Antonia Pozzi - poet

Tragic writer whose work was published only after her death

Antonia Pozzi wrote more than
300 poems in her short life

The poet Antonia Pozzi, who came to be regarded as one of the greatest Italian poets of the 20th century, was born on this day in 1912 in Milan.

Born into a wealthy family, she enjoyed a privileged lifestyle but seemingly a difficult relationship with her parents. She kept diaries and began to write poems as a teenager, although none came to light until she died in tragic circumstances at the age of just 26.

Afterwards, her notebooks were found to contain more than 300 poems, which revealed her to be one of the most original voices in 20th century Italian literature.  Most have subsequently been published, to great critical acclaim.

The daughter of Roberto Pozzi, a prominent Milan lawyer, and his aristocratic wife, Countess Lina Cavagna Sangiuliani, Antonia’s literary talent may have been inherited from her great-grandfather on her mother’s side, the 19th century poet and writer, Tommaso Grossi.

As a teenager, she had multiple interests, studying German, English and French and travelling both within Italy and further afield, to France, Austria, Germany, England, Greece and North Africa, always indulging her love of photography.

Friends said that she was never happier, though, than when she was at the family’s 18th century villa at Pasturo, a village that nestles at the foot of the Orobic Alps near Lecco, some 70km (43 miles) north of Milan. She would spend many hours cycling around local paths and her writing often made reference to the stark but beautiful mountain environment.

Pozzi pictured on the terrace of
the family villa at Pasturo

She attended the Alessandro Manzoni High School in Milan. As a senior student there, she became romantically involved with her Latin and Greek professor, Antonio Maria Cervi. The relationship ended in 1933, apparently after her parents intervened. 

From high school, she enrolled at the University of Milan, studying modern philology. Her circle of friends there included the future poet Vittorio Sereni and the philosophers Enzo Paci and Luciano Anceschi. Her professors included Antonio Banfi, regarded as the most open and modern Italian university professor of the time, who would later become a Communist member of the Italian Senate.

Pozzi graduated in 1935, her degree awarded on the basis of her thesis on Gustave Flaubert, the French novelist.

Banfi had been a signatory to the Manifesto of Anti-Fascist Intellectuals and Pozzi herself became increasingly concerned about the political climate in Italy in the 1930s. Her father was a member of the Fascist Party, who made him mayor of a Lombardy village.

After graduating, she wrote for a magazine, Corrente, and took up a teaching position at a Milanese technical institute in 1937. She did social work as a volunteer, often assisting defendants in juvenile courts.

Sadly, the following year, her health began to decline. She had to undergo an operation to remove her appendix and her recovery was poor, causing her to develop repeated bouts of pneumonia. 

It was on December 12 that year that she was found unconscious in a ditch in the grounds of the Abbey of Chiaravalle, in a southern suburb of Milan, in freezing, snowy conditions. She was taken to hospital but died the following day.

Antonia Pozzi's writing room at the Casa Pozzi
has been kept as it was in her lifetime

A post-mortem found that she had ingested barbiturates, which pointed towards suicide. She was said to have written a farewell note, describing how her health had left her mentally unbalanced. Nonetheless, her parents refused to accept that she had taken her own life and the official record was that she had died from pneumonia. 

The first volume of Pozzi’s poetry was published in 1939 in a private edition, selected by her father, who altered or excluded anything he deemed to be inappropriate or that reflected badly on the family, although protecting his daughter’s reputation was also a likely motivation. 

Expanded editions followed in the 1940s and again in the 1960s.  Through diligent research, some of her admirers in the literary world would later track down copies of the poems Pozzi’s father changed so that the originals could be published as they were written.

Pozzi’s poetry sought, in her own words, ‘to reduce the weight of words to the minimum’ and had a deceptive simplicity.  It perhaps reflected a mood among Italian artists, writers and even architects of her age to reject the grandiose in favour of minimalism.

One critic wrote of her work that ‘her Modernist verse is lyrical and experimental, pastoral and erotic, powerfully evoking the northern Italian landscape and her personal tragedies amid the repressive climate of Fascism’.  She is today seen as one of the most important voices in Italian poetry in the 20th century.

The village of Pasturo can be found amid the
beautiful scenery of Valsassina, north of Lecco

Travel tip:

In Pasturo, a village which sits in the Valsassina basin on the eastern slopes of the Grigna massif in the province of Lecco, the memory of Antonia Pozzi is preserved in a series of 22 wall panels mounted around the streets of the village centre, each bearing verses from her poetry or photographs she took of the village and the surrounding area. The family villa, in Via Alessandro Manzoni, is kept as a museum, which can be visited by groups of 10 by arrangement. The village, which has a population of just short of 2,000, is a starting point for many walking and climbing itineraries.  The village is mentioned in Alessandro Manzoni’s classic novel I promessi sposi (The Betrothed) as a place to which one of the story’s central characters flees to escape the plague.

