just after Duke Francesco's death.

Piazza del Collegio Romano in the Pigna district of Rome,
with the college building on the left

Travel tip:

The Collegio Romano was a school established by St. Ignatius of Loyola in 1551, just 17 years after he founded the Society of Jesus. It has occupied several locations, regularly moving to accommodate an increasing number of students, the final one being in the historic Pigna district of the city, on what is today called Piazza del Collegio Romano. Renamed the Gregorian University in 1584 after its benefactor, Pope Gregory XIII, it remained at that location until 1870, when the fall of Rome completed Italian unification. The Gregorian University moved to another location after the building was taken over by the Italian government. Today, its eastern wing houses the headquarters of the Ministry of Heritage and Culture.

More reading:

Luigi Vanvitelli - the 18th century's most famous architect

Rossini's Barber of Seville makes its debut in Rome

Francesco Zuccarelli - the landscape painter who appealed to English tastes

Also on this day:

1853: Verdi's Il Trovatore is performed for the first time

1935: The birth of Assunta ‘Pupetta’ Maresca – camorrista

1940: The birth of anti-Mafia judge Paolo Borsellino


Home

Katia Ricciarelli - operatic soprano

Star whose peak years were in ‘70s and ‘80s

Katia Ricciarelli was at her peak
for about two decades

The opera singer Katia Ricciarelli, who at her peak was seen as soprano who combined a voice of sweet timbre with engaging stage presence, was born on this day in 1946 at Rovigo in the Veneto.

She rose to fame quickly after making her professional debut as Mimi in Giacomo Puccini’s La Bohème in Mantua in 1969 and in the 1970s was in demand for the major soprano roles.

Between 1972 and 1975, Ricciarelli sang at all the major European and American opera houses, including Lyric Opera of Chicago (1972), Teatro alla Scala in Milan (1973), the Royal Opera House, Covent Garden (1974) and the Metropolitan Opera (1975).

In 1981, she began an association with the Rossini Opera Festival in Pesaro that she maintained throughout the ‘80s.

In addition to her opera performances, Ricciarelli also appeared in a number of films.

Ricciarelli performed at most of Europe and
America's major opera houses

She was Desdemona in Franco Zeffirelli's film version of Giuseppe Verdi's Otello in 1986, alongside Plácido Domingo. In 2005 she won the best actress prize Nastro d'Argento, awarded by the Italian film journalists, for her role in Pupi Avati's La seconda notte di nozze (2005).

During her peak years, Desdemona was one of her signature roles, while she was also lauded for her Giulietta in Vincenzo Bellini’s I Capuleti e i Montecchi and for her interpretations of Gaetano Donizetti’s Anna Bolena.

Ricciarelli’s most well received Rossini roles were Bianca in Bianca e Falliero, Elena in La donna del lago and and Amenaide in Tancredi.

As her career progressed, however, critics felt her voice became weaker and without some of its former lustre, which some have attributed to her being pushed into heavy, highly dramatic roles, such as Puccini’s Tosca or Verdi’s Aida, which were not suited to her voice.

Ricciarelli often performed alongside José
Carreras, with whom she enjoyed a romance

Some opera audiences are notoriously unforgiving. Her Aida at the Royal Opera House in 1983 was greeted with whistles, while in 1986 in Trieste her debut as Bellini’s Norma provoked a similar reaction.

Her career as a singer at the top level ended in the early 1990s. She made her last appearance at the Metropolitan Opera in 1990 alongside Domingo in Otello.

Born Catiuscia Mariastella Ricciarelli to a poor family in Rovigo, she was brought up by her mother after her father died while she was very young.

She loved singing as a child and, once she was old enough to work, began to save money so that she could enrol at the Benedetto Marcello Conservatory of Venice, where she had the opportunity to study with the soprano Iris Adami Corradetti.

Essentially a lyric soprano, following her operatic debut in 1969 she won the Voci Verdiane competition, organised by Italy’s national broadcaster Rai, and established herself as a superb Verdi singer, hailed as the “new Tebaldi” after Renata Tebaldi, a soprano popular in the postwar years who, coincidentally, had made her stage debut in Rovigo in 1944, two years before Ricciarelli was born.

Katia Ricciarelli has appeared regularly on Italian TV
since she ended her career in opera

Although her operatic prowess began to wane, Ricciarelli’s career did not. She took up the position of artistic director of the Teatro Politeama di Lecce in 1998 and in the first decade of the new century turned increasingly to acting and appeared in television dramas such as Don Matteo alongside Terence Hill.

