Showing posts with label Giuseppe Tomasi di Lampedusa. Show all posts
Showing posts with label Giuseppe Tomasi di Lampedusa. Show all posts

2 November 2017

Luchino Visconti – director and writer

The aristocrat of Italian cinema


Luchino Visconti came from a family that once ruled Milan
Luchino Visconti came from a family
that once ruled Milan
Luchino Visconti, who most aficionados of Italian cinema would place among the top five directors of all time, was born in Milan on this day in 1906.

Visconti’s movies include Ossessione, Rocco and His Brothers, The Leopard, Death in Venice and The Innocent.

One of the pioneers of neorealism – arguably the first to make a movie that could be so defined – Visconti was also known as the aristocrat of Italian cinema, figuratively but also literally. 

He was born Count don Luchino Visconti di Modrone, the seventh child of a family descendant from a branch of the House of Visconti, the family that ruled Milan from the late 13th century until the early Renaissance.

Paradoxically, although he maintained a lavish lifestyle, Visconti’s politics were of the left. During the First World War he joined the Italian Communist Party, and many of his films reflected his political leanings, featuring poor or working class people struggling for their rights.

He enraged Mussolini with his grim portrayal of Italy's poverty in Ossessione (1943), based on James M Cain’s novel The Postman Always Rings Twice. His first movie as a director, and the film that spawned the neorealist genre that would be the hallmark of post-War Italian cinema, depicted Fascist Italy as a destitute, windblown country, robbed of its dignity. Visconti found himself for several months hounded by the Fascist regime.

The movie poster for the Visconti classic Rocco and His Brothers
The movie poster for the Visconti classic
Rocco and His Brothers
Visconti, who had not helped himself by allowing Communist agitators to hold clandestine meetings in the family palazzo in Milan, was arrested more than once and believed he would have been executed as a subversive had the Allied invasion not driven Mussolini from power.

He continued to explore neorealism in his 1948 movie La Terra Trema – The Earth Trembles – set in the post-War poverty of Sicily, and to an extent in Rocco and His Brothers (1960), a story of the brutal life of Southern Italians trying to better themselves in Milan, said to have influenced Martin Scorsese in his making of Mean Streets and Raging Bull and Francis Ford Coppola’s interpretation of Mario Puzo’s narrative in The Godfather.

Other Visconti films looked at social change as it affected the wealthy, but with a sense of empathy. The Leopard (1963), based on Giuseppe Tomasi di Lampedusa’s novel of the same name, was about the decline of the Sicilian aristocracy at the time of the Renaissance, while The Damned (1969) focussed on a wealthy German industrialist, whose lavish and decadent lifestyle collapses as the Nazis consolidate their grip on power in the 1930s.

Death in Venice (1971), the film for which he is most well known along with as Rocco and His Brothers and The Leopard, was largely concerned with the homosexual obsession of Dirk Bogarde’s character with a teenage boy, played by Bjorn Andresen.

Visconti with the actors Sergio Garfagnoli and Bjorn Andresen (right) on the set of Death in Venice
Visconti with the actors Sergio Garfagnoli and Bjorn
Andresen (right) on the set of Death in Venice
Visconti himself was openly gay and had relationships with the Austrian actor Helmut Berger, who appeared in a number of his films, and his fellow Italian director Franco Zeffirelli, who worked with Visconti in the theatre.

Away from the big screen, Visconti was a huge fan of opera and directed productions at La Scala in Milan, several of which featured the great soprano Maria Callas, the Royal Opera House in London and the Vienna State Opera.

A heavy smoker, said to have worked his way through up to 120 cigarettes a day, he suffered a stroke in 1972 but continued to smoke and died in Rome from complications following another stroke on 1976.

From the 1950s, Visconti would frequently retreat to his villa on the island of Ischia, La Colombaia, built to have the look of a French medieval castle, which he had purchased from a baron and renovated to an impeccably high standard.

The villa now houses a foundation in his name and a museum dedicated to his life.

