Federico Borromeo - cardinal and cultural patron

Archbishop of Milan who founded Biblioteca Ambrosiana

Federico Borromeo was made Archbishop
of Milan in 1595 at the age of 30

Federico Borromeo, who served as Archbishop of Milan from 1595 until his death in 1631 and founded the city’s Biblioteca Ambrosiana and its integral art gallery, was born on this day in 1564 in Milan.

He followed his cousin and spiritual guide Carlo Borromeo - later canonised as Saint Charles Borromeo - as a leading figure in the Counter-Reformation movement in the Catholic Church.

Federico’s life was also notable for his personal charity during the famine of 1627-28, when he fed up to 2,000 people every day within his own residence, and for his bravery during the 1630 plague outbreak, when he stayed in Milan to visit the sick and the dying, despite the grave risk to his own health.

He was immortalised in Alessandro Manzoni’s seminal novel, I Promessi Sposi (The Betrothed), in which the author holds up Federico’s work as Archbishop as an example of humble and courageous Christian charity, and even gives him a specific role in helping free Lucia, the kidnapped fiancée of the novel’s principal character, Renzo.

At the time of Federico’s birth, the Borromeo family were among the most powerful in northern Italy. Wealthy from banking and land ownership around Lake Maggiore, they maintained high-ranking political ties to the Duchy of Milan and were influential within the Church.

Federico’s father, Giulio Cesare Borromeo, a condottiero and the 9th Count of Arona, died when he was still a child, after which Carlo played an active role in shaping his life. He was educated at the Universities of Bologna and Pavia, where he earned a doctorate in theology in 1585. He then spent some time in Rome, where he came under the influence of leading Counter‑Reformation thinkers.

He was only 23 when he was created cardinal by Pope Sixtus V, to whom he was distantly related. He participated in a number of papal conclaves and became Archbishop of Milan in 1595, following the death of the incumbent, Gaspare Visconti. 

Federico looked again to Carlo Borromeo for guidance, his cousin having himself held the post between 1564 and 1584. He followed the example of his predecessor by imposing discipline on the clergy, founding churches and colleges at his own expense, and strictly applying the canons of the Council of Trent, which were the cornerstones of the Counter-Reformation movement. 

Federico's cousin, Carlo Borromeo, had
a major influence on the young Federico

Since his time in Rome, Federico had nurtured the idea of a cultural institution of high artistic, literary, and scientific calibre, promoting “a universal service" to the glory of God and the humanistic values of the Catholic Church.

After his appointment as Archbishop of Milan, he sent emissaries to collect manuscripts and printed matter from all over the world and began working with architects Lelio Buzzi, Francesco Maria Richini and later Fabio Mangone on the construction of the Biblioteca Ambrosiana.

Founded in 1607, it comprised a public library - one of the first in the world along with the Bodleian Library in Oxford - an art gallery and an academy. It opened its doors to the public - at least those able to read and write - in 1609.

In 1618, Federico added a collection of statues and paintings to the Biblioteca. This later became the Pinacoteca Ambrosiana, the first art museum to be open to the public.

It began by housing Federico’s personal collection of 184 artworks, among them Caravaggio’s Basket of Fruit, which he commissioned, Leonardo Da Vinci’s Portrait of a Musician, Sandro Botticelli’s Madonna of the Pavilion, an Adoration of the Magi by Titian, and several works by Jan Brueghel the Elder, the Flemish painter who was a close friend.

History has applauded Federico for his courage when Milan was in the grip of plague in 1630. Despite being 65 years old and highly vulnerable, he refused to isolate himself in a countryside villa. Instead, he walked the desolate streets of Milan daily,  visiting hospitals, quarantined homes, and the crowded, infected wards of the Lazzaretto - the plague hospital - to comfort the dying.

A 1670 painting by Luigi Pellegrini Scaramuccia
shows Federico visiting a plague hospital in Milan

His example inspired his subordinates. Nearly 100 of his local clergy - including 62 parish priests - sacrificed their lives while staying behind to administer medicine, food, and the last rites to stricken Milanese. Around 60,000 people, almost half of the city’s inhabitants, are estimated to have died in the outbreak.

On a darker side, Federico Borromeo was a fierce campaigner against witchcraft, which was widely practised in Italy in the Middle Ages and beyond. Before and during his time, the attitude towards witches within the Church changed. Once regarded as harmless village healers offering dubious magic based on folklore, this shift reframed witches as dangerous individuals making pacts with the devil.

The public burning at the stake of those accused of witchcraft became fairly regular occurrences. Federico also organised the raising of funds for the creation of a Milanese prison for witches and wizards.

Federico’s other achievements include commissioning the erection of the Colossus of San Carlo Borromeo, a giant 35m (115ft) statue of his cousin, who was canonised in 1610 - just 26 years after his death. The statue, located at the crowning of the Sacred Mount of Arona, overlooking Lake Maggiore, was erected between 1624 and 1698, based on a design by Giovanni Battista Crespi.

Milan’s Cathedral, which he embellished with paintings and sculptures during his lifetime, became his final resting place after he died in Milan in September, 1631. His body lay in state in the duomo before being buried in front of the altar of the Madonna dell'Albero.

