Francesca Cuzzoni - operatic soprano

Diva who came to blows with rival on stage

Francesca Cuzzoni, depicted in an 18th century engraving
by the English artist James Caldwall

Francesca Cuzzoni, an 18th century star whose fiery temper earned her a reputation as one of opera’s great divas, was born on this day in 1696 in Parma.

Described rather unkindly by one opera historian of the era as “short and squat, with a doughy face” she was nonetheless possessed of a beautiful soprano voice, which became her passport to stardom.

However, she was also notoriously temperamental and jealous of rival singers, as was illustrated by several incidents that took place while she was in the employment of George Frideric Handel, the German composer who spent much of his working life in London.

Already established as one of the finest sopranos in Europe, Cuzzoni was hired by Handel in 1722.

Handel at that time was Master of the Orchestra at the Royal Academy of Music, the company set up by a group of English aristocrats to stage Baroque opera, partly for their own entertainment but also as a commercial enterprise.  One of his responsibilities was to engage the soloists for the company’s productions.

He ran into immediate trouble with Cuzzoni, who was due to make her debut in Handel’s own Italian language opera Ottone at the King’s Theatre in Haymarket.  On discovering that her part had been written originally with another singer in mind, one whose services the composer had been unable to secure, she is reputed to have refused to perform, coming into line only when Handel allegedly picked her up by the waist and threatened to throw her out of a window.

Cuzzoni (right) and Faustina Bordoni (left) were fierce
rivals notoriously involved in an on-stage fight

In the event, her interpretation of the role was hailed as a triumph and she soon became a star, her performances winning her an army of fans and enabling her to demand a handsome salary of £2,000 a season, which in today’s money would be the equivalent of about £250,000.

Opera’s popularity soared, despite the company jacking up ticket prices eightfold, and Handel was instructed to recruit more stars to satisfy demand.

Cuzzoni, though, was said to be furious, particularly when she learned that one of the new arrivals was Faustina Bordoni, a Venetian soprano who was much more attractive than she and who had been a rival in Italy.

Fanned by the press, their rivalry extended to the stalls and boxes, where opera-goers raucously supported their favourite and sometimes openly booed the other singer. Matters came to a head when they were cast to appear alongside one another in a performance of Giovanni Bononcini’s opera Astianatte.

Despite the presence in the audience of the Princess of Wales, rival factions took turns to jeer and catcall whenever one or the other began to sing and when the two singers appeared on the stage together a fight broke out in the stalls.

On stage, Cuzzoni is alleged to have turned on Bordoni, sparking an exchange of insults. Soon they were said to have begun pulling at each other’s hair and tearing pieces from their costumes. After they were separated, the performance was abandoned.

George Frideric Handel engaged Cuzzoni
to sing with the Royal Academy of Music

In fact, the remainder of the season was cancelled and Cuzzoni was told to leave, only to be reinstated following the direct intervention of the King. An uneasy truth allowed the next season to go ahead but the company wanted rid of Cuzzoni. Eventually it was decided that Bordoni would be offered more money, at which Cuzzoni resigned in a fit of pique and left first for Vienna and then Italy.

She returned to London in 1734, this time at the invitation of a rival company to Handel’s, although she did not make the same impact, her thunder stolen to an extent by the presence in the company of the superstar castrato, Farinelli.

Nonetheless, Cuzzoni continued to prosper until the 1740s, when the quality of her voice began to decline and her extravagant lifestyle found her increasingly in debt. At one point she was arrested in London over a debt of £30 and released from prison after the Prince of Wales paid her bail.

After a final concert in 1751, which was prefaced by a rather sad appeal for support published in her name by the General Advertiser, she returned to Italy for a final time.  She is said to have then eked out a living of sorts by making buttons. She died in virtual poverty in Bologna in 1778.

The Palazzo di Riserva in Parma, where Cuzzoni is
thought to have made her opera debut in 1714

Travel tip:

Cuzzoni, whose father was a professsional violinist,  made her stage debut in Parma in 1714, probably at the Teatro Ducale inside the Palazzo di Riserva, a neoclassical palace in what is now the Strada Giuseppe Garibaldi.  The theatre was replaced in the 19th century by the Nuovo Teatro Ducale, which was built on the site of a former monastery next to the Ducal Palace. Subsequently renamed the Teatro Regio di Parma, the house grew in prominence thanks to the fame of Giuseppe Verdi, who was born in nearby Busseto, and is nowadays regarded as one of Italy’s great opera houses, less well known but on a par with La Scala in Milan and La Fenice in Venice.

Parma's pink marble Baptistery is one of
many attractive buildings in the city

Travel tip:

A university city in the Emilia-Romagna region, with a population of almost 200,000, Parma is famous for Grana Parmigiana (Parmesan) cheese and Prosciutto di Parma ham, as well as a wealth of Romanesque architecture, including a cathedral containing acclaimed frescoes by Antonio da Correggio, and a pink marble Baptistery next door. More works by Correggio - and by Canaletto - are displayed at the Galleria Nazionale inside Palazzo della Pilotta.

More reading:

Why Farinelli, the 18th century castrato, was music's first superstar

How Francesco Gemianini, a Tuscan violinist, came to accompany Handel in playing for the English court

Pietro Metastasio, the most celebrated librettist of the 18th century

Also on this day:

1725: The birth of 18th century playboy Giacomo Casanova

1959: The birth of Olympic marathon champion Gelindo Borodin


Home

Franco Bonvicini – comic book artist

Comic artist became famous for satirising the Nazis

Bonvi's Sturmtruppen was a hit in countries
beyond Italy as well as at home

Franco Bonvicini, who signed his comic strips Bonvi, was born on this day in 1941 in either Parma or Modena in Emilia-Romagna.

