Roberto Boninsegna - footballer

Prolific striker who helped Italy reach 1970 World Cup final

Roberto Boninsegna in the colours of Inter Milan, 
the club he dreamed of playing for as a child

The footballer Roberto Boninsegna, a prolific striker who scored 171 goals  in 14 years in Italy’s Serie A, was born on this day in 1943 in Mantua in Lombardy.

Boninsegna, whose relentlessly tenacious attacking style made him a fan favourite despite his relatively small physical stature, was at his peak during a seven-season spell with Inter Milan from 1969 to 1976, during which he scored 113 goals in 197 Serie A appearances.

He was also a prominent member of the Italy national team at the 1970 World Cup finals in Mexico, scoring the opening goal for the azzurri in their epic 4-3 extra-time victory over West Germany in the semi-final. 

Boninsegna was also responsible for Italy’s first-half equaliser against Pele's Brazil in the final, before the South Americans, universally acclaimed as one of the finest teams in international football history, overwhelmed them in the second half, winning 4-1.

His aerial prowess, which saw him regularly outjump taller defenders to ensure his head was first to the ball, earned him the nickname Bonimba from the celebrated football writer Gianni Brera. It stuck with fans, even though the player himself did not care for it because it drew on an obsolete word used to describe circus dwarfs.

Boninsegna is said to have entered the world during adversity, his mother, Elsa, giving birth during an Allied bombing raid on Mantua during World War Two.

Always an Inter Milan fan - he wore the blue and black nerazzurri shirt under his club colours while playing youth football for his local team - Boninsegna suffered the heartbreak of rejection when he joined Inter’s youth programme only to be discarded at an early stage in his development.

The Tuscan club Prato eventually gave him his start in the professional game in 1963. His next move took many miles from home to Basilicata, spending a season with Potenza before returning north to join Varese, where he made his Serie A debut in 1965. 

Boninsegna's reputation soared after he
teamed up with Luigi Riva at Cagliari

His breakthrough came after he joined Cagliari in 1966. Forming a deadly partnership with the azzurri great, Luigi Riva, he scored 23 goals in 83 appearances for the Sardinian team, showcasing his knack for finding space and converting chances. Cagliari finished runners-up in Serie A in 1968-69.

Boninsegna missed out on Cagliari’s great triumph of the following campaign, when they lifted the scudetto for the only time in the club’s history, having achieved the dream previously dashed when Inter signed him in 1969 for a fee of 600 million lire, equivalent roughly to €13.7 million today and a colossal sum in terms of football transfers at the time.

With Inter, Boninsegna enjoyed considerable success, helping the nerazzurri win the scudetto in 1970-71, a season in which he was Serie A’s capocannoniere - top scorer - with 24 goals. In total, across his time at San Siro, he made 281 appearances (197 in Serie A , 55 in the Coppa Italia and 29 in Europe) and delivered 171 goals (113 in Serie A, 36 in the Coppa Italia and 22 in Europe).

Yet his spell with Inter also included controversy after his part in what would be dubbed La partita della lattina - the Match of the Can.  This was the first leg of the European Cup round-of-16 match between Inter Milan and Borussia Mönchengladbach in Germany.

In the 29th minute, with Inter trailing 2–1, Boninsegna was about to take a throw-in when he collapsed to the ground after appearing to be hit on the head by a Coca-Cola can thrown from the stands. 

Boninsegna was stretchered off. Inter officials demanded the match be abandoned but the Dutch referee, Jef Dorpmans, allowed play to continue. However, the Inter team effectively refused to compete, and Mönchengladbach went on to thrash them 7–1, a result that shocked European football.

Boningsegna helped Italy reach the
final of the 1970 World Cup in Mexico

When Inter lodged a formal protest with UEFA, arguing that the incident had unfairly disrupted the match and endangered player safety, a furious row developed, with some German fans and even club officials claiming that Boninsegna had exaggerated the extent to which he was hurt. 

There was also confusion over whether the can that hit Boninsegna was full, as the Italian team’s officials said, or empty, which some on the German side believed.  With no TV cameras capturing the incident on film, it was not possible to review what had happened.

Inter’s vice-president, lawyer Giuseppe Prisco, failed in his argument that the match should be awarded to Inter, UEFA deciding instead that it be replayed. However, in another controversial twist, the European governing body allowed the scheduled second leg in Milan to go ahead before the first leg was replayed. Inter won it 4-2. 

When the sides met again on neutral ground at the Olympic Stadium in Berlin, Inter simply had to protect their lead to progress to the quarter-finals and the contest ended goalless. Inter went on to reach the final but were beaten 2-0 by Ajax, for whom Johann Cruyff scored both goals.

Boninsegna’s Inter career ended with a transfer to Juventus in 1976 in a deal that saw Juventus striker Pietro Anastasi switch to San Siro. Inter judged that, at nearly 34, Boninsegna had his best years behind him, yet he went on to enjoy a renaissance in Turin, helping his new club win Serie A twice, a Coppa Italia and the UEFA Cup - the famous club’s first European trophy - before ending his professional career with Verona.

For the Italian national team, he won 22 caps between 1967 and 1974, scoring nine goals.

After retiring as a player in 1981, Boninsegna had a number of coaching roles, including at his home town club, Mantua, where he also served as technical director and vice-president. However, his post-playing career never reached the heights he touched as a player. 

Nonetheless, his legacy as a player remains intact. He is remembered not only for his goals but for his resilience, having risen from wartime hardship to become a symbol of Italian footballing excellence.

Boninsegna, now 82, still lives in Mantua. Even decades after his retirement, his name evokes memories of powerful strikes, dramatic goals, and unwavering determination.

