Anton Giulio Bragaglia - theatre director and photographer

Intellectual whose work sparked argument among Futurists

Photography was only part of Anton
Giulio Bragaglia's artistic life

Anton Giulio Bragaglia, a film and theatre director and writer whose early work with photography made him an important if controversial figure in the Italian Futurist movement, was born on this day in 1890 in Piglio, an historic hilltop town about 55km (33 miles) east of Rome, in Lazio.

Bragaglia began his working life in Italy’s nascent movie industry - his father, Francesco, was employed at a studio in Rome - and went on to influence Italy’s cultural life in many more ways as a theatre director, cinematographer and the founder or editor of a number of arts magazines, in addition to his work with photography.

He also founded in 1922 the Teatro Sperimentale degli Independenti, an alternative theatre built by adapting the ancient Roman baths of Septimius Severus in Via degli Avignonesi, a street that runs parallel with the top end of Via del Tritone, near Piazza Barberini.

Francesco Bragaglia, an engineer, was the first technical director of the Cines film studio, which opened in 1906 near Porta San Giovanni in the Italian capital.

Anton Giulio joined the studio as an assistant director in the same year, gaining considerable experience working alongside directors Mario Caserini and Enrico Guazzoni.

When he was 19, however, still to become established as the director, set designer, and cinematographer he would be remembered as, Bragaglia became excited by the fledgling Italian Futurist movement and their enthusiasm for speed, dynamism and technology.

He and his older brothers, Arturo and Carlo Ludovico, both of whom worked, like Anton Giulio, in the film business, wanted to become active participants in the movement, which rejected traditional art and would influence painting, literature, sculpture and architecture in Italy in the early part of the 20th century.

Through their experimental work with cameras, they found ways to capture movement, energy, and continuity in photographs, using long exposures to create blurred forms and the impression of movement. 

Anton Giulio set out their methods and vision in his 1911 manifesto, entitled Fotodinamismo futurista.  His photodynamic works, such as Waving and The Typist, were widely admired for demonstrating motion as the essence of modern life and through these he hoped to establish photography as a central medium of Futurist experimentation and a tool for expressing the rhythms of modernity. 

Bragaglia's The Typist, in which his open shutter
technique was able to capture a sense of movement

Filippo Tommaso Marinetti, the founder of the Futurist movement, was supportive of their contribution and was happy to help them fund exhibitions of their work - although ultimately the movement expelled them in 1913 due to fundamental disagreements over whether photography could be considered as an art form.

This was mainly down to the influence of Umberto Boccioni, the painter and sculptor, who argued that photography was a mechanical medium that merely copied reality, not true creative art, and could undermine the high-art status of Futurist painting. 

Boccioni and others felt that Anton Giulio Bragaglia had been presumptuous in publishing his Fotodinamismo futurista manifesto, accusing him of trying to act as a spokesman for the movement without having the permission to do so. 

Despite their expulsion in 1913, Anton Giulio Bragaglia continued to contribute to the avant-garde movement, later founding the Casa d'arte Bragaglia in 1918, welcoming Futurist artists and giving them space to exhibit their work.

He continued to experiment with photography, his work being exhibited in Italy and abroad, including the Venice Biennale in 1924 and 1926.

By then Bragaglia had made a broader impression in the arts world. Having become editor-in-chief of the artistic and theatrical periodical L’Artista in 1911, he founded the magazine La Ruoto and the periodical Cronache di Attualità, attracting impressive lists of contributors to both that included Gabriele D'Annunzio, Grazia Deledda, Rudyard Kipling, Luigi Pirandello, Corrado Alvaro, the poet Trilussa and artists Giorgio De Chirico and Fortunato Depero. 

A section of the interior of 
Bragaglia's Teatro Sperimentale

He made a number of films, largely with a Futurist imprint, in no small part due to the avant-garde scenography of Enrico Prampolini. 

In 1918 he founded and directed the Casa d'Arte Bragaglia, which he inaugurated with a personal exhibition by the Futurist painter Giacomo Balla. The following year he directed his first play at the Teatro Argentina in Rome. 

