Much-loved star was pioneer of Italy’s musical comedy genre
Delia Scala, a ballerina who became a stage and screen actress, helped popularise musical comedy in Italy in the 1950s and ‘60s and presented light entertainment shows on television, died on this day in 2004 in Livorno, in Tuscany.
Delia Scala's versatility as an entertainer
gained her big roles in musical comedy
Born Odette Bedogni in Bracciano, Lazio in 1929, she had suffered a recurrence of the breast cancer for which she had been successfully treated in the 1970s, passing away at the age of 74.
Her personal life was marred by tragedy. Her father and one of her three husbands died in road accidents, while the racing driver to whom she was engaged after her first marriage was annulled was killed on the track. Her third husband died from cancer.
Yet in her career she enjoyed considerable success and became hugely popular with Italian audiences. After her death, the President of Italy at the time, Carlo Azeglio Ciampi, described her as a "model of enthusiasm and rigorous professionalism" and said he rated her among "the most beloved and popular artists in the history of Italian entertainment".
As a child, Scala inherited a love of music and dance from her mother, Iolanda, who chose Odette as her name after the title of one her favourite songs. When her father, Aldo, a test pilot with the Italian air force, was transferred from Bracciano to Malpensa, near Milan, the family settled in Gallarate, near Varese and Lake Maggiore.
Already showing talent, the eight-year-old Odette was given a place at the Ballet School of Teatro alla Scala, Milan’s prestigious opera house, where she would remain for seven years. Her family moved again, when her father left the air force, relocating to Campagnola Emilia, some 168km (100 miles) away from Milan, but Odette was able to continue her nascent dance career by staying in Milan, at first with an aunt and later in lodgings.
She performed on stage at La Scala many times, her ballet credits including Ottorino Respighi's La bottega fantastica and Tchaikovsky's The Sleeping Beauty. Another highlight was appearing as a dancer in Ruggero Leoncavallo’s opera Zazà, starring the celebrated tenor, Beniamino Gigli.
Her move into films came after she was chosen to play a leading role in a documentary about La Scala’s ballet school. Other opportunities to appear on screen soon followed, in which she first performed under her own name before adopting Lia Della Scala as a professional name. The change to Delia Scala was at the suggestion of Italo Calvino - later to become famous as a novelist - who was at the time head of the press office at Lux Films.
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| Scala had embarked on a career as a ballet dancer before the big screen beckoned |
Important roles followed in Eduardo De Filippo’s Napoli milionaria (1950); Roma ore 11 (1952), a neorealist film by Giuseppe De Santis; Jacques Becker’s Grisbì (1954); and Beauties on a bicycle (1951) by Carlo Campogalliani, where she appeared alongside Silvana Pampanini.
The breadth of her acting skills was shown off further in Gran Varietà (1953), alongside Vittorio de Sica and Lea Padovani, where she impressively danced a Charleston, and in Signori si nasce (1960) by Mario Mattoli, alongside the comedy great, Totò.
It was in part as a consequence of those performances that she was chosen to make her theatre debut with Giove in doppiopetto (Double-breasted Jupiter) at the Teatro Lirico in Milan in 1954. The production is considered to be the first example of commedia musicale, an italian musical genre created by playwrights Pietro Garinei and Sandro Giovannini, with the collaboration of the musician and songwriter Gorni Kramer.
As Scala’s stature in the genre grew, she found herself in demand and had roles alongside renowned performers such as Walter Chiari, Nino Manfredi, Paolo Panelli, Domenico Modugno, Gianrico Tedeschi, Mario Carotenuto and Renato Rascel.
Her popularity led also to Scala becoming one of the earliest of Italy’s television stars as the small screen began to play a part in the lives of Italians in the 1950s, co-hosting the TV show Lui e Lei with Nino Taranto, and Canzonissima with Manfredi and Paolo Panelli.
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| Scala shone in the world of television, becoming a popular presenter |
The marriage was annulled, after which she became engaged to racing driver, Eugenio Castellotti. He died in 1957, losing control of his Ferrari while attempting a speed record at the Modena race track.
In 1967 she married Piero Giannotti, who died in 1982 when hit by a car while riding his motor scooter. Her third husband, the industrialist Arturo Fremura, died in 2001, from liver cancer.
Scala’s own health problems began in 1974 when she was diagnosed with breast cancer at the age of 44. Happily, under the care of the distinguished oncologist Pietro Bucalossi and his assistant Umberto Veronesi, she underwent experimental radio and chemotherapy and recovered to live another 30 years.
