Giulio Einaudi - publisher

Son of future president who defied Fascists

Giulio Einaudi ran his publishing company
for more than 60 years

Giulio Einaudi, who founded the pioneering publishing house that carries the family name, was born on this day in 1912 in Dogliani, a town in Piedmont.

The son of Luigi Einaudi, an anti-Fascist intellectual who would become the second President of the Italian Republic, Giulio was also the father of the musician and composer Ludovico Einaudi.

Giulio Einaudi’s own political leanings were influenced by his education at the the Liceo Classico Massimo d'Azeglio, where his teacher was Augusto Monti, a staunch opponent of Fascism who was imprisoned by Mussolini’s regime in the 1920s.

After enrolling at the University of Turin to study medicine, Einaudi decided to abandon his studies to work alongside his father Luigi in publishing an anti-Fascist magazine Riforma Sociale - Social Reform.

His own contribution was to establish a cultural supplement, edited by the writer and translator Cesare Pavese, which so offended Mussolini that in 1935 the magazine was closed down and the staff arrested.

Einaudi spent 45 days in jail along with Pavese and several writers who would later become celebrated names, including Vittorio Foa, Massimo Mila, Carlo Levi and Norberto Bobbio.

The publisher's famous ostrich logo is still on
the cover of every Einaudi publication

By that time, in collaboration with Mila, Bobbio, Pavese and Leone Ginzburg, he had founded the publishing house - Giulio Einaudi Editore - whose offices were on Via Arcivescovado in Turin. Critics who later accused Einaudi of being a literary mouthpiece for the Italian Communist Party (PCI), rather than a genuinely independent publisher, would delight in pointing out that it was the same building that had hosted L'Ordine Nuovo - The New Order - the journal published by the Marxist philosopher and PCI founder Antonio Gramsci.

The first book to carry the company’s famous ostrich emblem - borrowed from the magazine - was a translation - by his father - of Henry A. Wallace's What America Wants, an analysis of New Deal economics. Mussolini apparently approved of the substance of the book but not of Luigi Einaudi’s foreword.

Luigi Einaudi, Giulio's father, was the
2nd President of the Italian Republic

Despite Giulio’s imprisonment and the Fascist Party verdict that the purpose of Giulio Einaudi Editore was “disseminating anti-fascist publications and gathering together anti-fascist elements from the intellectual world”, the publishing house survived the war years.

This was despite being damaged in bombing raids on Turin and Giulio’s decision to decamp temporarily to Switzerland, from where he returned to support the resistance movement in Piedmont.

Once the Fascists had been overthrown, the business grew quickly. Einaudi was well placed to feed the literary needs of a nation embracing a left-wing renaissance and although the publisher had a close relationship with many leading members of the PCI, many literary historians have argued that Einaudi was already the father of left-wing culture in Italy and that his writers influenced the PCI rather than other way round.

At the same time, Einaudi had an eye for spotting young talent, publishing authors such as Natalia Ginsburg, Elsa Morante, Italo Calvino and Primo Levi while they were still unknown.

When Giulio Einaudi Editore celebrated its 50th anniversary in 1983, it had published more than 5,000 titles, its back catalogue representing a history of 20th century Italian literature, with Carlo Emilio Gadda, Leonardo Sciascia and the poet Eugenio Montale also among his authors.

The composer and pianist Ludovico
Einaudi is Giulio's son

In addition to original fiction and non-fiction, Einaudi published translations of Goethe and Defoe and was the first to publish the studies in psychology of Sigmund Freud and Carl Jung in Italian.

Known as Il principe (the prince) because of his distinguished appearance, his biggest failing was that he spent money as if he were royalty. Seldom would he reject a project on the grounds of cost and years veering from one financial crisis to another came to head in 1994, when his bankers ran out of patience and the need for outside investment led to the company being taken over by Mondadori, the publishing conglomerate controlled by the right-wing former prime minister Silvio Berlusconi, although Einaudi remained chairman.

Einaudi enjoyed Rome as much as Turin and died at his country house just outside the capital in April 1999, aged 87. He was survived by his wife, Renata Aldrovandi, sons Mario, Riccardo and Ludovico, and a daughter, Giuliana.

Dogliani's imposing church of Sant Quirico and
Paolo, designed by Giovanni Battista Schellino

Travel tip:

Einaudi’s home town of Dogliani, where there has been a settlement since pre-Roman times, is about 60km (37 miles) southeast of Turin in the Langhe, a picturesque area of hills to the south and east of the Tanaro river famous for wines, cheeses and truffles. As well as being the home of the red wine Dolcetto di Dogliani, the town is famous for the annual tradition of Presepio Vivente, in which around 350 people take part in a living nativity scene in the medieval streets.  The town is also notable for the magnificent parish church of Santi Quirico and Paolo, designed by Giovanni Battista Schellino. The Einaudi home, a farmhouse just outside the town called San Giacomo, was acquired by Luigi Einaudi in 1897 and became the heart of the family’s wine-producing business.

Rome's Isola Tiberina used to be one of Giulio Einaudi's
favourite places in the capital

Travel tip:

When in Rome, Giulio Einaudi would often be spotted at a table outside a cafe in Piazza Navona or, in the summer months, on the Isola Tiberina, situated in the bend in the Tiber that wraps around the Trastevere district, with which it is connected by the Ponte Cestio. A footbridge allows access from the other bank of the river.  The island was once the location of an ancient temple to Aesculapius, the Greek god of medicine and healing, and in modern times the Fatebenefratelli Hospital, founded in the 16th century. The 10th century the Basilica of St. Bartholomew is also located on the island, which is just 270m (890ft) long and 67m (220ft) wide.