Mantua's Palazzo Ducale, the seat of the city's
powerful Gonzaga family for almost 400 years

Travel tip:

Mantua, where Roberto Boninsegna was born and still lives, is an atmospheric and historic city in Lombardy, just over 130km (81 miles) southeast of Milan. In the Renaissance heart of the city is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna, arguably the city’s most famous son, although the Roman poet Virgil was born in what is now Pietole, just a few kilometres outside the city. The basilica was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.  Mantua was also the seat between 1328 and 1707 of the powerful Gonzaga family, who significantly expanded the city’s Palazzo Ducale, transforming it into their official residence and one of the largest palatial complexes in Europe.  The palace’s Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Eleonora’s ancestor, Ludovico Gonzaga, and his family in the 15th century. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

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Milan's famous Stadio Giuseppe Meazza in the
San Siro district is earmarked for demolition

Travel tip:

During his Inter Milan career, Roberto Boninsegna became one of the many legendary players to have graced the colossal Stadio Giuseppe Meazza, in the San Siro district of northwest Milan. The stadium, which can accommodate almost 80,000 spectators, was completed in its original form in 1926. A number of extensive renovations, the last of which was completed ahead of the 1990 World Cup finals, gave the stadium its distinctive appearance, with its top tier supported by 11 cylindrical towers which incorporate spiral walkways. Giuseppe Meazza, from whom the stadium takes its name, spent 14 years as a player and three terms as manager at Inter.  Since 1947, Inter and their city rivals AC Milan have shared the stadium but its days are numbered in its present iconic form. The two Milan clubs have jointly purchased the stadium and surrounding land from the Municipality of Milan for €197 million, ending nearly 80 years of public ownership. The clubs plan to demolish most of the existing stadium to make way for a new, state-of-the-art arena with a capacity of 71,500 seats. It is planned that the new venue will be ready in time for the 2032 European Championships finals, which Italy will host jointly with Turkey. 

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More reading:

Giuseppe Meazza, the Inter striker who gave his name to the San Siro stadium

Luigi Riva, Italy's record goalscorer and hero of Cagliari

Sandro Mazzola, the Inter great whose father perished in the Superga disaster

Also on this day:

1868: The death of composer Gioachino Rossini

1894: The death of Sister Agostina Livia Pietrantoni, a nurse murdered by a patient later made a saint

1907: The birth of Princess Giovanna of Italy - Tsaritsa of Bulgaria

1914: The birth of film director Alberto Lattuada

1936: The birth of novelist and short story writer Dacia Maraini

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Francesco Primaticcio - painter, sculptor and architect

Italian who had major influence on French art 

A woodcut  portrait of Francesco
 Primaticcio from about 1648

The Mannerist painter, architect and sculptor Francesco Primaticcio, who played an important role in shaping the artistic landscape of France during the 16th century, was born on this day in 1504 in Bologna.

Primaticcio spent almost two thirds of his life in France, where he rose to be superintendent of works at the Château de Fontainebleau, the former medieval castle that was turned into an opulent Renaissance-style palace by François I of France.

Primaticcio trained as an artist in Bologna under Innocenzo da Imola before moving to Mantua to study with Giulio Romano, a former pupil of Raphael whose style helped define Mannerism.

He assisted Romano in his work on the decorations of the Palazzo del Te in Mantua, a project that refined his skills in fresco painting and architectural ornamentation.

Romano’s trust and belief in Primataccio’s talent was such that when François I invited Romano to assist in the redecoration of his expanded Fontainebleau palace in 1532, seeking to enrich the artistic grandeur of his court, Romano sent Primaticcio in his place.

Primaticcio soon became one of the leading artists at Fontainebleau, where he worked alongside Giovanni Battista di Jacopo, the Florentine painter also known as Rosso Fiorentino.

Following Fiorentino's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, overseeing the decoration of its grand halls and galleries.

His work at Fontainebleau was characterized by stucco reliefs, elaborate frescoes, and mythological themes, which became hallmarks of the French Mannerist style. Niccolò dell'Abbate, a Mannerist painter from Modena, was one of his team.

The Château de Fontainebleau, southeast of Paris,
where Primaticcio spent much of his working life

Primataccio’s compositions featured elongated figures, dynamic movement, and intricate detailing, influencing generations of French artists to follow.

He returned to Rome for a couple of years to purchase artworks for François I. He also took casts of the best Roman sculptures in the papal collections, some of which were recreated in bronze to decorate the parterres at Fontainebleau.

Primaticcio’s crowded compositions and graceful figures set a precedent for French painting. His masterpiece, the Salle d’Hercule, occupied him and his team for decades, showcasing his ability to blend classical mythology with courtly elegance.

Other notable works at Fontainebleau included scenes from the Life of Alexander the Great, for the bedchamber of the duchesse d’Étampes, and eight mythological scenes for the ceiling of the Galerie d’Ulysse. He is noted as one of the first artists in France to replace religious themes with those of classical mythology.

Primataccio’s design for the ceiling of the chapel of the Hotel de Guise in Paris, executed in 1557, was his last major work. For the last decade of his life, he worked with the sculptor Germain Pilon on the tomb of Henri II in the abbey church of Saint-Denis near Paris.  He designed the Valois Chapel at Saint-Denis, which was completed after his death. 

After the death of François I in 1547, Primaticcio remained a court painter under Henri II and François II, continuing to shape the artistic direction of France. His stylistic innovations influenced the development of French Mannerism, to which he introduced a quiet French elegance. 

Primaticcio died in 1570 in Paris. His contributions to the School of Fontainebleau cemented his reputation as a master of Mannerism. His ability to merge Italian Renaissance techniques with French artistic traditions ensured his place among the most influential artists of the 16th century.