In 1922 he opened the Teatro Sperimentale degli Indipendenti, which he directed until 1936, having entrusted the architect and artist Virgilio Marchi with the adaptation of the ancient Roman baths. He engaged Balla, Depero and Prampolini to take care of furnishings and decoration, again with a heavy accent on Futurist styles. 

The Teatro Sperimentale degli Indipendenti became a point of reference for the Italian avant-garde, although Bragaglia did not close the door on traditional theatrical forms. Although he embraced the innovations of international theatre, he was also keen to promote young Italian playwrights.

An intellectual with a considerable range of interests, he wrote extensively as a critic on cinema, theatre, dance, scenography and stagecraft, often travelling across Europe and to America to host exhibition and conference tours, while still working actively in the theatre, in which he eventually directed more than 50 productions.

He directed for the last time at the Rome Opera House in 1960, staging Pietro Mascagni's Le maschere, an opera written as an homage to Italian comic opera - opera buffa - and the traditions of commedia dell'arte.

Bragaglia died in July 1960 at the age of 70. His funeral and burial took place at the Verano monumental cemetery in Rome, not far from the Sapienza University.

Piglio occupies an elevated position with 
sweeping views across the Sacco Valley

Travel tip:

Built on a spur of Monte Scalambra, a somewhat isolated mountain located on the border between the Metropolitan City of Rome and the Province of Frosinone, Bragaglia’s birthplace, Piglio, overlooks the Sacco Valley.  At the highest point of the small town stands the castle built by the Colonna family just over 1,000 years ago. The Colonnas lost control of the town but regained it in the 14th century and retained control until the early 19th century. With a history that goes back to ancient Roman times, the town’s strategic position has not always been to its advantage. A fierce battle between the Romans and Hannibal’s army in the valley during the Second Punic War, Napoleon’s armies largely burnt it down in the late 18th century and it was bombed by Allied planes in World War Two. Happily, it has been quieter in recent times and Pope John Paul II used to go there for moments of relaxation, a habit which is commemorated in a path laid out in the town, in which significant quotations attributed to him are engraved. Today, Piglio is known as part of the Cesanese DOCG red wine production area, staging a wine festival in October each year. 

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The Palazzo Barberini, built in the 17th century,
now houses one of Rome's major art museums

Travel tip:

Bragaglia opened his Teatro Sperimentale degli Independenti within some ancient Roman baths in the district of Rome known as Rione II - Trevi, an area right at the heart of one of Rome’s most visited areas. Naturally, it features the iconic Trevi Fountain, now more than 250 years old, which remains one of the city’s most popular attractions, so much so that the city now charges tourists a €2 euro fee for the privilege of seeing the fountain close up at peak times. Other major sights within the Trevi rione are the Palazzo Barberini, the Baroque palace built for the Barberini family in the 17th century that stands directly off the piazza and houses one of Rome’s major art museums; the Fontana del Tritone, Gian Lorenzo Bernini’s 1643 masterpiece which is the centrepiece of Piazza Barberini; and the Fontana delle Api, another Bernini fountain located just off the piazza.The Via Veneto, one of the city’s most famous boulevards thanks to its association with the Dolce Vita era, begins at Piazza Barberini, while the Quirinal Hill area, which includes several historic churches and the Palazzo Quirinale, the official residence of the Italian President, is also nearby. 

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More reading:

Umberto Boccioni, the leading Futurist artist who died tragically young

How Giacomo Balla’s paintings captured movement and speed

Giorgio De Chirico, founder of the scuola metafisica of Italian art

Also on this day:

1791: The birth of architect Louis Visconti

1881: The birth of Futurist painter Carlo Carrà

1917: The birth of film director Giuseppe De Santis

1929: Lateran Treaty gives independence to Vatican

1948: The birth of footballer Carlo Sartori

1995: The birth of singer Gianluca Ginoble

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Pina Carmirelli - violinist

Virtuoso trusted with 17th century masterpiece

Pina Carmirelli quickly established herself as
one of Italy's most talented violinists

Pina Carmirelli, who became one of Italy’s most gifted violinists of the 20th century, was born on this day in 1914 in Varzi, a town in the province of Pavia in Lombardy about 90km (45 miles) south of Milan.

