Gianni Raimondi – tenor

Brilliant performer left few recordings of his voice

Raimondi's performances were
much admired by opera fans

Opera singer Gianni Raimondo, who on his first appearance at La Scala in Milan sang opposite Maria Callas in a production by Luchino Visconti, was born on this day in 1923 in Bologna.

Raimondi was admired for his brilliant top notes and exquisite phrasing when he performed. Opera fans have been disappointed that more recordings of his performances were not made at the time.

After studying voice in Bologna and Mantua, the tenor made his stage debut at the Teatro Consorziale in Budrio, a small town near Bologna, in 1977 as the Duke in Verdi’s Rigoletto. The following year in Bologna he sang the part of Ernesto in Donizetti’s Don Pasquale and was then chosen for the premiere of Il Contrabasso by Valentino Bucchi at the Teatro della Pergola in Florence.

In 1956 he made his La Scala debut opposite Callas in Verdi’s La Traviata and the following year sang opposite Callas again in Donizetti’s Anna Bolena.

He was also successful at La Scala in Rossini’s Mose in Egitto and Semiramide and as Rodolfo in Puccini’s La bohème.

Raimondo made his American debut in 1957 in San Francisco and then took part in La bohème at the Staatsoper in Vienna. Directed by Franco Zeffirelli, he then toured with La bohème to Moscow, Monaco and Bavaria.

Maria Callas sang opposite
Raimondi in several productions

He also appeared in the film of La bohème, directed by Zeffirelli, in 1965. 

In the same year he made his debut at the Metropolitan Opera in New York as Edgardo in Donizetti’s Lucia di Lammermoor singing opposite Mirella Freni. He appeared at La Scala in the same opera in the 1968 to 1969 season and then from 1969 to 1977 Raimondi was engaged in Hamburg by the Staatsoper.

There is a recording of Raimondi in La Traviata with Renata Scotto and of the singer at La Scala performing with Maria Callas in Anna Bolena.

Opera experts say he had a voice of great beauty and that he sang with style and elegance.

He was married to the Italian soprano Gianna Dal Sommo and in later years he gave vocal classes in Budria, the small town where he had made his operatic debut.

In retirement he spent much of his time at his seaside villa in Riccione in Emilia-Romagna.

Raimondi died at his home in Pianoro near Bologna in 2008. His death, at the age of 85, was announced by La Scala.

Budrio's 14th century town hall - the
Palazzo Municipale on Piazza Filopanti

Travel tip:

Budrio, where Raimondi made his operatic debut and later taught singing, is 15 km (nine miles) east of Bologna. It was founded in the 10th century and the Church of San Lorenzo was known to be active by 1146. The church was rebuilt as a castle in the 14th century, of which two towers can still be seen.  The town is the birthplace of the ocarina, a musical wind-instrument in terracotta, invented in 1853. Budrio’s Museo dell’ocarina in Viale I Maggio has a large collection of historical items and documents that illustrate the evolution of the instrument.

Riccione is renowned for its elegant tree-lined
boulevards as well as its wide beaches

Travel tip:

Riccione, where Raimondi owned a seaside villa, is a municipality in the province of Rimini on the Adriatic coast. Sometimes called the ‘green pearl of the Adriatic’, its elegant, tree-lined boulevards carry echoes of the town’s tradition as a resort that was a cut above its brasher neighbours. These days it is no less thronged in the high summer months than its big brother Rimini but the Via Ceccarini, with its smart boutiques, attractive cafés and trendy night spots, is still one of the most famous streets on the Adriatic Riviera. Other attractions are the Museo del Territorio, with exhibits reflecting thousands of years of history in the area, and the Castello degli Agolanti, once owned by the most powerful local family, now an exhibition and conference venue.

Also on this day:

1598: The birth of astronomer Giovanni Riccioli

1927: The birth of soprano Graziella Sciutti

1954: The birth of racing driver Riccardo Patrese

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Giuseppe Torelli – violinist and composer

Brilliant musician could both perform and write beautiful music

Torelli is ranked alongside Arcangelo Corelli
as a developer of the Baroque concerto

Talented musician Giuseppe Torelli, who played the viola and violin and was a composer during the late Baroque era, died on this day in 1709 in Bologna in Emilia-Romagna.

He is remembered for contributing to the development of the instrumental concerto and for being the most prolific Baroque composer for trumpets and he is ranked with Arcangelo Corelli as a developer of the Baroque concerto and concerto grosso.

Torelli was born in Verona in 1658. He learnt to play the violin and studied composition with Giacomo Antonio Perti.

At the age of 26 it is known that he was a member of the Accademia Filarmonica as a violinist. Two years later he was employed as a viola player at the Basilica di San Petronio in Bologna. He stayed there for about ten years until the orchestra was disbanded because of financial constraints.

His first published works were ten sonatas for violin and basso continuo and 12 concerti da camera for two violins and basso continuo.

Around 1690 Torelli began writing his first trumpet works. It is considered unusual for a strings player to compose works for the trumpet but it is thought Torelli may have been inspired by the virtuoso trumpeter Giovanni Pellegrino Brandi, who occasionally performed with the San Petronio orchestra.

In 1687 it went on record that Torelli’s music was being played at the Sanctuary Maria della Steccata in Parma in Emilia Romagna by Giuseppe Corsi da Celano, a composer and teacher.

