Carlo Emilio Gadda - writer and novelist

Author who drew comparisons with Levi and Joyce

Carlo Emilio Gadda was an engineer
before he became a full-time writer

The essayist and novelist Carlo Emilio Gadda, whose work has been compared with the writings of Primo Levi, James Joyce and Marcel Proust, was born on this day in 1893 in Milan.

His novels and short stories were considered outstanding for his original and innovative style, moving away from the rather staid language of Italian literature in the early 20th century, adding elements of dialect, technical jargon and wordplay.

It has been said that Gadda opted for his experimental style because he thought that only through the use of a fragmentary, incoherent language could he adequately portray what he considered a disintegrated world.

Born into an upper middle-class family living on Via Manzoni in the centre of Milan, Gadda lost his father when he was only a child, after which his mother had to bring up the family on limited means, although she refused to compromise with her lifestyle. His father’s business ineptitude and his mother’s obsession with keeping up appearances would figure strongly in his 1963 novel, La cognizione del dolore, published in English as Acquainted with Grief.

Gadda fought in the First World War as a volunteer with the Alpini and was captured at the Battle of Caporetto, in which the Italians suffered a catastrophic defeat. His younger brother Enrico, an aviator, was killed. A fervent nationalist at the time of Italy’s entry into the conflict, he was deeply humiliated by the months he had to spend as a German prisoner of war.

Gadda's most famous work is
available in English

During the 1920s he worked as an electrical engineer, often abroad. He spent several years in Argentina, although at home he was credited with the construction, as engineer, of the Vatican Power Station for Pope Pius XI.

He began writing in the 1930s after moving to Florence and joining a literary group around the Florentine review Solaria. He wrote a number of essays and short stories, from the beginning demonstrating a fascination with linguistic experimentation as well as a gift for psychological and sociological analysis. His first works were collected in I sogni e la folgore (1955; The Dreams and the Lightning).

Gadda became a full-time writer in 1940, although between 1950 and 1955 he worked for RAI, the Italian radio and television network. He lived in Rome, alone, in a cheap apartment in Via Blumenstihl.

At one time an admirer of Mussolini, he later satirised the dictator in Eros e Priapo (1945), in which he analysed the collective phenomena that favoured the rise of Italian Fascism, arguing that Fascism was essentially a bourgeois movement.  Refused publication initially for its allegedly obscene content, it was not until 2013 that the work was published in fully unexpurgated form.

Gadda's birthplace in Milan is marked with a plaque

Gadda’s best-known and most successful novel, Quer pasticciaccio brutto de via Merulana (1957; That Awful Mess on Via Merulana), is a story of a murder and burglary in Fascist Rome and of the subsequent investigation, which features characters from many levels of Roman life, written in a pastiche of literary Italian mixed with passages of Roman dialect, dotted with puns, technical jargon, foreign words, invented words and classical allusions.

At once a sociological, comic and political novel, as well as an extraordinary feat of wordplay, at the end of which nothing has been established or proven in relation to the crime, it was described as 'the great modern Italian novel' by Italo Calvino, Pier Paolo Pasolini and Alberto Moravia. 

Gadda died in Rome in 1973, at the age of 79.

The Stadio Olimpico is the home of Rome's two soccer clubs

Travel tip:

Via Bernardo Blumenstihl, where Gadda lived in Rome, may have been a modest address in the 1940s but today is in a quiet, upmarket residential area in which many of the apartment complexes have swimming pools and tennis courts and communal gardens.  Situated to the northwest of the city centre, it is not far from the Stadio Olimpico, home of the AS Roma and SS Lazio football clubs.

The Basilica of San Giovanni in Laterano in Rome

Travel tip:

Via Merulana is a street in Rome, to the southeast of the centre, linking the magnificent Basilica of San Giovanni in Laterano, with its imposing 18th century Baroque facade by Alessandro Galilei, and the Basilica Papale di Santa Maria Maggiore, famous for its Roman mosaics and gilded ceiling. The name derives from family that owned the land in medieval times.  It forms part of the Rione Monti, near the Oppian Hill.

More reading:

How Alberto Moravia likened Fascism to a childhood illness

Novelist whose books exposed political links with the Mafia

The Auschwitz survivor who became one of Italy's greatest writers

Also on this day:

1812: The birth of Maria Cristina of Savoy

1812: The birth of poet Aleardo Aleardi

1897: The death of soprano Giuseppina Strepponi


Home

Poggio Bracciolini – scholar and humanist

Calligrapher who could read Latin changed the course of history

The linguist and scholar Poggio Bracciolini was
born in a village near Arezzo in Tuscany

Gian Francesco Poggio Bracciolini, who rediscovered many forgotten Latin manuscripts including the only surviving work by the Roman poet and philosopher, Lucretius, died on this day in 1459 in Florence.

For his services to literature he was commemorated after his death with a statue by Donatello and a portrait by Antonio del Pollaiuolo.

Bracciolini was born in 1380 at Terranuova near Arezzo in Tuscany. In 1862 his home village was renamed Terranuova Bracciolini in his honour.

He studied Latin as a young boy under a friend of the poet, Petrarch, and his linguistic ability and talent for copying manuscripts neatly was soon noted by scholars in Florence.

He later studied notarial law and was received into the notaries guild in Florence at the age of 21.

After becoming secretary to the Bishop of Bari, Bracciolini was invited to join the Chancery of Apostolic Briefs in the Roman Curia of Pope Boniface IX.