The correct birthplace is unknown. According to the artist, his mother registered him in both places to obtain double the usual amount of food stamps for rations.

After a brief spell working in advertising, Bonvi made his debut in the comic strip world for the Rome newspaper Paese Sera with his creation Sturmtruppen in 1968.

This series satirising the German army was a big hit and was published in various periodicals over the years. It was also translated for publication in other countries.

Although left-wing and a pacifist, Bonvi was fascinated by war and built up immense knowledge about Nazi Germany’s uniforms, weapons and equipment, which he depicted faithfully in his illustrations. The cartoons satirised military life and the Nazis themselves, providing him with an endless source of comic and surreal situations.

Bonvi's characters first appeared in
1968 in the Paese Sera newspaper

Bonvi also created the character Nick Carter, a comic detective, who later featured in a play, two films and a number of television cartoons.

In the 1980s, Bonvi became a member of Bologna City Council and founded a publishing house and monthly magazine in the city.

He was killed in 1995 in Bologna when he was struck by a car while crossing a road on his way to the television studios. He was due to appear on a show hosted by DJ and TV personality Red Ronnie and it was believed he intended to appeal for financial assistance for a friend, a Bolognese cartoonist, who was unable to work because he was dying of cancer.

A plate of Parma's famous prosciutto

Travel tip:

Franco Bonvicini could have been born in either Parma or Modena, cities that are about 60 km apart in Emilia-Romagna. Parma is famous for producing Prosciutto di Parma, a type of cured ham, and Parmigiano Reggiano, a hard cheese. Modena for Cotechino Modena, a type of sausage, and aceto balsamico di Modena, a high quality balsamic vinegar made from grape must.

Bologna's best food shops can be found in the Quadrilatero

Travel tip:

Bologna, where Franco Bonvicini lived in later life, is known by Italians as La Grassa, the fat one, because of its rich culinary traditions. It is the home of the world’s most famous pasta dish, tagliatelle Bolognese, long strips of pasta served with a rich meat sauce. The best traditional food shops in the city can be found in the area known as the Quadrilatero, which is bordered by Piazza Maggiore, Via Rizzoli, Via Castiglione and Via Farini.

More reading:

How Benito Jacovitti became Italy's favourite cartoonist

Hugo Pratt, the Rimini-born creator of comic book character Corto Maltese

How comic actor Sergio Tòfano invented comic cartoon favourite Signor Bonaventura

Also on this day:

1425: The birth of Bianca Maria Visconti, the Milanese Duchess who led her army into battle

1675: The birth of intellectual leader Pope Benedict XIV


Home

Sir Anthony Panizzi - revolutionary librarian

Political refugee knighted by Queen Victoria

Panizzi was a friend of the British Lord
Chancellor, Henry Broughton

Sir Anthony Panizzi, who as Principal Librarian at the British Museum was knighted by Queen Victoria, was a former Italian revolutionary, born Antonio Genesio Maria Panizzi in Brescello in what is now Reggio Emilia, on this day in 1797.

A law graduate from the University of Parma, Panizzi began his working life as a civil servant, attaining the position of Inspector of Public Schools in his home town.

At the same time he was a member of the Carbonari, the network of secret societies set up across Italy in the early part of the 19^th century, whose aim was to overthrow the repressive regimes of the Kingdoms of Naples and Sardinia, the Papal States and the Duchy of Modena and bring about the unification of Italy as a republic or a constitutional monarchy.

He was party to a number of attempted uprisings but was forced to flee the country in 1822, having been tipped off that he was to be arrested and would face trial as a subversive.

Panizzi found a haven in Switzerland, but after publishing a book that attacked the Duchy of Modena, of which Brescello was then part, he was sentenced to death in absentia by a court in Modena.

Threatened with expulsion from Switzerland, with Modena pressing the Swiss government to allow his arrest, he fled again, which is how he came to arrive in England in 1823.

Almost destitute by the time he reached London, he met a fellow revolutionary, the poet Ugo Foscolo, who was exiled in England, who gave him a letter of recommendation that enabled him to find work in Liverpool as a teacher of Italian.

Sir Anthony Panizzi was the subject
of a caricature in Vanity Fair magazine

The job made him only a meagre living, but while in Liverpool he was befriended by Henry Broughton, a lawyer and politician who was destined for high office.  When Broughton became Lord Chancellor in 1830, he remembered Panizzi and smoothed the way for him to be appointed Professor of Italian at the newly-formed University of London (now University College, London).

Soon afterwards Panizzi obtained the post of Extra-Assistant Keeper of Books at the British Museum library and in time worked his way through the levels of administration at the museum to be Assistant Librarian (1831–37), Keeper of Printed Books (1837–56) and finally Principal Librarian (1856–66).

His appointment in that role met with some opposition, partly because, despite being a British subject since 1832, he was seen as unsuitable on account of his non-British heritage.  There were also stories that he had been so poor in his early days in London he had resorted to hawking items on the street in order to feed himself.

Yet Panizzi had impressed the hierarchy at the British Museum during his tenure as Keeper of Printed Books, when he increased the library’s stock from 235,000 to 540,000 books, making it at the time the largest library in the world.  

Although he ceased to be involved directly in the Risorgimento movement in Italy, he continued to further the cause of Italian liberty through his friendships with influential Liberal statesmen in England, including two prime ministers in Lord Palmerston and William Ewart Gladstone, whom he took to Naples to see for himself the inhumane conditions in which political prisoners were kept.