Mantua's Palazzo del Te was considered
to be Giulio Romano's greatest work

Travel tip:

The Palazzo del Te in Mantua, where Primaticcio worked for part of his time in the city, was designed for Federico Gonzaga as a summer residence. It is a fine example of the Mannerist school of architecture and is considered to be Giulio Romano’s masterpiece. The name for the palace came about because the location chosen had been the site of the Gonzaga family stables at Isola del Te on the edge of the marshes just outside Mantua’s city walls. After the building was completed in about 1535, a team of plasterers, carvers and painters worked on the interior for ten years until all the rooms were decorated with beautiful frescoes.

The porticoed square adjoining the Basilica
di Santa Maria dei Servi in Bologna

Travel tip:

In his youth, Primaticcio trained in Bologna, his home city, in the workshop of Innocenzo di Pietro Francucci da Imola, a painter and draughtsman generally known as Innocenzo da Imola. Visitors to Bologna can see some of Innocenzo's work in the Basilica of Santa Maria dei Servi, a great example of Gothic architecture that stands on Strada Maggiore, a street in central Bologna that is part of the Roman Via Emilia. It runs, with its porticoes between medieval houses, buildings and churches, from Piazza di Porta Ravegnana to Porta Maggiore. The church also houses a Madonna enthroned with the Child and angels by Cimabue.

Also on this day:

1306: The birth of Andrea Dandolo, Doge of Venice

1885: The birth of composer Luigi Russolo

1888: The birth of architect Antonio Sant’Elia

The feast day of Pope Saint Pius V (d:1572)

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Arnoldo Mondadori - publisher

Business launched with socialist newspaper became biggest in Italy

Arnoldo Mondadori (left) pictured with Georges 
Simenon, one of the authors of the early gialli

Arnoldo Mondadori, who at the age of 17 founded what would become Italy’s biggest publishing company, was born on this day in 1889 in Poggio Rusco, a small Lombardian town about 40km (25 miles) southeast of Mantua.

As the business grew, Mondadori published Italian editions of works by Winston Churchill, Thomas Mann and Ernest Hemingway among others, as well as by some of Italy’s own literary giants, including Gabriele D’Annunzio and Eugenio Montale.

Mondadori was the publisher of news magazines such as Epoca, Tempo and Panorama, launched the women’s magazine, Grazia, struck a deal with Walt Disney to publish children’s magazines, and introduced Italy to detective fiction with a series of crime mysteries called Gialli Mondadori, whose yellow (giallo) covers eventually led to gialli becoming a generic term in the Italian language, used not only to identify a detective novel but to describe unsolved mysteries in real life. 

His Oscar Mondadori paperback novels, sold on newsstands, made fiction accessible to much wider audiences than previously, while he set up the Club degli Editori as Italy’s first mail-order book club.

The third of six children born to Domenico Secondo, an itinerant shoemaker, and his wife, Ermenegilda, Arnoldo was forced to give up his formal education at a young age in order to contribute to the family’s income. 

The tradition of gialli crime novels
was started by Mondadori

After the family had moved to Ostiglia, on the banks of the Po river, Arnoldo had a series of jobs and became an active socialist. His publishing career began when he began working in a stationery shop, which gave him access to a printing press.

After teaching himself how to operate the machine, he began to publish a socialist newspaper called Luce.  He enjoyed his new working environment and with the aid of a benefactor was able to raise enough money to buy the shop and its press. 

Mondadori proved to be an astute businessman, soon recognising that handsome profits could be made by producing textbooks for Italy’s growing education system. In 1912 he launched the La Scolastica imprint with Aia Madama, a collection of folk tales assembled by his friend, Tomaso Monicelli, an Ostigliese scholar whose collaboration encouraged other noteworthy authors to sign up with Mondadori. 

The outbreak of World War One interrupted the growth of the company, although Mondadori struck on another profitable idea by publishing illustrated newspapers to entertain soldiers on the front line. 

After the end of hostilities, the business expanded rapidly, with new partners coming on board, bringing investment and resources that enabled Mondadori to move his headquarters to Milan, open a production centre in Verona and an administrative office in Rome. One such partner, a well-connected Milan industrialist called Senatore Borletti, enabled Mondadori to make valuable contacts inside the increasingly powerful Fascist party, which turned out to be vital when the Fascist government introduced strict controls in the education system.

It was Borletti who helped persuade D’Annunzio, the aristocratic writer, soldier and nationalist politician, to join Mondadori when he retired to his home on Lake Garda to devote his later years to writing poetry and plays.

Arnoldo Mondadori turned his business 
into Italy's biggest publishing company

In 1921, Mondadori acquired the rights to the popular Children’s Encyclopaedia but his ambitions were not limited to the education sector. Seeking to strengthen his relationship with the Fascist government, Mondadori commissioned Margherita Sarfatti, a well-known art critic, to write a biography of the Fascist leader, Benito Mussolini. Entitled Dux, it was a largely sympathetic work which met with the approval of the Duce himself and proved to be a best-seller.

This cosying up to the regime proved to be worthwhile when the decision was made in 1928 to require schools to teach from just one, state-sanctioned textbook. Soon, almost a third of these textbooks were being printed and distributed by Mondadori and in time he had a virtual monopoly.

Nonetheless, this shrinking of the market in school books required Mondadori to establish other business models.

Encouraged by Luigi Rusca, a translator and director of the company, who had seen the success of the genre in the United States, Mondadori moved into publishing crime fiction.  At first, it was foreign writers such as Raymond Chandler, Dashiell Hammett, Georges Simenon, Agatha Christie and Erle Stanley Gardner whose stories began to appear in Italian translation. Yet they were so successful, with 5,000 copies sold in the first month following the launch, that Italian writers began to take an interest in the genre and in 1931 the first truly Italian giallo - Alessandro Varaldo’s Il Sette Bello - was added to the series.