Part of one of Cicero's Catiline Orations copied by Bracciolini
 in a style of writing that became the basis for Roman fonts

He was to spend the next 50 years serving seven popes, first as a writer of official documents and then working his way up to becoming a papal secretary.

Bracciolini was well thought of because of his excellent Latin, beautiful handwriting and the diplomatic work he was able to carry out with Florence.

He was never attracted to the ecclesiastical life and its potential riches and, despite his poor salary, remained a layman to the end of his life.

He invented the style of writing that, after generations of polishing by other scribes, served the new art of printing as the prototype for Roman fonts.

In 1415 while working for the Pope at a monastery in Cluny, Bracciolini brought to light two previously unknown orations of the Roman statesman Cicero.

At another monastery in 1416 he found the first complete text of Quintilian’s Institutio oratoria, three books and part of a fourth of Valerius Flaccus’s Argonautica and the commentaries of Asconius Pedianus on Cicero’s orations.

A statue said to be of Bracciolini in the Duomo
in Florence, attributed to Donatello

While visiting other monasteries in 1417 he discovered a number of Latin manuscripts, including De rerum natura (On the Nature of Things) by Lucretius.

It is believed he subsequently discovered seven other orations of Cicero in a monastery in Cologne.

He made copies of the works he found in his elegant script, some of which have survived.

Bracciolini also collected classical inscriptions and sculptures, with which he adorned the garden of the villa he eventually bought near Florence.

At the age of 56 he left his long-term mistress and married a girl of 17, who produced five sons and a daughter for him.

He spent his last years having intellectual arguments with Lorenzo Valla, an expert at philological analysis of ancient texts, and writing a history of Florence.

Bracciolini died in 1459 before he had put the final touches to this work and was buried at the Church of Santa Croce in Florence.

The 2011 Pulitzer Prize winning book, The Swerve: How the World Became Modern by Stephen Greenblatt, tells the story of Bracciolini’s discovery of the ancient manuscript written by Lucretius. Greenblatt analyses the poem’s subsequent influence on the Renaissance, the Reformation and modern science.

The facade of the beautiful Basilica of Santa Croce in Florence,
 where Bracciolini was buried in illustrious company

Travel tip:

The Basilica of Santa Croce, consecrated in 1442, is the main Franciscan church in Florence and the burial place among others of Michelangelo, Galileo, Machiavelli, the poet Ugo Foscolo, the philosopher Giovanni Gentile and the composer Gioachino Rossini.  It houses works by some of the most illustrious names in the history of art, including Canova, Cimabue, Donatello, Giotto and Vasari.  The Basilica, with 16 chapels, many of them decorated with frescoes by Giotto and his pupils, is the largest Franciscan church in the world and the present building dates back to the 13th century.

The village of Terranuova Bracciolini, near Arezzo, where
Bracciolini was born and which was renamed in 1862

Travel tip:

Terranuova Bracciolini is a town in the province of Arezzo in Tuscany, located about 35km (22 miles) southeast of Florence and about 25m (16 miles) northwest of Arezzo.  Originally called Castel Santa Maria, the town was part of Florence’s massive 14th-century project to build new areas to populate in the countryside. It was renamed after Poggio Bracciolini in 1862.  Terranuova Bracciolini still conserves its medieval walls and some perimeter towers.

More reading:

The politically astute poet who ruled an Italian state

The death of Hadrian

The artistic brilliance of Donatello

Also on this day:

1893: The birth of bodybuilder Angelo Siciliano, also known as Charles Atlas

1896: The birth of conductor Antonio Votto


Home

Alesso Baldovinetti - painter

One of first to paint realistic landscapes

A self-portrait of Alesso Baldovinetti from a fragment of
damaged fresco, now in the Accademia Carrara in Bergamo

The early Renaissance painter Alesso Baldovinetti, whose great fresco of the Annunciation in the cloister of the Basilica of the Santissima Annunziata in Florence is still intact, was born on this day in 1425 in Florence.

Baldovinetti was among a group described as scientific realists and naturalists in art which included Andrea del Castagno, Paolo Uccello and Domenico Veneziano. Influenced by Uccello’s use of visual perspective, he had a particular eye for detail and his views of the Arno river in his Nativity and Madonna are regarded as among Europe’s earliest paintings of accurately reproduced landscapes.

Veneziano’s influence is reflected in the pervasive light of his earliest surviving works, and he was also greatly influenced by Fra Angelico. Historians believe that in the 1460s Baldovinetti was the finest painter in Florence, although some argue that he did not fulfil all his initial promise.

Born into the family of a wealthy Florentine merchant, Baldovinetti rejected the chance to follow his father’s trade in favour of art.

Baldovinetti's Nativity in the Basilica of Santissimi Annunziata
in Florence with the Arno river in the background

In 1448, he became a member of the Accademia di San Luca in Rome. It is thought that he assisted with decorations in the church of Sant’ Egidio in Trastevere, with Veneziano and del Castagno, with whom he later collaborated on the frescoes in the Santa Maria Nuova in Florence.

Apart from his frescoes in the Annunziata basilica in Florence, other surviving works include those done for the chapel decorations in the Basilica of San Miniato al Monte, also in his home city.  It is regrettable that he did not help some of his work by using a mixture of yolk of egg and liquid varnish - his own invention - to protect his paintings from damp, but which in the event caused them to deteriorate more quickly.