Carmirelli enjoyed a brilliant career as a soloist and as a member of various chamber groups, the most notable of which was the Boccherini Quintet, which she co-founded with her husband, cellist Arturo Bonucci, in order to revive interest in the music of the 18th century cellist, Luigi Boccherini.

She was held in such high regard that the Accademia Nazionale di Santa Cecilia in Rome, where she taught for many years, allowed her use of one of the prized possessions of their Museum, a 1690 violin that was one of a set of five instruments the great luthier Antonio Stradivari built for Ferdinando de’ Medici, the Grand Prince of Tuscany.

Carmirelli played the precious instrument, known as the 'Tuscan, Medici' in numerous recitals and concert performances between 1962 and 1977, as well as in some recordings, notably those with the Boccherini Quintet.

As a child, Pina Carmirelli is thought to have been inspired to follow a career in music by her grandfather, the conductor and composer Carlo Podesta. She began studying music and performing as a concert pianist at a very young age. 

She also had a music-loving uncle in Cremona, which - thanks to the Stradivari, Amati and Guarneri families and others - is steeped in the traditions of violin-making. Carmirelli visited the historic city throughout her childhood and it became something of a spiritual home. 

Later, as a student of Teresina Tua and Michelangelo Abbado, she graduated from the Conservatorio di Musica “Giuseppe Verdi” in Milan in violin in 1930, and in composition five years later.

Carmirelli with the Boccherini Quintet soon after it
was formed. Arturo Bonucci is on the right, seated

She was awarded the Stradivari Prize in 1937 and the Paganini Prize in 1940, which cemented her status as one of the most gifted young violinists in Italy. 

Carmirelli’s distinguished career was notable for her deep affinity for Classical and early Romantic music. Along with her husband, who was 20 years her senior, she formed the Boccherini Quintet in 1950, followed by the Carmirelli Quartet in 1954, also featuring Bonucci.

She also became first violin of I Musici, the chamber orchestra from Rome, formed in 1952, which became well known for their interpretations of Baroque and other works, particularly those of Antonio Vivaldi and Tomaso Albinoni.

The orchestra consisted of 12 musicians, most of whom were students of the Accademia di Santa Cecilia. They were so successful that their recordings of Vivaldi’s most famous work, his collection of violin concerti known as The Four Seasons, sold more than 25 million copies.

Bonucci, who she met in 1938 and soon married, was a decorated pilot as well as a musician, but also a committed opponent of the Fascist regime, a stance shared by Carmirelli. 

In later years, Carmirelli played often at
the Marlboro Music Festival in Vermont

They collaborated in the revival of Luigi Boccherini’s music after Carmirelli, on tour in Paris, discovered by chance in the library of the Paris Conservatory a complete collection of Boccherini’s works for strings, which had been long forgotten. Carmirelli persuaded the Italian consulate to buy them on her behalf before she and Arturo painstakingly worked through 147 string quintets for two cellos and over 84 string quartets, forming their Boccherini Quintet in order to do them justice in front of an audience.

While Carmirelli’s career was rooted in Italy, she also performed extensively abroad, including in the United States. Her American engagements included chamber tours, guest appearances with orchestras, and collaborations that helped introduce European chamber traditions to US audiences.

For example, she became a regular at the Marlboro Music Festival in Vermont, which she visited for the first time in 1964, not long after the death of Arturo, for whom she was still in mourning. She admitted that the sense of community at the festival allowed her to set aside some of her sadness and feel part of a family again, sharing her knowledge and experience with countless musicians in the years that followed.

Carmirelli, who had by then enjoyed a 50-year association with the Accademia di Santa Cecilia, died in 1993 in a town today known as Capena, in northern Lazio, some 35km (21 miles) north of Rome. She had reached the age of 79.