Visconti's villa on the island of Ischia
Visconti's villa on the island of Ischia
Travel tip:

Ischia is a volcanic island in the Bay of Naples, less famous than its neighbour, Capri, but some would argue to be more beautiful. Famous for its thermal springs and its mineral-rich mud, Ischia has been used as the backdrop for many films.  It has an impressive Aragonese castle, built on a rock near the island in 474 and accessed by a stone bridge.

The Visconti palace in Via Cina del Duca in Milan
The Visconti palace in Via Cina del Duca in Milan
Travel tip:

Visconti grew up in the Palazzo Visconti di Modrone, a 16th century palace that can be found in Via Cino del Duca, about one kilometre from the centre of Milan.  It came into the possession of the modern Visconti family in the 19th century, when it changed hands for 750,000 lire Milanese.  The building, spread over three floors, is one of the richest examples of Milanese rococo.


11 June 2017

Corrado Alvaro - writer and journalist

Novelist from Calabria won Italy's most prestigious literary prize



Corrado Alvaro
Corrado Alvaro
The award-winning writer and journalist Corrado Alvaro died on this day in 1956 at the age of 61.

Alvaro won the Premio Strega, Italy’s most prestigious literary prize, in 1951 with his novel Quasi una vita – Almost a lifetime.

The Premio Strega – the Strega Prize – has been awarded to such illustrious names as Alberto Moravia, Giuseppe Tomasi di Lampedusa, Elsa Morante, Primo Levi, Umberto Eco and Dacia Maraini since its inception in 1947.

Alvaro made his debut as a novelist in 1926 but for much of his life his literary career ran parallel with his work as a journalist.

He was born in San Luca, a small village in Calabria at the foot of the Aspromonte massif in the southern Apennines. His father Antonio was a primary school teacher who also set up classes for illiterate shepherds.

Corrado was sent away to Jesuit boarding schools in Rome and Umbria before graduating with a degree in literature in 1919 at the University of Milan.

He began his newspaper career writing for Il Resto di Carlino of Bologna and Milan’s Corriere della Sera, both daily newspapers, for whom he combined reporting with literary criticism.

Gente in Aspromonte was Alvaro's breakthrough novel in 1931
Gente in Aspromonte was Alvaro's
breakthrough novel in 1931
After serving in the Italian army during the First World War, in which he was wounded in both arms and spent a long time in hospital, he resumed his journalistic career as a correspondent in Paris (France) for the anti-Fascist paper Il Mondo. In 1925, he supported Benedetto Croce’s Manifesto of the Anti-Fascist Intellectuals.

Alvaro’s debut novel L’uomo nel labirintothe Man in the labyrinth, published in 1926, explored the growth of Fascism in Italy in the 1920s, when his politics made him the target of surveillance by Mussolini's Fascist regime. Worried about the possibility of arrest, he moved to Berlin in 1928, and subsequently spent time in the Middle East and the Soviet Union.

On his return to Italy, having had little success with his early novels, he made a breakthrough in 1931 when Gente in Aspromonte, his 1930 novel about an uprising in the area around his home village, won a 50,000 lira prize sponsored by the newspaper La Stampa after impressing a judging panel including the novelist and playwright Luigi Pirandello.

Ironically, given that he was previously under scrutiny as an anti-Fascist, his 1938 novel L’uomo è forte – Man is strong – led him to be accused of being a Fascist sympathiser because its content was strongly critical of communist totalitarianism. Nonetheless, the book won the literary prize of the Accademia d’Italia in 1940.

Alvaro lost his father in 1941 but retained his connection with Calabria through his mother, who had moved from San Luca to nearby Caraffa del Bianco, where his brother, Massimo, was parish priest.

The monument to Corrado Alvaro in Reggio Calabria
The monument to Corrado Alvaro in Reggio Calabria
During the Second World War, Alvaro was briefly editor of the Rome newspaper Il Popolo but he was forced to flee Rome in the later years of the war to escape the Nazi occupation, taking refuge in Chieti, where he assumed a false name, Guido Giorgi, and made a living by giving English lessons.