Find places to stay in Pasturo with Booking.com

The Chiostro della Ghiacciaia, which is part
of the university's Ca' Granda complex

Travel tip:

The University of Milan, founded in 1924 with the merger of two older educational establishments, is one of the largest in Europe, with about 60,000 students and 2,000 permanent staff. Many of the university’s departments are housed in important historic buildings in the centre of Milan, including the Ca’ Granda, a monumental complex from the 15th century in Via Festa del Perdono at the heart of the historical city centre, the 18th-century Palazzo Greppi in Via Sant’Antonio, designed by the architect of Teatro alla Scala, Giuseppe Piermarini, and the 17th-century Collegio di Sant'Alessandro, commissioned by the Arcimboldi family. Ca' Granda was originally commissioned by Francesco I Sforza, the 15th century Duke of Milan, and his wife, Bianca Maria Visconti, who wanted to create a hospital for the poor.

Milan hotels by Booking.com

More reading:

How Andrea Zanzotto drew inspiration from Veneto landscapes

The civil engineer who became a Nobel Prize-winning poet

Dario Fo - the outspoken genius whose work put spotlight on corruption

Also on this day:

1539: The death of influential marchioness Isabella d’Este

1571: The death of Renaissance sculptor Benvenuto Cellini

1816: Fire damages Teatro di San Carlo

1960: The birth of football referee Pierluigi Collina

(Picture credit: Antonia Pozzi's writing room by Xavier Caré; Pasturo landcape by Ago76; Chiostro della Ghiacciaia by Giovanni Dall'Orto; all via Wikimedia Commons)

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Angelo Rizzoli – publisher

Rags to riches story of an editorial entrepreneur

Angelo Rizzoli was raised in
an orphanage in Milan

Printer, publisher and film producer Angelo Rizzoli was born on this day in 1889 in Milan.

Rizzoli was orphaned when still very young and grew up in poverty, but by the time he was in his 20s he had become an entrepreneur.

Young Angelo was brought up in the orphanage of Martinitt in Milan, which had been founded in the 16th century in Via Manzoni for orphaned and abandoned Roman Catholic boys. It was there that he learnt the trade of a printer. 

Along with another trained print worker, and using his savings for the downpayment on a Linotype machine, he opened a typographical firm under the name of A. Rizzoli & C. in Via Cerva in Milan in 1911. The company was later to evolve into the publishing giant, RCS MediaGroup.

Rizzoli acquired Novella magazine, a bi-weekly aimed mainly at women and went on to add new publications, such as Annabella, Bertoldo, Candido, Omnibus, Oggi and L’Europeo.

In 1929, he started publishing books, producing La Storia del Risorgimento by Cesare Spellanzon. He later began producing both classic and popular novels.

The Rizzoli logo has become
famous in Italian publishing 

His business gradually grew. He bought the Lama di Reno paper mill, near the town of Marzabotto in Emilia-Romagna, which would become the supplier of paper for the entire publishing empire, and in 1960 the moved to a large complex in the northeast of Milan in Via Civitavecchia, since renamed Via Angelo Rizzoli. 

Rizzoli’s dream of producing a new national newspaper never materialised although four years after his death his company purchased Corriere della Sera, Italy’s biggest selling daily. 

His interest in the film industry led him to create the production and distribution house Cineriz - short for Cinema Rizzoli - in 1956. The company produced two of Federico Fellini’s most famous films, La dolce vita in 1960 and Otto e mezzo in 1963.

Angelo Rizzoli (right) with son Andrea (centre) and
nephew Angelo jr, who would take over the business

In recognition of his success as an entrepreneur, Rizzoli was given the title cavaliere del lavoro. In 1967, he was also given the title of Conte, by the ex-king of Italy, Umberto of Savoy, who was at the time living in exile in Lisbon in Portugal.

Rizzoli married Anna Marzorati, the daughter of one of his first clients, in 1912. The couple had three children, Andrea, Giuseppina, and Giuditta. Rizzoli died in 1970 at the age of 81 in Milan, leaving a fortune of more than 100 billion lire in his will.

The company passed into the hands of Andrea Rizzoli. His nephew, also called Angelo, joined the company’s board. Andrea enjoyed success in another sphere as the owner and president of AC Milan football club between 1954 and 1963, during which time the club won the Serie A title four times and the European Cup for the first time in its history.

RCS Media group (formerly Rizzoli-Corriere della Sera) has since changed hands a number of times but remains an international multimedia publishing group producing daily newspapers, magazines and books and operating in radio broadcasting, new media and digital and satellite TV.

The Casa Manzoni can be found where
Via Morone meets Piazza Belgioioso

Travel tip:

Rizzoli grew up in the orphanage of Martinitt in Via Manzoni in Milan, which was housed in the oratory of Saint Martin that had been originally given to the founder of the orphanage, Gerolamo Emiliani, by Francesco II Sforza. The street takes its name from the writer Alessandro Manzoni, the author of I promessi sposi (The Betrothed), one of the most famous novels in Italian literary history, who was born in a house on nearby Via Gerolamo Morone. Via Manzoni, which stretches from Piazza della Scala towards the Piazza Cavour, today is a busy shopping street, one section of which is part of the quadrilatero della moda - Milan’s famous fashion quarter, where most of the biggest names in haute couture have a presence.