Varzi, the Lombardy village that was Pina Carmirelli's
birthplace, has a well-preserved medieval centre

Travel tip:

Varzi, where Pina Carmirelli was born, designated by the Associazione I Borghi più belli d’Italia as one of Italy’s most beautiful villages, is the gateway to the Upper Oltrepò region, an unspoiled area of the Apennines located at the southern tip of Lombardy, close to the borders with Piedmont to the west, Emilia-Romagna to the east and Liguria to the south. It is characterised by medieval architecture largely unchanged for centuries. Historical attractions include the 13th century Malaspina Castle and Witches’ Tower, the 18th century Palazzo Tamburelli, the 16th century Chiesa di San Germano and the Oratories of the Bianchi and the Rossi, built in the 17th century in different architectural styles, one late Renaissance, the other Baroque. Remnants of the medieval walls are visible in the towers of Porta Soprana and Porta Sottana. Varzi is famed for its Salame di Varzi DOP, which supposedly owes its flavour to being cured by the breezes from the Ligurian Sea. A crucial stop along the Via del Sale trade route, which connects the Po Valley with the Ligurian coast, Varzi enjoyed great prosperity from the 13th century onwards under the Malaspina family, who built many of the buildings that distinguish the village today.

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The inner courtyard of the Conservatorio di Santa
Cecilia, where Carmirelli taught for many years

Travel tip:

The Accademia Nazionale di Santa Cecilia, one of the oldest musical institutions in the world, was established in 1565. It was founded in Rome by Pope Sixtus V at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members, among them in recent times the opera singers Beniamino Gigli and Cecilia Bartoli. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano, in Viale Pietro de Coubertin in the Flaminio district, close to the location of the 1960 Summer Olympic Games. Previously, the Accademia was based at the Conservatorio di Santa Cecilia, which dates back to 1875. Entrances can still be seen in Via dei Greci and Via Vittoria, not far from the Spanish Steps in central Rome.  The museum housing the 1690 Tuscan, Medici violin and the other instruments that comprised the Medici Quintet is located in the Parco della Musica complex. In the exhibition gallery some 130 instruments are on display and about 50 luthiery tools in an open-air laboratory where the museum luthiers work.

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More reading:

Why Luigi Boccherini spent his last years in Madrid

Niccolò Paganini, the violinist whose extraordinary talent aroused bizarre suspicions

The 17th century luthier whose instruments are still seen as the best in the world

Also on this day:

1752: The death of composer and pianist Muzio Clemente

1881: The birth of heiress and muse Luisa Casati

1921: The birth of sculptor and trophy-maker Silvio Gazzaniga

1928: The birth of controversial politician Salvatore Lima

1980: The death of car designer Giovanni Michelotti

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Andrea Sacchi – artist

Painter preferred the classical style with an uncrowded canvas

The French engraver Guillaume
Vallet's portrait of Andrea Sacchi

Andrea Sacchi, one of the leading artists of his time in Italy, was born on this day - Saint Andrew’s Day - in 1599 in or near Rome.

Sacchi became the chief exponent of the style of art referred to as High Baroque Classicism, having been inspired by the work of Raphael when he was growing up.

His masterpiece is considered to be a fresco in Palazzo Barberini in Rome, Allegory of Divine Wisdom, which was an homage to Pope Urban VIII, who compared himself to King Solomon, who was assisted by divine wisdom. 

The work was also inspired by Raphael’s Parnassus, a painting that is now in the Vatican.

Sacchi’s father, Benedetto, was also a painter, but he found another master for his son, Andrea, when he realised that he was very talented. According to Giovanni Pietro Bellori, Sacchi’s friend and biographer, when Benedetto realised his son was becoming a better painter than himself, he ‘wisely found him a master who could provide him with better education.’

Benedetto enrolled his son with Giuseppe Cesari, also known as Il Giuseppino, who after being made a Knight of the Supreme Order of Christ by his patron, Pope Clement VIII, was subsequently referred to as Cavaliere d’Arpino.

One of Cesari’s earlier pupils had been Caravaggio, who had spent time painting flowers and fruit in the Cavaliere’s workshop.

Later, Sacchi entered the workshop of Francesco Albani, a Baroque painter who was born and worked in Bologna. Sacchi is now considered to be one of Albani’s most famous pupils and it was the influence of Albani that inspired Sacchi’s interest in Classicism and his taste for colour.