Panizzi met the exiled poet Ugo
Foscolo in London

He could, in fact, have taken an active role in Italian politics after unification, but declined invitations from Giuseppe Garibaldi and Count Camillo Benso di Cavour, the first prime minister of the united Italy, to serve as a senator or as a member of the Council of Public Instruction.

Instead, he remained in London, where he was knighted in 1869, three years after retiring, for his extraordinary services to the British Museum library.

His achievements covered a diverse range, from devising a new system for cataloguing books using the 91 Rules code, from which the current ISBD (International Standard Bibliographic Description) system evolved, to designing a shelf support – the ‘Panizzi pin’ – to stop wooden book shelves from wobbling.

Panizzi died in London in 1879 and was buried in the Kensal Green Catholic Cemetery.

The British Museum library became simply the British Library in 1973, although it continued to be housed in the museum’s buildings on Great Russell Street in Bloomsbury until moving to a new purpose-built facility on Euston Road in 1997.

The British Library has a staff meeting room called the Panizzi Room and the former Principal Librarian is remembered in the annual Panizzi Lectures.

Piazza Matteotti and the church of Santa Maria Nascente

Travel tip:

The small town of Brescello is about 25km (16mls) northwest of Reggio Emilia, on the south bank of the Po river. It has a pleasant central square, the Piazza Matteotti, dominated by the parish church of Santa Maria Nascente.  Brescello makes a good deal of its association with the Don Camillo novels of author Giovannino Guareschi, having been chosen as the setting for a series of films made in the 1950s and 1960s about a local priest, Don Camillo, and his constant run-ins with Peppone, the communist mayor, in what was meant to be a typical small town in rural Italy in the years after the Second World War.  There is a museum dedicated to the two characters, while visitors to the church of Santa Maria Nascente can see the crucifix that appeared in the films to speak to Don Camillo.  

Piazza Prampolini is an attractive square in Reggio Emilia

Travel tip:

Positioned between Parma and Modena along the path of the Roman road known as the Via Emilia, the city of Reggio Emilia is often missed out on the tourist trail but the wealth of attractive squares within the hexagonal lay-out of the old city are well worth a traveller’s time. The city – or, at least, the surrounding province – is thought to be the home of Italy's world famous hard cheese, Parmigiano Reggiano, and is also credited with being the area of Italy from which the country adopted the tricolore as the national flag, with evidence that a short-lived 18th century republic, the Repubblica Cispadana, had a flag of red, white and green. 

Home

Parmigianino - Mannerist painter

Artist from Parma left outstanding legacy

Parmigianino's Self-Portrait in a Convex Mirror, with
which he announced himself in Rome in 1524 

The artist Girolamo Francesco Maria Mazzola – better known as Parmigianino – died on this day in 1540 in Casalmaggiore, a town on the Po river south-east of Cremona in Lombardy.

Sometimes known as Francesco Mazzola, he was was only 37 years old when he passed away but had nonetheless made sufficient impact with his work to be regarded as an important influence on the period that followed the High Renaissance era of Leonardo da Vinci, Michelangelo and Raphael.

Known for the refined sensuality of his paintings, Parmigianino – literally ‘the little one from Parma’ – was one of the first generation of Mannerist painters, whose figures exuded elegance and sophistication by the subtle exaggeration of qualities associated with ideal beauty.

Parmigiano is also thought to have been one of the first to develop printmaking using the technique known as etching and through this medium his work was copied, and circulated to many artistic schools in Italy and other countries in northern Europe, where it could be studied and admired.

The church of San Giovanni Evangelista in
Parma, where Parmigianino did early work

Parmigianino’s figures would often have noticeably long and slender limbs and strike elegant poses. He is most famously associated with the Madonna dal collo lungo – Madonna with the Long Neck – which portrays a tall Virgin Mary with long, slender fingers, long, narrow feet and a swan-like neck, cradling a particularly large baby Jesus watched over by a group of lithe and graceful angels.

He is also remembered for The Mystic Marriage of St Catherine, for his fresco series Legend of Diana and Actaeon, executed while he was living in Parma, for his Vision of St Jerome, which he painted in Rome, and for the Madonna with St Margaret and Other Saints that he worked on in Bologna after leaving Rome to escape the sacking of the city by German troops loyal to the Holy Roman Emperor, Charles V.

Parmigianino was born, as the name suggests, in Parma, in 1503, into a large family. His father died when he was two and he was brought up by two uncles, Michele and Pier Ilario, who were both established artists.

His uncles saw his talent at a young age and he would help them on local commissions.  His early influence was said to be Antonio Allegri – otherwise known as Correggio, the foremost painter of the Parma school during the Renaissance, with whom he likely worked at the church of San Giovanni Evangelista, in Parma, where there are frescoes attributed to Parmigianino.

Parmigianino's Madonna with the Long
Neck highlights his exaggerated style

In common with many young artists of his era and earlier, he moved to Rome in 1524, seeking fame and inspiration by working in the city of so many great masters, where he could study the works of Raphael and Michelangelo among others. He took with him his brilliantly imaginative Self-Portrait in a Convex Mirror, which he presented to the Papal court, after which Giorgio Vasari, who is recognised as art’s first historian, noted that he was hailed as 'Raphael reborn'.

Parmigianino and Pier Ilario, along with Maria Bufalina from Città di Castello, collaborated on a project at the church of San Salvatore in Lauro that included an altarpiece of the Vision of Saint Jerome, now on show at the National Gallery in London.

His time in Rome was cut short when the city was destroyed by Charles V’s imperial army in 1527.

Initially, he went to Bologna, where he stayed for almost three years. His works during that time included the Madonna and Child with Saints, which is kept now by the Pinacoteca in Bologna and the Madonna with Saint Zachariah, which is in the Uffizi in Florence.