Rizzoli's Albergo Reginella Isabella 
was Ischia's first luxury hotel

Travel tip:

Angelo Rizzoli has a street named after him on Ischia, the verdant island off Campania that he fell in love with on his first visit in 1950. He established a home for himself and his family there in Villa Arbusto, an 18th century house in the spa of Lacco Ameno. The house is now given over to a museum displaying Greco-Roman and other artefacts recovered on the island. Rizzoli was invited to take part in a project to renovate the Regina Isabella spa at Lacco Ameno and accepted enthusiastically. He also built the main hospital of Ischia, which is named Anna Rizzoli in honour of his wife, and the Albergo Reginella Isabella, the island’s first luxury hotel .

Also on this day:

1847: The birth of electrical engineer Galileo Ferraris

1929: The birth of swimmer-turned-actor Bud Spencer

1984: The death of Neapolitan playwright Eduardo De Filippo

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Arnaldo Pomodoro - sculptor

Romagnolo artist best known for his Sphere within Sphere series

Arnaldo Pomodoro, pictured in 1975, is regarded 
as one of Italy's most influential sculptors

The avant-garde sculptor Arnaldo Pomodoro, who became famous for a series of monumental spherical bronze sculptures with their outer surface cracked to reveal intricate interiors, was born in Morciano di Romagna, a small town just inland from the Adriatic coast, on this day in 1926.

Pomodoro’s first Sphere within Sphere (Sfera con Sfera) was installed in the Cortile della Pigna courtyard at the Vatican Museums in Roma in the 1960s and he has subsequently produced versions for many locations around the world.

These include Trinity College, Dublin, the United Nations Plaza and Mount Sinai Hospital in New York, museums in Washington D.C., Tehran and Tokyo and on the beach front at Pesaro, another Adriatic resort not far from Pomodoro’s birthplace.

Broadly speaking, the sculptures, which contain a smaller sphere at the centre of the larger, broken sphere, separated by layers of what look a little like the inner workings of a watch, represent the fragility of the world or of society and the complexities that lie beneath the surface.

Although he was interested in art from a young age, when he was inspired by the countryside and architecture of Montefeltro, an historical region close to where he grew up, Pomodoro’s career initially followed a different path.

Pomodoro's first Sfera con Sfera, which is at the
 centre of the Cortile della Pigna at the Vatican

He studied at the Technical Institute for Surveyors in Rimini and secured a job in the Public Works Office in Pesaro, both resorts being within 30km (19 miles) of his home. His work involved the restoration of public buildings.

Yet his curiosity with forms of art led him to study subjects from stage set design to jewellery design in his spare time.

It was after he moved to Milan in 1954, when the city was seen to be at the cutting edge of theatre, art and music, that he began to pursue his interest more vigorously. He started to frequent the Jamaica Bar in the Brera district, a popular meeting place for artists and intellectuals.

His earliest sculptures were shown at the Galleria del Naviglio in Milan in 1955. Arnaldo’s younger brother, Giò, was similarly keen to develop his talent for sculpture and the two participated in the Venice Biennale.

Pomodoro spent the early part of the 1960s in the United States after obtaining a grant to study American art. He exhibited at a number of festivals, in 1964 winning the International Prize for Sculpture at the São Paulo Biennale and also the National Prize for Sculpture at the XXXII Venice Biennale.

He remained in the United States, becoming an artist in residence at Stanford University, and then at University of California, Berkeley.

Disco Grande in Milan is one of
Pomodoro's personal favourites

In the 1970s, Pomodoro gained renown for his work with geometric shapes, with disks, pyramids and cubes but in particular spheres.  His Sfera con Sfera at the Vatican Museums attracted huge interest, leading to commissions to create versions of the same sculpture for locations around the world, around 20 in total.

Other works by Pomodoro to have found permanent homes include a large fibreglass crucifix for the Cathedral of St. John the Evangelist in Wisconsin, which features a 14-foot (4.27m) diameter crown of thorns which hovers over the figure of Christ.

In Copenhagen, Denmark, a decorative pillar with a sphere on its top, called Solar Form, in the Amaliehaven park close to Amalienborg Palace, was sculpted by Pomodoro, who is also responsible for a pyramid named Forms of Myth, which was bought by the city of Brisbane in Australia after being unveiled at Brisbane's World Expo. Another pyramid sculpture, Wing Beat: Homage to Boccioni, sits in the centre of a large fountain in Los Angeles.

Pomodoro, now 96, has described his Disco Grande, which can be found in Piazza Filippo Meda in the centre of Milan, as one of the works that has given him the most personal pride.  The 4.5m (15ft) bronze disc, which weighs around seven tons and has two faces, has five large cracks extending to its outer edges, with a design that evokes an exploding sun or star at the centre.

The sculptor talks of Milan as the city that adopted him and the disc, which has echoes of Leonardo da Vinci’s Vitruvian Man, the drawing he made in the late 15th century of a male figure within a circle, as representing the dynamism, optimism and solar strength of the city.

Pomodoro's Sfera con Sfera on the promenade
in Pesaro, where he worked as a young man

Travel tip:

Pesaro, where Pomodoro worked after graduating from college, is a coastal city in Le Marche with a 15th century Ducal Palace, commissioned by Alessandro Sforza. It has become known as the city of music because the opera composer Gioachino Rossini was born there in 1792. The Rossini Opera Festival has taken place in Pesaro every summer since 1980 and the town is home to the Conservatorio Statale di Musica Gioachino Rossini, which was founded from a legacy left by the composer.  In addition to its long stretch of sandy beach, which extends for around 7km (4.3 miles), the city, which has a population of almost 100,000, is dubbed the Città della Bicicletta (the City of the Bicycle) for its extensive network of cycle paths.