Sacchi’s early career in Rome was helped by the patronage of Cardinal Antonio Barberini, who commissioned work from him for his own church, Santa Maria della Concezione dei Cappuccini, and for Palazzo Barberini.

Between 1627 and 1629, Sacchi painted frescoes at Villa Sacchetti near Ostia Antica under the direction of the Baroque artist and architect, Pietro da Cortona.

Sacchi's masterpiece, the fresco Allegory of the
Divine Wisdom, can be seen in Palazzo Barberini

Five years later, Cortona was elected as director of the Academy of St Luke, the painter’s guild in Rome.

In 1636, the two artists became involved in a series of debates at the Academy, during which Sacchi criticised Cortona’s exuberant style of painting.

Sacchi put forward the theory that paintings should include only a few figures because if a picture is too crowded the figures are deprived of individuality and cloud the meaning of the piece.

Cortona, on the other hand, argued the case that large paintings with many figures were like an epic, and could develop multiple sub themes.

Among Sacchi’s supporters in the argument were his friends, the High Baroque sculptor Alessandro Algardi, and the Classical Baroque French painter, Nicolas Poussin. 

There was a big following for Sacchi’s style of painting by artists who came after him, and the style remained pre-eminent in Roman circles for many decades to follow.

Two of Sacchi’s major works, St Gregory and the Corporal, and Vision of St Romuald, are in the Pinacoteca Vaticana in Rome.

Other paintings by Sacchi can be seen in San Carlo ai Catinari, Palazzo Quirinale, and Palazzo Barberini in Rome. There are also paintings by the artist in Perugia, Foligno, and Camerino, in Italy, and in the Prado Museum in Madrid.

Sadly, Sacchi outlived his illegitimate son, Giuseppe, who had shown early promise as a painter, but died young. Sacchi himself died at the age of 61 in Rome in 1661. 

Some accounts of his life say he was both born and died in Nettuno, a coastal town about 60km (37 miles) south of the capital. The British historian Ann Sutherland Harris has established that, according to the artist’s will, which is kept in the State Archives, Sacchi died in Rome.

The Villa Sacchetti, later Castello
Chigi, has frescoes by Sacchi

Travel tip:

The Villa Sacchetti, where Andrea Sacchi worked on frescoes under the direction of Pietro da Cortona, is a 17th century villa at Castel Fusano near Ostia Antica in Lazio. It was built between 1624 and 1629 for the Sacchetti family, who were close associates of Pope Urban VIII, and it was the first architectural work by Pietro da Cortona. The villa has a fortified appearance and a belvedere terrace at the top because there were occasional raids by pirates along that coast at the time. On the third floor, there is a gallery spanning the length of the building with frescoes by both Pietro da Cortona and Andrea Sacchi. The villa is now known as Castello Chigi because it was bought by the Chigi family in the 18th century.

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The Palazzo Barberini in Rome, for which
Sacchi painted his Allegory of Divine Wisdom

Travel tip:

Palazzo Barberini, which houses the work considered to be Andrea Sacchi’s masterpiece, Allegory of Divine Wisdom, is just off Piazza Barberini in the centre of Rome. The palazzo was completed in 1633 as a home for Cardinal Francesco Barberini and was the work of three great architects, Carlo Maderno, Francesco Borromini, and Gian Lorenzo Bernini. The palazzo now houses part of the collection of Italy’s National Gallery of Ancient Art, with works by Caravaggio, Raphael, Tintoretto, Hans Holbein, Guido Reni, Bronzino, and Bernini. The palace, which stands in Via delle Quattro Fontane, facing Piazza Barberini, was designed by Maderno with most of the construction supervised by Bernini. Borromini made a number of notable contributions, notably the famous helical staircase. Pietro da Cortona’s Trionfo della Divina Provvidenza (Triumph of Divine Providence), which covers the ceiling of the palace’s grand salon, is one of the most celebrated Baroque frescoes in Rome.