Francesco Antonio Pistocchi, with
whom Torelli collaborated

By 1698, Torelli had become maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg Ansbach. He conducted the orchestra for Le pazzie d’amore e dell’interesse, an idea drammatica composed by the maestro di cappella, his friend Francesco Antonio Pistocchi, the composer and castrato singer 

After 1701, Torelli was known to be back in Bologna, where he is listed as a violinist in the newly reformed cappella musicale at San Petronio, directed by his former composition teacher, Perti.

Torelli and Pistocchi appeared in a number of concerts together in the early years of the 18th century. At around this time Torelli composed 12 concerti grossi con una pastorale, Op 8, which features one of his most popular pieces, the Christmas Eve concerto No 6.

Torelli died, aged 50, on 8 February 1709 in Bologna. His manuscripts were conserved in the San Petronio archives. He had composed many sonatas, concertos and symphonies, including more than 30 concertos for trumpets.

He had many pupils, the most notable being Francesco Manfredini. His brother, Felice Torelli was a painter with a good reputation in Bologna.

The unfinished facade of the Basilica di San
Petronio, one of Europe's largest churches

Travel tip:

The Basilica di San Petronio, which dominates Bologna’s Piazza Maggiore, is a huge structure, 132m (144yds) long, 60m (66yds) wide and 47m (154ft) tall, which makes it the sixth largest church in Europe and is seen as a symbol of the city, even if it is not actually Bologna’s cathedral (that being the nearby Duomo di San Pietro). Indeed, despite construction starting in 1380, it was not consecrated as a church until 1954, having been built as a civic temple and not transferred from the city to the diocese until 1929.  It is notable for its unfinished facade, the red and brick marble of Domenico da Varignana’s design abandoned when it had barely reached one third of the building’s height, following the intervention of Pope Pius IV, who considered the project too expensive and ambitious and ordered that the city’s focus switch instead to the building of the Archiginnasio, the official seat of the University of Bologna.

The balcony of the Casa Giulietta, which remains
one of Verona's most visited attractions

Travel tip:

Verona, where Torelli was born, is now the third largest city in the northeast of Italy, with a population across its whole urban area of more than 700,000. Famous now for its wealth of tourist attractions, of which the Roman amphitheatre known the world over as L’Arena di Verona is just one, the city was also the setting for three plays by Shakespeare – Romeo and Juliet, The Two Gentlemen of Verona and The Taming of the Shrew  - although it is unknown whether the English playwright ever actually set foot in the city.  Nonetheless, Casa Giulietta in Via Cappello, about five minutes’ walk from the Arena, is still promoted as the balcony where Shakespeare’s famous scene with Romeo took place.

Also on this day:

1591: The birth of painter Guercino

1751: The death of Trevi Fountain architect Nicolo Salvi

1848: Uprising in Padua

1945: The death of Olympic fencer Italo Santelli

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Pope Gregory XIII

Pontiff used his power to change the date overnight

Pope Gregory XIII took his papal name in
honour of another reformer, Gregory I

Pope Gregory XIII was born Ugo Boncompagni on this day in 1502 in Bologna.

Gregory XIII is chiefly remembered for bringing in the Gregorian calendar, which is still the internationally accepted calendar today.

As Ugo Boncompagni, he studied law in Bologna and graduated in 1530. He later taught jurisprudence and among his students were the Cardinals Alessandro Farnese and Carlo Borromeo.

Before he took holy orders, Ugo had an affair with Maddalena Fulchini, who gave birth to his illegitimate son, Giacomo Boncompagni.

Pope Paul III summoned Ugo to Rome in 1538 to work for him in a judicial capacity. He went on to work for Pope Paul IV and Pope Pius IV. Ugo was made Cardinal Priest of San Sisto Vecchio and sent to the Council of Trent by Pius IV.

He was also sent to be legate to Phillip II of Spain and formed a close relationship with the Spanish King.

In 1572, after the death of Pope Pius V, the 70-year-old Cardinal Boncompagni was chosen to be the next pope and assumed the name of Gregory XIII, in homage to Pope Gregory I, who is remembered as a great church reformer.

Mathematician and astronomer Christopher
Clavius was co-writer of the calendar

Following in his namesake’s footsteps, Gregory XIII dedicated himself to reforming the Catholic Church and putting into practice the recommendations of the Council of Trent.

The Roman College of the Jesuits grew under his direction and became an important centre of learning. It is now known as the Pontifical Gregorian University.

Gregory XIII is best known for replacing the Julian calendar, which had been in use since 45 BC, with the calendar produced by astronomer Luigi Giglio and the German Jesuit priest, mathematician and astronomer Christopher Clavius, making the year slightly shorter.

In the Julian calendar, each year was too long, meaning that the March equinox had slipped back to an earlier date over the centuries.

The Pope decreed in 1582 that the day after Thursday, 4 October would be Friday, 15 October. The new calendar became known as the Gregorian calendar and is now used universally.

Gregory XIII encouraged Phillip II of Spain in his plans to dethrone Elizabeth I of England, causing English Protestants to regard all Catholics as potential traitors.

