31 January 2019

31 January

Ernesto Basile - architect


Pioneer of Stile Liberty - the Italian twist on Art Nouveau

The architect Ernesto Basile, who would become known for his imaginative fusion of ancient, medieval and modern architectural elements and as a pioneer of Art Nouveau in Italy, was born on this day in 1857 in Palermo. His most impressive work was done in Rome, where he won a commission to rebuild almost completely the Palazzo Montecitorio, the home of the Chamber of Deputies of the Italian parliament. Read more...

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Bernardo Provenzano - Mafia boss


Head of Corleonesi clan dodged police for 43 years

Bernardo Provenzano, a Mafia boss who managed to evade the Sicilian police for 43 years after a warrant was issued for his arrest in 1963, was born on this day in 1933 in Corleone, the fabled town in the rugged countryside above Palermo that became famous for its association with Mario Puzo's novel The Godfather. Read more...

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Don Bosco – Saint


Father and teacher who could do magic tricks

Saint John Bosco, who was often known as Don Bosco, died on this day in 1888 in Turin.  He had dedicated his life to helping street children, juvenile delinquents and other disadvantaged young people, taking them into his confidence by performing magic tricks. He was made a saint by Pope Pius XI in 1934. Read more...

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Charles Edward Stuart – royal exile


Bonnie Prince Charlie’s heart will forever be in Frascati 

The Young Pretender to the British throne, sometimes known as Bonnie Prince Charlie, died on this day in 1788 in Rome.  The man who would have been King Charles III was born and brought up in Italy where his father, James, the son of the exiled Stuart King James II, had been given a residence by Pope Clement XI. Read more...

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Ernesto Basile - architect

Pioneer of Stile Liberty - the Italian twist on Art Nouveau


The rear facade of the Palazzo Monticiterio, which was almost completely rebuilt by Ernesto Basile
The rear facade of the Palazzo Monteciterio, which was
almost completely rebuilt by Ernesto Basile
The architect Ernesto Basile, who would become known for his imaginative fusion of ancient, medieval and modern architectural elements and as a pioneer of Art Nouveau in Italy, was born on this day in 1857 in Palermo.

His most impressive work was done in Rome, where he won a commission to rebuild almost completely the Palazzo Montecitorio, the home of the Chamber of Deputies of the Italian parliament.

Yet his most wide-ranging impact was in Sicily, where he followed in the footsteps of his father, Giovan Battista Filippo Basile, in experimenting with the Art Nouveau style.

Basile senior designed the Villa Favaloro, in Piazza Virgilio off Via Dante, and with Ernesto and others, notably Vincenzo Alagna, taking up the mantle, it was not long before entire districts of the city were dominated by Stile Liberty, the Italianate version of the Art Nouveau that took its name from the Liberty and Co store in London's Regent Street, which sold ornaments, fabric and objets d'art to a refined clientele and encouraged modern designers.

Ernesto Basile was a pioneer of Art Nouveau style
Ernesto Basile was a pioneer
of Art Nouveau style
Fine examples of Ernesto Basile’s architecture in Palermo include the Villino Florio (1899–1902) in Viale Regina Margherita, which is open to the public, the Hotel Villa Igiea (1899–1901) on the waterfront and the Casa Utveggio on Via XX Settembre.

He also completed the construction of the city’s great opera house, the Renaissance-style Teatro Massimo, which had been started by his father in 1874 and was finally completed in 1897, its progress interrupted by an eight-year hiatus after a dispute over funding.  Allegations of fraud were levelled at Basile senior and he was to have been replaced with another architect until a public outcry forced his reinstatement. In the event he died soon after work restarted and the final six years were overseen by Ernesto.

Taught initially by his father, who was a professor at the University of Palermo, Ernesto graduated from the Royal School of Engineering and Architecture and soon afterwards moved to Rome.