A characteristic narrow street in
Milan's fashionable Brera district

Travel tip:

The Brera district of Milan is thought to derive its name from the Lombardic word ‘brayda’, which was ninth century military terminology for ‘an area cleared of trees’.  Today, it is one of Milan’s most fashionable neighbourhoods, its narrow streets lined with trendy bars and restaurants. It has been traditionally home to the city’s artists and writers, which gives it a  Bohemian feel that has brought comparisons with Montmartre in Paris.  The Brera is home to the Brera Academy of Fine Arts and the Brera Art Gallery. The Jamaica dal 1911 Ristorante, where Pomodoro and his artist friends were regulars, can be found in Via Brera, the street that dissects the area, between Via Pontaccio and Via Fiori Chiari.

Also on this day:

1945: The birth of partisan Giuseppina Tuissi

1980: The birth of tennis champion Francesca Schiavone

2008: The death of actor and voice dubber Claudio Capone

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Muzio Attendolo Sforza - condottiero

Mercenary captain who founded Sforza dynasty

Muzio Attendolo Sforza became a
soldier at the age of just 13

Muzio Attendolo Sforza, who is recognised as the founder of the Sforza dynasty that ruled the Duchy of Milan from 1450 to 1535, was born on this day in 1369 in Cotignola, a town in Emilia-Romagna about 25km (16 miles) west of Ravenna.

A career soldier who made his fortune as a mercenary captain - a condottiero - Muzio was a key figure in many of the wars between rival states across Northern Italy in the late 14th and early 15th century, eventually losing his life on the battlefield.

He acquired the name Sforza initially as a nickname but it was eventually adopted as a family name. His illegitimate son, Francesco, one of Muzio’s 16 known children, became the first Sforza Duke of Milan through his marriage to Bianca Maria Visconti, whose father, the last Visconti Duke of Milan, died without a male heir.

Some accounts have it that the Sforza family grew from peasant origins. Muzio, in fact, though from a rural background, was born into family with noble roots, who were relatively well off.

Given the name of Giacomo or Jacopo at birth, he was called Muzio because it had been the name by which his paternal grandfather, Giacomuzzo, was commonly known.

According to legend, the 13-year-old Muzio was hoeing a field on the family estate when a company of mercenaries led by the condottiero Boldrino da Panicale passed nearby, seeking recruits. Muzio, tempted to join them in search of a more exciting life, is said to have thrown his hoe at a nearby tree, deciding that if the blade stuck in the tree then fate would have determined that it was right for him to join up. It did stick, upon which he stole one of his father’s horses and headed for a new life.

He stayed with Da Panicale for four years, initially as a page and guard, then an infantryman. His father forgave him for stealing a horse and in 1386 made him a gift of four horses, which enabled Muzio, along with his brothers, Bosio, Francesco and Bartolo, to join the company of Alberico da Barbiano, the protege of the English mercenary John Hawkwood, which fought under the flag of St George.

Sforza fought for numerous warring
states in the Italy of the Middle Ages

It was in this Compagnia di San Giorgio that he became known as Sforza, after his refusal to be discouraged and ability to turn situations to his favour through his unwillingness to give up a fight. In modern Italian, the verb sforzare can mean “to strive”. 

In the manner of condottieri, he fought with and against different leaders at different times, including Gian Galeazzo Visconti of Milan and the Medici of Florence.  In the Battle of Casalecchio in 1402, leading the armies of Bologna and Florence, he came up against a Milanese army led by Da Barbiano and was defeated. In 1409, he fought for Niccolò III d'Este’s Ferrara against Ottobuono de' Terzi of Reggio-Emilia.

Later he entered the service of the Kingdom of Naples, mainly fighting against the forces of Florence and the Papal States. It was while he was in the service of Queen Giovanna that he died, in 1423.

Sent to aid the city of L’Aquila in their uprising against Braccio da Montone, he went to the aid of a page, who was in difficulties during the crossing of the Pescara river, near the coastal city of the same name, but himself encountered a strong current. He was swept away and drowned.

Muzio’s 16 children were borne by three wives and two mistresses.  Francesco was the first of eight children he fathered with his mistress, Lucia Terzani da Marsciano. 

Born in 1401, he fought alongside his father in the War of L’Aquila, participating in Braccio da Montone's eventual defeat in that campaign. Subsequently, he fought for the army of Naples and then for Pope Martin V and the Duke of Milan, Filippo Maria Visconti. After leading the Milanese forces against Venice, the duke’s daughter was betrothed to him. He became Duke of Milan himself in February 1450, three years after Filippo Maria Visconti died.

He controlled the Duchy for 16 years until his death. Five other Sforza Dukes of Milan followed, the last of whom, Francesco II, died childless in 1535, upon which the Duchy reverted to the Holy Roman Emperor, Charles V. 