Detail of the monument to Pope Gregory VIII in the
Basilica of St Peter in Rome

He equipped an expedition to Ireland to help the Catholics in their struggle with the Protestants, but all the soldiers, sailors and women and children on board the boat were either beheaded or hanged on landing in Kerry, during what became known as the Smerwick Massacre.

In Rome, Gregory XIII had work completed on the magnificent Gregorian Chapel in the Basilica of Saint Peter and extended the Quirinale palace. He appointed his illegitimate son, Giacomo, as Castellan of Sant’Angelo and Gonfalonier of the Church. Venice enrolled Giacomo among its nobles and Phillip II made him one of his army generals. Gregory also helped his son acquire the Duchy of Sora on the border between the Papal States and the Kingdom of Naples.

To fund these projects, Gregory XIII confiscated houses and properties belonging to the church.

Pope Gregory XIII became ill with a fever in 1585 and died on 10 April, aged 83. He was succeeded by Pope Sixtus V, who found the papacy had been left considerably impoverished.

The campanile of the Basilica of San Sisto
Vecchia, where Gregory XIII was priest

Travel tip:

The Basilica of San Sisto Vecchia in Piazzale Numa Pompilo in Rome, where Pope Gregory XIII was Cardinal Priest for seven years, is one of 60 minor basilicas in the city. The basilica was built near the Baths of Caracalla in the fourth century and is dedicated to Pope Sixtus II, who was martyred in 258. His relics were transferred to the church from the Catacomb of Callixtus in the sixth century. San Sisto was rebuilt in the 13th century and restored in the 18th century, preserving only the bell tower, apse and a 13th century fresco cycle from the medieval church.

The dome of the Gregorian Chapel, finished by Giacomo
della Porta, in St Peter's Basilica

Travel tip:

Pope Gregory XIII commissioned the architect Giacomo della Porta to complete the work started by Michelangelo on the chapel in St Peter’s Basilica that was to be named after the pontiff. It has been described as ‘the most beautiful chapel in the world’ because of its marbles, mother-of-pearl, precious stones, gilded bronze, multi-coloured mosaics and stucco ornamentation. The monument to Pope Gregory XIII in white marble, executed by Milanese sculptor Camillo Rusconi, is in the Basilica near the entrance to the Gregorian Chapel. The Pope is portrayed giving his blessing on top of an urn bearing a relief showing the promulgation of the Gregorian calendar in 1852.

Also on this day:

1625: The death of religious composer Ruggiero Giovanelli

1655: The death of Pope Innocent X

1797: The tricolore flag is hoisted for the first time

1920: The birth of actor Vincent Gardenia


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Attilio Ariosti – composer

Musical friar was once a rival of Handel

Anthoni Schoonjans's portrait of Ariosti
hangs in Charlottenburg Palace in Berlin

Baroque composer Attilio Malachia Ariosti, who in later life became a rival of Handel in London musical circles, was born on this day in 1666 in Bologna.

He became a Servite Friar, known as Frate Ottavio, when he was 22, but he quickly obtained permission to leave the order and become a composer at the court of the Duke of Mantua and Monferrato.

During his life, Ariosti composed more than 30 operas and oratorios as well as many cantatas and instrumental works.

Ariosti became a Deacon in 1692 and then obtained the post of organist at the Church of Santa Maria dei Servi in Bologna.

His first opera, Tirsi, was performed in Venice in 1697 and that same year he was invited to travel to Berlin by Sophia Charlotte of Hanover, the Queen of Prussia. She was a great-granddaughter of James I of England and the daughter of the Electress Sophia of Hanover, a committed patron of the arts with a keen interest in music.

The Electress Sophia had been heir presumptive to the throne of the Kingdom of Great Britain and was waiting for the death of her first cousin once removed, Queen Anne, before travelling to Britain to claim her title.

Ariosti shared the directorship of the Royal Academy
of Music in London with his rival Handel (above)

But she died herself less than two month before she would have succeeded to the British throne and her eldest son, George Louis, Elector of Hanover, became King on the death of Queen Anne, ascending to the throne as George I on 1 August 1714.

While enjoying the hospitality of Queen Sophia Charlotte, Ariosti wrote the music for a number of stage works performed for the court in Berlin. He was court composer there for six years and a portrait of him by Anthoni Schoonjans still hangs in the Charlottenburg Palace.

When Ariosti was returning to his religious order, he stopped off in Vienna along the way, where he became a protégé of the Holy Roman Emperor Joseph I, who made the composer his General Agent in Italy.

Ariosti later went on to enjoy success in Paris and London. While in London he shared the directorship of the Royal Academy of Music with George Frideric Handel and Giovanni Bononcini. He was a great success when he played his favourite instrument, the viola d’amore, in a performance of Handel’s Amadigi di Gaula.

The viola d’amore is an alto instrument of the old viol family with special strings under the fingerboard and it has a delicate, mysterious sound. It was developed around the middle of the 17th century and was particularly popular in England.

Ariosti was a versatile musician and could
also sing and write drama

Ariosti became a virtuoso on this instrument and in 1724 he published A Collection of Cantatas and Lessons for the Viola d’Amour, which he sold by subscription. This publication is thought to have been the most successful sale of music by subscription during the 18th century.

Ariosti could also sing, write drama and play the violoncello and the harpsichord. But his preferred instrument was always the viola d’amore, for which he wrote 21 solo sonatas. These are usually known as the Stockholm Sonatas because the sole surviving sources for most of them are in the Statens Musikbibliotek in Stockholm in Sweden.