In 1945 he was co-founder of the Italian Association of Writers, of which he became secretary two years later, a position he retained until his death.  He continued to write for prominent Italian newspapers and penned several more novels and a number of screenplays.

His Strega Prize in 1951 came in a vintage year for Italian literature, coinciding with the publication of L'orologio – the Clock – by Carlo Levi , Il conformista – the Conformist – by Alberto Moravia , A cena col commendatore – Dinner with the commander – by Mario Soldati and Gesù, fate luce – Jesus, make light – by Domenico Rea.

Alvaro died in Rome from lung cancer, having previously undergone surgery for an abdominal tumour. He is buried in the small cemetery of Vallerano in the province of Viterbo in Lazio, about 80km (50 miles) north-west of Rome, where he had bought a large country house in 1939.

His memory is celebrated both in Lazio and Calabria.

In Vallerano, a street, a library and an elementary school are named in his honour, with a statue at the entrance to the library.  The city also established a Corrado Alvaro literary prize in 2015.

In Calabria, the Aspromonte National Park contains a cultural itinerary that includes San Luca and a ‘literary park’ in his name. The regional capital, Reggio Calabria, honoured him with a monument in Piazza Indipendenza.

San Luca is on the eastern slope of Aspromonte
San Luca is on the eastern slope of Aspromonte
Travel tip:

That Alvaro’s home town of San Luca, situated on the eastern slopes of Aspromonte, could produce a literary giant of his standing is remarkable given its history as a stronghold of the N’drangheta – the Calabrian mafia – and the fact that in 1900, when Alvaro was five, it had no drinking water and a 100 per cent illiteracy rate. The only way to reach the village during his childhood was on foot. The convent known as the Sanctuary of Our Lady of Polsi, founded in 1144 by Roger II of Sicily, is situated in a spectacular setting at the foot of a deep gorge just outside the town.

The Loggia del Palazzo dei Papi in Viterbo
The Loggia del Palazzo dei Papi in Viterbo
Travel tip:

Viterbo in Lazio is regarded as one of the best preserved medieval towns in Italy, with the historic San Pellegrino quarter, which features an abundance of typical external staircases, at its centre.  The Palazzo dei Papi, which was the papal palace for about 20 years in the 13th century, and the Cathedral of San Lorenzo, which dates back to the 12th century, has a 14th century Gothic belfry and was largely rebuilt in the 16th century, are among a number of impressive buildings.



20 March 2017

Fulco di Verdura - jeweller

Exclusive brand favoured by stars and royalty


Fulco di Verdura, pictured in around 1939 at the time of launching the Verdura business in New York
Fulco di Verdura, pictured in around 1939 at the time
of launching the Verdura business in New York
The man behind the exclusive jewellery brand Verdura was born Fulco Santostefano della Cerda, Duke of Verdura, on this day in 1898 in Palermo.

Usually known as Fulco di Verdura, he founded the Verdura company in 1939, when he opened a shop on Fifth Avenue in New York and became one of the premier jewellery designers of the 20th century.

Well connected through his own heritage and through his friendship with the songwriter Cole Porter, Verdura found favour with royalty and with movie stars.

Among his clients were the Duchess of Windsor - the former socialite Wallis Simpson - and stars such as Greta Garbo, Joan Crawford, Rita Hayworth, Katharine Hepburn, Paulette Goddard, Millicent Rogers and Marlene Dietrich.

Although Verdura died in 1978, the company lives on and continues to specialise in using large, brightly coloured gemstones.

The Oppenheimer Blue, the most expensive diamond ever sold at auction
The Oppenheimer Blue, the most expensive
diamond ever sold at auction
The most expensive gemstone ever sold at auction, the so-called Oppenheimer Blue diamond, was set in a ring designed by Verdura. It changed hands at Christie's in Geneva for $50.6 million (£34.7 million) in May 2016.