Baldovinetti worked on several pieces for the church of Santa Trinita, where he painted an altarpiece of the Virgin Mary and child with the saints Gualberto and Benedetto, which is now in the Academy of Florence.

Baldovinetti's Annunziation

During this period, Baldovinetti also gained a reputation as one of the best mosaic workers of the day, earning praise for his restoration of the mosaics at the San Miniato.

Two of his works are in the Uffizi Gallery, including an Annunciation and Madonna and Child with Saints. The National Gallery in London has a Portrait of a Lady in Yellow that for centuries was wrongly attributed to Piero della Francesca, while there is a Madonna and Child in the Louvre in Paris.

Among Baldovinetti’s own pupils was Domenico Ghirlandaio, who went on to become a major figure in the so-called "third generation" of the Florentine Renaissance, a contemporary of Verrocchio and Sandro Botticelli.

Baldovinetti died in August 1499 at the age of 73 and was buried in the Basilica of San Lorenzo.

The facade of the Basilica della Santissima Annunziata
in the San Marco district of Florence

Travel tip:

The Basilica della Santissima Annunziata is in the Piazza della Santissima Annunziata in the San Marco district of Florence. The church was founded in 1250 and rebuilt by Michelozzo between 1444 and 1481. Frescoes by Andrea del Sarto can be seen in the atrium of the church. Newly wed couples traditionally visit the church to present a bouquet of flowers to a painting of the Virgin by a 13th century monk, where they pray for a long and fruitful marriage.

The church of Santa Trinita, where Balodovinetti
worked on a number of pieces

Travel tip:

The church of Santa Trinita, which overlooks the square of the same name, can easily be reached by walking down the elegant Via de' Tornabuoni towards the Arno. Standing near the Santa Trinita bridge, it was founded in the middle of the 11th century. Originally built in a simple Romanesque style, it was later was enlarged and restored following Gothic lines. The church’s Sassetti Chapel contains 15th-century frescoes by Domenico Ghirlandaio.

More reading:

The humble friar who became one of the greatest artists of the 15th century

Why the talent of Sandro Botticelli was forgotten for four centuries

How Piero della Francesca applied geometry and maths to his work

Also on this day:

1628: The death of painter Palma Giovane

1963: The birth of singer Alessandro Safina


Home

Gabriele Corcos - celebrity cook

YouTube recipe blog led to TV fame in US

Gabriele Corcos and his wife, the actress Debi
Mazar, in a scene from their TV show

The TV cook and author Gabriele Corcos, whose show Extra Virgin on the Cooking Channel has given him celebrity status in the United States, was born on this day in 1972 in Fiesole, a town in the Tuscan hills just outside Florence.

He was invited to produce and host the show - the first original cookery programme to go out on the network when it launched in 2010 - after his YouTube channel, in which he prepared traditional Tuscan dishes, attracted a large following of devoted fans.

The Cooking Channel show was so successful it ran for five seasons, with 68 episodes, spawning a best-selling book of Tuscan recipes and a further show, Extra Virgin Americana, in which he starred with his wife, the actress Debi Mazar.

Corcos became a star of the kitchen without ever intending it to be his career.

His parents - his father was a surgeon, his mother a schoolteacher - wanted him to achieve his academic potential, while he was eager to find paid employment. He found a compromise by joining the army with the intention of qualifying as a medic, only to realise that the reward for graduating was to be posted to Kosovo, Somalia or Iraq.

Corcos, Mazar and one of their daughters
in action in their TV kitchen

Horrified at the prospect of active service, he abandoned his studies and decided instead to devote himself to his great love, music. Raising money by selling his treasured Ducati motorcycle, he decided to go to Brazil to learn to play the drums.

Everything changed again when, during a trip home, he met his future wife, who at the time was working with the pop megastar Madonna on make-up and dramatic presentation during a tour of Italy.   Within a short time, he had decided to travel back with Debi  to Los Angeles to start a new life in America. They married the following year, in 2002.

It was when he was forced to consider how he might make a living that he realised the thing he knew most about was cooking, having been brought up in the family farmhouse in the Tuscan hills, where the stove was always lit. His grandmother was preparing food almost constantly for the farmers and hunters and members of their families who would drop in most days.

Gabriele learned the basics of cooking when he was only six or seven years old and by the time he left home knew how to cook scores of Italian dishes. Noting how few Italian restaurants in the Los Angeles area served Italian food as he knew it, and struck upon the idea of demonstrating the recipes he had grown up with on his own YouTube channel, with his wife, Debi, as his companion in the kitchen.

Gabriele Corcos is active in helping food charities

Corcos boosted his knowledge while in Los Angeles by working in the kitchens of noted chefs such as Gino Angelini.

He never imagined his YouTube channel would be popular but soon the couple were receiving hundreds of emails congratulating them on their project and were encouraged to continue. The channel eventually ran for about five years.

Now based in Brooklyn, New York, Corcos has participated in both the Food Network New York City and Food Network South Beach Wine and Food Festivals since 2011 as a celebrity chef.

He has become involved too with food charities. While making an appearance on Food Network channel's Chopped in April 2013, he competed on behalf of the charity Feeding America and in 2013, Corcos and his family participated in the Live Below the Line Challenge, in which the family tried to feed themselves on $1.50 each per day, which is the equivalent of the poverty line in America.

In 2014, Corcos became a council member of the Food Bank For New York City and hosted a pop-up dinner series in 2014 where a large portion of the proceeds benefited the Food Bank.