By 1530 he was back in Parma, where he was paid an advance to produce two altarpieces, depicting Saint Joseph and Saint John the Baptist, for the unfinished church of Santa Maria della Steccata.

He painted the Madonna with the Long Neck after being commissioned by the noblewoman Elena Baiardi to decorate her family chapel in the church of Santa Maria dei Servi in Parma.

For all he was celebrated at his peak, however, Parmigianino was to end his life somewhat in disgrace.

Distracted, it is thought, by his obsession with etching and printmaking techniques, he neglected his commission with the church of Santa Maria della Staccata and was eventually imprisoned for two months for breach of contract and replaced with Giulio Romano.

The monument to Parmigianino in Parma

Released on bail, he took refuge in Casalmaggiore, where he died of a fever. Increasingly eccentric, he was said to have been buried in the church of the Servite Friars naked and with a cross made in cypress wood placed on his chest.

Many Venetian artists, including Jacopo Bassano and Paolo Veronese, are said to have been strongly influenced by the emotional and dramatic qualities in Parmigianino’s work. 

Travel tip:

Despite the unhappy end to his relationship with what is now the Basilica of Santa Maria della Steccata, Parmigianino’s status as one of Parma’s most famous sons is celebrated with a monument immediately in front of the church, in Piazza della Steccata, executed by the sculptor Giovanni Chierici and inaugurated in 1879. The monument consists of a fountain and a statue.

Piazza Garibaldi in Casalmaggiore, looking
towards Palazzo Comunale 

Travel tip:

Casalmaggiore sits alongside the Po river about 42km (26 miles) south-east from Cremona. It is an attractive town with a lively central square, the Piazza Garibaldi, where there is a weekly market every Saturday and regular outdoor events. Most of the town’s main sights are in the vicinity of the square, including the imposing castellated Palazzo Comunale – the Town Hall – built in 1788, and the Estense tower. Look out also for the Diotti or Bijou Museum, in the basement of the former Collegio Santa Croce, which displays jewellery, ornaments and accessories made in local factories in the late 19^th century.

Home

Gianfranco Zola – footballer

Brilliant forward voted Chelsea’s all-time greatest player

Gianfranco Zola scored 58 goals for Chelsea
in the Premier League

Gianfranco Zola, a sublimely talented footballer whose peak years were spent with Napoli, Parma and Chelsea, was born on this day in 1966 in the Sardinian town of Oliena.

Capped 35 times by the Italian national team, Zola scored more than 200 goals in his club career, the majority of them playing at the highest level, including 90 in Italy’s top flight – Serie A – and 58 in the English Premier League.

He specialised in the spectacular, most of his goals resulting from his brilliant execution of free kicks or his dazzling ball control.

Zola went on to be a manager after his playing career ended, although he has so far been unable to come anywhere near matching his achievements as a player.

He was probably at his absolute peak during the seven years he spent playing in England with Chelsea, whose fans named him as the club’s greatest player of all time in a poll conducted in 2003, shortly before he left to return to Sardinia.

However, it was probably the four years he spent with Napoli, his first Serie A club, that were his making as a player, after being spotted playing club football in Sardinia for Nuorese and Torres.

Zola was signed in 1989 and although his appearances at first were limited, he developed a close bond with the club’s Argentinian icon, Diego Maradona, often spending hours alongside him after normal training had finished, trying to emulate his skills, especially in taking free kicks.

He would later comment that he “learned everything from Diego.”

Zola was hugely popular with Chelsea's fans

Although he was essentially still a fringe player at that stage, Zola scored two goals as Napoli won Serie A in 1989-90, giving him his only league winner’s medal.

When Maradona left under a cloud, having been banned from playing for drug offences, Zola took his mantle, largely on the maestro’s recommendation, to which manager Claudio Ranieri responded by giving Zola the No 10 shirt worn by Maradona.

Napoli were not the force they had been without Maradona, yet Zola scored 12 goals in the 1991-92 season and another 12 in the 1992-93 campaign, in which he also made 12 assists, giving him the accolade alongside Fiorentina’s Francesco Baiano of providing the most assists over the Serie A season.

He scored 32 goals in 105 appearances for Napoli, whom he left in 1993 only because the club, in a difficult financial situation, began to sell off their best players to pay debts.

Transferred to Parma for 13 billion lire, Zola established himself as one of the best creative players in Italy alongside Roberto Baggio and Alessandro del Piero.  He scored 18 goals in his first season and 19 in his second campaign as the gialloblù just missed out on the Serie A title in a hard-fought battle with Juventus.

Favoured by manager Nevio Scala, he was less popular with Scala’s successor, Carlo Ancelotti, who could not accommodate Zola’s talents in his 4-4-2 system, leaving the player too often a frustrated figure on the bench, despite his record of 49 goals in 102 appearances.

News that Zola was unsettled began to circulate and in November 1996, Chelsea’s then-manager, Ruud Gullit, pulled off what would come to be regarded as one of the biggest transfer coups in Premier League history, signing Zola for £4.5 million.

He lit up the Premier League, helping Chelsea win the FA Cup twice, the League Cup, the Charity Shield, the UEFA Cup-Winners’ Cup and the UEFA Super Cup.  He helped them qualify for the UEFA Champions League twice as they finished third in the Premier League in 1999 and fourth in 2003, with Zola their leading goalscorer on each occasion.

Zola, pictured on the touchline as West Ham
manager, has not found success as a coach

His goals were often either big-match winners, such as in the 1996-97 FA Cup semi-final against Wimbledon or the 1997-98 Cup-Winners’ Cup final winner, when he scored within seconds of coming off the subs’ bench, or else works of art, none more celebrated than the mid-air backheel he executed to score from a corner in an FA Cup tie against Norwich in 2001-02.