Find a hotel in Rome with TripAdvisor

More reading:

Cesare Pavese, the author whose translations introduced Italy to the great American writers of the 20th century

How the murder Giacomo Matteotti changed the mind of Luigi Einaudi

Antonio Gramsci - the Communist intellectual Mussolini could not gag

Also on this day:

533: Pope John John II is the first pontiff not to us his own name

1462: The birth of painter Piero di Cosimo

1909: The birth of mountaineer Riccardo Cassin

Home

Giacomo Quarenghi - architect

Neoclassicist famous for his work in St Petersburg

Giacomo Quarenghi spent most of his working
life in St Petersburg in Russia

The architect Giacomo Quarenghi, best known for his work in Russia, and in St Petersburg in particular, in the late 18th and early 19th centuries, was born on this day in 1744 in Rota d’Imagna, a village in Lombardy about 25km (16 miles) northwest of Bergamo.

His extensive work in St Petersburg between 1782 and 1816, which followed an invitation from the Empress Catherine II (Catherine the Great), included the Hermitage Theatre, one of the first buildings in Russia in the Palladian style, the Bourse and the State Bank, St. George’s Hall in the Winter Palace, several bridges on the Neva river, and a number of academic buildings including the Academy of Sciences, on the University Embankment.

He was also responsible for the reconstruction of some buildings around Red Square in Moscow in neo-Palladian style.

Quarenghi’s simple yet imposing neoclassical buildings, which often featured an elegant central portico with pillars and pediment, are responsible for much of St Petersburg’s stately elegance.

As a young man, Quarenghi was allowed to study painting in Bergamo despite his parents’ hopes that he would follow for a career in law or the church. He travelled widely through Italy, staying in Vicenza, Verona, Mantua and Venice in the north and venturing south to make drawings of the Greek temples at Paestum before arriving in Rome in 1763. His first focus was on painting, but he was later introduced to architecture by Paolo Posi.

Quarenghi's building for the Academy of Sciences on the
banks of the Neva river in St Petersburg

His biggest inspiration came from reading Andrea Palladio's Quattro libri d'archittetura, after which he moved away from painting to concentrate on the design of buildings. He returned to Venice to study Palladio and came to meet a British peer who was passing through Venice on the Grand Tour. It was through him that Quarenghi was commissioned to work in England, where his projects included an altar for the private Roman Catholic chapel of Henry Arundell at New Wardour Castle.

His first major commission in Italy was for the internal reconstruction of the monastery of Santa Scholastica at Subiaco, just outside Rome, in 1771, where he was also asked to design a decor for a Music Room in the Campidoglio, and drew up designs for the tomb of Pope Clement XIII, which were later executed by Antonio Canova.

In 1779 he was selected by the Prussian-born Count Rieffenstein, who had been commissioned by Catherine II to send her two Italian architects.  Quarenghi, then 35, was finding it hard to generate enough work amid fierce competition in Italy, so he accepted the offer without hesitation, leaving immediately for St Petersburg, taking his pregnant wife with him.

Quarenghi's English Palace at Peterhof, which was sadly
demolished after suffering damage during the war

Quarenghi's first important commission in Russia was the magnificent English Palace in Peterhof, just outside St Petersburg, which was sadly blown up by the Germans during the Second World War II and later demolished by the Soviet government.

In 1783 Quarenghi settled with his family in Tsarskoe Selo, the town which was the former seat of the Russian royal family, where he would supervise the construction of the Alexander Palace.

Soon afterwards, he was appointed Catherine II's court architect and went on to produce a large number of designs for the Empress, her successors and members of her court, as well as interior decorations and elaborate ornate gardens.

His work outside St Petersburg included a cathedral in Ukraine and among his buildings in Moscow were a theatre hall in the Ostankino Palace.

Quarenghi was less popular with Catherine II’s son and successor, the Emperor Paul, but enjoyed a resurgence under Alexander I. He returned to Italy from time to time and always to an enthusiastic welcome.

He retired in 1808 and remained in Russia, even though most of his 13 children by two wives chose to return to Italy.

Quarenghi was granted Russian nobility and the Order of St. Vladimir of the First Degree in 1814. He died in Saint Petersburg at the age of 72.

A view over the village of Rota d'Imagna in Lombardy

Travel tip:

Rota d’Imagna in the province of Bergamo is situated in the Imagna Valley, a popular tourist spot because of its largely unspoilt landscape and spectacular mountain views, with many visitors attracted to trekking, mountain walks and horse riding. In the village itself, the Church of Rota Fuori, dedicated to San Siro, which was built in 1496 and restructured in 1765, has art works of significance including by Gaetano Peverada, Pier Francesco Mazzucchelli and Carlo Ceresa.  Quarenghi’s home was Ca’ Piatone, a palace built in the 17th century.

The Hermitage Theatre has echoes of
Palladio's Teatro Olimpico in Vicenza

Travel tip:

Quarenghi’s design for the Hermitage Theatre in St Petersburg, with its seating set out in the style of a Roman amphitheatre and the walls decorated with marble columns and recessed statues, was heavily influenced by his visit to the Teatro Olimpico in Vicenza as he toured Italy as a young man. The theatre, constructed between 1580 and 1585, was the final design by Andrea Palladio and was not completed until after his death. The trompe-l'œil onstage scenery, designed by Vincenzo Scamozzi, gives the appearance of long streets receding to a distant horizon. The theatre is one of only three Renaissance theatres still in existence.