Although married to an American and with two daughters born in the United States, Corcos still hankers after a return to Fiesole and the family farm, surrounded by vines and olive trees and hopes that the Food Network’s availability on Italian television may lead to opportunities to work in Italy.

Fiesole offers panoramic views across Florence

Travel tip:

Fiesole, a town of about 14,000 inhabitants situated in an elevated position about 8km (5 miles) northeast of Florence, has since the 14th century been a popular place to live for wealthy Florentines and even to this day remains the richest municipality in Florence.  Formerly an important Etruscan settlement, it was also a Roman town of note, of which the remains of a theatre and baths are still visible.  Fiesole's cathedral, built in the 11th century, is supposedly built over the site of the martyrdom of St. Romulus. In the middle ages, Fiesole was as powerful as Florence until it was conquered by the latter in 1125 after a series of wars.

A typical landscape in Tuscany's Chianti region

Travel tip:

The Tuscany countryside tends to be associated with Chianti country, the wine-growing area known and appreciated by visitors from across the world. It by no means occupies the whole of the region, although it is a large area.  The borders are not clearly defined but in general it extends over the provinces of Florence and Siena, covering all of the area in between, extending to the east toward the Valdarno and to the west to the Val d'Elsa. It is further defined as Chianti Fiorentino, which includes towns such as Barberino Val d’Elsa, Greve in Chianti, San Casciano in Val di Pesa and Tavarnelle in Val di Pesa, and Chianti Sienese, which includes Radda, Gaiole, Castellina and Castelnuovo Berardenga.

More reading:

How Gino D'Acampo rebuilt his life to become a star cook and TV presenter

The chef from Riccione and his American dream

Gennaro Contaldo's passion for Amalfi

Also on this day:

The Feast of Saint Giustina of Padua

1675: The birth of famed Venetian portrait painter Rosalba Carriera



Home

Tiziano Terzani - journalist

Asia correspondent who covered wars in Vietnam and Cambodia

Tiziano Terzani spent 30 years working
as a journalist in East Asia

The journalist and author Tiziano Terzani, who spent much of his working life in China, Japan and Southeast Asia and whose writing received critical acclaim both in his native Italy and elsewhere, was born on this day in 1938 in Florence.

He worked for more than 30 years for the German news magazine Der Spiegel, who took him on as Asia Correspondent in 1971, based in Singapore.

Although he wrote for other publications, including the Italian newspapers Corriere della Sera and La Repubblica, it was Der Spiegel who allowed him the freedom he craved. To a large extent he created his own news agenda but in doing so offered a unique slant on the major stories.

He was one of only a handful of western journalists who remained in Vietnam after the liberation of Saigon by the Viet Cong in 1975 and two years later, despite threats to his life, he reported from Phnom Penh in Cambodia after its capture by the Khmer Rouge.

He lived at different times in Beijing, Tokyo, Singapore, Hong Kong, Bangkok and New Delhi. His stay in China came to an end when he was arrested and expelled in 1984 for "counter-revolutionary activities".

By chance, in the summer of 1991, Terzani was on holiday in Siberia, exploring the region's boundary with China, when news of the coup against President Gorbachev reached him.

Terzani at first saw life in Asia as an
 antidote to western capitalism

Realising that the Russian empire was on the brink of collapse, he decided to stay in the country, embarking on a journey westwards that took him through Central Asia to the Caucasus, speaking to people about how they felt about what was happening and what they hoped for from the future. He wrote a book based on his experiences, Buonanotte, signor Lenin (Goodnight Mr Lenin), which was a bestseller.

Another book, another hit with Italian readers in particular, described how an encounter with a fortune teller in Hongkong persuaded Terzani to spend the whole of 1993 avoiding air travel - a huge challenge in a continent the size of Asia. Despite their scepticism, Der Spiegel again indulged him and for 12 months he travelled only by rail, road, on foot or by water.  It was a decision in which he felt vindicated when a helicopter he would have travelled on did indeed crash, as foreseen by his mystic soothsayer.

Terzani was born into a working-class family in Florence, a city he loved but at the same time despaired of for having allowed itself, in his eyes, to become an open-air museum, overrun with tourists.

Exceptionally intelligent - in time, he could speak five languages fluently - his teachers encouraged him to study law at the University of Pisa, where his room-mate was Giuliano Amato, a future Italian prime minister.

Tiziano Terzani, pictured on a visit
to his homeland, Italy, in 2002

After graduating, he worked for Olivetti, the office equipment manufacturer, in Japan and South Africa, enjoying the experience of being abroad but quickly becoming bored with the job. Interested in trying his hand at journalism, he sent a story to an Italian newspaper while working for Olivetti in Cape Town, about the assassination of Henrik Verwoerd, the architect of apartheid.

Terzani then decided to go to America, taking advantage of a Harkness scholarship to study Chinese at Stamford and Columbia universities, before returning to Italy and finding work with the daily newspaper, Il Giorno.  He found Italy’s news values to be too parochial, however, and after knocking on many doors in different countries across Europe at last found someone who would take him on and allow him to base himself in the part of the world he most wanted to explore.

Terzani’s fascination with Asia stemmed in part from his disillusionment with the capitalist west. Left-leaning in his politics, for a time he saw Asian communism as a kind of antidote.

He immersed himself in Asian culture, learning their languages, adopting their dress, melting into the crowd so that he could prowl about without attracting attention and grow to understand fully the countries and people about whom he was writing. In time, though, after his experiences in Vietnam, Cambodia and China, he came to realise that communism was no more an ideal than capitalism.