Experts say the Sonatas display Ariosti’s penchant for surprising harmonies, his inventive use of silence and his wit.

Ariosti’s last opera, Teuzzone, was performed in London in 1727.

There was a time when Ariosti was in competition with Handel to be the most successful composer, but his popularity did not last as long as the German’s and he eventually disappeared from the musical scene. It is not known with any certainty whether he was still in London when he died in around 1729.

A view of the Mantegna frescoes in the Camera degli
Sposi in the Palazzo Ducale in Mantua

Travel tip:

Ariosti served as court composer to Ferdinando Carlo Gonzaga, Duke of Mantua and Monferrato.  A lover of music, Ferdinando Carlo was the last Gonzaga to rule the Duchy. Mantua is an atmospheric old city, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, where Ariosti would have lived. The Palazzo in Piazza Sordello has a famous room, the Camera degli Sposi, which is decorated with frescoes by Andrea Mantegna.  Musical performances took place in the Galleria degli Specchi, which has the dimensions to accommodate a stage and orchestra and has space for a small audience.

The portico and facade of the Basilica di Santa Maria
dei Servi on Strada Maggiore in Bologna

Travel tip:

The Basilica di Santa Maria dei Servi, where Ariosti was once the organist, is in Strada Maggiore, one of the most important streets in Bologna. The church was founded in 1346 for the Servite Community of the Blessed Virgin Mary and was designed by Andrea da Faenza, a head friar who was also an architect. It is considered a fine example of Italian Gothic architecture.

Also on this day:

1702: The birth of painter Pietro Longhi

1754: The birth of explorer Alessandro Malaspina

1777: The birth of dancer and choreographer Filippo Taglioni

1898: The birth of Francesco Chiarello, survivor of two world wars



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Carlo Emanuele Ruspoli – Duke of Morignano

Noble architect is now a prolific writer

Carlo Emanuele Ruspoli became
Duke of Morignano in 2003

Carlo Emanuele Maria Ruspoli was born on this day in 1949 in Rome.

He became the third Duke of Morignano in 2003, succeeding his father, Prince Galeazzo Ruspoli.

Carlo had previously graduated as a Doctor of Architecture from the Sapienza University of Rome and he now works as a researcher and writer.

He is a prolific author of works on history and anthropology as well as historical novels, drawing on his own family heritage and his fascination with the East.

The House of Ruspoli is one of the great aristocratic families of Rome and all members hold the title of Prince of the Holy Roman Empire.

The family’s origins can be traced back to their ancestor, Marius Scotus, in the eighth century, the Ruspoli family of Florence in the 13th century, and the Marescotti family of Bologna.

A branch of the Ruspoli family moved to Rome in the 17th century. Their last descendant, Vittoria Ruspoli, Marchioness of Cerveteri, married Sforza Marescotti, Count of Vignanello, a descendant of the Farnese family, but to make sure the House of Ruspoli continued, one of Vittoria’s sons, Francesco Maria Marescotti Ruspoli, took on the name and coat of arms of the House of Ruspoli.

In 1721 Pope Benedict XIII conferred on Francesco Maria the title of Principe Romano for himself and his descendants ad infinitum.

Emanuele Ruspoli, the great grandfather
of Carlo Emanuele Ruspoli

One of Francesco’s descendants, Francesco, the third Prince of Cerveteri, was created Prince of the Holy Roman Empire by the Emperor Francis II in 1792, a title for himself and all his male descendants.

His son, Bartolomeo Ruspoli, was a colonel in the Piedmontese army and fought in the battles leading up to Italian unification. He was paralysed from the waist down after a blast from a hand grenade, but continued to participate in the fighting in a wheelchair pushed by his assistant.

His son, Emanuele Ruspoli, also fought for Italian unification and became a Senator and twice served as Mayor of Rome.

Emanuele’s eldest son by his third marriage was Francesco Alvaro Ruspoli, who was educated at Eton College in England for five years. He became the first Duke of Morignano in 1907. His son, Galeazzo Ruspoli, the second Duke of Morignano, was Carlo Emanuele Ruspoli’s father.

In 1975, Carlo Emanuele Ruspoli married Dona Maria de Gracia de Solis-Beaumont y Tellez-Giron. They had a daughter, Donna Maria de Gracia Giacinta Ruspoli, who married Don Javier Isidro Gonzalez de Gregorio y Molina in 2009. Carlo now has a granddaughter, Donna Maria de Gracia Gonzalez de Gregorio y Ruspoli.

Carlo Emanuele Maria Ruspoli, the third Duke of Morignano, celebrates his 70th birthday today.

An 18th century engraving of the Palazzo Ruspoli by
the Italian engraver Giuseppe Vasi

Travel tip:

Palazzo Ruspoli in Via del Corso in Rome is still owned by the Ruspoli family today. It is a large Renaissance-style palace, situated where the Corso intersects with Largo Carlo Goldoni and Piazza di San Lorenzo in Lucina in the Campo Marzio area. It was renovated by the architect Bartolomeo Ammanatti in the 16th century and then by the architect Martino Longhi the Younger in the 17th century. The palace was acquired by the Ruspoli family in 1776 and in the 19th century it sheltered the exiled Napoleon III. The palace’s main feature is its great staircase, which has four flights, each made up of 30 marble steps, and is considered one of the four marvels of Rome.