More reading:

How Palladio became the world's favourite architect

Vincenzo Scamozzi - the man behind the unique stage set at the Teatro Olimpico

Luigi Vanvitelli and a royal palace based on the Palace of Versailles 

Also on this day:

1559: The birth of the painter and architect known as Cigoli

1960: The birth of conceptual artist Maurizio Cattelan


Home

Guido Crepax - cartoonist

Erotic character Valentina captured spirit of 1960s Italy

Erotic imagery was central to the success of Crepax's
most famous character, Valentina

The cartoonist Guido Crepax, whose character Valentina became a heroine of the 1960s generation in Italy and beyond, was born on this day in 1933 in Milan.

Valentina first appeared in May 1965 as a secondary character in another cartoon, the photographer girlfriend of an art critic and amateur sleuth.

But the sinuous, sensual female depicted by Crepax, her hair cut in a glossy bob, soon acquired fans both male and female.

In an era when Italian society was beginning to experience a sense of sexual liberation for the first time, Valentina’s eroticism naturally attracted a legion of male fans. But her assertive individuality struck a chord with many modern Italian women, too, even if her readiness to shed her clothes caused outrage among others.

Soon, Valentina left behind her fictional boyfriend and starred in a series of her own adventures, which Crepax continued to produce for three decades. She was outspoken in her left-wing political views, while her uninhibited fantasies increasingly reflected the world of dreams and psychoanalysis that fascinated her creator.  Her style even influenced the Milan fashion world.

Guido Crepax created his most
famous character in 1965

Crepax was born Guido Crepas, the son of Gilberto Crepas, a musician from Venice who had moved to Milan to play at Teatro alla Scala, where he eventually became first cellist under the direction of Arturo Toscanini. 

The family home in Milan was virtually destroyed during a bombing raid in the Second World War but Guido survived to study architecture at Milan University. He graduated in 1958, by which time he had already begun  working as a graphic artist with some success.

His design work included advertising posters, record sleeves - among them Domenico Modugno's hit Nel blu, dipinto di blu (aka Volare) - and magazine and book covers.

His publicity campaign for Shell Oil won him the Palme d'Or for advertising in 1957. The following year he began a long-running collaboration with Tempo Medico, the first Italian medical journal, for which he designed every cover for 22 years.

Then came his first experience of drawing cartoons, with which he had been involved only two years when Valentina appeared for the first time in Linus magazine, in a series in which the main character was her boyfriend Philip Rembrandt, an art critic in his day job who led a double life as the crime fighter Neutron, helped by having the power to freeze people with a penetrating gaze.

Crepax created a back story for Valentina that in many ways reflected his own.

Guido Crepax designed the sleeve for Domenico
 Modugno's hit, Nel blu, dipinto di blu

He named her Valentina Rosselli after the resistance heroes Nello and Carlo Rosselli, whose courage he admired. He gave her an address in Milan's Via De Amicis, where he lived, and filled her apartment with the books that he and his intellectual circle were inspired and informed by.

She was modelled, in part, on the silent movie actress Louise Brooks, who favoured the archetypal ‘flapper’ look with the short bob, and on Crepax's own wife, Luisa.

Valentina was far from Crepax’s only character. He created several other female heroines, such as Belinda, Bianca and Anita, for whom the inspiration was Anita Ekberg, the star of Federico Fellini’s La Dolce Vita.

He also drew cartoons based on works of literature, such as Robert Louis Stevenson’s Dr Jekyll and Mr Hyde, Mary Shelley’s Frankenstein, Bram Stoker’s Dracula, the scandalous novels of the Marquis de Sade, the Gothic novels of Edgar Allan Poe and Franz Kafka’s The Trial.

None, however, brought him the acclaim of Valentina, who was published in France, Brazil, Spain, Germany, Japan, the United States, Finland and Greece as well as Italy.

Valentina was twice adapted for the screen: in the 1973 Franco-Italian production Baba Yaga, and as a television series, starring the American actor Demetra Hampton. Both were a disappointment for her author.

A long-time sufferer from multiple sclerosis, Crepax died in Milan in 2003, at the age of 69.

Via Edmondo de Amicis, where Guido Crepax lived

Travel tip:

The Via Edmondo de Amicis, where Crepax lived and where he placed the fictional apartment of his comic book heroine Valentina, is in central Milan, between the Carrobbio and San Vittore neighbourhoods to the southwest of the city centre. A pleasant urban boulevard, it is a short distance from the Basilica of Sant’Ambrogio, one of the most ancient churches in the city, the original structure of which was built in the 4th century. The Baroque church that stands there today was completed in the 11th century.

The Teatro alla Scala, where Crepax's father was a musician,
has become of the world's premier opera houses

Travel tip:

The Teatro alla Scala - usually referred to by its abbreviated name La Scala - was built in the late 18th century as a replacement for the Teatro Regio Ducale, which was destroyed in a fire in 1776.  The project was financed by some 90 wealthy Milanese and built on the site of the church of Santa Maria alla Scala, from which it takes its name. The theatre has come to be regarded as the premier opera venue in Italy and one of the most important venues for opera and ballet in the world, with ambitious young singers and dancers from every corner of the globe clamouring for places at La Scala Theatre Academy.