In 1935, the publishing house further diversified through an agreement with Walt Disney to publish children's magazines based on Disney comics characters, a deal which ran until 1988. Grazia magazine launched in 1938.

The present headquarters of Arnaldo Mondadore
Editore at Segrate, an eastern suburb of Milan

World War Two had severe consequences for the company, who had to move its headquarters to Verona after Milan was subjected to heavy allied bombing.  Mondadori and his family sought refuge in Switzerland.

After the war, the business shifted more and more towards magazine publishing, but books remained a large part of Mondadori’s success, particularly the Oscar Mondadori series, which was launched in 1965 with Hemingway’s A Farewell to Arms. In the same year, the number of people employed by the company, which stood at 335 in 1950, topped 3,000.

Arnoldo Mondadori died in 1971 at the age of 81, after which the control of the business passed to the younger of his two sons, Giorgio, who had been chairman at the time of his father’s death. Arnoldo was survived by his wife, Andreina.

Giorgio commissioned the Mondadori group’s impressive headquarters at Segrate on the outskirts of Milan but left the company in 1976 after his two sisters, Cristina and Mimma, merged their shares to acquire a controlling interest, putting Cristina’s husband, Mario Formenton, in charge.

Since 1991, Arnoldo Mondadori Editore has been controlled by Fininvest, the holding company established by the late Silvio Berlusconi. The former Italian prime minister’s daughter, Marina, has been chair since 2003.

The elegant parish church of Santissimo
Nome di Maria in Poggio Rusco

Travel tip:

Poggio Rusco, where Arnoldo Mondadori was born, is a town of around 6,500 inhabitants, to which visitors can experience the authentic culture and cuisine of the Oltrepò Mantovano area. Surrounded by fertile fields and canals, Poggio Rusco has an impressive 16th-century castle, an elegant parish church, and an ancient tower that overlooks the town. Local specialties include tortelli di zucca, the pumpkin-filled pasta, and salame mantovano, a typical cured meat. Poggio Rusco is well placed as a base from which to explore the nearby cities of Mantua, Verona, Ferrara, Bologna and Modena, which are all within an hour's drive.

The art nouveau Palazzina Mondadori in Ostiglia,
once the home of La Sociale print workshop

Travel tip:

Ostiglia, where Mondadori launched his business career in 1907, is a small town located along the ancient Via Claudia Augusta Padana, overlooking the Po River, in a strategic position once exploited by the Romans. The area around Ostiglia, which lies just under 35km (22 miles) southeast of Mantua, is popular with visitors for its network of nature trails, many of them in the Paludi di Ostiglia nature reserve, which is home to 175 bird species. There are also many cycle routes, including one that links Ostiglia with the city of Treviso in Veneto, which follows the path of the disused 120km (75 miles) Treviso-Ostiglia military railway line. The centre of Ostiglia is notable for its mediaeval towers and art nouveau houses, while the archaeological museum tells the town’s history from its days as the Roman trading post, Hostilia. The Roman historian Cornelius Nepote, who was born there, as was Ermanno, Marquis of Verona, who built the town’s castle. Mondadori's first printing house, La Sociale, can be visited as part of the art nouveau Palazzina Mondadori, which today houses Arnoldo Mondadori's personal and private library, consisting of about 1,000 volumes. The building is equipped with classrooms, multimedia and exhibition halls used to promote reading in conjunction with the Fondazione Mondadori.

Also on this day:

293: The death of San Giusto of Trieste

1418: The birth of builder and diarist Gaspare Nadi

1475: The death of condottiero Bartolomeo Colleoni

1893: The birth of car designer Battista ‘Pinin’ Farina

1906: The birth of film director Luchino Visconti

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Alessandro Striggio - composer and diplomat

Medici musician who invented the madrigal comedy

The score of Striggio's best known
work was missing for 281 years

The Renaissance composer Alessandro Striggio, famous as the inventor of the madrigal comedy, once thought to be the forerunner of opera, died on this day in 1592 in Mantua (Mantova), the town of his birth.

Although there is no accurate record of his age, it is thought he was born in 1536 or 1537, which would have put him in his mid-50s at the time of his death. 

Striggio spent much of his career in the employment of the Medici family in Florence, for whom he also served as a diplomat, undertaking visits to Munich, Vienna and London among other places on their behalf. 

He produced his best work while working for the Medici, composing madrigals, dramatic music, and intermedi - musical interludes - to be played between acts in theatrical performances.

Striggio’s best known composition is his Il cicalamento delle donne al bucato e la caccia (The gossip of the women at the laundry),  an innovative piece that combined music and words to tell a story, without acting. This was an example of what became known as the madrigal comedy, comprising a series of 15 humorous madrigals that together tell a story in words and music.

Perhaps his greatest achievements, though, were his choral works, including his motet Ecce beatam lucem, a feat of polyphony that included 40 independent voices, and his still more impressive Mass, Missa sopra Ecco sì beato giorno, which also featured 40 different voice parts and a final movement for 60 voices, which is thought to be the only piece of 60-part counterpoint in the history of Western Music.

Cosimo I de' Medici sent Striggio on
a diplomatic mission to Vienna

Although Striggio was born into an aristocratic family in Mantua, there is only sparse knowledge of his early life there. He possibly moved to Florence in his late teens or early 20s. He started work for Cosimo I de' Medici, Duke of Florence, on 1 March 1559 as a musician, eventually to replace Francesco Corteccia as the principal musician to the Medici court.

In the 1560s, he visited Venice and produced two books of madrigals influenced by the musical styles he encountered there.