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More reading:

Domenichino, the Baroque master whose talents rivalled Raphael

How Francesco Solimena became one of the Europe’s wealthiest painters

Francesco Barberini, the cardinal who built the Palazzo Barberini

Also on this day:

1466: The birth of military commander Andrea Doria

1485: The birth of writer and stateswoman Veronica Gambara

1831: The birth of writer and patriot Ippolito Nievo

1954: The birth of actress Simonetta Stefanelli

1957: The death of tenor Beniamino Gigli

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Clio Maria Bittoni – lawyer

First Lady who supported workers’ rights and victims of domestic violence

Clio Maria Bittoni pictured with her
husband, Giorgio Napolitano, in 2009

Clio Maria Bittoni, a specialist in labour law, who was married to a President of Italy, Giorgio Napolitano, was born on this day in 1934 in Chiaravalle in the province of Ancona in Marche.

Bittoni was working for the League of Cooperatives, specialising in the application of the fair rent law in agriculture, in 1992, when Napolitano was elected as president of the Chamber of Deputies.   

She had helped many farm workers to get better conditions but was quoted at the time as saying that it seemed ‘inappropriate’ for her to stay in her role since her adversaries had often been parliamentary committees, and other institutional bodies in Italy. 

Her parents were Diva Campanella, a socialist activist, and Amleto Bittoni, who were both opponents of the Fascist regime ruling Italy, and they were officially living in exile at the time of her birth. 

After attending classical high school in Jesi in Marche, Bittoni went to the University of Naples to study Law, where she met her future husband, who was a member of the Italian Communist Party.

After she graduated from university, Bittoni married Napolitano in a civil ceremony in Campidoglio in 1959. They went to live in Rome and had two sons, Giovanni, who was born in 1961, and Giulio, who was born in 1969.

Napolitano became the 11th President of the Italian Republic in 2006 and remained in office until 2015. In her official role as Companion of the President of Italy, Bittoni attended many events, both in Italy and abroad, by his side.

She also became involved in the defence of women’s rights, writing letters to newspapers about the cause, an interest she shared with the US First Lady, Michelle Obama, whom she hosted at the Palazzo Quirinale - the President's official residence - in Rome in 2009.

Bittoni hosted her United States counterpart, First
Lady Michelle Obama, at the Palazzo Quirinale

Bittoni had suffered a serious fracture two years previously when she was struck by a car while crossing Via del Quirinale near the palace.

She personally laid flowers at the Fountain of the Dioscuri in front of the Quirinale in March 2014 on a day dedicated to the victims of domestic violence, when the fountain was illuminated in red to reflect the bloody attacks suffered by victims, whose names were projected on the base of the obelisk.

After many years living in the Quirinale, Bittoni moved to live in an apartment in the Palazzo della Panetteria, the building next to the presidential palace, saying she felt freer of formalities and protocol by living there. 

Bittoni was often seen out and about in Rome, mixing with ordinary people, without any bodyguards. In 2012 she queued with members of the public to visit an exhibition of pictures by Vermeer being held in the stables at the Quirinale and, after she was recognised, insisted on buying a ticket just like everyone else.

After Napolitano’s presidency came to an end in 2015, the couple moved back to their family home in Monti, another district of Rome, where neighbours often saw them walking around without any security escort. 

Clio Maria Bittoni died in September 2024, two months before what would have been her 90th birthday. It was exactly a year after the death of her husband. Like him, she was buried in the non-Catholic cemetery in the Testaccio district of Rome.

The Lazzaretto building in the harbour at 
Ancona was once a quarantine station

Travel tip:

Chiaravalle, where Clio Maria Bittoni was born, is a comune - municipality - in the province of Ancona in the region of Marche, located about 15km (9 miles) to the west of Ancona, which is the capoluogo - the capital - of the Marche region. Ancona lies 280km (170 miles) northeast of Rome, and is one of the main ports on the Adriatic sea. Ancona’s history goes back centuries before the birth of Christ when it was inhabited by an Italic tribe. It was conquered by Greek settlers in 387BC, who developed it and set up industries there, and it was taken by Julius Caesar immediately after he crossed the Rubicon River in 49BC, sparking civil war. The 18m-high Arch of Trajan, built in honour of the emperor who built the city’s harbour, is regarded as one of the finest Roman monuments in the Marche region. Ancona’s harbour contains the Lazzaretto, a pentagonal building constructed on an artificial island in the 18th century as a quarantine station designed to protect the city from diseases carried by infected travellers.