Zola scored 16 times in what would be his final season at Stamford Bridge, having decided he would finish his career back in Sardinia with the island’s top club, Cagliari.  A week after he gave his word to Cagliari that he would be their player in 2003-04, Roman Abramovich completed his takeover of Chelsea.

The Russian billionaire was desperate to keep Zola at Stamford Bridge but the Italian told him he would not renege on his promise.  Rumour has it that Abramovich even considered buying the entire Cagliari club in order to transfer Zola back to Chelsea.

In the event, Zola kept his promise, helping Cagliari gain promotion to Serie A in his first season, before retiring at the end of the 2004-05 season, scoring twice against Juventus in his final match.

Capped 35 times by Italy, scoring 10 goals and playing in the 1994 World Cup finals in the United States, Zola then moved into coaching, at first as assistant to his friend and former Chelsea teammate Pierluigi Casiraghi in the Italy Under-21 set-up, then in club football.

However, his management career has so far been dismal compared with his playing career.  He has managed West Ham, Watford and Birmingham City in England, Cagliari in Italy and Al-Arabi in Qatar, but has been either sacked or obliged to resign from all five posts because of poor results.

Married to Franca, Zola has three children. His son, Andrea, has played for West Ham reserves and for Essex non-League club Grays Athletic.

A church and market in Oliena

Travel tip:

Oliena, a mountainous town notable for its multi-coloured rooftops, sits in the shadow of Monte Corrasi, towards the north of the island of Sardina, about 100km (62 miles) south of Olbia and 200km (124 miles) north of Cagliari. Probably founded in Roman times, it is famous now for beautiful silk embroidery and its red wine, Nepente di Oliena.

The waterfront at Cagliari

Travel tip:

Cagliari is Sardinia’s capital, an industrial centre and one of the largest ports in the Mediterranean. Yet it is also a city of considerable beauty and history, most poetically described by the novelist DH Lawrence when he visited in the 1920s. He set his eyes on the confusion of domes, palaces and ornamental facades which, he noted, seemed to be piled on top of one another as he approached from the sea. He compared it to Jerusalem, describing it as 'strange and rather wonderful, not a bit like Italy.’

Home

Liberation of Fornovo di Taro

How Brazilian soldiers hastened Nazi capitulation

The moment at which General Otto Fretter-Pico (second left)
formally surrendered to Brazilian forces in Fornovo di Taro

The town of Fornovo di Taro in Emilia-Romagna acquired a significant place in Italian military history for a second time on this day in 1945 when it was liberated from Nazi occupation by soldiers from the Brazilian Expeditionary Force fighting with the Allies.

Under the command of General João Baptista Mascarenhas de Morais, the Brazilians marched into Fornovo, which is situated about 13km (8 miles) south-west of Parma on the east bank of the Taro river, at the conclusion of the four-day Battle of Collecchio.

It was in Fornovo that the 148th Infantry Division of the German army under the leadership of General Otto Fretter-Pico offered their surrender, along with soldiers from the 90th Panzergrenadier Division and the 1st Bersaglieri and 4th Mountain Divisions of the Fascist National Republican Army.

In total, 14,779 German and Italian troops laid down their arms after Fretter-Pico concluded that, with the Brazilians surrounding the town, aided by two American tank divisions and one company of Italian partisans, there was no hope of escape.

Although the total capitulation of the German and Fascist armies in Italy was not officially announced until May 2 in Turin, the surrender in Fornovo effectively brought the war in the peninsula to an end.

Italian citizens hailed the Brazilians as heroes

It represented a successful conclusion to an eight-month campaign in Italy by the Brazilian Expeditionary Force, which numbered 25,700 army and air force personnel, representing the only independent South American country to send ground troops to fight overseas during the whole of the Second World War.

Brazil, traditionally isolationist, had initially remained neutral in the global conflict, although it allowed the United States to set up bases on Brazilian soil.  But, in 1942, Brazil’s decision to sever diplomatic relations with the Axis countries of Germany, Japan and Italy prompted Germany to send submarines to the south Atlantic to attack Brazilian merchant ships.

During the month of July 1942, 13 Brazilian ships were sunk, at a cost of more than 100 lives, mainly crew members.  The country’s leaders still refused to be drawn into the conflict but the attacks continued and in the space of just two days in August, a single German U-boat sank five ships, causing more than 600 deaths, many of them civilians travelling on passenger vessels.

Faced with rioting on the streets as German businesses in the capital Rio de Janeiro were attacked, Brazil’s president, Getúlio Vargas, had no option but declare war on Germany and its allies.

It took two years to convert Brazil’s obsolete army into a force that was anywhere near equipped to fight effectively in Europe but in July 1944 the first 5,000 Brazilian troops disembarked in Naples.  Others arrived later.

The tunic badge

Such had been the scepticism in Brazil about any of their countrymen ever seeing action, they acquired the nickname ‘the smoking snakes’ – so called because Brazilians would joke with one another, using an expression with a similar meaning to 'pigs might fly' in the English language, that it was more likely that ‘a snake would smoke a pipe’ than the BEF would go to the front and fight.  They wore a badge on their tunics depicting a smoking snake.

Yet between September 1944 and the German surrender they achieved success in 17 battles across the north of Italy. Deployed to replace the French and US troops that had been diverted to help in the Allied invasion of German-occupied France, they attracted praise in particular for the part they played in the battles for Monte Castello and Castelnuovo in the Northern Apennines, as well as in the Battle of Collecchio.