Music was central to the Medici’s use of Striggio in a diplomatic role. Cosimo I craved the title of Archduke or Grand Duke, which within the hierarchy of the Holy Roman Empire was a rank below Emperor but a notch above Duke and equivalent to a King.

He ordered Striggio to travel to Vienna in the winter of 1566-67, sending his principal musician on a perilous journey through the Brenner Pass in order to meet Emperor Maximilian II and present Cosimo’s case for the Medici to be granted a royal title.

Striggio’s grand opus, Missa sopra Ecco sì beato giorno, was to be part of the presentation, underlining Cosimo’s commitment to the Catholic faith. Striggio was also charged with convincing Maximilian II that the Medici could support him both financially and militarily.

Unfortunately, Striggio reached Vienna only to find he needed to journey a further 140km (87 miles) north to Brno, where Maximilian had removed himself for the winter months. He presented the Emperor with a copy of the Mass, although he had too few musicians or singers with him in Brno for the piece to be performed.

The English composer Thomas Tallis is
said to have been inspired by Striggio

Instead, as Striggio continued his travels, it was performed in full before the courts of Munich and Paris, to great acclaim, before Vienna.  The Medici were granted the right to be headed by a Grand Duke two years later but it took almost 10 years for it to be given approval by the Emperor, although Cosimo I went by the title from 1569 until his death in 1574.

Striggio went on to visit England, having much respect for the work of musicians in the royal court there. He is said to have met Queen Elizabeth I and the composer Thomas Tallis, who had served in the courts of four monarchs - Henry VIII, Edward VI and Mary I, as well as Elizabeth I - and is considered one of England’s greatest composers, particularly of choral music. His own 40-voice motet, Spem in alium, is thought to have been inspired by his meeting with Striggio.

Striggio returned to Florence, where he became friends with Vincenzo Galilei, the lutenist and composer whose son was the astronomer and scientist, Galileo Galilei.

During the 1580s, Striggio began an association with the Este court in Ferrara, which at the time was at the forefront of musical composition in Italy. In 1586, he moved back to his home city, Mantua, although he would continue to compose music for the Medici at least until 1589.

Although the idea of Striggio’s madrigal comedy being the forerunner of opera is no longer widely held, the composer has a connection with the roots of opera in that his son, also called Alessandro, wrote the libretto of Claudio Monteverdi's L'Orfeo, one of the earliest works to fit the conventional definition of an opera.

As a footnote, the score of Striggio’s Missa sopra Ecco sì beato giorno was declared lost in 1726 but was rediscovered in 2007 by a musicologist from the University of California, Berkeley in the Bibliothèque nationale de France in Paris, where it had resided for most of the intervening years, unnoticed because it had reportedly been recorded in an inventory of manuscripts as being a four-part Mass by a composer called Strusco.

The Ducal Palace is one of many highlights of
the atmospheric city of Striggio's home city

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.  In nearby Piazze delle Erbe is the Chiesa di San Lorenzo, another masterpiece of Renaissance architecture. Its elegant facade and interior are adorned with beautiful artwork and sculptures.  In the same square, the Torre dell’Orologio Astronomico - the Astronomical Clock Tower - displays lunar cycles as well as the time. Installed in 1473, the clock has failed twice but was restored in 1989.

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Palazzo Vecchio was at
one time Cosimo I's home

Travel tip:

Florence’s imposing Palazzo Vecchio, formerly Palazzo della Signoria, a cubical building of four storeys made of solid rusticated stonework, crowned with projecting crenellated battlements and a clock tower rising to 94m (308ft), became home of Duke Cosimo I de' Medici moved his official seat from the Medici palazzo in via Larga in May 1540. When Cosimo later removed to Palazzo Pitti, he officially renamed his former palace the Palazzo Vecchio, the "Old Palace", although the adjacent town square, the Piazza della Signoria, still bears the original name. Cosimo commissioned the painter and architect Giorgio Vasari to build an above-ground walkway, the Vasari corridor, from the Palazzo Vecchio, through the Uffizi, over the Ponte Vecchio to the Palazzo Pitti. Cosimo I also moved the seat of government to the Uffizi, which translated literally, simply means ‘offices’. Today, of course, the Uffizi, is known the world over for its collection of art treasures.

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More reading:

Gonzaga court violinist Salomone Rossi, the leading Jewish musician of the Renaissance

Cosimo II de' Medici, patron of Galileo

Claudio Monteverdi, the Baroque composer who wrote the first real opera

Also on this day

1792: The birth of composer Gioachino Rossini

(Picture credit: Palazzo Vecchio by Geobia via Wikimedia Commons)

(Paintings: Portrait of Cosimo I de' Medici, Bronzino, Art Gallery of New South Wales)

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Vittorino da Feltre – humanist and educator

Teacher to the nobility provided free education for poor children

Vittorino da Feltre treated his 
pupils as equal, wealthy or poor

A scholar considered to have been the greatest humanist schoolmaster of the Renaissance, Vittorino da Feltre, died on this day in 1446 in Mantua in the Lombardy region.

Da Feltre, who was originally named Vittore dei Ramboldini when he was born in Feltre in the republic of Venice in 1378, is thought to have established the first boarding school in Europe, a place of learning where the pupils enjoyed their lessons so much that it became known as La Casa Gioiosa - The House of Joy.

After studying and then teaching at the University of Padua, Da Feltre chose to settle in Padua and became a successful teacher, welcoming pupils into his own home, varying his fee according to the financial situation of the pupil’s family. He himself had come from a noble family that had become impoverished and his own early education had been difficult, but this had contributed to making him a strong and decisive character. He had also benefited from free tuition at the University of Padua.

In 1423, he was asked to become tutor to the children of the powerful Gonzaga family, who ruled over Mantua. He agreed to do this providing he could set up his own school away from the Gonzaga court and its political influence.