His work on the Palazzo Montecitorio came about after he took part in a competition held by Francesco Crispi, the President of the Chamber of Deputies, to find an architect to supervise the reconstruction of the palace, designed by Gian Lorenzo Bernini with later input from Carlo Fontana, which had been seized by the new Italian government in 1870 but had fallen into serious disrepair.

Ernesto Basile's stylish Villino Florio is one of many examples of Stile Liberty in the city of Palermo
Ernesto Basile's stylish Villino Florio is one of many
examples of Stile Liberty in the city of Palermo
Basile demolished the wings and rear of the palace so that Bernini’s facade was virtually all that remained, building a new structure dominated by four red-brick towers at the corners. Basile also added the Transatlantico, the long and impressive salon which surrounds the grand debating chamber, which is also Basile’s design.

The project, in which Basile fused the Roman classical and Baroque elements of the building with Art Nouveau, is seen as one of the most important milestones for early modernism in Italian architecture.

Basile’s other notable works in a prolific career include the building for the National Exhibition of Palermo in 1892, the Teatro Sociale in Canicattì in the Sicilian province of Agrigento, the Palazzo Bruno di Belmonte in Ispica in the province of Ragusa in the southeast of the island and the Palazzo San Giorgio in Reggio Calabria.

In 1890 he succeeded his father as a professor of architecture at the University of Palermo. He died in the city in August 1932.

The extravagant Liberty-style Antico Stabilimento Balneare di Mondello is a reminder of the resort's golden age
The extravagant Liberty-style Antico Stabilimento Balneare
di Mondello is a reminder of the resort's golden age
Travel tip:

Two particular areas of Palermo and the surroundings are dominated by Stile Liberty buildings. One is Via Libertà and the streets running off it between Politeama and the Giardino Inglese; another is Mondello, the seaside town just outside the city created from an area of former marshland, where the promenade retains many Art Nouveau villas built for the well-to-do of Palermo around the turn of the century, some designed by Ernesto Basile. Right in the water itself, built on stilts with a bridge linking it to the promenade, is the extraordinary Antico Stabilimento Balneare di Mondello, the extravagant Stile Liberty bathing platform built by Rudolf Stualker.

Hotels in Mondello from TripAdvisor.co.uk

Ernesto Basile's father designed Palermo's impressive Teatro Massimo before his son completed the project
Ernesto Basile's father designed Palermo's impressive Teatro
Massimo before his son completed the project
Travel tip:

The Teatro Massimo is the largest opera house in Italy and the third biggest in Europe after the Opéra National de Paris and the K. K. Hof-Opernhaus in Vienna. It was originally designed with an auditorium for 3,000 people, although today there is a limit of 1,350.  There are also seven tiers of boxes. Enrico Caruso sang in a performance of La Gioconda during the opening season, returning to perform in Rigoletto at the end of his career. The theatre was closed for renovation for more than 20 years but reopened in 1997. The final scenes of the third part of The Godfather Trilogy, based in Puzo's novel, were filmed there.



More reading:

Gian Lorenzo Bernini - Italy's last universal genius

Ulisse Stacchini, the architect behind two major Milan landmarks

The groundbreaking designs of Paolo Soleri

Also on this day:

1788: The death in Rome of British royal pretender Charles Edward Stuart

1888: The death of Saint Don Bosco

1933: The birth of Mafia boss Bernardo Provenzano

(Picture credits: Palazzo Monteciterio by Mac9; Villino Florio by GiuseppeT; Mondello Balneare by Berthold_Werner; Teatro Massimo by Bjs; all via Creative Commons)


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30 January 2019

Feast of Saint Martina of Rome

The day Pope Urban VIII’s own hymns are sung


Saint Martina as portrayed in Pietro da Cortona's Saint Martina Refuses to Adore the Idols
Saint Martina as portrayed in Pietro da Cortona's
 Saint Martina Refuses to Adore the Idols

The feast day of Saint Martina of Rome, who was martyred by the Romans in 228, is celebrated every year on this day.

Martina is now a patron saint of Rome and the patron saint of nursing mothers.