The church of San Francesco in Cotignola, which
was turned into the Sforza family tomb in 1400

Travel tip:

The town of Cotignola in Emilia-Romagna, where Muzio Attendolo Sforza was born, is situated about 25km (16 miles) from Ravenna and 13km (8 miles) north of Faenza. It had the misfortune to find itself on the German World War II defensive line along the Senio river, established in 1944 an attempt to repel the Allied advance following the invasion of Sicily. As a result, it was largely destroyed by bombing. After the war, the town did its best to restore some of its more important landmarks, which include the tower belonging to the English mercenary soldier, John Hawkwood, and the Palazzo Sforza, the historical residence of the Sforza noble family, which was rebuilt in 1961. Some original features, such as the coat of arms of the House of Sforza and the portico columns, were preserved.  Just outside the centre of the town is the church of San Francesco, with the oratory of Santa Maria degli Angeli, which was turned into the tomb of the Sforza nobles in 1400. 

The inner courtyard of the Castello Sforzesco
and the imposing Torre del Filarete

Travel tip:

Among the main sights in Milan is the impressive Sforza castle, Castello Sforzesco, which Francesco Sforza had built on the site of the Castello di Porta Giovia, which had been the main residence in the city of the Visconti family.  Galeazzo II Visconti was responsible for the original, a square-plan castle with 200m-long sides, four towers at the corners and walls up to seven metres (23 ft) thick. Francesco Sforza hired the sculptor and architect Filarete to design and decorate the central tower, which is still known as the Torre del Filarete. Renovated and enlarged a number of times in subsequent centuries, it became one of the largest citadels in Europe and now houses several museums and art collections. After Ludovico Sforza became Duke of Milan in 1494, he commissioned Leonardo da Vinci to fresco several rooms. For more information visit www.milanocastello.it

Also on this day:

1606: The painter Caravaggio murdered Ranuccio Tomassoni in Rome, after a brawl

1692: The birth of composer Geminiano Giacomelli

1839: The birth of author and journalist Luigi Capuana

1987: The birth of cricketer Leandro Jayarajah

1999: Leonardo da Vinci’s restored wall painting of The Last Supper - commissioned by Ludovico Sforza - goes back on display in Milan

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Renata Scotto - soprano and opera director

Singer who stood in for Callas became an international star

After making her debut in 1952, Scotto had
established herself as a star within five years

Opera singer Renata Scotto, who was one of the leading sopranos in the world at the height of her career, was born on this day in 1934 in Savona in Liguria.

Admired for her musicality and acting ability, Scotto was one of the most popular singers during the bel canto revival of the 1960s, performing throughout Italy, and in the UK, America, Russia, Japan, Spain, France and Germany.

She sang opposite great tenors such as Mario del Monaco, Alfredo Kraus and Luciano Pavarotti.

Scotto made her stage debut on Christmas Eve 1952 at the age of 18 as Violetta in Giuseppe Verdi’s La traviata, singing to a sold-out house in Savona, her home town. The next day she made her official debut at the Teatro Nuovo in Milan as Violetta. Shortly afterwards, she performed in Giacomo Puccini’s Madama Butterfly in Savona.

In 1953 she appeared at Teatro alla Scala in Milan as Walter in Alfredo Catalani's La Wally alongside Renata Tebaldi and Mario del Monaco and, on the opening night, was called back for 15 curtain calls.

At the Edinburgh Festival in 1957 she stood in for Maria Callas, who had refused to appear saying she was ill, as Amina in La Scala’s production of Vincenzo Bellini’s La sonnambula. The performance was a great success and Scotto, at the age of 23, had become an international opera star.

Scotto also achieved much
success as a director 

In 1961 she performed the role of Amina again ,appearing with the tenor Alfredo Kraus at La Fenice in Venice.

For more than 40 years, Scotto performed more than 45 different roles in operas written by Donizetti, Meyerbeer, Verdi, Puccini, Bellini, Ponchielli and many more composers.

In 1960, she married Lorenzo Anselmi, who was the first violinist at La Scala. They had two children and eventually the family made their home in America,  where Scotto had great success at the Metropolitan Opera House in New York.  Lorenzo died in 2021 at the age of 87, by which time they had moved back to Italy, returning to Savona.

Since the 1990s, Scotto has been a stage director with many credits to her name. She won an Emmy Award for her telecast of La traviata at New York City Opera in 1995. In 2009, she won an Anton Coppola Award for Excellence in the Arts.

Renata Scotto celebrates her 88th birthday today.

Savona, a centre for shipbuilding, used to have
many iron works and foundaries

Travel tip:

Liguria’s third largest city after Genoa and La Spezia, Savona used to be one of the biggest centres of the Italian iron industry, the iron works and foundries providing materials for shipbuilding and railways among other things. It also has a busy port but as well as industrial areas the city has a charming medieval centre containing architectural gems such as the Baroque Cattedrale di Nostra Signora Assunta - behind which is Italy’s other Sistine Chapel, like the Rome version erected by Pope Sixtus IV - and the Fortezza del Priamar, built by the Genoese in 1542 after their conquest of the city and later used a prison. The popes Sixtus IV and Julius II were born in the city and it was there in 1830 that the revolutionary Giuseppe Mazzini was imprisoned.   Food specialities include gnocchi with nettles, bardenulla (white polenta flavoured with leek and mushrooms) and tagliatelle with mushrooms.