The modern campus of the Sapienza University of Rome
was designed in the 1930s by Marcello Piacentini

Travel tip:

The Sapienza University of Rome, where Carlo Emanuele Ruspoli studied architecture, was founded in 1303 by Pope Boniface VIII and is now one of the largest universities in Europe. The main campus is in what is now called Piazzale Aldo Moro near Rome’s Termini Railway station. The buildings were designed by the architect Marcello Piacentini in the 1930s. Aldo Moro, who was twice Prime Minister of Italy and was kidnapped and killed by the Red Brigades in 1978, was professor of the Institutions of Law and Criminal Procedure at the University in the 1960s.

Also on this day:

1922: Mussolini is appointed Prime Minister

1960: The birth of particle physicist Fabiola Gianotti

2003: The death of the 'Prince of Tenors' Franco Corelli


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Valerio Evangelisti - novelist

Writer's stories of the Inquisition are bestsellers

Valerio Evangelisti is best known for his science fiction,
fantasy and historical novels, popular across Europe

The bestselling novelist Valerio Evangelisti, best known for his science fiction, fantasy, historical novels and horror stories, was born in Bologna on this day in 1952.

He is famous in Italy for his series of novels featuring the inquisitor Nicolas Eymerich and for the Magus trilogy, all of which have been translated into many languages.

Eymerich is a real historical character, a member of the order of the Dominicans and of the Spanish Inquisition who was born in 1320 in Girona, Catalonia.  Evangelisti portrays him as a cruel and ruthless man who acts without mercy to protect the Catholic Church against threats of both natural and supernatural origin.

Evangelisti uses the Eymerich novels to investigate the mysterious phenomena in medieval Europe that strategically influenced the great historical events of the time, creating a dark and nightmarish picture of the epoch.

The Magus trilogy is a romanticized biography of the famous Middle Ages writer of prophecies, Nostradamus. The three novels, Il presagio (The Omen), L’inganno (The Deceit) and L'abisso (The Abyss) were also bestsellers in Italy.

Evangelisti had a job at the
Treasury Department 

Evangelisti graduated with a degree in Political Science from the University of Bologna in 1976 with a historical-political thesis. He began a career in the Ministero delle Finanze (Treasury Department), but wrote in his spare time, mainly historical essays, books and articles.

In 1993, his first novel, entitled Nicolas Eymerich, inquisitore won the Urania Award, established by a magazine with the aim of discovering new talent in the field. He wrote more novels in the series, at a rate of approximately one a year until 2002, after which they became less frequent. He returned to the character from time to time, however. The most recent, Il fantasma di Eymerich - Eymerich’s phantom - was published only last year.

Evangelisti's novels are popular in France (where he won several literary awards), Spain, Germany and Portugal as well as in his home country. Some recent works reflect his enthusiasm for heavy metal music, namely the short stories collection Metallo urlante (referring to the French magazine Metal Hurlant).

He has written other novels set during the American Civil War, while one of his latest novels, Noi saremo tutto - We Shall Be All - spans several decades of the last century, exploring the life of Eddie Florio, an Italian-American gangster, against the background of the history of the trade unions and the workers' battles for civil rights, including many real-life characters from the New York underworld.

Evangelisti, who has a home in Mexico as well as in his native Bologna, sets two novels - Il collare di fuoco (The Fire Collar) and Il collare spezzato (The Broken Collar) - in the Central American country, as well as another - Tortuga, a story about pirates - in the Caribbean.

A lifelong Communist, Evangelisti stood as an independent candidate in the 2009 European elections in the Anticapitalist List (formed by the union between the Communist Refoundation and the Italian Communist Party in the so-called Federation of the Left) and in 2011 in the administrative elections for the municipality of Bologna for the Federation of the Left.

He is now a vocal backer of the extreme left-wing list of Power to the People.

Piazza Maggiore is the hub of the historic city of Bologna

Travel tip:

The history of Bologna, one of Italy's oldest cities, can be traced back to 1,000BC or possibly earlier, with a settlement that was developed into an urban area by the Etruscans, the Celts and the Romans.  The University of Bologna, the oldest in the world, was founded in 1088.  Bologna's city centre, which has undergone substantial restoration since the 1970s, is one of the largest and best preserved historical centres in Italy, characterised by 38km (24 miles) of walkways protected by porticoes.  At the heart of the city is the beautiful Piazza Maggiore, dominated by the Gothic Basilica of San Petronio, which at 132m long, 66m wide and with a facade that touches 51m at its tallest, is the 10th largest church in the world and the largest built in brick.

The Archiginnasio at the
University of Bologna

Travel tip:

Bologna University, where Evangelisti studied, was founded in 1088 and is the oldest university in the world. The oldest surviving building, the Archiginnasio, is now a library and is open Monday to Friday from 9 am to 7 pm, and on Saturdays from 9 am to 2 pm. It is a short walk away from Piazza Maggiore and the Basilica di San Petronio in the centre of the city.

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Francesco Pistocchi – singer and composer

Child prodigy who wrote many operas and also taught

A 19th century bust of Pistocchi on display at
the Biblioteca della Musica in Bologna.