Terzani's book on the end of the Soviet
 Union, Goodnight Mister Lenin

Eventually, he decided the country and the people with whose values he would feel spiritually most at home was India, although the realisation coincided, unfortunately, with the discovery in 1997 that he was suffering from stomach cancer.

He was warned, initially, that he might have only a short time to live, but after treatment in the United States he survived, in the event, for seven years, finding the energy to carry on working and to campaign against western intervention in Iraq and Afghanistan, which he visited after the September 11 attacks in 2001.

Terzani remained in India, where he drew comfort from meditation and spending periods in isolation in the Himalayas, returning to Italy only towards the end of his life and spending his final days in Orsigna, a village in the Apennines, near Pistoia.  His book, Un altro giro di giostra (One More Ride on the Merry-Go-Round), which was in part about coming to terms with his illness, was another bestseller.

He died in 2004 and was survived by his wife Angela, whom he had met in Florence before moving to Singapore, and by his two children, Fulco and Saskia.

Piazza della Signoria - the Loggia dei Lanzi

Travel tip:

Terzani’s description of Florence as a museum was thought to be a reference mostly to Piazza della Signoria, situated right in the heart of the city, close to the Duomo and the Uffizi Gallery, which is home to a series of important sculptures, including Giambologna’s The Rape of the Sabine Women and his Equestrian Monument of Cosimo I, Baccio Bandinelli’s Hercules and Cacus, the Medici Lions by Fancelli and Vacca, The Fountain of Neptune by Bartolemeo Ammannati, copies of Donatello’s Judith and Holofernes and Il Marzocco (the Lion), and the copy of Michelangelo’s David, at the entrance to the Palazzo Vecchio.  Most days, summer and winter, will see the square thronged with tourists.

The mountain village of Orsigna, in the Apennines
above Pistoia in Tuscany

Travel tip:

The village of Orsigna, close to the border of Tuscany and Emilia-Romagna about 30km (19 miles) north of Pistoia, was once an important centre for timber cutting and sheep farming. It has been in decline in recent years, although a mill has recently been renovated, for the drying and milling of chestnuts for chestnut flour.  The village was used  for location shooting of a film about Tiziano Terzani , entitled La fine è il mio inizio (The End Is My Beginning), taken from his book of the same name. The church of Sant'Atanasio has some 19th century frescoes by the Pistoia painter Bartolomeo Valiani.

More reading:

How foreign correspondent Oriana Fallaci became one of Italy's most controversial journalists

How Enzo Biagi became the doyen of Italian political journalists

The story of pioneer war photographer Felice Beato

Also on this day:

1321: The death of the poet Dante Alighieri

1937: The birth of award-winning architect Renzo Piano


Home

Lorenzo II de’ Medici – Duke of Urbino

Short rule of the grandson of Lorenzo Il Magnifico

Lorenzo II de' Medici ruled Florence from
1513 to 1519 but died aged only 26

Lorenzo di Piero de’ Medici, Duke of Urbino, was born on this day in 1492 in Florence.  The grandson of Lorenzo the Magnificent, Lorenzo II ruled Florence from 1513 to 1519.

Niccolò Machiavelli addressed his work, The Prince, to Lorenzo II, advising him to accomplish the unification of Italy under Florentine rule by arming the whole nation and expelling its foreign invaders.

When Lorenzo was two years old, his father, who became known as Piero the Unfortunate, was driven out of Florence by Republicans with the help of the French.

The Papal-led Holy League, aided by the Spanish, finally defeated the rebels in 1512 and the Medici family was restored to Florence.

Lorenzo II’s uncle, Giuliano, ruled Florence for a year and then made way for his nephew. Another uncle, Pope Leo X, made Lorenzo the Duke of Urbino after expelling the legitimate ruler of the duchy, Francesco Maria della Rovere.

Niccolo Machiavelli's The
Prince was written for Lorenzo

When Francesco Maria returned to Urbino he was welcomed by his subjects. Lorenzo II regained possession of the duchy only after a protracted war in which he was wounded. In 1519 Lorenzo II died at the age of just 26 and the duchy reverted to the della Rovere family.

He was succeeded as ruler of Florence by his cousin, Giulio de’ Medici.

By Lorenzo II’s marriage with Madeleine de la Tour d’Auvergne, he had one daughter, Caterina de’ Medici, who was born three weeks before he died.

She married Henry, Duc d’Orleans in 1533, who went on to become King Henry II of France, making her the Queen Consort of France.

Lorenzo II’s illegitimate son, Alessandro, became the first Duke of Florence.

Michelangelo designed his sculpture Pensieroso as a monument
 for Lorenzo II's tomb at the Basilica of San Lorenzo

Travel tip:

Lorenzo II was buried in the Medici Chapel in the Basilica of San Lorenzo in Florence. His tomb is adorned by Michelangelo’s sculpture, Pensieroso, which was meant to represent him. The Basilica is in the centre of the market district and is one of the biggest churches in the city. Designed by Brunelleschi and Michelangelo, it replaced an older structure dating back to the fourth century.

The Renaissance Ducal Palace at Urbino is listed as a
Unesco World Heritage site

Travel tip:

Urbino, which Lorenzo II ruled over briefly, is inland from the Adriatic resort of Pesaro, in the Marche region. A majestic city on a steep hill, it was once a centre of learning and culture, known not just in Italy but also, in its glory days, throughout Europe. The Ducal Palace, a Renaissance building made famous by Castiglione’s The Book of the Courtier, is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.