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The Teatro Nuovo in Milan is part
of a modern shopping complex

Travel tip:

The Teatro Nuovo theatre in Milan, where Scotto made her official debut in Verdi’s La traviata in 1952, is located on the Piazza San Babila in the lower level of the Palazzo del Toro. It was designed by architect Emilio Lancia and was the project of the impresario Remigio Paone. It was inaugurated in December 1938 with a performance of Eduardo De Filippo's comedy Ditegli sempre di sì. Piazza San Babila is characterised by the presence of a fountain built in 1997 by the architect Luigi Caccia Dominioni in conjunction with the Ente Fiera Milano.

Stay in Milan with Booking.com

More reading:

Powerful voice made Mario del Monaco the perfect Otello

A star who prospered despite Madama Butterfly debut flop

The tragedy of Alfredo Catalani's early death

Also on this day:

1607: The debut of Monteverdi’s first opera, L’Orfeo

1896: The birth of restaurateur Cesare ‘Caesar’ Cardini

1934: The birth of politician Bettino Craxi

1990: The death of former president Sandro Pertini

(Picture credits: Savona by Andrea Ridács via Pixabay)

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Francesco Hayez - painter

Artist who pushed boundaries of sensuality

Francesco Hayez, as he appeared
in an 1820s self-portrait

The painter Francesco Hayez, regarded as the father of the Milanese Romanticism movement in the mid-19th century and an artist renowned for his depictions of historical events and for his political allegories, was born on this day in 1791 in Venice.

His father, a fisherman, was French in origin and married a girl from Murano called Chiara Torcello, although they were a relatively poor family and Francesco was largely brought up by his wife’s sister, who had the good fortune to marry Giovanni Binasco, a wealthy ship-owner who dealt in antiques and collected art.

It was Binasco who fostered in Hayez his love of painting and after initially beginning an apprenticeship as an art restorer became a pupil in the studio of the Venetian painter Francesco Maggiotto. He was admitted to the New Academy of Fine Arts in Venice in 1806.

Hayez moved to Rome in 1809 after winning a one-year scholarship at the Accademia di San Luca.  In the event, he stayed in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat, the  French military commander and statesman who was King of Naples under Napoleonic rule, to paint a major work. 

By the mid-1830s, Hayez had become interested in the growing Risorgimento movement, the proponents of which foresaw an Italy liberated from foreign control in which artistic expression could thrive. He moved to Milan, where he met like-minded painters and writers at the Salotto Maffei, the salon hosted by Clara Maffei, whose portrait Maffei's husband commissioned Hayez to paint. 

Hayez's 1867 painting, The destruction
of the Temple of Jerusalem

It was in Milan that he established himself at the centre of intellectual life, being held in such high regard that in 1850 he was appointed director of the Brera Academy, where he remained for the rest of his working life. His pupils included Alessandro Focosi, Angelo Pietrasanta and Francesco Valaperta.

Hayez’s output was substantial and varied throughout his career, from biblical themes to grand works depicting key contemporary political and social figures in settings from Italian history. 

He had a particular penchant for paintings involving semi-clothed Odalisques, a favorite topic of Romantic painters. These women were female attendants in Turkish harems under Ottoman rule but the term came to mean a concubine in western usage, and their depiction in historical works allowed artists the ability to paint scenes that otherwise would not be deemed acceptable in 19th century society.

Later, Hayez focussed more and more on allegorical themes, often with strong patriotic or political connotations.

The allegorical painting, Il bacio, is seen
by some as Hayez's finest work

It was during this phase that he produced one of his most famous works, and one that many of his contemporaries regarded as his best, Il bacio - The Kiss - painted in 1859.

Il bacio is notable first for the passion with which the male figure kisses the woman, one hand at the back of her head while the other caresses her face, a sensual echo of his much earlier work, L'ultimo bacio di Romeo e Giulietta - The Last Kiss of Romeo and Juliet - painted in 1823, in Romeo’s hand on Juliet’s lower back, pulling her closer to him, was seen as somewhat risqué at the time.

It was seen as having a political message, too. Painted at a time when Milan and much of northern Italy was under the control of the Austrian Empire and the Habsburgs, Il bacio was interpreted as showing a young Italian soldier kissing goodbye to his lover before going off to fight for Italy against the Austro-Hungarians. 

This was reinforced in a later version - Hayez is thought to have painted five versions in total - in which the red and green in the male figure’s costume, juxtaposed to a white shawl that has fallen on to some nearby steps, is seen to represent the Italian tricolore, and the blue and white of the woman’s clothing, next to the red of the man’s tights, is taken to represent the French flag, symbolising the alliance between Italy and France that ultimately brought about Italian unification.

Hayez was in demand also for his portraits, often commissioned by the nobility but also by his fellow artists and musicians. In the late stages of his career, he was known to have made use of photographs, sparing his subjects the need to pose for long periods. 

He died in Milan in 1892 at the age of 91.

A canal in Murano, flanked by the examples of
the island's characteristic coloured houses

Travel tip:

Murano, the home of Francesco Hayez’s mother, is a group of islands in the Venetian lagoon about a kilometre across the water from Venice’s northern shore. Like its neighbour, it has a network of canals. Historically a fishing port and a centre for salt production, nowadays it is famous for its multi-coloured houses and glass factories and attracts crowds of tourists, although this does not detract from its charm. The island is proud of its glass-making history, which can be studied at the Museo del Vetro, on Fondamenta Giustinian, but aggressive sales techniques and cheap imports masquerading as Murano glass have sullied its reputation in recent years.