Federico Borromeo wrote extensively during his life. His two best known works were his treatises  De pictura sacra (On Sacred Painting), in which he set out the rules that artists should follow when creating religious art, and Musaeum, which might be seen as an early guide book for visitors to the Pinocoteca Ambrosiana, commenting on specific works in his collection.

Milan’s Cathedral, which he embellished with paintings and sculptures during his lifetime, became his final resting place after he died in Milan in September, 1631. His body lay in state in the duomo before being buried in front of the altar of the Madonna dell'Albero.

The Biblioteca Ambrosiana is a major
cultural attraction for visitors to Milan

Travel tip:

The Biblioteca Ambrosiana today houses an extraordinary collection of more than 40,000 manuscripts and a million printed volumes, including works in Greek, Latin, Arabic, Syriac and Ethiopic. Highlights include the Codex Atlanticus, a vast compendium of Leonardo da Vinci’s drawings and notes; the Ambrosian Virgil, a 14th-century copy of Virgil's poems that belonged to Francesco Petrarch and is annotated by the poet himself; the Ilias Picta, an illuminated Iliad from the library of Vincenzo Pinelli, the noted botanist and book collector; and De Divina Proportione, a text on mathematical proportions by Luca Pacioli, featuring 60 scientific illustrations drawn directly by Da Vinci. As well as Federico Borromeo’s own collection, the Pinacoteca also has many other masterpieces of Italian, including works by Botticelli, Titian, Raphael, Bramantino, Luini, Bassano, Hayez, and many others. The galleries also preserve historic copies of famous paintings, commissioned by Borromeo for study - including a 17th‑century replica of Da Vinci’s Last Supper. The Ambrosiana’s history includes episodes of foreign plunder, most notably during the Napoleonic occupation, when many Leonardo manuscripts were seized and taken to Paris. Today, only the Codex Atlanticus remains in Milan; other volumes are held at the Institut de France. The library and gallery are housed within the same building at Piazza Pio XI in central Milan. Opening hours are 10am to 6pm daily except Wednesday, with extended hours until 10pm on Saturday.

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Casa Manzoni in Milan was
the home of Alessandro Manzoni

Travel tip:

A literary visit to Milan might also take in Casa Manzoni, the historic 19th-century townhouse in Via Gerolamo Morone, again in central Milan, not far from the city’s famous fashion district. This is the house where the author of I Promessi Sposi, Alessandro Manzoni, lived and wrote from 1814 until his death in 1873. The house includes a museum and is headquarters for the National Centre for Manzoni Studies. Guided tours are available, enabling visitors to see Manzoni’s study, which is preserved almost entirely intact with his original desk, personal items, and massive private library, as well as his living quarters, featuring period furniture, family portraits, and first editions of his literary works. There is also a courtyard and garden.  Normal opening hours are 10pm to 6pm Tuesday to Friday, 2pm to 6pm Saturday, closed on Sunday and Monday. Visitor numbers are controlled, with admission on an hourly basis.

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More reading:

Saint Charles Borromeo, the great reformer who earned appreciation after his death

Giovanni Battista Crespi, the painter, sculptor and architect sponsored by Federico Borromeo

Alessandro Manzoni, the writer credited by some with the greatest novel in Italian literary history

Also on this day:

1497: The birth of lutenist Francesco Canova da Milano

1750: The birth of composer Antonio Salieri

1943: The birth of footballer and politician Gianni Rivera

1954: The birth of astronaut Umberto Guidoni

1985: The birth of model and journalist Beatrice Borromeo

2009: The death of writer and translator Fernanda Pivano

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Franchino Gaffurio – composer

Musician whose name has lived on for centuries in Milan

Da Vinci's Portrait of a Musician, of which
Gaffurio is thought to have been the subject 

Renaissance composer Franchino Gaffurio was born on this day in 1451 in Lodi, a city in Lombardy some 40km (25 miles) southeast of Milan.

He was to become a friend of Leonardo da Vinci later in life and may have been the person depicted in Leonardo’s famous painting, Portrait of a Musician.

The oil on wood painting, which Da Vinci is thought to have completed in around 1490, is housed in the Biblioteca Ambrosiana in Milan.

Gaffurio was born into an aristocratic family, who sent him to a Benedictine monastery, where he acquired musical training.

He later became a priest and lived in Mantua and Verona before setting in Milan, where he became maestro di cappella (choirmaster) at the Duomo in 1484. He was to retain the post for the rest of his life.

Gaffurio was one of Italy’s most famous musicians in the late 15^th and early 16^th centuries and as such met composers from all over Europe while working in Milan and wrote books of instruction for young composers.

One of his most famous comments was that the tactus, the tempo of a semibreve, is equal to the pulse of a man who is breathing quietly, at about 72 beats per minute.

The entrance to the Franco Gaffurio
Music School in Lodi

During his years in Milan, Gaffurio wrote masses, motets and hymns, many for ceremonial occasions held by the Sforza family.