In 2005, after being nominated artistic director of the Sferisterio Opera Festival in Macerata, she began her professional relationship with the director Pupi Avati, who would later cast her in his film The Friends of the Margherita Bar (2009).

The following years brought a brief flirtation with politics as a centre-left candidate for the municipal council elections in Rodi Garganico, a beach resort near Foggia where she spent many summer holidays, more television work, an autobiography published in 2008 and a performance at La Fenice in Venice to mark her 40 years in music, in which she performed duets with pop singers Massimo Ranieri and Michael Bolton, among others.

A regular guest on variety and talk shows on Italian television, in 2006 she participated in the reality show La fattoria (Italian version of The Farm) on Canale 5.

Ricciarelli was married for 18 years to the TV presenter Pippo Baudo, the couple divorcing in 2004. She had previously had a relationship with her fellow opera star José Carreras that spanned 13 years.

Piazza Vittorio Emanuele is Rovigo's main square

Travel tip:

Rovigo is a town of around 52,000 people in the Veneto, which stands on the plain between the Po and the Adige rivers, about 80km (50 miles) southwest of Venice and 40km (25 miles) northeast of Ferrara, on the Adigetto Canal.  The architecture of the town has both Venetian and Ferrarese influences. The main sights include a Duomo dedicated to the  Martyr Pope Steven I, originally built before the 11th century, but rebuilt in 1461 and again in 1696, and the Madonna del Soccorso, a church best known as La Rotonda, built between 1594 and 1606 by Francesco Zamberlan of Bassano, a pupil of Palladio, to an octagonal plan, and with a  campanile, standing at 57m (187ft), that was built according to plans by Baldassarre Longhena (1655–1673). The walls of the interior of the church are covered by 17th centuries paintings by prominent provincial and Venetian artists, including Francesco Maffei, Domenico Stella, Pietro Liberi, Antonio Zanchi and Andrea Celesti. There are the ruins of a 10th century castle, of which two towers remain.

The beach at Roci Garganico is famed for
its soft sand and shallow waters

Travel tip:

Rodi Garganico is a seaside resort in the Apulia region, a 100km (62 miles) drive northeast from Foggia on a promontory east of the Lago di Varano lagoon. It part of the Gargano National Park.  It has for centuries been a major centre for the production of citrus fruits such us Arance del Gargano (Gargano Oranges) and the Limone Femminiello del Gargano (Gargano Lemons), both with DOP (Protected Designation of Origin) status under European Union regulations.  As well as its many kilometres of sandy beaches, Rodi Garganico attracts visitors for the local cuisine, which features orange salad, salad with wild onions, many fish dishes and a good variety of local wines.

More reading:

Alessandro Safina - the pop-opera star who made his stage debut alongside Katia Ricciarelli

Why Renata Tebaldi was said to have 'the voice of an angel'



Home

Antonio del Pollaiuolo – artist

Paintings of muscular men show knowledge of anatomy

The portrait of Antonio del Pollaiuolo that
appeared in Giorgio Vasari's Lives of the Artists

Renaissance painter, sculptor, engraver and goldsmith Antonio del Pollaiuolo was born on this day in 1433 in Florence.

He was also known as Antonio di Jacopo Pollaiuolo and sometimes as Antonio del Pollaiolo. The last name came from the trade of his father who sold poultry.

Antonio’s brother, Piero, was also an artist and they frequently worked together. Their work showed classical influences and an interest in human anatomy. It was reported that the brothers carried out dissections to improve their knowledge of the subject.

Antonio worked for a time in the Florence workshop of Bartoluccio di Michele where Lorenzo Ghiberti - creator of the bronze doors of the Florence Baptistery - also received his training.

Some of Antonio’s paintings show brutality, such as his depiction of Saint Sebastian, which he painted for the Church of Santissima Annunziata in Florence and presents muscular men in action. His paintings of women show more calmness and display his meticulous attention to fashion details.

Del Pollaiuolo's Hercules and the Hydra was
an example of his painting of muscular men

Antonio was also successful as a sculptor and a metal worker and although he produced only one engraving, The Battle of the Nude Men, it became one of the most famous prints of the Renaissance.

In 1484 he went to Rome where he was commissioned to build a tomb for Pope Sixtus IV. In 1494 he returned to Florence to put the finishing touches to a work he had already started in the sacristy of the Church of Santo Spirito.

When he died in Rome in 1498, he was a rich man, having just finished a mausoleum for Pope Innocent VIII.