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The tranquil surroundings of Rome's 
non-Catholic cemetery in Testaccio

Travel tip:

Clio Maria Bittoni and her husband, Giorgio Napolitano, are buried in the beautiful, tranquil, surroundings of the non-Catholic Cemetery, often referred to as the English cemetery, in the Testaccio district of Rome. The cemetery lies behind high walls flanked by cypress trees, close to Porta San Paolo and the Pyramid of Cestius, a burial monument that was built before the birth of Christ.  The non-Catholic Cemetery was originally intended for foreigners who had died in Rome and it has become famous as the last resting place of the English romantic poet, John Keats, who died at the age of 25, soon after arriving in Rome, in 1821 . The remains of the Romantic poet Percy Bysshe Shelley were also buried there after he was cremated on a Tuscan beach following his death at sea in 1822 at the age of 29. Due to the limited space available, burial is granted only in exceptional circumstances to illustrious Italians. In 2019, the remains of the writer Andrea Camilleri were interred there, and in 2023, burial was granted for Napolitano, a former communist who declared himself not to be an opponent of the Catholic Church but a non-believer. Bittoni was laid to rest there in 2024.

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More reading:

Giorgio Napolitano, the non-Catholic and Communist who rose to high office 

How Laura Matarella took the place of her late mother as First Lady

The first Sicilian to be made President of the Republic of Italy

Also on this day:

1811: The birth of Charles Ferdinand, Prince of the Two Sicilies

1816: Lord Byron arrives in Venice

1869: The birth of King Umberto I's assassin, Gaetano Bresci

1928: The birth of film music composer Ennio Morricone

1990: The birth of gymnast Vanessa Ferrari

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Stefano D’Arrigo – writer

Author’s greatest work took him 17 years to complete

Stefano d'Arrigo wrote a novel
considered a literary masterpiece

The Sicilian poet, writer, and art critic Stefano D’Arrigo, who once made a small appearance in a Pier Paolo Pasolini film, was born Fortunato Stefano D’Arrigo on this day in 1919 in Alì Terme, a comune of Messina.

He became famous for his novel, Horcynus Orca (Killer Whale) which was published in 1975 and was considered a masterpiece of 20th century Italian literature.

The action in the book takes place in the aftermath of World War II and follows the journey of a Sicilian fisherman as he returns home to his village after serving in the Italian Navy during the war.

The reader experiences the fisherman’s encounters with the transformed landscape and people and sees through his eyes the impact of war on the traditional ways of life in Sicily.

D’Arrigo left Alì Terme after completing elementary school when he was ten years old. He moved with his family to Milazzo, a municipality of Messina.

When war broke out, he attended the officer cadet course in Udine in the region of  Friuli-Venezia Giulia and was then assigned to Palermo. In the summer of 1943, he was transferred to Messina where he witnessed the clashes on the Strait of Messina between the Germans and the Allies.

While D’Arrigo was still serving in the army he graduated in Messina with a thesis on the German poet Friedrich Holderlin.

D’Arrigo moved to Rome in 1946 to work for newspapers such as La Tribuna del Popolo, Il Progresso d'Italia, and Il Giornale di Sicilia. As a newspaper writer and art critic he mixed with painters and sculptors in Rome and began writing poetry. He also met his future wife, Jutta Bruto, and married her in 1948.

A collection of 17 of his poems, Codice Siciliano, was first published in 1957, but was republished with additions by Mondadori in 1975.

D'Arrigo's 1257-page epic sold some
80,000 copies when published in 1975

D’Arrigo worked on Horcynus Orca from 1957 to 1975. The novel was 1257 pages long and, on its release, it immediately sold 80,000 copies. Subsequent paperback editions sold another 45,000 copies.

It addressed the theme of the wandering hero that has been present in literature from Homer’s Odyssey to James Joyce’s Ulysses. The novel also put such a focus on the culture and literature of the sea that some scientists suggested D’Arrigo should be awarded an honorary degree in oceanography.