More reading:

Hugo Pratt - the Rimini-born artist behind the adventurer Corto Maltese

How Franco Bonvicini's characters mocked the Nazis

The cinematic legacy of Fellini

Also on this day:

1823: Ancient Roman basilica badly damaged by fire

1850: The birth of Frances Xavier Cabrini - America's first saint


Home

Ottorino Respighi – violinist and composer

Talented Bolognese brought a Russian flavour to Italian music

Ottorino Respighi brought a Russian flavour
to 20th century Italian music

The musician Ottorino Respighi was born on this day in 1879 in an apartment inside Palazzo Fantuzzi in the centre of Bologna.

As a composer, Respighi is remembered for bringing Russian orchestral colour and some of Richard Strauss’s harmonic techniques into Italian music.

He is perhaps best known for his three orchestral tone poems Fountains of Rome, Pines of Rome and Roman Festivals, but he also wrote several operas.

Respighi was born into a musical family and learnt to play the piano and violin at an early age.

He studied the violin and viola with Federico Sarti at the Liceo Musicale in Bologna and then went to St Petersburg to be the principal violinist in the orchestra of the Imperial Theatre. While he was there he studied with Nicolai Rimsky-Korsakov and acquired an interest in orchestral composition.

One of Respighi’s piano concertos was performed at Bologna in 1902 and an orchestral piece by him was played at the Metropolitan Opera House in New York the same year.

Respighi played one of his own piano
concertos in New York in 1925

His operas brought him more recognition and in 1913 he was appointed as professor of composition at the prestigious St Cecilia Academy in Rome, a post he held for the rest of his life.

Respighi’s Roman compositions, written between 1916 and 1928, sought to reflect the sensual, decadent climate of the city depicted by Gabriele D’Annunzio in his poetry.

The composer was also interested in 16th and 17th century Italian music, which he transcribed for orchestra from compositions written for old instruments, such as the lute.

In 1919 Respighi married one of his pupils, Elsa Olivieri-Sangiacomo, who was a singer and composer.

He performed in New York for the first time in 1925, playing one of his own piano concertos at Carnegie Hall.

Respighi continued to go on tour and to compose music until his health deteriorated in 1936. He died that year at the age of 56 in Rome. A year after his death his remains were moved to his birthplace, Bologna and reinterred at the city’s expense at the Certosa di Bologna.

The Palazzo Fantuzzi in Bologna, where Respighi was born

Travel tip:

The Palazzo Fantuzzi, where Resphigi was born, is a Renaissance-style palace in Via San Vitale, close to the Church of Santi Vitale e Agricola. It is also known as Palazzo degli Elefanti because of the sculpted, elephant decorations on the façade. The Palace was designed in 1517 by Andrea da Formigine. Part of the palace is now used for art exhibitions.

Before the move to the Parco della Musica,
the Academy was in Campo Marzio

Travel tip:

The St Cecilia Academy - Accademia Nazionale di Santa Cecilia - where Respighi taught and also met his wife, is one of the oldest musical academies in the world. It was founded in Rome by Pope Sixtus V in 1585 at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members of the Academy, which lists opera singers Beniamino Gigli and Cecilia Bartoli among its alumni. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano.

More reading:

The powerful voice of mezzo-soprano Cecilia Bartoli

The poetry and politics of Gabriele D'Annunzio

Anselmo Colzani, Italian star of the New York Met

Also on this day:

1950: The birth of tennis star Adriano Panatta 

2006: Italy win their fourth World Cup by beating France

Home

Andrew Grima - royal jeweller

Rome-born craftsman favoured by the Queen of England

Andrew Grima was the Rome-born son of a Maltese
lace-maker and an Italian mother

The jewellery designer Andrew Grima, whose clients included the British Royal Family, was born on this day in 1921 in Rome.

Grima, whose flamboyant use of dramatically large, rough-cut stones and brilliant innovative designs revolutionised modern British jewellery, achieved an enviable status among his contemporaries.

After the Duke of Edinburgh had given the Queen a brooch of carved rubies and diamonds designed by Grima as a gift, he was awarded a Royal Warrant and rapidly became the jeweller of choice for London’s high society, as well as celebrities and film stars from around the world.

He won 13 De Beers Diamonds International Awards, which is more than any other jeweller, and examples of his work are kept by the Victoria and Albert Museum and the Worshipful Company of Goldsmiths.

When a private collection of Grima pieces was sold at auction by Bonhams in London in September 2017, some 93 lots realised a total of more than £7.6 million (€8.6m), with one pear-shaped blue diamond alone making £2.685m (€3.034m).

Grima’s father, John Grima, was the Maltese owner of a large international lace-making business, designing his products as well as marketing them. His mother, Leopoldina Farnese, could trace her ancestry to the powerful Farnese family of the Renaissance, who left their mark on Roman art and architecture in several ways.

Three pictures showing Queen Elizabeth II wearing the ruby
and diamond Grima brooch give to her by Prince Philip

The family moved to London when Andrew, their first-born, was five. After going to school in southeast London, Grima studied mechanical engineering at Nottingham University, from which he joined the Royal Engineers, serving in Burma and India during the Second World War.