Antonio del Pollaiuolo was buried in the Church of San Pietro in Vincoli.

The 14th century Palazzo Vecchio towers
over the Piazza della Signoria in Florence

Travel tip:

Piazza della Signoria in the centre of Antonio del Pollaiuolo’s native Florence is an L-shaped square, important as the location of the 14th century Palazzo Vecchio, the focal point for government in the city. Citizens gathered here for public meetings and the religious leader Girolamo Savonarola was burned at the stake in the square in 1498. The piazza is a unique outdoor sculpture gallery filled with statues, some of them copies, commemorating major events in the city’s history. The Galleria dell’Accademia in Florence has become famous as the home of Michelangelo’s statue of David. It is the second most visited museum in Italy, after the Uffizi, the main art gallery in Florence. The Galleria dell’Accademia was established in 1784 in Via Ricasoli in Florence.

Inside the beautiful church of San Pietro
 in Vincoli in Rome

Travel tip:

The Church of San Pietro in Vincoli - St Peter in Chains - where Antonio del Pollaiuolo was buried, is near the Colosseum in Rome. The Church is a shrine for the chains that are believed to have bound St Peter during his imprisonment. It is also the home of Michelangelo’s famous statue of Moses, which was completed in 1515.

More reading:

Lorenzo Ghiberti, the sculptor and goldsmith who created, in the words of Michelangelo, the 'gates of heaven' in Florence.

When Pope Sixtus IV commissioned Michelangelo to paint the Sistine Chapel ceiling

Simonetta Vespucci - Renaissance beauty

Also on this day:

1377: Pope Gregory XI returns the papacy to Rome

1472: The birth of Guidobaldo I, Duke of Urbino

1834: The birth of Antonio Moscheni, painter of chapel frescoes in India


Home

Renzo Mongiardino - interior and set designer

Favourite of wealthy clients known as the ‘architect of illusion’

Renzo Mongiardino in his studio, where he created
designs for some of Italy's finest houses

Lorenzo ‘Renzo’ Mongiardino, who became Italy’s leading classic interior designer and a creator of magnificent theatre and film sets, died in Milan on this day in 1998.

He was 81 years old and had never fully recovered from an operation the previous November to install a pacemaker.

Mongiardino, who was nominated for two Academy Awards for Best Art Direction during his career, worked on interior design for an international clientele that included the industrialist and art collector Baron Hans Heinrich Thyssen-Bornemisza, the business tycoons Aristotle Onassis and Gianni Agnelli, the former Russian prince Stanisław Albrecht Radziwiłł and his socialite wife Lee Radziwill, the fashion designer Gianni Versace, the Lebanese banker Edmond Safra, the Rothschild family and the Hearst family.

Nonetheless, he habitually rejected his reputation as the eminence grise of interior design. ''I'm a creator of ambiance, a scenic designer, an architect but not a decorator,'' he once said.

The only son of Giuseppe Mongiardino, a theatre impresario who introduced colour television to Italy, Mongiardino grew up in an 18th-century palazzo in Genoa and attributes his fascination with houses to the memory of standing with his mother in the palace’s vast entrance hall and hearing her lament how difficult it would be to furnish.

A detail from Gianni Versace's Rome residence, in
Via Appia Antica, which Mongiardino decorated

It sparked his imagination and a desire to study design and architecture, although his parents insisted he enrolled at university to study law. Only after he failed numerous exams did they relent and allow him to abandon law in favour of architecture, in which his marks were outstanding.

As an architecture student in 1930s Milan he was exposed to the new orthodoxies of the Modern Movement, but, fortified by his belief in the classicism of the family home, he resisted their pull.

A man whose appearance prompted the New York Times to describe him as a “scholarly bohemian whose noble profile and fastidiously combed fan-like beard gave him an uncanny resemblance to Giuseppe Verdi”, Mongiardino's distinguished career in theatre and film set design included the 1964 Covent Garden production of Tosca, starring Maria Callas and La Traviata at La Fenice in 1972, directed by Giancarlo Menotti.

Later, Mongiardino moved into the cinema, collaborating especially with Franco Zeffirelli on films such as The Taming of the Shrew (1967), Romeo & Juliet (1968) - for both of which he was nominated for an Academy Award - and Brother Sun, Sister Moon (1971). He also decorated Zeffirelli’s house in Positano.

Mongiardino in a sauna he designed for a house in Turin
known as the Fetta di Polenta for its unusual shape 

His first design project outside theatre sets was a house for his sister. In early 1950s, he accepted a friend's offer to decorate an apartment and felt he had found his vocation.