He also enrolled other children to be taught at the school along with the Gonzaga children, both noble and poor children, who were selected because of their ability. The poor children did not have to pay for their education and were taught on an equal footing with the children from wealthy families. He also educated girls and did not consider the female pupils to be inferior to the male pupils.

Palazzo Bo, the main building
of the University of Padua

Latin and Greek language and literature were at the centre of the curriculum of the school. The children were also taught arithmetic, geometry and music and did games and physical exercise, following the Greek ideal of development of the body as well as of the mind. The school was close to a lake and surrounded by beautiful countryside, which also contributed to the wellbeing of the pupils.

Da Feltre saw education as a pathway to living a Christian life and made his pupils feel loved and cared for in terms of their health and characters. He adapted his teaching methods to their individual abilities and needs and never used corporal punishment. Among his students were Federico da Montefeltro, who became Duke of Urbino, and Gregorio Correr, who became Patriarch of Venice.

One of the first modern educators to develop during the Renaissance, Da Feltre’s teaching methods were therefore innovative and many other schools in Europe were to adopt his educational model.

During his career, Da Feltre not only educated future Italian rulers and professional men but also taught Latin and Greek scholars who came to him from the east. This paved the way for the translation of the Greek manuscripts that were to inspire the Renaissance in Europe.

After Da Feltre’s death at the age of 68 in Mantua, Iacopo da San Cassiano, a humanist and mathematician who had been one of his pupils, took over the running of the school and inherited his library. Da Feltre was laid to rest in the Chiesa di Santo Spirito in Mantua.

Feltre School in Chicago, a private non-profit school, educates adults in English grammar, composition, public speaking, philosophy and the humanities. The name and philosophy of the school, which was founded in 1992, was inspired by the work of Vittorino da Feltre.

The town of Feltre, where Da Feltre was
born, sits on a hill 20km from Belluno

Travel tip:

Feltre, where Vittorino da Feltre was born and from which he took his name, is a town in the province of Belluno in the Veneto. It is located 20 kilometres (12 miles) southwest of Belluno and there is a view of the Dolomites from the north of the town. The Cathedral, which was rebuilt during the Renaissance, has retained its 14th century campanile. It is flanked by a 15th century baptistery, which houses a precious, medieval baptismal font. There is an excavated archaeological area under the Cathedral revealing part of the Roman layout of the city. There is a statue of Vittorino in the main square, Piazza Maggiore.

The Palazzo Ducale was the seat of the
Gonzaga family, rulers of Mantua

Travel tip:

Mantua, where Da Feltre worked, died and is buried, is an atmospheric ancient city in Lombardy, to the south east of Milan. It is famous for its Renaissance Palazzo Ducale, the seat of Da Feltre’s employers, the Gonzaga family, between 1328 and 1707. The palace is famous for its Camera degli Sposi, which is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico Gonzaga and his family. The beautiful backgrounds of imaginary cities and ruins are a reflection of Mantegna’s love of classical architecture.

Also on this day: 

1594: The death of composer Giovanni Pierluigi da Palestrina

1723: The death of anatomist Antonio Maria Valsalva

1891: The birth of poltician Antonio Segni

1925: The birth of Olympic showjumper Raimondo D'Inzeo

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Pompeo Coppini - sculptor

Italian emigrant famous for Texas monument

Pompeo Coppini spent much of his
career working in Texas

The sculptor Pompeo Coppini, best known for the Alamo Cenotaph in San Antonio, Texas, was born on this day in 1870 in Moglia, a village in Lombardy a few kilometres south of the city of Mantua.

Coppini emigrated to the United States at the age of 26 and after initially working in New York moved to Texas, where the majority of his work can be found.

The Alamo Cenotaph, also known as The Spirit of Sacrifice, consists of a 60ft high sloping shaft of grey Georgia marble resting on a base of pink Texas granite. Carved into the sides of the monument, erected near the scene of the siege of the Alamo Mission during the Texas Revolution in 1836, are images of the Alamo defenders including William B Travis, Jim Bowie, David Crockett and James Bonham, while the names of those who died at the Alamo were etched along the base.

It was commissioned to commemorate the centenary of the siege and took two years to complete. It is now the centrepiece of a square known as the Alamo Plaza.

The son of a musician, Pompeo moved with his family from Moglia to Florence in 1880 at the age of 10. His craft skills began to earn him an income at an early age through work with ceramics and miniature models of famous monuments.

Coppini's most famous work is the
Alamo Cenotaph in San Antonio 

At 16, he enrolled at the Accademia dell'Arte del Disegno in Florence, furthering his knowledge and technical skills under the Genovese sculptor Augusto Rivalta.

Upon graduating, he opened a small studio and continued to make items he could sell, including busts of local celebrities and cemetery monuments. 

Business was slow, however, and in 1896, Coppini followed the example set by others of his generation in deciding to move to the United States, specifically New York.

He arrived there, reportedly with nothing but a trunk full of clothes and $40 in cash, and found work sculpting figures for a wax museum before being commissioned to create a memorial to Francis Scott Key, best known for writing the lyrics for the American national anthem The Star-Spangled Banner.

A model hired to pose for Coppini’s memorial to Key, Elizabeth di Barbieri, ultimately became his wife.

His progress in New York was steady if not spectacular. Craving a base which would give him more chance to stand out, in 1901 he moved to Texas to work alongside the German-born sculptor Frank Teich. A year later he became an American citizen.

Apart from his most famous work, sculpted with the help of a $100,000 donation from the state of Texas, Coppini’s other creations in Texas include the Confederate Monument in Paris, Terry's Texas Rangers Monument and Hood's Texas Brigade Monument in Austin, the Littlefield Memorial Fountain, also in Austin, with which he worked with the French-born architect Paul Cret, and several statues at the Texas State Fair Hall of State in Dallas.