His move into the jewellery business came purely by chance.  His plans to attend art school after he was demobbed had to be put on hold because few art schools had reopened. Instead, he took a secretarial course and began going out with a classmate, Helène Haller, whose Viennese father owned a small jewellery workshop.

The relationship blossomed and they were married in 1947, after which Helène’s father gave Grima a job supervising his accounts. He was desperate for an opportunity to unleash his artistic talents.  It came, finally, when a pair of dealers arrived at the workshop one day with a suitcase of large stones imported from Brazil, including aquamarines, citrines, tourmalines and amethysts. 

Grima persuaded his father-in-law to buy them all and though he had no training he set about creating his own radical designs, experimenting with abstract shapes, different textural effects and making casts from nature, such as leaves, lichen and volcanic lava, to reproduce in gold.  The pieces he made were a great success.

Grima's created this unusual gold and diamond brooch
by making a cast from pencil shavings

In 1952, his father-in-law died and he inherited the business, which went from strength to strength.  After he was invited to exhibit at an exhibition of modern jewellery in London in 1961, he began to win awards, including the Duke of Edinburgh Award for Elegant Design, which was awarded to him in 1966 as the first jeweller to win the accolade.

The curator of the exhibition, Graham Hughes, introduced Grima to rich potential clients, although he made a smart move of his own when he invited Lord Snowdon to visit his workshop after reading a magazine interview in which Snowdon had complained about what he saw as a paucity of exciting jewellery available. In the event, Snowdon was so impressed he chose presents for his then wife Princess Margaret, the Queen’s sister.

It was not long afterwards that Grima received the Duke of Edinburgh award from Prince Philip in person, the Duke taking a brooch of carved rubies and diamonds from the winning collection as a gift for the Queen, who wore it on many different occasions in the years that followed, including her televised 2007 Christmas speech, coincidentally broadcast the day before Grima passed away at his home in Switzerland.

The Queen soon commissioned Grima to make state gifts and it was not long that he had the Royal Warrant and the Queen's Award for Industry as well as the Duke of Edinburgh's prize.

Snowdon, meanwhile, would some years later open Grima’s new shop at 80 Jermyn Street in London's St. James's, designed by his architect brothers, George and Godfrey, featuring an extraordinary and starkly eye-catching shopfront made from slabs of slate bolted to a steel framework, dotted with small, rectangular showcases, designed by sculptor Bryan Kneale.

Grima went on to open galleries in Zurich, New York, Tokyo and Sydney. As well as many of the British royals, Jacqueline Onassis was a fan of his pieces, as were many movie stars.

In 1977, Grima divorced Helène and married JoJo Maughan-Brown, the daughter of the diamond magnate, Sir Thomas Cullinan. After a planned business expansion failed, he decided to relinquish his royal warrant and in 1986 moved to Switzerland to work only on private commissions, living first in Lugano and then in Gstaad.  His daughter, Francesca, continued to design after his death.

The Palazzo Farnese in Rome is currently the home of
the French embassy in Italy

Travel tip:

The Farnese were among the great aristocratic families who turned Rome into a communal work of art from the 14th to the 17th centuries, along with the Barberini, the Colonna, the Chigi and the Borghese. Their most significant contributions was the Palazzo Farnese, the High Renaissance palace designed by Antonio da Sangallo the Younger in 1517, which is now owned by the Italian republic and currently serves as the French embassy. It can be found in Piazza Farnese, a short distance from the Tiber, which features two identical decorative fountains, on granite bases thought to have been brought from the Roman Baths of Caracalla.

The view across from the Janiculum Hill

Travel tip:

Another Farnese monument worth visiting is the Villa Aurelia, which sits on top of the Janiculum Hill, the highest point within Rome's ancient city walls. Built in the 17th century by a Farnese cardinal named Girolamo, because of its elevated position it was commandeered by Garibaldi as his headquarters when he came to Rome to defend the republic of 1849 from the invading French. It was severely damaged by French artillery but restored three decades later when it was bought by a Philadelphia heiress,  Clara Jessup Heyland.

Also on this day:

1594: The death of the great Renaissance artist Tintoretto

1914: The death of Angelo Moriondo, inventor of the world's first espresso machine

Home 

Alessandra Ferri – ballerina

Dancing star who believes age is a matter of attitude

Alessandra Ferri made a comeback in ballet
six years after her 'retirement'

Prima ballerina assoluta Alessandra Ferri, who retired in 2007 but then made a triumphant return to ballet in 2013, celebrates her 55th birthday today.

She is scheduled to dance at the Metropolitan Opera House in New York later this month, at the Bolshoi Theatre in Moscow at the beginning of June, at Hamburg Staatsoper at the end of June, at the Ravello Festival in Italy in July and in Tokyo in August.

In a recent newspaper interview, Ferri said she was happy to be breaking barriers as an older woman in a youth-dominated world. She said she still has full confidence in her abilities and believes ageing is largely an attitude and her advice to other women of her age is ‘to keep moving’.

Ferri was born on May 6, 1963 in Milan and began studying ballet at La Scala Theatre Ballet School. She moved to the upper school of the Royal Ballet School in London, where she won a scholarship that enabled her to continue studying there.

She joined the Royal Ballet in 1980 and won the Laurence Olivier Award for her first major role in 1982. She was promoted to the rank of principal dancer in 1983.

Ferri became principal dancer with the American Ballet Theatre under the direction of Mikhail Baryshnikow in 1985.