Some of his music shows the influence of Josquin des Prez, a French composer he became friends with, and also the many composers from the Netherlands, who were drawn to Milan, which was a centre of musical activity at the time.

The Duomo in Milan to this day has a school for choirboys known as The Franchino Gaffurio School, named after the choirmaster, composer and teacher, whose music had resounded in the Duomo 600 years before.

Gaffurio died in 1522 in Milan and was buried in the Church of San Marcellino at Porta Comasina, one of the gates to the city, which was renamed Porta Garibaldi in 1860.

The Piazza della Vittoria in Lodi

Travel tip:

One of the main sights in Lodi, where Gaffurio was born, is Piazza della Vittoria, listed by the Italian Touring Club as one of the most beautiful squares in Italy, as it features porticoes on all four sides. Accademia Gaffurio in Via Solferino teaches music and dance and organises musical events and concerts. It was founded as the Franchino Gaffurio Music School in 1917.

The Duomo in Milan, where Gaffurio was maestro di
cappella from 1484 until his death in 1522

Travel tip:

The Duomo in Milan, where Gaffurio was maestro di cappella, was built in 1386 using Candoglia marble, which was transported along the Navigli canals. It was consecrated in 1418, yet remained unfinished until the 19th century, when Napoleon had the façade completed, before being crowned King of Italy there.

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Saint Charles Borromeo

Great reformer earned appreciation after his death

This painting of Charles Borromeo is in the St.
Hermes Church in Ronse, Belgium

Charles (Carlo) Borromeo, a leading Catholic figure who led the movement to combat the spread of Protestantism, was born on this day in Milan in 1538. 

Part of the noble Borromeo family, he became a Cardinal and brought in many reforms to benefit the Church, which made him unpopular at the time.

But he was held in high regard after his death and was quickly made a saint by Pope Paul V.

Borromeo was born at the Castle of Arona on Lake Maggiore, near Milan. His father was Count of Arona and his mother was part of the Medici family.

He was educated in civil and canon law at the University of Pavia.

When his uncle, Cardinal Giovanni Angelo Medici became Pope Pius IV in 1559, Borromeo was brought to Rome and given a post in the Vatican.

The following year the Pope made him a Cardinal and asked him to supervise the Franciscans, Carmelites and Knights of Malta and organise the last session of the Council of Trent, which was being held in Trento to reform the Church and counter the spread of Protestantism.  The Council issued a long list of decrees covering disputed aspects of the Catholic religion as well as denouncing what it considered to be heresies committed in the name of Protestantism.

When Borromeo’s older brother died, the family wanted him to leave the Church and marry and have children to continue the family name, but he would not give up his calling.

However, the death of his brother and also his contact with the Jesuits encouraged him to lead a stricter, more Christian life.

Borromeo was made a bishop in the Sistine Chapel in 1563 and became Archbishop of Milan in 1565.

The colossal statue of Charles Borromeo
in his home town of Arona on Lake Maggiore

Before he left Rome, where he had personally overseen church reforms, a nobleman remarked that the city was ‘no longer a place to enjoy oneself or make a fortune’.

Borromeo also reformed Milan after he arrived, simplifying church interiors, clearing away ornaments and banners and separating the sexes during worship.

He believed that many abuses in the church were caused by the ignorance of the clergymen and he established seminaries for the education of candidates for holy orders.

His reforms met with some opposition and a shot was once fired at him when he was in his own chapel. His survival was later considered to be miraculous.

When famine and plague struck Milan, Borromeo used all his own money and then got himself into debt in order to feed the hungry.

He faced increasing opposition while trying to implement the reforms to the Church dictated by the Council of Trent, but in 1584 he became ill with fever and died soon afterwards at the age of just 46.

Even a biographer who admired him described him as an ‘austere, humourless and uncompromising personality.’

But after Borromeo’s death his popularity increased and he was canonised in 1610 and eventually became venerated as a Saint of Learning and the Arts all over the world.

His younger cousin, Federico Borromeo, furthered his uncle’s support for learning by founding the Ambrosian Library in Milan.

Many churches, colleges, seminaries and even cities throughout the world have been named after Charles Borromeo.  The city of Saint Charles in Louisiana, for example, is named after him, as is the Brazilian city of São Carlos.

Travel tip:

Arona, where Charles Borromeo was born, is a town on Lake Maggiore in the province of Novara. One of its main sights is the Sancarlone, a giant statue of Saint Charles Borromeo made from bronze. It is second in size only to the Statue of Liberty and is believed to have been looked at by the architects of the Statue of Liberty when they were producing their own design.

The Biblioteca Ambrosiana in Milan

Travel tip:

The Pinacoteca Ambrosiana in Piazza Pio XI in Milan was established in 1618 to house paintings, drawing and statues donated to the Biblioteca Ambrosiana, a library founded in the same building by Cardinal Federico Borromeo a few years before. In addition to works of art, the museum keeps curiosities such as the gloves Napoleon wore at Waterloo and a lock of Lucrezia Borgia’s hair, in front of which famous poets such as Lord Byron and Gabriele D’Annunzio spent a lot of time drawing inspiration. Visit www.leonardo-ambrosiana.it for more information.

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