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The Palazzo Brera is home to the Milan's
renowned Accademia di Belle Arti

Travel tip:

The Accademia di Belle Arti di Brera, sometimes shortened to Accademia di Brera, where Francesco Hayez was the director, is now a state-run tertiary public academy of fine arts in Via Brera in Milan, in a building it shares with the Pinacoteca di Brera, Milan's main public museum for art, which houses the original version of Il bacio. The academy was founded in 1776 by Maria Theresa of Austria and shared its premises with other cultural and scientific institutions, including an astronomical observatory, botanical garden, school of philosophy and law, laboratories for physics and chemistry, and a library. The main building, the Palazzo Brera, was built in about 1615 to designs by Francesco Maria Richini.

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More reading:

How Giovanni Mazzini inspired the Risorgimento movement

Baldassare Verazzi, the painter who captured the Five Days of Milan uprising

The 18th century master of frescoes who became court painter to Napoleon

Also on this day:

1482: The death of sculptor Luca della Robbia

1821: The birth of painter Roberto Bompiani

1918: The death of Nobel Prize-winning peace activist Ernesto Teodoro Moneta

1944: The birth of writer and politician Raffaele Lauro

1953: The founding of oil and gas company ENI

1966: The birth of footballer Andrea Silenzi

(Paintings: Hayez's Self-Portrait in a Group of Friends (1824), Museo Poldi Pezzoli, Milan; The Destruction of The Temple of Jerusalem (1867), Gallerie dell'Accademia, Venice; Il bacio (1859), Pinacoteca di Brera, Milan)

(Picture credits: Palazzo Brera by MarkusMark via Wikimedia Commons)

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Mariuccia Mandelli – fashion designer

'Godmother of Italian fashion' was immortalized by Warhol

Mariuccia Mandelli's trademark bob and
red lipstick in Andy Warhol's painting 

Mariuccia Mandelli, the founder of the fashion house Krizia, was born on this day in 1925 in Bergamo in northern Italy.

Although Mandelli trained to be a primary school teacher on the advice of her mother and pursued a teaching career when she was in her twenties, she had a talent for sewing and had always been interested in fashion. It took just one lucky break to get her started.

When a friend offered her the use of a flat rent-free for six months, Mandelli went to live there, bought an old sewing machine and started making clothes. She then launched her label, Krizia - a name by which she was sometimes known - by selling the clothes from her small car, a Fiat 500. She used to drive to shops in Milan with suitcases full of samples and by 1954 had established a ready-to-wear fashion house.

Mandelli also went on to establish a popular line of men’s wear, one of the first female fashion designers to do this successfully.

In 1964, Mandelli unveiled her first black-and-white collection at the Palazzo Pitti in Florence, the designs for which earned her a Critica della Moda award.

The Krizia logo became famous
in the 1960s and '70s

Her fashion house, Krizia, grew rapidly during the 1960s and 1970s. In 1971, Mandelli launched a style of shorts cut very short, which were possibly the first version of hot pants to appear. Her knitwear became instantly recognizable, featuring animals such as elephants, lions, tigers, leopards and giraffes in the designs. During the 1990s, Krizia grew into a multi-million-dollar business and Mandelli’s hairstyle and trademark red lipstick were captured in a portrait by Andy Warhol.

Mandelli stepped down from her leadership of the company in 2014 when it was sold to a Chinese corporation, Shenzhen Marisfrolg, having run Krizia for 60 years.

After Mandelli died at her home in Milan in December 2015 at the age of 90, an obituary in the Guardian newspaper called her the Godmother of Italian fashion.

The Città Alta's elevated position offers
views over beautiful rolling countryside

Travel tip:

Mariucccia Mandelli was born in Bergamo’s Città Alta and although she lived in Milan after launching Krizia, she remained proud of her home town and often talked about it in interviews. Bergamo is just under 60km (37 miles) to the northeast of Milan, close to the Italian lakes and alpine skiing resorts and is regarded as Lombardy’s second most important city. Bergamo is an artistic and cultural treasure chest, but also has its own natural beauty, set among hills, mountains, lakes and rolling countryside. The Città Alta is visible in the skyline from both Bergamo airport and the city’s lower town, the Città Bassa. It is an impressive fortified city in its own right, which has retained many of its 12th century buildings and also has some stunning Renaissance and Baroque architecture.  

The Palazzo Pitti became the main Florence
residence of the wealthy Medici family

Travel tip:

Palazzo Pitti, in Florence, where Mariuccia Mandelli showed her famous black and white collection in 1964, was originally built for the banker Luca Pitti in 1457 to try to outshine the palaces owned by the Medici family. The Medici eventually bought Palazzo Pitti from Luca Pitti’s bankrupt heirs and made it their main residence in Florence in 1550. Today, visitors can look round the richly decorated rooms and see artistic treasures from the Medici collections. The beautiful Boboli Gardens behind the palace are 16th century formal Italian gardens filled with statues and fountains.