Ferri in a production of Remeo and Juliet in 2016

She began a close association with La Scala Theatre Ballet in 1992, becoming recognised as prima ballerina assoluta of the company, but she remained a guest star of the American Ballet Theatre. 'Prima ballerina assoluta' is a title awarded to the most notable of female ballet dancers of their generation and is a rare honour.

Ferri has appeared at the top venues for ballet all over the world and has performed with the leading male dancers, including Rudolf Nureyev in Los Angeles on the occasion of his 50th birthday in 1988.

She married the photographer, Fabrizio Ferri, with whom she had two daughters.

Since her return from retirement, Ferri has danced roles in Italy and at the Royal Ballet and Royal Opera House in London. After her birthday celebrations today she has a packed schedule of appearances for the rest of the year.

The entrance to Villa Rufolo is off
the main scare in Ravello

Travel tip:

Alessandra Ferri will dance on July 7 at the Belvedere di Villa Rufolo in Ravello for the town’s 2018 music and arts festival. The Villa Rufolo, dating from the 13th century, overlooks the cathedral square of Ravello, a town perched high above the dramatic Amalfi Coast.

Travel tip:

La Scala Theatre Ballet School, where Alessandra Ferri studied, was founded in 1813 in association with the international ballet company based at Teatro alla Scala in Milan. The theatre is in Piazza della Scala in the centre of the city across the road from the Galleria Vittorio Emanuele II, an elegant arcade lined with cafes, shops and restaurants, built to link Piazza della Scala with Piazza del Duomo, Milan’s cathedral square.

Home

Fiorenza Cossotto - operatic mezzo-soprano

Career overshadowed by story of ‘row’ with Maria Callas

Fiorenza Cossotto is considered among the
finest mezzo-sopranos of the 20th century

Fiorenza Cossotto, a singer considered one of the greatest mezzo-sopranos of the 20th century, was born on this day in 1935 in Crescentino in Piedmont.

Cossotto was hailed for her interpretations of the major mezzo and contralto roles from mid-19th-century Italian operas, particularly those of Giuseppe Verdi such as Aida, Il trovatore and Don Carlos, but also Gaetano Donizetti, Amilcare Ponchielli, Vincenzo Bellini and the other important composers of the day.

Yet she is often remembered for a supposed spat with Maria Callas that led the Greek-American soprano to walk off the stage during her final performance at the Opéra in Paris of her signature role in Bellini’s Norma in 1965.

The incident in question took place immediately after Callas, as Norma, and Cossotto, as Adalgisa, had joined in their duet ‘Mira, o Norma’.

Callas, by that stage a little below her prime, was notoriously temperamental and within moments onlookers were imagining a row, theorising that Cossotto had tried to sabotage Callas’s performance by holding her own high notes longer and singing over Callas.

It did not help that Franco Zeffirelli, whose production it was, and at least one other member of the cast, would not deny that this had happened.

Cossotto led a long and highly
successful career

Cossotto herself, now entering her 84th year, insists that the story is a fabrication concocted “to enrich books and articles” and that she was trying only to help Callas, who was unwell with a cold but felt obliged to sing because Aristotle Onassis, the Greek shipping tycoon with whom she shared her life, had brought with him his entire entourage to witness the performance.

In interviews many years later she said that when Callas tried to sing the high ‘C’ required of her in the piece no sound came out. She said: “I thought it was better I sing my ‘A’ calmly so people won't notice, just in case. Instead, they started to say, 'Look, she sings when the other one doesn't sing anymore!'”

Cossotto also claims that Callas, whom she counted as a friend, not only asked for her in person to be Adalgisa to her Norma in the production but, during the performance, asked her not to leave the theatre after her involvement ended so that they could take the curtain calls together, something she would not have done had the two been at odds.

As a girl, Cossotto attended the Turin Academy of Music and studied with Mercedes Llopart. She made her operatic debut in the world premiere of Poulenc's Dialogues of the Carmelites in 1957 at La Scala in Milan. Her part was so small he had only one line to deliver.

Maria Callas: Cossotto denied that the two
fell out, insisting they were good friends

Her international debut came at the 1958 Wexford Festival as Giovanna Seymour in Donizetti's Anna Bolena and she performed at Covent Garden for the first time in 1959 as Neris in Luigi Cherubini's Médée, with Callas in the title role.

Cossotto began to attract wide acclaim following her 1962 performance of the lead in Donizetti’s La favorita at La Scala. She made her American debut in the same role in 1964 at the Lyric Opera of Chicago and as Amneris at the Metropolitan Opera in 1968.

In two spells at the Met, in 1967–68 and 1988–89, Cossotto gave 148 performances.

During her career, she was Adalgisa alongside the Normas of Callas, Joan Sutherland, Montserrat Caballé, Leyla Gencer, Elinor Ross and Elena Souliotis, although she said she drew more satisfaction from singing Amneris in Aida and Azucena in Il trovatore.

Cossotto was married to the Italian bass Ivo Vinco until they divorced after more than 40 years together.  They had a son, Roberto.

She celebrated her 70th birthday in 2005 by appearing in Giacomo Puccini’s one-act opera Suor Angelica at the Théâtre Royal in Liège, Belgium.  Since retiring as a performer, she has accepted a number of invitations to teach.

She still lives in Crescentino, as does her son and his family.  Ivo Vinco died in 2014.