Though he was not against the use of rare fabrics and expensive antiques, ingenious fakery was a consistent element of Mongiardino's decors, hence the description once given to him of “the architect of illusion”.

Although money was not an object for many of his clients, he was more interested in the effects he could create than the materials he was using and maintained a loyal stable of painters, carpenters, gilders and model makers assembled in his theatrical work, who brought the tricks of the stage trade to their work on houses.

Consequently, intricate mosaics were often nothing more than paint and supposedly marble walls were actually layered with marble-pattern paper. One of his trusted artisans was expert at recreating the look and feel of materials such as Cordoba leather with the help of pressed cardboard and felt-tip pens.

At the time of his death, Mongiardino was working on two big projects. One was an ideal city in the tradition of Urbino or Pienza, for which he had the backing of a group of Italian businessmen. The other was the faithful reconstruction of La Fenice opera house in Venice, which had been gutted by fire in 1996 and was being restored by the architect Gae Aulenti. 

The Doge's Palace is one of many grand buildings
in the wealthy Ligurian city of Genoa

Travel tip:

The port city of Genoa, the capital of the Liguria region, boasts many fine buildings thanks to the wealth generated by its history as a powerful trading centre and later by the growth of its shipyards and steelworks. Many of those buildings have been restored to their original splendour, of which the Doge's Palace, the 16th century Royal Palace and the Romanesque-Renaissance style San Lorenzo Cathedral are just three examples.  The area around the restored harbour area offers a maze of fascinating alleys and squares, enhanced recently by the work of Genoa architect Renzo Piano, and a landmark aquarium, the largest in Italy.

The rectorate of the Politecnico di Milano in Piazza
Leonardo da Vinci

Travel tip:

The Politecnico di Milano - the Polytechnic University of Milan - from which Mongiardino graduated, is the largest technical university in Italy, with about 42,000 students. Founded in 1863, it is the oldest university in Milan. It has two main campuses in Milan city, plus other satellite campuses in Como, Lecco, Cremona, Mantua and Piacenza. The central offices and headquarters are located in the historical campus of Città Studi in Piazza Leonardo da Vinci in Milan. According to the World University Rankings, it is in the top 10 in the world for both design and architecture.

More reading:

Gio Ponti, the visionary of design who helped shape modern Milan

How Gae Aulenti blazed a trial for women in Italian design

Renzo Piano - the Genoese architect behind the Shard and the Pompidou Centre

Also on this day:

1728: The birth of opera composer Niccolò Piccinni 

1749: The birth of playwright and poet Count Vittorio Alfieri

1957: The death of conductor Arturo Toscanini


Home 

Paolo Vaccari - rugby player

Italy’s second all-time highest try scorer

Paolo Vaccari played 64 times for the Italian
national rugby team, scoring 22 tries

The rugby player Paolo Vaccari, who scored 22 tries for the Italian national team in a 64-cap career, was born on this day in 1971 in Calvisano, a town in Lombardy about 30km (19 miles) southeast of Brescia.

A versatile back equally adept at wing, centre or full-back, Vaccari was regarded as a strong defender and an intelligent and technically-sound back who frequently created scoring opportunities for players around him.

Although he was good enough to be selected for the renowned Barbarians invitational XV against Leicester Tigers in 1998, he played all his domestic rugby in Italy, enjoying great success.

He won the double of Italian Championship and Cup with Milan Rugby in 1994-95 and was a title-winner for the second time with his home club Calvisano 10 years later, during a run in which Calvisano reached the Championship final six years in a row, from 2001-06.

Vaccari had won his second Italian Cup medal with Calvisano in 2003-04.

In international rugby, his proudest moment was undoubtedly scoring Italy’s fourth try in their historic 40-32 victory over reigning Five Nations champions France in the final of the FIRA Cup in Grenoble in 1997.

Vaccari's father was one of the founders
of Calvisano's rugby club

It was the first time the azzurri had beaten France and was a significant result in their bid to be admitted to the top table of international rugby in the northern hemisphere, a campaign that bore fruit in 2000 when they were admitted to the expanded Six Nations Championships.

He had also participated in Italy’s first victory over a British team, in a warm-up match for the 1995 World Cup, when the azzurri defeated Ireland in Treviso.

Injury caused him to miss Italy’s first match in the Six Nations, against Scotland in Rome in 2000, but he was present to contribute to another historic victory against Wales - their first against the Dragons - in Rome in the 2003 tournament.  He retired from international rugby the same year. Only Marcello Cuttitta, another winger, has scored more tries for Italy.