Francesco Pistocchi, a singer who became known to audiences as Pistocchino, died on this day in 1726 in Bologna.

Pistocchi left the world many operas, oratorios and cantatas he had composed, which are now highly regarded for their melodic elegance and colourful harmony.

Born Francesco Antonio Mamiliano Pistocchi in Palermo in 1659, Pistocchi became a child prodigy because of his beautiful soprano voice. He began performing as a singer in public at the age of three and the first music he composed, Capricci puerili, was published when he was just eight years old.

Believed to have become a castrato, Pistocchi made regular appearances as a singer in Bologna’s cappella musicale at the Basilica of San Petronio, where his father was a violinist, from 1670 onwards.

He later had a brilliant opera career as a contralto, touring in Italy and Germany and serving at the court in Parma in the 1680s.

His opera, Il leandro, was premiered at Teatro alle Zattere in Venice in 1679.

The famous castrato Farinelli's teacher was
a former pupil of Pistocchi 

In 1696 Pistocchi became Court Kapellmeister for the Duke of Ansbach in Germany. His operas, Il Narciso and Le pazzie d’amore e dell’interesse, were presented in Ansbach in the late 1690s and another of his works, I rivali generosi, was premiered in Reggio Emilia in 1710.

After Pistocchi returned to live in Italy in 1702 he was named virtuoso di camera e di cappella to Prince Ferdinand of Tuscany.

Towards the end of his life, Pistocchi taught singing in Bologna. Among his notable pupils were Antonio Bernacchi, a castrato, and Annibale Pio Fabri, a tenor. Bernacchi later taught the famous castrato, Farinelli. Through his students, and their further pupils, much of Pistocchi’s skill and knowledge was passed on to the famous singers of the 18th century.

He was elected president of the Accademia Filarmonica twice, in 1708 and 1710, but after his voice began to deteriorate, Pistocchi closed his singing school. He was ordained a priest in 1715 in the Oratorian Order founded by San Filippo Neri in Bologna.

Pistocchi died in Bologna in 1726.

A recording of Pistocchi’s Oratorio, Il Martirio di San Adriano, was released by Pan Classics in 2013.

The Basilica di San Petronio, with its unfinished facade, is
the largest brick-built Gothic church in the world

Travel tip:

The Basilica di San Petronio, where Pistocchi sang in the cappella musicale in the 1670s, is the main church of Bologna, located in Piazza Maggiore in the centre of the city. It is the largest brick-built Gothic church in the world. Building work began on the church in 1390 and it was dedicated to San Petronio, who had been the Bishop of Bologna in the fifth century. The facade was designed by Domenico da Varignana and started in 1538 by Giacomo Ranuzzi but was never finished. The main doorway was decorated by Jacopo della Quercia of Siena with scenes from the Old Testament on the pillars, eighteen prophets on the archivolt, scenes from the New Testament on the architrave, and a Madonna and Child, Saint Ambrose and Saint Petronius on the tympanum.

The Oratory of San Filippo Neri
was reconstructed after the war

Travel tip:
The Oratory of San Filippo Neri in Bologna, where Pistocchi took religious orders, is a late baroque building in Via Manzoni. It was constructed from the sacristry of the adjacent church, which is now known as the Chiesa dei Filippini Madonna di Galliera e Filippo Neri. The Oratory was suppressed in 1866 and the building was for a time used as a barracks. It was badly damaged by Allied bombing during the Second World War but was faithfully reconstructed using old photographs in 1997.



More reading:

How Farinelli became music's first superstar

Senesino, the castrato who worked with Handel

Why a teacher of the finest 18th century singers died in poverty

Also on this day:

1804: The birth of Venetian revolutionary Daniele Manin

1909: The first Giro d'Italia leaves Milan

1938: The birth of former prime minister Giuliano Amato





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Bomb destroys Archiginnasio anatomical theatre

Historic facility hit in 1944 air raid

The Archiginnasio anatomical theatre is surrounded by
statues of eminent physicians carved in wood

The historic anatomical theatre of the Palazzo Archiginnasio, the original seat of the University of Bologna, was almost completely destroyed in a bombing raid on the city by Allied forces on this day in 1944.

The northern Italian city was a frequent target during the final two years of the conflict because of its importance as a transport hub and communications centre.  The wing of the palazzo housing the anatomical theatre, built between 1636 and 1638, took a direct hit on the night of January 29.

Although it is unlikely that the university - the oldest in the world - was a specific target, bombing was much less precise 75 years ago and collateral damage was common and often widespread.

As well as its importance in the history of medical research, the anatomical theatre was notable as an art treasure, mainly for the 18th century carved wooden statues by Silvestro Gianotti depicting great physicians of history, from the Greek physicians Hippocrates and Galenus onwards, including many who worked at the university, such as Fabrizio Bartoletti, Marcello Malpighi, Mondino de Liuzzi and Gaspare Tagliacozzi.

Gaspare Tagliacozzi was one of the many
physicians who worked in the Archiginnasio

The theatre, built in the form if an amphitheatre, was designed in 1637 by the Bolognese architect Antonio Levanti, a pupil of Annibale Carracci.

The ceiling, completed between 1647 and 1649 had the figure of Apollo, the god of Medicine, in the middle, surrounded by symbolic images of constellations carved in wood.