Crescentino, with the rice fields in the distance

Travel tip:

Crescentino is a village in the province of Vercelli in Piedmont, located about 35km (22 miles) northeast of Turin and about 30km (19 miles) southwest of Vercelli.  Some of the village was destroyed during the Second World War when houses were set on fire by German troops as part of an ongoing conflict with Italian partisans. After the war the area prospered through rice production in the Po Valley.  The main square, Piazza Vische, contains a 13th century church and the 31m Civic Tower. On the outskirts of the village is the Sanctuary of the Madonna del Palazzo.

The Piazza Cavour in Vercelli

Travel tip:

The rice fields of the Po Valley form the largest rice production area in the whole of Europe, mainly centred on the province of Vercelli, between Milan and Turin, in which the town of Vercelli is surrounded in the summer months by submerged paddy fields, for which water is supplied by a canal from the Po River.  Rice has been grown in the area since the 15th century.

More reading:

The diva who came to blows with a rival on stage

How Franco Zeffirelli bestrode the opera and the cinema

Verdi: When Italy mourned the loss of a national icon

Also on this day:

1891: The birth of racing car engine designer Vittorio Jano

2006: The death of actress Alida Valli


Home

Simone Di Pasquale – dancer

Ballroom talent has been springboard for business success

Simone Di Pasquale is a regular on the
Italian TV show Ballando con le Stelle

Ballroom dancer and television celebrity Simone Di Pasquale was born on this day in 1978.

In 2005, he became a household name after he started to appear regularly on Italian television in Ballando con le Stelle - the equivalent of the US show Dancing with the Stars and Britain’s Strictly Come Dancing. The annual show, presented by Milly Carlucci, is broadcast every Saturday evening on the tv channel Rai Uno during the season.

Pasquale has also appeared in numerous other television programmes, on stage in musical theatre and as an actor in a television drama.

Born in Rome, Di Pasquale learnt ballroom dancing at a young age and took part in competitions.

In 2000 he paired up with the dancer Natalia Titova, who also later became a celebrity because of Ballando con le Stelle. The couple were engaged from 1998 to 2005.

They took first place in the competition Rising Stars UK in 2004.

In the first season of Ballando con le Stelle, Di Pasquale partnered the Italian actress Hoara Borselli and the couple won the competition. He has taken part in each successive series since. The 2018 season of the show is due to begin on March 10 and will be broadcast live on Rai Uno every Saturday night.

Di Pasquale has appeared as a guest on numerous programmes on Italian television and had a role in an episode of the long running crime series, Don Matteo.

Di Pasquale and actress Hoara Borselli won the first
series of the Ballando con le stelle competition

He has also appeared on many famous stages in the musicals, Saturday Night Fever and Hairspray: Fat is beautiful!

Di Pasquale has dance schools in Rome, Florence, Milan, and Bologna and runs the company, Twister Entertainment, which organises events and dance and entertainment initiatives.

He presented the final of the European Championship of Tango in 2013, which was broadcast from Rome on Rai Uno and he also was part of the Canadian tour of Ballando con le Stelle in 2014, which was renamed Dances with Milly.

In January 2018, he was production director for the prestigious La Notte delle Stelle, a pro-am dance competition held at the Parco dei Principi in Rome.

Mussolini had hoped his new stadium in Rome would
host the Olympic Games in 1944

Travel tip:

Ballando con le Stelle is broadcast from Rai's studio in Piazza Lauro de Bosis close to Foro Italico in Rome. Formerly named Foro Mussolini, the Olympic Stadium was built between 1928 and 1938 to a design by Enrico del Debbio and Luigi Moretti inspired by the Roman forums of the Imperial age. The purpose of the prestigious project was to secure the Olympic Games of 1944 for Fascist-run Italy, although in the event there were no Games that year because of the Second World War.

Rome hotels from Booking.com

The Villa Borghese gardens date back to 1605

Travel tip:

The pro-am dance competition produced and directed by Di Pasquale in January was held at the Grand Hotel Parco dei Principi, which is in one of the most prestigious locations in Rome, on the edge of the Villa Borghese gardens and close to the Via Veneto. The beautiful Villa Borghese gardens date back to 1605 when Cardinal Scipione Borghese, nephew of Pope Paul V, commissioned the work to turn a former vineyard into the most extensive gardens built in Rome since the days of the republic.

More reading:

Marco Delvecchio - the footballer who became a dance show star

Italy's Strictly Come Dancing judge Bruno Tonioli

Flavia Cacace - the Strictly star famous for Argentine tango

Also on 27 February:

1935: The birth of opera star Mirella Freni

1950: The birth of fashion designer Franco Moschino

1964: Italy appeals for help in Leaning Tower scare

1973: The birth of singer and actress Chiara Iezzi

Books:

Bruno Tonioli: My Story

(Picture credits: Stadio dei Marmi by Blackcat; Borghese Gardens by Jean-Christophe Benoist; via Wikimedia Commons)

Home

Luisa Casati – heiress and muse

Outrageous marchioness saw herself as a living work of art

The Marchesa Casati photographed by
Adolfo de Meyer in 1912

The heiress, socialite and artist’s muse Luisa Casati, known for her outlandish dresses, exotic pets and hedonistic lifestyle, was born on this day in 1881 in Milan.

Casati, born into a wealthy background, married a marquis – Camillo, Marchese Casati Stampa di Soncino – when she was 19 and provided him with a daughter, Cristina, a year later, yet the marriage was never strong and they kept separate residences from an early stage.