More reading:

Giovanni dalle Bande Nere - 16th century condottiero who served Pope Leo X

How Piero the Unfortunate acquired his name

Niccolò Machiavelli - the man whose name became part of the language of power

Also on this day:

1937: The birth of tragic actress Daniela Rocca

1943: The Nazis free Mussolini in daring mountain raid



Home

Antonio da Sangallo the Younger - Architect

Talented Florentine was commissioned by the Popes

The Church of Santa Maria de Loreto in
Rome was Sangallo's first major commission

Antonio da Sangallo the Younger, who left his mark on Rome during the Renaissance, died on this day in 1546 in Terni in Umbria.

Sangallo was the chief architect on St Peter’s Basilica from 1520 onwards and built many other beautiful churches and palaces in the city and throughout the Papal States.

He was born Antonio Cordiani in Florence in 1484. His grandfather had been a woodworker and his uncles, Giuliano and Antonio da Sangallo, were architects.

The young man followed his uncles to Rome to pursue a career in architecture and ended up taking the name Sangallo himself.

He became an assistant to Donato Bramante and started by preparing sketches for his master.

Recognising his talent, Bramante gave Sangallo projects to complete with no more than an outline of the design and motifs.

Sangallo’s first major commission was for the Church of Santa Maria di Loreto in 1507.

He came to the attention of Cardinal Alessandro Farnese, who later became Pope Paul III, and was commissioned to design the Farnese Palace in Piazza Farnese and a palace and church in the Cardinal’s home town of Gradoli.

Sangallo designed the Palazzo Farnese
on behalf of the future Pope Paul III

Sangallo designed the Palazzo Baldassini for Melchiore Baldassini and was responsible for the final design of the Villa Madama for Cardinal Giulio de' Medici.

Having acquired a reputation in Rome as a master architect, he was appointed by Pope Leo X to oversee the construction of St Peter’s Basilica.

He was also responsible for some inspired engineering feats, such as building the foundations for the Church of San Giovanni dei Fiorentini on the banks of the Tiber, following Jacopo Sansovino’s design, which called for the church to extend into the river.

He shored up the foundations for the Basilica della Santa Casa in Loreto and did similar work on the Vatican loggias. His reinforcements are still standing today.

His last engineering project was the draining of the Rieti Valley. Because of the marshy environment he was working in, Sangallo contracted malaria and died before finishing the task.

When Cardinal Farnese became Pope Paul III in 1534 he asked for the Palazzo Farnese design to be expanded. In 1546 during the construction he became dissatisfied with Sangallo’s original design for the cornice and held a competition for a new design, which was won by Michelangelo.

At the time it was said that Sangallo had died from shame soon afterwards, but his biographer, Giorgio Vasari, later wrote that he was an excellent architect whose achievements deserved to be celebrated. Antonio Sangallo the Younger was buried in St Peter’s Basilica.

Sangallo's construction of St Patrick's Well in Orvieto is
considered one of his most accomplished engineering feats

Travel tip:

One of Sangallo’s amazing engineering feats was St Patrick’s Well in Orvieto, built for Pope Clement VII. Ramps around a central open shaft allowed oxen carrying water to do down one of the ramps and up the other without having to turn round. Despite the depth of the well, the ramps were well lit through windows cut into the centre section.

The Scala Regia was built by Sangallo and later restored
by Gian Lorenzo Bernini

Travel tip:

Sangallo was capomaestro in charge of the day-to-day construction of St Peter’s Basilica from 1513 until about 1536. A wooden model of his design for the basilica is still in existence. He also worked on the Vatican apartments, building the Pauline Chapel and the Scala Regia, the main staircase to the Apostolic Chapel. Therefore it was fitting that the architect was allowed to be buried in St Peter’s.

More reading:

The Renaissance pope who turned Rome into the cultural heart of Europe

How Gian Lorenzo Bernini sculpted Rome

The story of La Pietà - Michelangelo's ultimate masterpiece

Also on this day:

1486: The birth of Imperia Cognati - courtesan

1778: Milan's Teatro alla Scala opens for business

Home

Guglielmo Ferrero - journalist and historian

Nobel prize nominee who opposed Fascism

Guglielmo Ferrero is best known for his five-volume
history of power and collapse of the Roman Empire

The historian, journalist and novelist Guglielmo Ferrero, who was most famous for his five-volume opus The Greatness and Decline of Rome, was born on this day in 1871.

The son of a railway engineer, he was born just outside Naples at Portici but his family were from Piedmont and while not travelling he lived much of his adult life in Turin and Florence.

A liberal politically, he was vehemently opposed to any form of dictatorship and his opposition to Mussolini’s Fascists naturally landed him in trouble. He was a signatory to the writer Benedetto Croce's Anti-Fascist Manifesto and when all liberal intellectuals were told to leave Italy in 1925, he refused. Consequently he was placed under house arrest.

It was only after four years, following appeals by officials from the League of Nations and the personal intervention of the King of Belgium, that he was allowed to leave Italy to take up a professorship at the Graduate Institute of International Studies in Geneva.

Ferrero’s earliest works were in the field of sociology and criminology, inspired by his friendship with Cesare Lombroso, sometimes called the ‘father of modern criminology’, who he met during his studies. Ferrero attended the universities of Pisa, Bologna and Turin. They collaborated on a book called The Female Offender about crime among women.