Also on this day:

1788: The death in Rome of Bonnie Prince Charlie, pretender to the British throne

1857: The birth of architect Ernesto Basile

1888: The death of Saint Don Bosco

1933: The birth of Mafia boss Bernardo Provenzano

1942: The birth of actress Daniela Bianchi 

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Stefano Boeri - architect

Milan urban planner famous for Vertical Forest

Stefano Boeri is a specialist in
sustainable development projects

The architect Stefano Boeri, a specialist in environmentally sustainable developments and best known for his Bosco Verticale - Vertical Forest - project in Milan, was born on this day in 1956 in Milan.

The Bosco Verticale consists of two residential tower blocks in the Isola neighbourhood in the north of the city, just beyond the Porta Garibaldi railway station.  The two towers, one of 111m (364 ft), the other of 76m (249 ft), incorporate 8,900 sqm (96,000 sq ft) of terraces that are home to approximately 800 trees, 5,000 shrubs and 11,000 perennial plants.

The vegetation - the equivalent of what might be found in three hectares of woodland but with a footprint of just 3,000 sqm - mitigates against urban pollution, absorbing dust and carbon dioxide while producing oxygen. The trees also provide natural climate control for the inhabitants, shading the interior from sun in the summer and blocking cold winds in the winter.

Boeri incorporated other features to make the building self-sufficient, generating energy from solar panels and using filtered waste water to irrigate the plants.

Construction of the towers began in late 2009 and the project was completed in 2014, since which time similar projects have been started in Lausanne in Switzerland, Eindhoven and Utrecht in the Netherlands and several cities in China.

Boeri studied architecture at the Polytechnic University of Milan, where he earned a master's degree, before adding a PhD in architecture in 1989 from the Istituto Universitario di Architettura di Venezia.

Boeri's Bosco Verticale tower blocks are now
a eyecatching feature of the Milan skyline

He was editor-in-chief of the international architectural magazine Domus from 2004 to 2007 and the Italian monthly design magazine Abitare from 2007 to 2011. He founded Multiplicity, a research agency investigating the relationships between geopolitics and urban planning, took part in numerous international exhibitions and wrote many academic articles.

In 1999, he founded the Boeri Studio with fellow architects Gianandrea Barreca and Giovanni La Varra, that evolved in 2009 into Stefano Boeri Architetti, in partnership with Michele Brunello, which now has offices in Shanghai and Doha, Qatar as well as Milan.

Between April 2011 and March 2013, Boeri was Head of Culture, Design and Fashion for the city of Milan, and between July 2014 and October 2015 was Councillor for Culture and Major Events for the Mayor of Florence.

Other notable projects for which Boeri was responsible include the Villa Méditerranée in Marseille and the House of the Sea of La Maddalena in Sardinia.

The Villa Méditerranée in Marseille, with the city's
Romanesque-Byzantine style cathedral in the distance

The Villa Méditerranée is a museum and cultural center dedicated to historical, cultural, scientific, and sociological matters affecting countries bordering the Mediterranean. Located in the docks area of the port of Marseille, the building features a cantilevered exhibition floor and an underwater conference suite.

Located on the south-western edge of the port area of La Maddalena, the main a town in the Maddalena archipelago off the northern tip of the island of Sardinia, the House of the Sea building, which is used for commercial purposes as well as hosting exhibitions dedicated to nautical and sailing events, is a striking structure consisting of two rectangular elements of different sizes, one placed flush with the quay and, suspended above, a larger upper body that juts out over the water.

Boeri is married to Maddalena Bregani, a former TV writer and editor who co-founded the Multiplicity agency with him and now works as a consultant in projects around the cultural production and the communication fields, based in Milan. 

The Unicredit Tower is
another Isola landmark

Travel tip:

Situated adjacent to the Porta Garibaldi railway station, Isola used to be one of Milan’s toughest working-class neighbourhoods but since the early 2000s, after rents in the sought-after Brera and Navigli districts increased sharply, artists and young professionals began to be drawn to the Isola area’s village vibe and much cheaper apartments and is now one of the city’s trendiest,  up-and-coming areas, well connected to the city centre by a metro line. The area boasts a vibrant nightlife, chic boutiques, some fine restaurants and an array of cafes serving good coffee and delicious pastries. The area has also become famous for second-hand shops that stock vintage designer pieces, such as Chanel bags and Ferragamo shoes.

The Maddalena Archipelago is known for its
white sand beaches and crystal clear waters

Travel tip:

The Maddalena Archipelago is a group of islands in the Strait of Bonifacio between the French island of Corsica and north-eastern Sardinia (Italy). It consists of seven main islands and numerous small islets, the largest one of which is the island of La Maddalena with its homonymous town. Maddalena has the same clear waters and wind blown granite coastlines as the nearby upmarket tourist resorts of the Costa Smeralda but remains a haven for wildlife, home to the Parco Nazionale Arcipelago di La Maddalena.

Also on this day:

1343: Amalfi destroyed by tsunami

1881: The birth of Angelo Roncalli, the future Pope John XXIII

1939: The birth of actress Rosanna Schiaffino

1950: The birth of novelist Giorgio Faletti

1955: The birth of dance show judge Bruno Tonioli

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