The centrepiece of the table was the white table on which the dissection of human or animal bodies took place.  These were open to the public and took place in the presence of an Inquisition priest.

To the side, in an elevated position, the cattedra del lettore - teacher’s desk - was flanked by two spellati - skinned men - statues, sculpted in 1734 from drawings by Ercole Lelli, a local painter of the late Baroque period who became famous for his anatomical sculptures in wax.

Incredibly, despite the destruction, the theatre was faithfully reconstructed after the war had ended thanks to the painstaking recovery from the rubble of anything that could be reused, including the majority of the statues.

The theatre today is open daily to the public, along with other parts of the Palazzo Archiginnasio, which was the seat of the university until 1803. The original marble table is not the one on display, mainly out of consideration for visitors whose sensitivities might be offended by the sight of indelible blood stains.

The city of Bologna as a whole suffered extensive damage from bombing during the Second World War II. The worst raids took place in 1943. On July 24, a massive bombardment destroyed a significant part of the historic city centre and killed about 200 people, with 44 per cent of the buildings in the centre listed as having been destroyed or severely damaged. On September 25, sustained bombing of the wider city left more than 1,000 people dead.

The inner courtyard of the Archiginnasio,
which was completed in 1563

Travel tip:

The construction of the Archiginnasio, situated behind the Basilica di San Petronio, began after nearby Piazza Maggiore was remodeled under papal orders in the 16th century. It was commissioned by Pope Pius IV through the papal legate Charles Borromeo, who entrusted the project to the architect Antonio Morandi. The building, inaugurated on October 21, 1563, was to house the Schools of the Legisti (Canon and Civil law) and Artisti (philosophy, medicine, mathematics, natural sciences and physics). The building was named Archiginnasio after the classical term which was used to designate the Studium, as the University was first called, of Bologna. The Archiginnasio ceased to be the seat of the university in 1803, when the university moved to Palazzo Poggi, where it is still located today.  The original building now houses the Archiginnasio Municipal Library, the largest library in Emilia-Romagna.

The Basilica di San Petronio is the largest brick-built church
in the world, reaching 51m (167ft) high

Travel tip:

The Basilica di San Petronio, is the main church of Bologna, located in Piazza Maggiore in the centre of the city. It is the largest, brick-built church in the world. Building work began on the church in 1390 and it was dedicated to San Petronio, who had been the Bishop of Bologna in the fifth century. The 10th-largest church in the world at 132m (433ft) long and 66m (271ft), the vault reaches 45m (148ft) inside and 51m (167ft) in the facade. The basilica, built as a communal project, was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000.  Work on the facade was abandoned in the early 16th century by order of Pope Pius IV over fears that it would upstage St Peter's Basilica in Rome as the grandest church in Italy. It has never been completed.

More reading:

The 16th century plastic surgeon who pioneered nose jobs

San Marino is bombed by British planes

Allied troops land at Salerno

Also on this day:

1909: The death of Felice Beato, war photographer

1924: The birth of avant-garde musician Luigi Nono

1996: Fire destroys La Fenice opera house in Venice


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Rafael Bombelli – mathematician

First person to explain algebra in simple language

The front cover of the 1579 edition of
Bombelli's text, published in Bologna

Rafael Bombelli, the mathematician regarded as the inventor of complex numbers, was baptised and was also probably born on this day in 1526 near Bologna.

He wrote a book about algebra in simple language that could be understood by everyone, giving a comprehensive account of what was known about the subject at the time. The first three volumes, published in 1572, were the first European texts to explain how to perform computations with negative numbers.

Rafael Bombelli was the eldest son of Antonio Mazzoli, a wool merchant, who had changed his name to Bombelli to disassociate himself from the reputation of his family. His grandfather had taken part in a failed attempt to seize Bologna on behalf of the Bentivoglio family but had been caught and executed. Antonio Mazzoli was able to return to Bologna only after changing his name to Bombelli.

It is thought that Rafael Bombelli did not attend university but was taught by an engineer-architect named Pier Francesco Clementi.

He followed Clementi into the profession and acquired a patron, Alessandro Rufini. His patron was given the right to reclaim marsh land in the Val di Chiana by the Pope and Bombelli worked on this project until 1555 when there was an interruption to the reclamation work.

Bombelli wrote his algebra book while staying in
his patron's villa in Frascati, outside Rome

While he was waiting for the project to start again he decided to write an algebra book, while living in the comfortable surroundings of his patron’s villa just outside Rome in Frascati.

He felt that the reason for arguments between mathematicians was the lack of a careful exposition of the subject. The only books about algebra were not accessible to people without a thorough grasp of mathematics and he deliberately used simple language to make the book available to people who had not received higher education.

He died in Rome in 1572, soon after the first three volumes of the book were published. The unfinished manuscript of the other two volumes was discovered in a library in Bologna in 1923 and published in 1929.

Despite the delay in publication, Bombelli’s Algebra was a very influential work and was praised by later mathematicians because his analysis of the subject showed him to be far ahead of his time.

A crater on the moon has been named the Bombelli crater in honour of him.