Cesare Lombroso, the criminologist who
inspired Ferrero's early work

In the course of his work with Lombroso, Ferrero was introduced to Gina Lombroso, Cesare’s daughter, and they subsequently married.

From 1891 to 1894 Ferrero traveled extensively in Europe, working in the libraries of London, Berlin, and Paris on a planned history of justice. As a result of his travels he produced a sociological study entitled Young Europe, in which he noted the differences in societal structure developing in the industrial north compared with the agricultural south of the continent.

It was after musing on how ascendant civilisations could become decadent that he turned his attention to Rome.

His defining work, The Greatness and Decline of Rome was translated into all the major European languages and was a popular success, even though it was scorned by classicists, who took exception to his use of contemporary comparisons and on his attempts at sociological analysis of Roman politics. They did not care either for his assessment of Julius Caesar, usually portrayed as a leader who brought order from chaos, as a major catalyst in the collapse of the Roman Republic.

For the next few years, Ferrero wrote political essays and a number of novels, before turning his attention to the French Revolution, which he analysed as an attempt to establish a new liberal order that unintentionally led to the first modern dictatorship.

Once invited by Theodore Roosevelt, the United States president, to visit him at the White House and to give a number of lectures, Ferraro was nominated for the Nobel Prize in Literature no fewer than 20 times in six years.

He spent a good deal of his time in his declining years at his villa in Strada in Chianti, in the Tuscan countryside, but was in Mont Pèlerin-sur-Vevey in Switzerland when he died in 1942.

The Royal Palace at Portici, near Naples

Travel tip:

Portici, which lies at the foot of Mount Vesuvius on the Bay of Naples, about 8 km (5 miles) southeast of Naples, is a metropolitan suburb these days but essentially evolved as a port, rebuilt after it was destroyed in the eruption of Vesuvius in 1631. Its neighbour is Ercolano, where excavations revealed the city of Herculaneum, which had disappeared at the same time as Pompeii, following the eruption of 79AD.  Portici is famous for its Baroque royal palace, built as a grand residence by Charles III of Spain, King of Naples, between 1738 and 1742.

The church of San Cristoforo in Strada in Chianti

Travel tip:

Situated almost 300m (984ft) above sea level, Strada in Chianti is a small town that is increasingly favoured as a place to stay when visiting Florence, which is only 20km (12 miles) away to the north, barely half an hour by car and bus. Many Florentines escape to such places in the countryside during the summer, because the heat there is a little less oppressive. The town stages its annual fair in late September. The five parishes once competed in a horse race similar to the Palio di Siena, but they now vie for superiority in a series of games, including football and volleyball, over the course of a week.

More reading:

How Edward Gibbon's Decline and Fall became the world's most famous history book

Cesare Lombroso, the first to encourage study of the criminal mind

Ernesto Teodoro Moneta, the historian who was both a soldier and a pacifist

Also on this day:

1914: The birth of Suso Cecchi D'Amico, the scriptwriter behind some of Italy's greatest movies

1948: The birth of Beppe Grillo, the comedian and founder of Italy's new political force, the Five Star Movement

Home

Andrea del Sarto – painter

The brief career of an artist ‘senza errori’

Andrea del Sarto, captured here in a self-
portrait. lived in Florence all his life

Renaissance artist Andrea del Sarto was born Andrea d’Agnolo di Francesco di Luca di Paolo del Migliore on this day in 1486 in Florence.

He had a brilliant career but died at the age of 43 during an outbreak of plague and afterwards his achievements were eclipsed by the talents of Da Vinci, Michelangelo and Raphael.

Andrea’s father, Agnolo, was a tailor and therefore the child became known as del Sarto, meaning son of the tailor.

As a young boy del Sarto was apprenticed to a goldsmith and then a woodcarver before being sent to learn to be an artist.

He decided to open a joint studio with an older friend, Franciabigio, and from 1509 onwards they were employed to paint a series of frescoes at Basilica della Santissima Annunziata in Florence. Del Sarto also painted a Procession of the Magi, in which he included a self-portrait, and a Nativity of the Virgin for the entrance to the church.

He married Lucrezia del Fede, a widow, in 1512 and often used her as a model for his paintings of the Madonna.

Part of Del Sarto's fresco series at the Villa Medici at
Poggio a Caiano, near Florence

After spending a year as court painter to Francis I of France in 1518, del Sarto returned home to his wife and was offered a major commission by the Medici family, to decorate the Villa Medici at Poggio a Caiano near Florence. The work was offered to him by Pope Leo X but the project ended when the Pope died in 1521.

Del Sarto’s fresco at the villa, Tribute to Caesar, is a fragment now incorporated into a much later decorative scheme.

His most important work is considered to be a series of frescoes on the life of St John the Baptist in the Chiostro dello Scalzo in Florence. He started the series in 1511 and it was not completed until 1526, so the work spans a large part of his career and most of the paintings are by his own hand.

Del Sarto's Nativity of the Virgin at the Basilica
della Santissima Annunziata in Florence.

His artistic style reflected his interest in colour and atmosphere and showed natural expressions of emotion. Del Sarto had a reputation for integrity and professionalism and was regarded by his peers as an artist ‘senza errori’ - faultless.