The last to bear the now defunct Sicilian title of Duke of Verdura, Fulco grew up in aristocratic surroundings largely unchanged since the 18th century.  The novel The Leopard, written by his cousin, Giuseppe Tomasi di Lampedusa, is said to depict his eccentric and artistic family.

However, his family were not so wealthy that he could live a life of leisure and it became clear he would need to find a profession appropriate to his stature in society and lucrative enough to fund the lifestyle he wished to maintain.

He wanted to be an artist but his destiny was shaped by meeting Linda and Cole Porter in Palermo in 1919.  They became friends and it was through the Porters that Di Ventura met Gabrielle “Coco” Chanel in Venice in 1925, when they were both guests at a party hosted by the American couple.

Chanel invited him to Paris, initially as a textile designer, but then asked him to update the settings of jewellery she had been given by a number of former lovers and it became clear where his talents lay. They began an eight-year collaboration when Chanel made him head designer of Chanel jewellery.

Cole Porter became a friend and financial backer of Fulco di Verdura
Cole Porter became a friend and financial
backer of Fulco di Verdura
It was not long after Fulco started working for Chanel that he designed the Maltese Cross Cuffs that are now considered the hallmark of the Verdura brand.

Fulco left Chanel in 1934 and moved to the United States, where Diana Vreeland, a Chanel client based in New York, introduced him to the jeweller Paul Flato, with whom he opened a boutique in Hollywood.

He set up on his own in 1939, opening a small salon called Verdura in New York at 712 Fifth Avenue, with the financial backing of Cole Porter and Vincent Astor. His designs were influenced by both his love of nature as a child in Sicily and his admiration for the art of the Renaissance.

His long list of celebrity clients prompted the New York Times to dub him "America's Crown Jeweller".

In 1941, Di Verdura collaborated with Salvador Dalí on a collection of jewellery designs and in the same year designed “Night and Day” cufflinks for Cole Porter, inspired by the lyrics of the hit song.

He continued to work in the United States until 1973, when he sold his stake in the Verdura business to Joseph Alfano, his business partner, and moved to London, where he would focus on painting. He died there five years later at the age of 80.

Verdura logo
In 1985, Alfano sold the company to Ward Landrigan, a former head of Sotheby's American jewellery department. Landrigan decided to preserve the Verdura aesthetic and made jewellery the same way Fulco had, using many of the same jewellers Fulco used.

Landrigan's son, Nico Landrigan, joined Verdura in 2003, becoming President of the company in 2009.

Today, Verdura continues to appear on the pages of the top fashion magazines and celebrity clients include Sarah Jessica Parker, Brooke Shields, Anne Hathaway and Cameron Diaz.

Most of Fulco's designs were from individual commissions, yet he produced an estimated 5,000 items of jewellery during his lifetime.

Travel tip:

If there is one attraction in Palermo that most visitors would describe as a must-see it is the Palatine Chapel, the royal chapel of the Norman kings of Sicily situated on the ground floor of the Palazzo Reale.  The mosaics of the chapel are of unrivalled elegance, noted for subtle changes in colour and luminance. The mosaics of the transept, dating from the 1140s and attributed to Byzantine artists and include an illustrated scene, along the north wall, of St. John in the desert. The rest of the mosaics, dated to the 1160s or the 1170s, feature Latin rather than Greek inscriptions.

Palermo hotels by Booking.com

The Palazzo Valguarnera-Gangi in Palermo
The Palazzo Valguarnera-Gangi in Palermo
Travel tip:

Fulco di Verdura was a cousin of Giuseppe Tomasi di Lampedusa, author of the novel The Leopard, much of which is set in Palermo.  The director Luchino Visconti, who made a film of the book, chose for the magnificent ball at the end of the book the Palazzo Valguarnera-Gangi in Piazza Croce dei Vespri, a palace designed in Baroque style.