Although the Italian Front was not as important as the Eastern Front in bringing the Nazis to their knees, the hastening of the German defeat in the peninsula, coming at the same time as the Red Army captured Berlin and news spread of the death of Adolf Hitler, helped bring the Second World War to a quicker end than might otherwise have been the case. The Fascist leader Benito Mussolini had been executed by Italian partisans only 24 hours before Fornovo witnessed its historic moment.

Overall, the Brazilian Expeditionary Force suffered 443 losses over the eight months but against that took 20,573 Axis prisoners.

For Fornovo, the battle fought in the surrounding countryside prompted historians to recall that the town had witnessed a major military confrontation once before in its history as the site of the Battle of Fornovo, fought between the Italian Holy League and the French forces of Charles VIII at the start of the Italian Wars in July 1495.

Parma's baptistry

Travel tip:

Fornovo and Collecchio are within a short distance of Parma, one of the most attractive cities of the Emilia-Romagna region. The home of prosciutto di parma, parmigiano reggiano and Sangiovese wine, it is a food-lover’s paradise but also a city with a rich cultural heritage, the home of composers Giuseppe Verdi and Niccolò Paganini, the conductor Arturo Toscanini, the film director Bernardo Bertolucci, the writer Giovanni Guareschi and a host of painters, headed by Francesco Mazzola, better known as Il Parmigiano.  The city has much fine architecture, too, including a striking Romanesque cathedral and neighbouring baptistry, several other churches and palaces and notable modern buildings such as the Niccolò Paganini Auditorium, designed by Renzo Piano.

Piazza San Prospero in Reggio Emilia

Travel tip:

Reggio Emilia, the next city on from Parma along the route of the Via Emilia – the Roman road that linked Piacenza, south-east of Milan, with the Adriatic resort of Rimini – lacks the cultural wealth of Parma and tends to be given little attention as a result. Yet it is an attractive city, neat and well organised, retaining its historical centre, which has a hexagonal layout based on its old walls, but with a modern and forward-thinking attitude.  There are many fine restaurants, elegant squares and interesting palaces and churches, and its roll call of famous citizens ranges from the poet Ludovico Ariosto to the former prime minister Romano Prodi and the football coach Carlo Ancelotti.




More reading:

How Mussolini was captured and killed by Italian partisans

Annual celebration of Festa della Liberazione

The moment Italy entered the Second World War

Also on this day:

1675: The birth of painter Giovanni Antonio Pellegrini

1987: The birth of tennis champion Sara Errani


Home

Bernardo Bertolucci - film director

Caused outrage with Last Tango in Paris

Bernardo Bertolucci

The controversial film maker Bernardo Bertolucci was born on this day in 1940 in Parma.

Bertolucci won an Oscar for best director as The Last Emperor picked up an impressive nine Academy Awards in 1988 but tends to be remembered more for the furore that surrounded his 1972 movie Last Tango in Paris.

Last Tango in Paris, starring Marlon Brando and Maria Schneider, caused outrage for its portrayal of sexual violence and emotional turmoil and was banned in Italy.

Although the storm died down over time, it blew up again in 2007 when Schneider, who was only 19 when the film was shot, claimed she felt violated after one particularly graphic scene because she had not been told everything that would happen.  Schneider died from cancer in 2011.

The controversy has overshadowed what has otherwise been an outstanding career, his movies placing him in the company of Federico Fellini, Michelangelo Antonioni, Luchino Visconti and Franco Zeffirelli among the greatest Italian directors of all time.

As a young man, Bertolucci wanted to become a poet, inspired by his father, Attilio Bertolucci, who was a poet as well as an art historian.

He moved to Rome to study modern literature at Sapienza University yet it was his father's part-time occupation as a film critic that was to shape his career.

Marlon Brando in a scene from Last Tango in Paris

He had helped Pier Paolo Pasolini find a publisher for his first novel and Pasolini in turn took on Bernardo as his first assistant when he began his film directing career with Accattone in 1961.  It was not long afterwards that Bertolucci quit university and at the age of 22, in 1962, he directed his first movie, La commare secca, with a screenplay by Pasolini and produced by Tonino Cervi.

Last Tango came 10 years later, by which time Bertolucci was beginning to acquire a reputation as a director of talent, having attracted particular acclaim for his 1970 film, The Conformist, based on a novel by Alberto Moravia.

It was Last Tango that thrust him into the spotlight, however.  Though there was an Oscar nomination, it was overshadowed by the backlash of moral outrage.  The Italian authorities, as well as ordering initially that all copies of the film should be destroyed - an appeal court later allowed three to be saved - launched a prosecution for obscenity against Bertolucci, who was given a four-month suspended jail sentence and a five-year revoking of his civil rights.

Nonetheless, his career moved to another level.  He made his comeback in 1976 with 1900, an epic that ran to five hours and 17 minutes in its uncut version, telling the story of two men from different ends of the social spectrum in Bertolucci's native Emilia-Romagna, set against the background of political turmoil in Italy in the first half of the 20th century.  Boasting a cast that include Robert De Niro, Gérard Depardieu, Donald Sutherland and Burt Lancaster, 1900 was hailed as a masterpiece.

A publicity poster for Bertolucci's
acclaimed 1976 epic tale, 1900

More success followed with La Luna and Tragedy of a Ridiculous Man before The Last Emperor, his British-Italian biographical film about Puyi, the last emperor of China before the People's Republic of China imposed communist rule.  The first western feature film for which the producers were authorized to film in the Forbidden City in Beijing, it won nine Academy Awards, including best picture and Bertolucci's best director.   The Last Emperor marked the beginning of his working relationship with the British producer, Jeremy Thomas.