She was the daughter of an ex-consul, one of the chief magistrates of the Roman Republic, but became an orphan while still young.

Described at the time as a noble and beautiful virgin who was charitable to the poor, she openly testified to her Christian faith.

She was persecuted during the reign of Emperor Alexander Severus and arrested and commanded to return to idolatry, the worship of false gods.

When she refused she was whipped and condemned to be devoured by wild beasts in the amphitheatre. When she was miraculously untouched by the animals she was thrown on to a burning pyre from which she is also said to have escaped unhurt. Finally she was beheaded.

Afterwards it was claimed some of her executioners converted to Christianity and were also later beheaded.

In 1634 the relics of Martina were rediscovered by the artist Pietro da Cortona. They were in the crypt of a church originally built in the sixth century on the site of the ancient temple of Mars near the Mamertine Prison and Foro Romano in Rome.

Gian Lorenzo Bernini's portrait of Pope Urban VIII, who supported the rebuilding of the church
Gian Lorenzo Bernini's portrait of Pope Urban
VIII, who supported the rebuilding of the church
Da Cortona had been elected president of the Academy of San Luca, the academy of painters, sculptors and architects in Rome, which had been given the church in 1588.  It was after Da Cortona had begun restoring the crypt that he discovered Martina’s remains.

The Pope at that time was Urban VIII, who visited the church with his nephew, Cardinal Francesco Barberini the month after Da Cortona’s discovery. They dedicated 6000 scudi towards the cost of rebuilding the church. The saint’s body was then returned to the church, which rededicated to saints Luca and Martina.

Da Cortona’s beautiful painting, Saint Martina Refuses to Adore the Idols, was probably painted for Cardinal Barberini. It is now in the Princeton University Art Museum in America.

It has been claimed Pope Urban VIII himself composed the hymns that are sung each year on Martina’s feast day.

The Chiesa dei Santi Luca e Martina, where Martina's remains are buried
The Chiesa dei Santi Luca e Martina,
where Martina's remains are buried
Travel tip:

The Chiesa dei Santi Luca e Martina, where Martina is buried, is in Via della Curia between the Mamertine prison and the Foro Romano. Two stairways from the upper church lead down to the lower church and the chapel of Saint Martina, which is below the high altar, is richly decorated with colour, marble and gilt bronze.

The Forum was the centre of life in Ancient Rome
The Forum was the centre of life
in Ancient Rome
Travel tip:

The Roman Forum, off Via dei Fori Imperiali, was once the centre of day to day life in Rome, the venue for public speeches, criminal trials and the nucleus of commercial affairs. It has the most concentrated array of excavated Roman buildings in the city. It is open to visitors from 8.30 am till one hour before sunset.

More reading:

How Pietro da Cortona decorated some of Italy's finest palaces

Francesco Barberini - the Inquisition chief who refused to condemn Galileo

Why Urban VIII's papacy ended in disgrace

Also on this day:

1629: The death of architect Carlo Maderno

1721: The birth of painter Bernardo Bellotto

1935: The birth of actress Elsa Martinelli


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29 January 2019

Bomb destroys Archiginnasio anatomical theatre

Historic facility hit in 1944 air raid



The Archiginnasio anatomical theatre is surrounded by statues of eminent physicians carved in wood
The Archiginnasio anatomical theatre is surrounded by
statues of eminent physicians carved in wood
The historic anatomical theatre of the Palazzo Archiginnasio, the original seat of the University of Bologna, was almost completely destroyed in a bombing raid on the city by Allied forces on this day in 1944.

The northern Italian city was a frequent target during the final two years of the conflict because of its importance as a transport hub and communications centre.  The wing of the palazzo housing the anatomical theatre, built between 1636 and 1638, took a direct hit on the night of January 29.

Although it is unlikely that the university - the oldest in the world - was a specific target, bombing was much less precise 75 years ago and collateral damage was common and often widespread.