Coppini's Littlefield Memorial Fountain
at the University of Texas in Austin

Coppini sculpted three statues of George Washington, the founding father of the United States. The first, to commemorate the 1910 centennial of Mexican Independence, was installed in 1912 in the Plaza Dinamarca since renamed Plaza Washington, in Mexico City; the second, in Portland, Oregon, was created to commemorate the 1926 sesquicentennial of the Declaration of Independence; the third, commissioned by the Texas Society, Daughters of the American Revolution to commemorate the 1932 bicentennial of Washington's birth, stands on the campus of the University of Texas at Austin, although because of fund-raising problems it was not installed until February, 1955.

Coppini died in San Antonio in 1957, his body laid to rest in the city’s Sunset Memorial Park in a tomb he sculpted himself.

Travel tip:

Moglia, the village where Coppini was born, is situated a little over 30km (19 miles) south of Mantua in Lombardy. With a population of more than 5,000 today, it has grown to about five times its size in the last 150 years. A feature is a marble monument by Coppini to the Martyrs of War, finished in 1951 and sited in front of the village’s primary school. Moglia was hit badly in the 2012 earthquake that hit the area, with the Town Hall, the parish church and several other buildings in the historic centre suffering severe damage, along with many private residences.

The Palazzo Ducale in Mantua was the home for  
four centuries of the Gonzaga family 

Travel tip:

Mantua is an atmospheric old city in Lombardy, to the southeast of Milan. In the Renaissance heart of the city is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.  Mantua is famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707, in which the Camera degli Sposi is decorated with frescoes by Mantegna, depicting the life of Eleonora’s ancestor, Ludovico Gonzaga and his family in the 15th century. 

Also on this day:

1860: The birth of politician Vittorio Orlando

1946: The birth of actor and director Michele Placido

1979: The birth of footballer Andrea Pirlo

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Attilio Ariosti – composer

Musical friar was once a rival of Handel

Anthoni Schoonjans's portrait of Ariosti
hangs in Charlottenburg Palace in Berlin

Baroque composer Attilio Malachia Ariosti, who in later life became a rival of Handel in London musical circles, was born on this day in 1666 in Bologna.

He became a Servite Friar, known as Frate Ottavio, when he was 22, but he quickly obtained permission to leave the order and become a composer at the court of the Duke of Mantua and Monferrato.

During his life, Ariosti composed more than 30 operas and oratorios as well as many cantatas and instrumental works.

Ariosti became a Deacon in 1692 and then obtained the post of organist at the Church of Santa Maria dei Servi in Bologna.

His first opera, Tirsi, was performed in Venice in 1697 and that same year he was invited to travel to Berlin by Sophia Charlotte of Hanover, the Queen of Prussia. She was a great-granddaughter of James I of England and the daughter of the Electress Sophia of Hanover, a committed patron of the arts with a keen interest in music.

The Electress Sophia had been heir presumptive to the throne of the Kingdom of Great Britain and was waiting for the death of her first cousin once removed, Queen Anne, before travelling to Britain to claim her title.

Ariosti shared the directorship of the Royal Academy
of Music in London with his rival Handel (above)

But she died herself less than two month before she would have succeeded to the British throne and her eldest son, George Louis, Elector of Hanover, became King on the death of Queen Anne, ascending to the throne as George I on 1 August 1714.

While enjoying the hospitality of Queen Sophia Charlotte, Ariosti wrote the music for a number of stage works performed for the court in Berlin. He was court composer there for six years and a portrait of him by Anthoni Schoonjans still hangs in the Charlottenburg Palace.

When Ariosti was returning to his religious order, he stopped off in Vienna along the way, where he became a protégé of the Holy Roman Emperor Joseph I, who made the composer his General Agent in Italy.

Ariosti later went on to enjoy success in Paris and London. While in London he shared the directorship of the Royal Academy of Music with George Frideric Handel and Giovanni Bononcini. He was a great success when he played his favourite instrument, the viola d’amore, in a performance of Handel’s Amadigi di Gaula.

The viola d’amore is an alto instrument of the old viol family with special strings under the fingerboard and it has a delicate, mysterious sound. It was developed around the middle of the 17th century and was particularly popular in England.

Ariosti was a versatile musician and could
also sing and write drama

Ariosti became a virtuoso on this instrument and in 1724 he published A Collection of Cantatas and Lessons for the Viola d’Amour, which he sold by subscription. This publication is thought to have been the most successful sale of music by subscription during the 18th century.

Ariosti could also sing, write drama and play the violoncello and the harpsichord. But his preferred instrument was always the viola d’amore, for which he wrote 21 solo sonatas. These are usually known as the Stockholm Sonatas because the sole surviving sources for most of them are in the Statens Musikbibliotek in Stockholm in Sweden.

Experts say the Sonatas display Ariosti’s penchant for surprising harmonies, his inventive use of silence and his wit.

Ariosti’s last opera, Teuzzone, was performed in London in 1727.

There was a time when Ariosti was in competition with Handel to be the most successful composer, but his popularity did not last as long as the German’s and he eventually disappeared from the musical scene. It is not known with any certainty whether he was still in London when he died in around 1729.

A view of the Mantegna frescoes in the Camera degli
Sposi in the Palazzo Ducale in Mantua

Travel tip:

Ariosti served as court composer to Ferdinando Carlo Gonzaga, Duke of Mantua and Monferrato.  A lover of music, Ferdinando Carlo was the last Gonzaga to rule the Duchy. Mantua is an atmospheric old city, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, where Ariosti would have lived. The Palazzo in Piazza Sordello has a famous room, the Camera degli Sposi, which is decorated with frescoes by Andrea Mantegna.  Musical performances took place in the Galleria degli Specchi, which has the dimensions to accommodate a stage and orchestra and has space for a small audience.