Del Sarto had a house built for himself in Florence, which was modified by other painters who lived there later. He died at his home after plague swept the city in 1530. The exact date of his death is unknown but he was buried in the Basilica of Santissima Annunziata on September 29, 1530.

A play, Andrea del Sarto, by Alfred de Musset, was premiered in Paris in 1848. The 1968 opera Andrea del Sarto by the French composer Jean-Yves Daniel-Lesur was based on de Musset’s play.

The Basilica della Santissima Annunziata in Florence

Travel tip:

The Basilica della Santissima Annunziata, where Andrea del Sarto is buried, is in the Piazza della Santissima Annunziata in the San Marco district of Florence. The church was founded by the Servite order in 1250 and later rebuilt by Michelozzo between 1444 and 1481. Del Sarto’s frescoes can be seen in the atrium of the church. Newly wed couples traditionally visit the church to present a bouquet of flowers to a painting of the Virgin by a 13th century monk, where they pray for a long and fruitful marriage.

The Chiostro dello Scalzo in Via Cavour

Travel tip:

The Chiostro dello Scalzo, where del Sarto painted his fresco cycle featuring the life of St John the Baptist, is in Via Cavour in the San Marco area near the Basilica della Santissima Annunziata. The cloister used to be the entrance to the chapel of the Confraternity of St John the Baptist, which was founded in 1376 and lasted until 1786. Thankfully the frescoes were preserved and can be viewed free of charge in the cloister every Monday and Thursday and on some Saturdays and Sundays each month.

More reading:

The precocious genius of Raphael

Michelangelo 'the greatest of all time'

The multiple talents of Leonardo da Vinci

Also on this day:

1194: The birth of Saint Clare of Assisi

1852: The birth of Neapolitan sculptor Vincenzo Gemito

Home

Artemisia Gentileschi – painter

Brilliant artist who survived torture by thumbscrews 

Artemisia Gentileschi: a self-portrait as a lute player
painted in around 1615-17

Artemisia Gentileschi, who followed in the footsteps of the Baroque painter Caravaggio by painting biblical scenes with dramatic realism, was born on this day in 1593 in Rome.

As a young woman she was raped by an artist friend of her father who had been entrusted with teaching her, and when he was brought to trial by her father she was forced to give evidence under torture.

This event shaped her life and she poured out her horrific experiences into brutal paintings, such as her two versions of Judith Slaying Holofernes.

Gentileschi was notable for pictures of strong and suffering women from myths, allegories, and the Bible. Some of her best known themes are Susanna and the Elders, Judith Slaying Holofernes, the most famous of which, painted between 1614 and 1620, is in the Uffizi in Florence, and Judith and Her Maidservant. 

She had an ability to produce convincing depictions of the female figure, anywhere between nude and fully clothed, that few male painters could match.

Judith Slaying Holfernes (1614-20), which can
be found in the Uffizi Gallery in Florence

It was many years before Gentileschi’s genius was fully appreciated, but a newly discovered self portrait depicting herself as St Catherine of Siena has just been bought by the National Gallery in London for £3.6 million, a record amount for her work.

Her artist father, Orazio Gentileschi, was an admirer of the painter Caravaggio. He taught his daughter to paint in his interpretation of Caravaggio’s style.

After her father’s friend, the landscape painter Agostino Tassi, raped her, he was brought to trial in 1612 and she had to give evidence while being subjected to a thumbscrew-like torture ‘to make sure her evidence was honest’.

After the trial Gentileschi moved to Florence, married a Florentine and became the first woman to join Florence’s Academy of Design.

Unlike other women artists of the time she specialised in history painting. She painted an Allegory of Inclination for the series of frescoes honouring the life of Michelangelo in Casa Buonarroti.

Gentileschi's painting San Gennaro
nell'Anfiteatro

She moved to Naples, where she painted many important religious paintings for churches, such as San Gennaro nell’Anfiteatro di Pozzuoli (Saint Januarius in the Amphitheatre of Pozzuoli).

Later, she went to London where she worked alongside her father for King Charles I on ceiling paintings for the Queen’s House in Greenwich. She also painted many portraits and eventually became more famous than her father.

It is believed that Artemisia Gentileschi died in Naples during a devastating epidemic of plague that swept the city in 1656.

The bust of Michelangelo
at Casa Buonarroti

Travel tip:

Casa Buonarroti, which Artemisia Gentileschi helped decorate, is now a museum in Via Ghibellina in Florence in a building Michelangelo left to his nephew, Leonardo Buonarroti. The house was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger. It houses Michelangelo’s early sculptures and a library with some of Michelangelo’s letters and drawings.

The interior of the Anfiteatro di Pozzuoli

Travel tip:

Pozzuoli’s Flavian Amphitheatre (Anfiteatro di Pozzuoli) was the third largest Roman amphitheatre in Italy, holding up to 50,000 spectators. Only the Colosseum in Rome and the Capuan Amphitheatre are larger. It was built during the reign of Vespasian by the same architects who previously constructed the Colosseum. Although most of the superstructure has been destroyed in an area subject to frequent seismic activity, the underground interior is still largely intact and well worth a visit. The amphitheatre is in the centre of the town, about 20km (12 miles) west of Naples, close to the Pozzuoli’s Metro station.

More reading:

The mysterious death of Caravaggio

The brilliance of Michelangelo

The rival who broke Michelangelo's nose in a fight

Also on this day:

1822: The death of the poet Shelley in a storm at sea

1918: Ernest Hemingway wounded working for Red Cross in Italy 

Home