As a native of Calvisano, Vaccari was destined to become a rugby player.  The agricultural town in the flat Po plain has become a stronghold of Italian rugby, their team winning the Italian Championship six times.

His father was Gianluigi Vaccari, who along with Alfredo Gavazzi and Tonino Montanari founded the Calvisano club in 1970.

Paolo began to play with the oval ball virtually as soon as he could walk, dreaming of wearing the yellow and black jersey of the Calvisano team.

Vaccari scored in Italy's historic victory over France in
the 1997 FIRA Cup in Grenoble

He became adept so quickly that his coach pitched him into a competitive junior match a year before he reached 13 years old - the minimum legal age - by picking him under the name of another player who was the correct age.  Vaccari’s first-team debut came in February 1987 - two weeks after his 16th birthday.

He made his international debut in the summer of 1991 as Italy toured Namibia and was selected for the first of his three Rugby World Cups the same year, scoring a try in a 30-9 victory over the United States and playing at historic Twickenham for the first time as Italy lost 36-6 to a strong England team, before taking part in a creditable azzurri performance against the formidable New Zealand All Blacks, who came out 31-21 winners.

In 1993, after six years in Calvisano’s first XV, Vaccari joined Amatori Milano - then owned by media magnate, AC Milan owner and future prime minister Silvio Berlusconi and playing as Milan Rugby.

The attraction was to play alongside the likes of Italy’s Argentina-born fly half Diego Dominguez, the twins Massimo and Marcello Cuttitta, Franco Properzi and Massimo Giovanelli in a star-studded line-up. It was a testament to Vaccari’s standing in the game by that time that he was hired as a replacement for the great Australian David Campese.

Vaccari helped Calvisano win the Italian
Championship for the first time in 2005

Milan were beaten by L’Aquila in the Championship final in Vaccari’s first season but the following year, further strengthened by the arrival of another great Australian in Michael Lynagh, won the Championship-Cup double.

Vaccari subsequently received offers to play club rugby in South Africa but declined, partially because by then he was studying at the Politecnico di Milano and did not want to abandon his studies.

Instead, he returned in 1995 to his home club, Calvisano, where he would play for the remainder of his career.

As a member of the team that won Calvisano’s first Italian Championship in 2004-05 on their fourth consecutive appearance in the final, defeating Benetton Treviso, he remains a club legend.

Nowadays, a qualified architect, Vaccari is a member of the council of the Italian Rugby Federation.

Married to Azzurra and the father of two children - Martina and Leonardo - Vaccari is a vintage car enthusiast. In fact, he took part in the 2011 edition of the Mille Miglia, once a major endurance event in motor racing but now a festival of classic and vintage cars.

One of the gates that remain from Calvisano's
historic military fortifications

Travel tip:

Calvisano, a town of around 8,500 residents which has roots in Roman times, was something of a military stronghold in the 14th century, when it figured in the struggle between the warring Guelphs and the Ghibellines, who took shelter from their enemies in the town’s castle. In the first half of the 15th century, it became drawn into another fight between rival families as the Visconti and Serenissima battled for the control of the territory corresponding to the current province of Brescia.  Parts of the original fortification remain, including two gates, one to the north and the other to the south. The latter, adjoining Piazza Caduti, is surmounted by the Torre Civica.

Find a hotel in Calvisano with tripadvisor

Treviso is a city of canals, although on a
somewhat smaller scale than Venice

Travel tip:

Treviso, another major centre for rugby in Italy, is known to many visitors to Italy as the ‘second’ airport of Venice, yet it is an attractive city worth visiting in its own right, rebuilt and faithfully restored after the damage suffered in two world wars. Canals are a feature of the urban landscape – not on the scale of Venice but significant nonetheless – and the Sile river blesses the city with another stretch of attractive waterway, lined with weeping willows. The arcaded streets have an air of refinement and prosperity and there are plenty of restaurants, as well as bars serving prosecco from a number of vineyards. The prime growing area for prosecco grapes in Valdobbiadene is only 40km (25 miles) away to the northeast.


More reading:

Andrea lo Cicero - rugby star turned TV presenter

Flavio Briatore - the entrepreneur behind the Benetton brand

Brescia's finest sportsman? - the AC Milan and Italy great Franco Baresi

Also on this day:

1623: The death of Venetian historian and statesman Paolo Sarpi

1926: The death of classic Neapolitan songwriter Giambattista De Curtis

1935: The birth of football coach Gigi Radice


Home