The portico and facade of the Basilica di Santa Maria
dei Servi on Strada Maggiore in Bologna

Travel tip:

The Basilica di Santa Maria dei Servi, where Ariosti was once the organist, is in Strada Maggiore, one of the most important streets in Bologna. The church was founded in 1346 for the Servite Community of the Blessed Virgin Mary and was designed by Andrea da Faenza, a head friar who was also an architect. It is considered a fine example of Italian Gothic architecture.

Also on this day:

1702: The birth of painter Pietro Longhi

1754: The birth of explorer Alessandro Malaspina

1777: The birth of dancer and choreographer Filippo Taglioni

1898: The birth of Francesco Chiarello, survivor of two world wars



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Francesco Carrozzini - director and photographer

Famous for portraits of wealthy and famous

Francesco Carrozzini has photographed many celebrities
from the world of movies, music and the arts

The American-based director and photographer Francesco Carrozzini was born on this day in 1982 in Monza, Italy.

The son of the late former editor-in-chief of the Italian edition of Vogue magazine, Franca Sozzani, Carrozzini has directed many music videos and documentary films and a small number of feature-length movies, including one about the life of his mother.

In photography, he has become best known for his portraits of the rich and famous, including actors such as Robert De Niro and Cate Blanchett, models including Naomi Campbell and Linda Evangelista, musicians such as Lana Del Ray and Kanye West, and artists including Jeff Koons and Andres Serrano.

Carrozzini has also photographed a number of political leaders, including the former British prime minister Tony Blair, ex-Mayor of New York Michael Bloomberg and former United Nations Secretary General Ban Ki-moon.

He is a founder of the Franca Sozzani Fund for Preventive Genomics, which he helped create following the death of his mother at the age of 66 from a rare form of cancer.

Carrozzini's mother was the fashion
magazine editor Franca Sozzani

Franca Sozzani’s prominence in the fashion and magazine industry meant that Carrozzini grew up in a house he described as being filled with creative energy. Sozzani gave her photographers a level of creative freedom that at the time was almost unique to Vogue Italia and, influenced by their work, Carrozzini began taking pictures and making short films in his early teens.

In 1999, he moved to the United States to study film at the University of California in Los Angeles before returning to Italy to study philosophy at the University of Milan. 

He embarked on his first commercial assignment, directing a 30-second video promoting Italian MTV, at the age of 19.

Indeed, film became his preoccupation from his early 20s, when his work ranged from a promotional film for the Venice Biennale and a documentary about a Polish theatre group to a short thriller set in New York’s reputedly haunted Chelsea Hotel on West 23rd Street.

Soon, he became sought after by commercial clients such as Apple Music, Fiat, Tommy Hilfiger and Ray Ban, and musicians such as Beyoncé, Jay-Z, and Lenny Kravitz, for whom he directed music videos.  He has been based in New York since 2004.

Carrozzini began working on his film about his mother in 2010. The project was a documentary focusing on her life and legacy, highlighting the accomplishments of Sozzani's career while also exploring his relationship with her.

Carrozzini's portrait of the actor Robert De Niro

The film, entitled Franca: Chaos and Creation, took him around six years to finish. It premiered at the Venice International Film Festival in September 2016, just three months before she died, following a long period undergoing treatment for her cancer.

In March 2017, the film was honored with a Nastro d'Argento presented by the Italian National Syndicate of Film Journalists.

After his mother’s death, from a form of cancer that might have been prevented with earlier medical surveillance, Corrazzini joined Harvard geneticist Robert C Green and private investors in launching the Franca Sozzani Fund for Preventive Genomics in the hope of improving the reach of preventive genomics, which uses genetic sequencing to predict disease.

Carrozzini is married to Bee Shaffer, the daughter of Vogue editor-in-chief Anna Wintour and child psychiatrist David Shaffer.

The grand Villa Reale in Monza, built in the late 18th
century for Archduke Ferdinand of Austria

Travel tip:

Monza, a city of just under 125,000 inhabitants about 20km (12 miles) northeast of Milan, is best known for its international motor racing circuit, the home of the Formula One Italian Grand Prix. Yet the city itself is well worth visiting in its own right, one of the highlights being the 13th century Basilica of San Giovanni Battista, often known as Monza Cathedral, which contains the famous Corona Ferrea or Iron Crown, bearing precious stones.  According to tradition, the crown was found on Jesus's Cross.  Note also the Villa Reale, built in the neoclassical style by Giuseppe Piermarini at the end of the 18th Century, which has a sumptuous interior and a court theatre.

Part of the ceiling of the Camera degli Sposa in Mantua's
Palazzo Ducale, decorated by Andrea Mantegna

Travel tip:

Carrozzini’s mother, Franca Sozzani, came from Mantua, an atmospheric old city in Lombardy, about 180km (112 miles) to the southeast of Milan, surrounded on three sides by a broad stretch of the Mincio river, which has always limited its growth, making it an easy place for tourists to look round. At the Renaissance heart of the city is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna.  Mantua’s Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707, contains some of the finest examples of Mantegna’s frescoes in the Camera degli Sposi.

More reading:

How Franca Sozzani changed the world of fashion publishing

Mimmo Jodice: Photography meets metaphysical art

The girl who inherited the Versace fashion empire

Also on this day:

1908: The birth of writer and translator Cesare Pavese

1918: The birth of Italy's ninth president, Oscar Luigi Scalfaro

1943: Allied troops land at Salerno on the Italian mainland


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