The church of Santa Maria Assunta in Borgo Panigale

Travel tip:

Bombelli’s family lived in Borgo Panigale, a small town to the north of Bologna, which was annexed to the city by the Fascist government in 1937. It is now home to Bologna’s Guglielmo Marconi airport and the motorbike manufacturer Ducati. The Bologna artist Elisabetta Sirani painted an altarpiece for the parish church of Borgo Panigale. It is thought the name stems in part from the land around the site of the town, which was formerly used for the cultivation of the foxtail millet cereal called panìco in Italian.

The facade of the Villa Falconieri in
Frascati, where Bombelli stayed

Travel tip:

The Villa Falconieri in Frascati, to the south of Rome, was originally called Villa Rufina, having been built for Alessandro Rufini in 1546. It was while staying in this villa that Bombelli wrote his famous work on Algebra, which he dedicated to his patron, Rufini. The villa, which was renovated by the leading Roman Baroque architect Francesco Borromini after it was sold in 1628, houses many beautiful frescoes and is surrounded by splendid Italian gardens with a small lake bordered by cypresses. Now the headquarters of the Vivarium Novum Latin and Humanities Academy, it is open to the public from 10am to 1pm each Sunday.

More reading:

The mathematician who turned down Peter the Great of Russia

The maths professor who won the equivalent of a Nobel Prize at just 34

The mathematician and scientist who discovered the secret of embalming

Also on this day:

1920: The birth of filmmaker Federico Fellini

1950: The birth of former Vogue editor Franca Sozzani

1987: The birth of motorcycle racer Marco Simoncelli


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Gaspare Tagliacozzi - surgeon

Professor invented rhinoplasty procedure

Gaspare Tagliacozzi perfected a way of
forming a new nose using skin from the arm

Pioneering plastic surgeon Gaspare Tagliacozzi died on this day in 1599 in Bologna.

During his career, Tagliacozzi had developed what became known as ‘the Italian method’ for nasal reconstruction.

He improved on the procedure that had been carried out by the 15th century Sicilian surgeons, Gustavo Branca, and his son, Antonio.

Tagliacozzi wrote a book, De Curtorum Chirugia per Insitionem - On the Surgery of Mutilation by Grafting - which described in great detail the procedures carried out in the past to repair noses amputated during battle.

Surgeons who came after him credit him with single-handedly revolutionising the procedure and inventing what is today referred to as a rhinoplasty procedure.

Tagliacozzi was born in Bologna in 1545. He studied medicine, natural sciences and anatomy at the University of Bologna, gaining a degree in philosophy and medicine by the age of 24.

After he was appointed professor of surgery and professor of anatomy at the University he taught at the Archiginnasio, famous for its anatomical theatre, where he procured the bodies of executed prisoners to use in dissections.

An illustration of a patient with arm
strapped in place across the nose

The operation for nasal reconstruction had been developed in Italy as early as the 15th century because of injuries sustained in battle, or when duelling using rapiers.

Tagliacozzi improved the reconstructive surgery method by taking skin from the arm using specially designed instruments to make the correct shape.

The flap of skin from the arm was attached to the nose and the patient’s arm was bandaged in the raised position for about 20 days, or until the skin of the arm had attached itself to the nose. The pedicle was then severed from the arm and after 14 days the attached skin was shaped so that it resembled a nose.

In his book explaining the procedure he writes: ‘We restore, rebuild and make whole those parts which nature hath given, but which fortune has taken away. Not so much that it may delight the eye, but that it might buoy up the spirit, and help the mind of the afflicted.’

Tagliacozzi died in Bologna on 7 November 1599 and was buried in the church of San Giovanni Battista de’ Celestini, as he had stipulated in his will. A solemn mass attended by doctors and colleagues was held in his honour later that month in the same church.

However, his body was later exhumed on the orders of the Catholic Church and reburied on unconsecrated ground, the church hierarchy having deemed that his surgery interfered with the handiwork of God.

After Tagliacozzi’s death, ‘the Italian method’ was not used again until the 19th century when a German plastic surgeon performed the procedure again.

Tagliacozzi also wrote a book about reconstructive surgery procedures for lips and ears.

The statue of Tagliacozzi in the
anatomical theatre of the Archiginnasio

Travel tip:

The world’s first university was established in Bologna in 1088 and attracted popes and kings as well as students of the calibre of Dante, Copernicus and Boccaccio. You can visit the university’s former anatomy theatre, where Tagliacozzi worked, in the oldest university building, the Archiginnasio, which is open to the public Monday to Saturday from 9 am to 1 pm, admission free. There is a wooden statue of Tagliacozzi holding a nose in his right hand, set in a niche in the wall of the anatomy theatre.

The church of San Giovanni Battista de'
Celestina in the centre of Bologna

Travel tip:

The church of San Giovanni Battista de’ Celestini in Bologna is a Renaissance-style Roman Catholic church located on Via D'Azeglio, where the Celestine order had built a monastery and church in the 14th century. In 1482, the church had become the home of the parish.It was rebuilt in 1535 on the site of a 13th century building in Piazza de’ Celestini.

More reading:

The 17th century anatomist whose work still benefits astronauts today

How Gabriele Falloppio made key discoveries about human reproduction

Italy's 18th century cataract surgeon

Also on this day:

The feast day of Ercolano, patron saint of Perugia

1512: Niccolò Machiavelli dismissed from office

1944: The birth of football legend Luigi Riva


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