Societal attitudes to cancer were much different then compared with today. When news of the diagnosis was leaked to the media - she had tried to keep it private - she lost some advertising contracts on the basis that being affected by cancer was perceived as “bad for her image.”
Once she had recovered enough, she joined the tennis player Lea Pericoli, who had suffered a similar experience after being diagnosed with cancer while still competing, in campaigning to change attitudes.
Scala herself presented a series of annual live shows entitled A Rose for Life at Lido di Camaiore on the Tuscan coast north of Pisa, together with Raimondo Vianello and Sandra Mondaini, a showbiz couple who had also faced cancer, in order to raise funds for cancer research and prevention.
Such was her commitment that, in 1982, she insisted on presenting the show on its planned date even though she had lost Piero, her second husband, only a few days earlier.
Scala effectively retired from acting in the 1980s, her only subsequent part in a sitcom aired between 1996 and 1998. After marrying Fremura - a widower with four children - she spent the last two decades of her life in Livorno.
Travel tip:
The monumental Orsini-Odescalchi Castle seems
to loom around every corner in Bracciano
The town of Bracciano is situated about 40km (24 miles) northwest of Rome, rising above Lake Bracciano, a nearly circular volcanic lake. Bracciano’s centre retains a medieval feel, with narrow lanes, stone houses, and a skyline dominated by the great Orsini–Odescalchi Castle. The surrounding area is protected as the Bracciano-Martignano Natural Park, which keeps the lake pristine by limiting motorised boats and preserving the quiet, rural atmosphere. The earliest known structure was a 10th‑century watchtower, built to defend against Saracen raids, which became the heart of a fortified settlement of which the powerful Orsini family took control in 1234. They transformed Bracciano into a strategic stronghold, culminating in the late 15th century with the construction of the huge fortress today known as the Castello Orsini-Odescalchi, one of the best-preserved Renaissance fortresses in Italy. The Odescalchi family, who bought the castle from the Orsinis in 1696, still own it. With its towers, courtyards, frescoed halls, armouries, and sweeping views over the lake, it is easily Bracciano’s star attraction and a popular location for films and television dramas, as well as the backdrop for several high-profile celebrity weddings, including that of the Hollywood stars Tom Cruise and Katie Holmes. The Vigna di Valle airbase, where Delia Scala’s father was based at the time of her birth, now houses one of Italy’s most important aviation museums, housed in historic seaplane hangars.
Stay in Bracciano with Hotels.com
Travel tip:
The canals of Livorno's popular Venezia Nuova
district come alive after dark
Livorno, where Delia Scala spent the later years of her life, is the second largest city in Tuscany after Florence, with a population of almost 160,000, and the region’s great sea port. Ferries, cargo ships, cruise liners, fishing boats, and naval vessels all move through the harbour. Yet just beyond the cranes and docks you find a city shaped by centuries of immigration, free‑trade policies, and Medici ambition. Livorno, which began as a small coastal settlement, was for centuries overshadowed by nearby Pisa, whose republic controlled the area throughout the Middle Ages. As it grew, the port was sold to Milan in 1399 and to Genoa in 1407 before it was purchased by Florence in 1421, bringing it under Medici rule for the next three centuries. The Medici recognised Livorno’s strategic potential and rebuilt the harbour, fortified the town, and declared it a free port, attracting merchants from across Europe and the Mediterranean. As well as becoming a major commercial hub it became one of Italy’s most cosmopolitan cities, with significant Jewish, Greek, Armenian and Dutch Protestant minorities. The Medici legacy is visible in the 16th century red brick Fortezza Vecchia, that stands guard over the harbour. Other attractions include the Fortezza Nuova, also built by the Medici, which anchors Livorno’s popular Venezia Nuova district, with its network of canals, and the elegant Terrazza Mascagni, the seafront promenade, paved in a sweeping black‑and‑white checkerboard pattern, which carries the name of one of Livorno’s most famous sons, the opera composer Pietro Mascagni.
Find Livorno accommodation with Expedia
More reading:
Raimondo Vianello, a big-screen star who conquered television
Why comic actor Totò is still seen as one of Italy’s funniest performers
How Umberto Veronesi pioneered new treatments for breast cancer
Also on this day:
1623: The death of Venetian writer and statesman Paolo Sarpi
1926: The death of songwriter Giambattista De Curtis
1935: The birth of football coach Gigi Radice
1971: The birth of rugby star Paolo Vaccari
1977: The birth of Giorgia Meloni, Italy’s first female PM