It was not long before she tired of a life bound by formalities and the strict rules of etiquette and everything changed after she met the poet, patriot and lothario Gabriele D’Annunzio at a society hunt.

They became lovers and D’Annunzio introduced her to the world of writers and artists.  Tall, almost painfully thin and with striking looks, she became a creature of fascination for many young artists, who craved the attention of this eccentric aristocrat and the chance to paint her.

Their interest only encouraged the Marchesa Casati to indulge her taste for the extravagant, posing in ever-more outlandish dresses, embracing the culture of the Belle Époque. Her wealth enabled her to throw lavish parties and in 1910 she moved to Venice, taking up residence in the Palazzo Venier dei Leoni on the Grand Canal, the palace that now houses the Peggy Guggenheim Collection.

Casati in 1922 in a typically
outrageous dress

There she created a fantastical lifestyle, assembling an extraordinary menagerie of pets that included a pair of cheetahs, a boa constrictor, white peacocks trained to perch on her window sills, a flock of albino blackbirds and greyhounds whose coats she dyed blue.

She staged enormous, elaborate parties, in which she paraded herself in increasingly ridiculous costumes, such as a dress made entirely of lightbulbs, which at one point gave her such a powerful electric shock she was thrown backwards across the room. 

Naturally shy, the Marchesa concentrated on making an impression through how she looked. She contrasted her fiery red hair with skin that she kept a deathly white, dropped belladonna in her eyes to dilate her pupils and framed them with black eye liner and false eyelashes.  She delighted in prowling the atmospheric Venetian streets after dark, with her jewel-collared cheetahs on leads, herself often naked beneath a cloak embroidered with emeralds.

Her parties, in Rome and Paris as well as Venice, may have seemed like merely excuses for decadence and excess, with opium and cocaine a common indulgence among some of the guests, but were affairs that she choreographed carefully, with clothes, décor and entertainment precisely planned according to whichever theme she chose.  She saw herself as a living work of art.

She was certainly an inspiration for works of art.  Giovanni Boldini, Paolo Troubetzkoy, Adolph de Meyer and Romaine Brooks were among those painters who were in her thrall, along with Futurists such as Fortunato Depero and Umberto Boccioni. She had affairs with several. Augustus John's portrait of her is one of the most popular paintings at the Art Gallery of Ontario.

The Marchesa with a greyhound,
painted by Giovanni Boldoni

D'Annunzio is said to have based the character of Isabella Inghirami in Forse che si forse che no (Maybe yes, maybe no) on Casati, while the character of La Casinelle, who appeared in two novels by Michel Georges-Michel, was also inspired by her. Plays and movies were written featuring characters based on the Marchesa, with actresses such as Vivien Leigh and Ingrid Bergman in the lead roles.

She patronised a number of fashion designers. John Galliano, Karl Lagerfeld and Alexander McQueen created collections based on or inspired by her, while the British designers Georgina Chapman and Karen Craig had her in mind when they opened a fashion house called Marchesa.

It was all a far cry from a childhood lived in a palace in Milan and villas in Monza and on Lake Como. Her father was Alberto Amman, a giant in the textile industry who was made a Count by Umberto I and whose death when Luisa was 15 made her and her sister, Francesca, the two wealthiest young women in Italy.

But her extravagances did not come cheap.  By 1920 she was living on Capri at the Swedish psychiatrist Axel Munthe’s Villa San Michele and moved out of the Palazzo Venier dei Leoni in the mid-1920s.  By 1930 she had amassed personal debts of $25 million and was forced to auction off her possessions.

Pursued by creditors, she fled to London and lived in a one-bedroom flat. It was just around the corner from Harrods in hardly the least salubrious part of the city, yet placed her reduced circumstances by her standards.

Casati's grave in London

She died in London in June 1957 at her address in Beaufort Gardens in Knightsbridge at the age of 76, having suffered a stroke.  She was buried at Brompton Cemetery, one of her few remaining friends having seen to it that she was dressed in a leopard skin and black outfit and false eyelashes, with one of her taxidermied Pekinese dogs at her side.

Among just a handful of mourners at her funeral was an elderly man who had travelled from Venice, where half a century earlier he had been her personal gondolier.  Her grave is marked with a small tombstone shaped like an urn draped in cloth, bearing the inscription ‘Age cannot wither her, nor custom stale her infinite variety’ from Shakespeare's Antony and Cleopatra.

An autumnal scene in Milan's Parco Nord

Travel tip:

The Marchesa Casati’s married home in Milan was the Villa Casati, a stately mansion on the edge of what is now Parco Nord, a suburban park that was once an airfield, in Cinisello Balsamo, then a town in its own right, now more of a suburb. It is on the northern edge of the Milan metropolitan area, about 10km (6 miles) from the city centre. More than 75,000 people now live there.

The Grand Canal frontage of the Palazzo Venier dei Leoni

Travel tip:

The Palazzo Venier dei Leoni is a palace on the Grand Canal in Venice once owned by a noble Venetian family of the 14^th to 16^th century, three of whom – Antonio Venier, Francesco Venier and Sebastiano Venier – were Doges.  It was bought by the American socialite and arts patron Peggy Guggenheim in 1949 and she lived there for 30 years, opening her collection of artworks to the public for the first time in 1951.  It is in the Dorsoduro quarter of Venice, near where it emerges into the lagoon, accessed from San Marco via the Accademia Bridge.

Home