Although hampered by serious back problems that now mean he is increasingly wheelchair-bound, Bertolucci continued to work into his 70s.  In 2007, he received the Golden Lion Award at the Venice Film Festival for his life's work, and in 2011 the Palme d'Or at the Cannes Film Festival.

Married to Clare Peploe, a writer who worked on the screenplay of Antonioni's 1970 classic Zabriskie Point, Bertolucci is a former supporter of the Italian Communist Party.  He was awarded a Star on the Hollywood Walk of Fame at 6925 Hollywood Boulevard in Hollywood, California on November 19, 2013.

Parma's cathedral and octagonal baptistery

Travel tip:

Bertolucci's home city of Parma suffers a little from living in the shadow of Modena and Bologna, both of which have achieved greater fame.  Yet the home of prosciutto di Parma and parmigiano reggiano is an elegantly wealthy city with a virtually car free centre, a host of fine churches - including the Romanesque cathedral and baptistery and the Sanctuary of Santa Maria della Steccata - and some beautiful palaces.

Travel tip

Emilia-Romagna is one of the wealthiest regions in Europe, let alone Italy. Its capital, Bologna, is the home of the University of Bologna, the oldest university in the world, while the region is a major centre for food and car production. It is the home of companies such as Ferrari, Lamborghini, Maserati, Pagani, De Tomaso and Ducati, and a thriving tourist trade based around the popular coastal resorts of Cervia, Cesenatico, Rimini and Riccione.

More reading:

The brilliant legacy of Federico Fellini

How Shakespeare adaptations made Zeffirelli a household name

Why Francesco Rosi can be counted among Italian cinema's greats

Also on this day:

1886: The birth of Emilio Lunghi, Italy's first Olympic medallist

1978: The terrorist kidnapping of former prime minister Aldo Moro


Home

Niccolò Zucchi – astronomer

Jesuit's invention gave him a clear view of the planets

A rare portrait of Niccolò Zucchi

Niccolò Zucchi, who designed one of the earliest reflecting telescopes, was born on this day in 1586 in Parma.

His invention enabled him to be the first to discover the belts on the planet Jupiter and to examine the spots on the planet Mars. This was before the telescopes designed by James Gregory and Sir Isaac Newton, which, it has been claimed, were inspired by Zucchi’s book, Optica philosophia.

Zucchi studied rhetoric in Piacenza and philosophy and theology in Parma before entering the Jesuit order in Padua at the age of 16.

He taught mathematics, rhetoric and theology at the Collegio Romano in Rome and was then appointed rector of a new Jesuit college in Ravenna. He then served as apostolic preacher (the preacher to the Papal household) for about seven years.

A modern image of Jupiter from the
 Hubble telescope shows the belts
 Zucchi reputedly saw in 1630

Zucchi published several books about mechanics, magnetism, barometers and astronomy.

When he was sent with other papal officials to the court of Ferdinand II, he met the German mathematician and astronomer, Johannes Kepler, who encouraged his interest in studying the planets. They carried on writing to each other after Zucchi returned to Rome and when Kepler got into financial difficulties, Zucchi gave him one of his own telescopes as a gift.

Along with a fellow Jesuit, Daniello Bartoli, Zucchi was probably the first to see the belts on the planet Jupiter in 1630 and he reported seeing spots on Mars in 1640.

He also demonstrated that phosphors generate light, rather than store it, in 1652.

The lunar crater Zucchius is
named after Niccolò Zucchi

Although many people have written that Zucchi used his early reflecting telescope to observe the planets, this was disputed by some historians in the 19th century. However, the crater Zucchius on the Moon was named after him, in acknowledgement of his scientific achievements.

Zucchi died in Rome in 1670, at the age of 83.

Travel tip:

Parma, where Niccolò Zucchi was born, is one of Italy’s great art cities and has a wealth of churches and palaces containing masterpieces. The ancient city in the region of Emilia-Romagna is also famous for its culinary specialities. Parmigiano-Reggiano cheese and Prosciutto di Parma, a delicate cured ham, originated there, as well as the many dishes cooked alla parmigiana.

The Collegio Romano, where Zucchi taught

Travel tip:

The Collegio Romano, where Niccolò Zucchi taught in Rome, was established in 1551 by Ignatius Loyola, the founder of the Jesuit Order. A new building was erected for the College, under the patronage of Pope Gregory XIII, in 1582. The building where Zucchi gave his lectures is in the Pigna district of the city in a square now known as Piazza del Collegio Romano. The building is currently used partly by the Ministry of Heritage and Culture and partly by the Ennio Quirino Visconti high school.

More reading:

Why Galileo Galilei is known as the 'father of modern science'

Giovanni Riccioli - 17th century astronomer who studied the lunar surface 

Vincenzo Coronelli, the friar famous for his finely-crafted globes of the world

Also on this day:

1478: Birth of Baldassare Castiglione, the author of the Italian classic, The Book of the Courtier 

Home

Nevio Scala - footballer and coach

Led Parma to success in golden era of 1990s

Nevio Scala led Parma to unprecedented
success after taking charge in 1989

Nevio Scala, a European Cup winner with AC Milan as a player and the most successful coach of Parma's golden era in the 1990s, was born on this day in 1947 in Lozzo Atestino, a small town in the Euganean Hills, just south of Padua.

A midfielder who also played for Roma, Vicenza and Internazionale at the top level of Italian football, Scala was never picked for his country but won a Serie A title and a European Cup-Winners' Cup in addition to the European Cup with AC Milan.

But his achievements with Parma as coach arguably exceeded even that, given that they were a small provincial club that had never played in Serie A when Scala was appointed.