As well as its importance in the history of medical research, the anatomical theatre was notable as an art treasure, mainly for the 18th century carved wooden statues by Silvestro Gianotti depicting great physicians of history, from the Greek physicians Hippocrates and Galenus onwards, including many who worked at the university, such as Fabrizio Bartoletti, Marcello Malpighi, Mondino de Liuzzi and Gaspare Tagliacozzi.

Gaspare Tagliacozzi was one of the many physicians who worked in the Archiginnasio
Gaspare Tagliacozzi was one of the many
physicians who worked in the Archiginnasio
The theatre, built in the form if an amphitheatre, was designed in 1637 by the Bolognese architect Antonio Levanti, a pupil of Annibale Carracci.

The ceiling, completed between 1647 and 1649 had the figure of Apollo, the god of Medicine, in the middle, surrounded by symbolic images of constellations carved in wood.

The centrepiece of the table was the white table on which the dissection of human or animal bodies took place.  These were open to the public and took place in the presence of an Inquisition priest.

To the side, in an elevated position, the cattedra del lettore - teacher’s desk - was flanked by two spellati - skinned men - statues, sculpted in 1734 from drawings by Ercole Lelli, a local painter of the late Baroque period who became famous for his anatomical sculptures in wax.

Incredibly, despite the destruction, the theatre was faithfully reconstructed after the war had ended thanks to the painstaking recovery from the rubble of anything that could be reused, including the majority of the statues.

The theatre today is open daily to the public, along with other parts of the Palazzo Archiginnasio, which was the seat of the university until 1803. The original marble table is not the one on display, mainly out of consideration for visitors whose sensitivities might be offended by the sight of indelible blood stains.

The city of Bologna as a whole suffered extensive damage from bombing during the Second World War II. The worst raids took place in 1943. On July 24, a massive bombardment destroyed a significant part of the historic city centre and killed about 200 people, with 44 per cent of the buildings in the centre listed as having been destroyed or severely damaged. On September 25, sustained bombing of the wider city left more than 1,000 people dead.

The inner courtyard of the Archiginnasio, which was completed in 1563
The inner courtyard of the Archiginnasio,
which was completed in 1563
Travel tip:

The construction of the Archiginnasio, situated behind the Basilica di San Petronio, began after nearby Piazza Maggiore was remodeled under papal orders in the 16th century. It was commissioned by Pope Pius IV through the papal legate Charles Borromeo, who entrusted the project to the architect Antonio Morandi. The building, inaugurated on October 21, 1563, was to house the Schools of the Legisti (Canon and Civil law) and Artisti (philosophy, medicine, mathematics, natural sciences and physics). The building was named Archiginnasio after the classical term which was used to designate the Studium, as the University was first called, of Bologna. The Archiginnasio ceased to be the seat of the university in 1803, when the university moved to Palazzo Poggi, where it is still located today.  The original building now houses the Archiginnasio Municipal Library, the largest library in Emilia-Romagna.

he Basilica di San Petronio is the largest brick-built church in the world, reaching 51m (167ft) high
The Basilica di San Petronio is the largest brick-built church
in the world, reaching 51m (167ft) high
Travel tip:

The Basilica di San Petronio, is the main church of Bologna, located in Piazza Maggiore in the centre of the city. It is the largest, brick-built church in the world. Building work began on the church in 1390 and it was dedicated to San Petronio, who had been the Bishop of Bologna in the fifth century. The 10th-largest church in the world at 132m (433ft) long and 66m (271ft), the vault reaches 45m (148ft) inside and 51m (167ft) in the facade. The basilica, built as a communal project, was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000.  Work on the facade was abandoned in the early 16th century by order of Pope Pius IV over fears that it would upstage St Peter's Basilica in Rome as the grandest church in Italy. It has never been completed.

More reading:

The 16th century plastic surgeon who pioneered nose jobs

San Marino is bombed by British planes

Allied troops land at Salerno

Also on this day:

1909: The death of Felice Beato, war photographer

1924: The birth of avant-garde musician Luigi Nono

1996: Fire destroys La Fenice opera house in Venice


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