He had given notice of his ability by almost taking the tiny Calabrian club Reggina to Serie A in 1989 only a year after winning promotion from Serie C, and needed only one season to take Parma to the top flight for the first time.

With the massive financial backing of Calisto Tanzi, the founder and chairman of the local dairy giants Parmalat, Scala then led Parma into a period of sustained success no one could have predicted.

With a galaxy of top international players at his disposal, including Tomas Brolin, Antonio Benarrivo, Gianfranco Zola and Faustino Asprilla, Scala coached his side to play a swashbuckling brand of football that took the established big hitters by surprise.

Gianfranco Zola, one of the stars of the
Parma team of the 1990s

Between 1991 and 1995, Parma won the Coppa Italia, the European Cup-Winners' Cup, the European Super Cup and the UEFA Cup and the team Scala handed over when he was replaced by Carlo Ancelotti in 1996 went on to finish runners-up in Serie A in 1997.

He went on to enjoy more success as a coach, but outside Italy, winning trophies in Germany with Borussia Dortmund, in the Ukraine with Shakhtar Donetsk and in Russia with Spartak Moscow.

Scala returned to live in his home town of Lozzo Atestino, where he served on the local council and ran unsuccessfully as mayor in 2007.

He moved into football punditry on radio and TV with state broadcaster Rai, making regular appearances on the Sunday evening TV review of the Serie A programme, Domenica Sportiva. 

He was linked with a return to coaching, first at the Scottish club Motherwell and later with AS. Roma.  When he did return to football in 2015 it was as president of Parma, although a very different Parma from the one he coached.

Since he left the Stadio Ennio Tardini, Parma has twice been made bankrupt, first in 2004 in the wake of the catastrophic collapse of Calisto Tanzi's Parmalat empire, which saw the business tycoon jailed for fraud and criminal association, and again in 2015, when the relaunched club folded with debts of €218 million.

In July 2015, with the support of pasta makers Barilla, the club made another fresh start as SSD Parma Calcio 1913, taking its name from the year of foundation of the original club and was granted entry to Serie D.

Scala was appointed president and former player Luigi Apolloni as head coach.  The new club sold more than 9,000 season tickets, more than doubling the Serie D record and won promotion at the first attempt into professional football league Lega Pro.

The 13th century Valbona Castle at Lozzo Atestino

Travel tip:

The Colli Euganei, to give the Euganean Hills their Italian name, was the first regional park to be established in the Veneto when it was mapped out in 1989, enclosing 15 towns, including Lozzo Atestino, and the 81 hills - rising to between 300 and 600m - that make up the area, a volcanic outcrop in an otherwise flat terrain. Lozzo Atestino is situated at the foot of Monte Lozzo.  Of particular interest to visitors is the 13th century Valbona Castle, an imposing fort that now houses a restaurant.


Travel tip:

Despite the damage done to its economy by the Parmalat collapse, one of the biggest financial scandals in Italian history, Parma remains an elegant city with the air of prosperity common to much of Emilia-Romagna, famous for Prosciutto di Parma and Parmigiano Reggiano cheese, and boasting some outstanding architecture, including the 11th century Romanesque cathedral and the octagonal 12th century baptistery that adjoins it.

More reading:

Antonio Conte - former Juventus coach now in charge at Chelsea

The birth of Italy's first football club

The story of Italy's World Cup winning coach Marcello Lippi

Also on this day:

1710: The death of composer Bernardo Pasquini


(Picture of Nevio Scala by Anastasiya Fedorenko; Gianfranco Zola by Hilton1949; Valbona Castle by Milazzi; all via Wikimedia Commons)

Home

Vincenzo Coronelli – globe maker

Friar whose globes of the world were in big demand

A portrait of Vincenzo Coronelli that
appeared in his atlas, Atlante Veneto

Vincenzo Coronelli, a Franciscan friar who was also a celebrated cartographer and globe maker, was born on this day in 1650 in Venice.

He became famous for making finely-crafted globes of the world for the Duke of Parma and Louis XIV of France.

This started a demand for globes from other aristocratic clients to adorn their libraries and some of Coronelli’s creations are still in existence today in private collections.

Coronelli was the fifth child of a Venetian tailor and was accepted as a novice by the Franciscans when he was 15. He was later sent to a college in Rome where he studied theology and astronomy.

He began working as a geographer and was commissioned to produce a set of globes for Ranuccio II Farnese, Duke of Parma. Each finely crafted globe was five feet in diameter.

One of the pair of beautiful globes Coronelli
made for Louis XIV of France

After one of Louis XIV’s advisers saw the globes, Coronelli was invited to Paris to make a pair of globes for the French King.

The large globes displayed the latest information obtained by French explorers in north America. They are now in the François-Mitterand national library in Paris.

Other original globes made by Coronelli can be seen in the Biblioteca Marciana in Venice and the Angelo Mai Civic Library in Bergamo.

Coronelli died at the age of 68 in Venice having created hundreds of maps and globes during his lifetime.

Travel tip:

The Civic Library (Biblioteca Civica) Angelo Mai where Coronelli’s globes are displayed in the elegant entrance hall, is located in Piazza Vecchia at the centre of Bergamo’s upper town. The library was founded in 1768 and houses more than 700,000 books, original manuscripts and scrolls.

The Biblioteca Civica Angelo Mai stands on the beautiful
Piazza Vecchia at the centre of historic Bergamo

Travel tip:

The Biblioteca Marciana on the left side of the Piazzetta leading into St Mark’s Square in Venice is one of the oldest public manuscript depositories in Italy and houses one of the greatest collections of classical texts in the world as well as a pair of Coronelli’s 110-centimetre diameter globes.

(Photo of globe by Myrabella CC BY-SA 3.0)

Home