His epic work took so long for him to finish that the title was changed along the way. Later, a first version was made available to readers under the earlier title, I fatti della fera, which was a shorter book but contained more of the writer’s original ‘Sicilianisms’.

D’Arrigo also wrote three other novels and a theatre script and he played the part of an examining magistrate in the 1961 film, Accatone, which was written and directed by Pier Paolo Pasolino.

Stefano D’Arrigo died in Rome in May 1992.

The coast around  Alì Terme features many long
stretches of flat, pebbly beach

Travel tip:

Alì Terme is a tranquil town on Sicily’s northeastern Ionian coast, nestled between the sea and the Peloritani Mountains, about 20km south of Messina. It is best known for its thermal springs, which have been prized since ancient times for their therapeutic properties. The sulphur-rich waters feed several spas, including the renowned Terme di Alì.  The area features long pebble beaches and a relaxed promenade ideal for swimming, sunbathing and evening strolls. The Chiesa di San Rocco is the town's main church, dedicated to its patron saint, who was adopted several centuries ago after the discovery of a statue of him in a box on the beach. San Rocco is celebrated with a procession through the town on August 16. Alì Terme, a popular base for hikers as well as sun-seekers, has a station on the Messina-Catania railway line and is easily accessible via the A18 motorway.

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The Strait of Messina, at its narrowest just 3.1km
wide, separates Messina from the Italian mainland

Travel tip:

Messina is a city in the northeast of Sicily, separated from mainland Italy by the Strait of Messina. It is the third largest city on the island and is home to a large Greek-speaking community. The 12th century cathedral in Messina has a bell tower which houses one of the largest astronomical clocks in the world, built in 1933. Originally built by the Normans, the cathedral, which still contains the remains of King Conrad, ruler of Germany and Sicily in the 13th century, had to be almost entirely rebuilt following the earthquake in 1908, and again in 1943, after a fire triggered by Allied bombings. The city’s history stretches back to Greek colonists in the 8th century BC, while the Fountain of Orion in Piazza Duomo and the nearby church of the Annunziata dei Catalani reflect layers of Byzantine, Arab, and Baroque influence. As a university city, Messina has a youthful energy and many cultural events.

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More reading:

The prince whose novel became a classic of Sicilian literature

Sicily’s Nobel Prize-winning poet, known for his lyrical and existential verse

A novelist whose work focuses on Sicilian politics, Mafia influence and moral ambiguity

Also on this day:

70BC: The birth of the Roman poet Virgil

1764: The moment that inspired Edward Gibbon’s epic Roman history

1785: The birth of painter Giovanni Migliara

1905: The birth of footballer Angelo Schiavio

1964: The birth of astronaut Roberto Vittori

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Bernardo Pisano – musician and priest

First composer to have collection of his music printed

A page from an early printed collection
of music by Bernardo Pisano

Bernardo Pisano, who is believed to have been the first composer of the Italian madrigal, was born on this day in 1490 in Florence.

Pisano - sometimes known as Pagoli - was so important in musical circles during his lifetime that he is also thought to have been the first composer anywhere in the world to have a printed collection of secular music devoted entirely to himself.

Although he was born in Florence, it is supposed that, because he used the name Pisano, he must have also spent some time living in Pisa. 

As a young man, he sang and studied music at the Church of the Santissima Annunziata in Florence. In 1512, he became maestro di cappella there in addition to supervising the choristers and singing in the chapels himself. 

As a favourite of the Medici family, he was appointed to sing in the papal chapel in Rome in 1514 after Cardinal Giovanni de’ Medici became Pope Leo X. While there, he also taught Francesco Corteccia, an organist and composer for Cosimo I de’ Medici.

Pisano stayed in Rome for the rest of his life, singing in the papal chapel choir, and he acquired ecclesiastical benefices from the Medici at the cathedrals of Seville and Lerida in Spain.

However, he made the mistake of returning to Florence in 1529 during the three-year period of republican government of the city. He was seized and imprisoned because he was known to have close connections to the Medici family. While he was being kept prisoner, he was accused of being a papal spy and tortured.

After the siege of Florence in 1529, the city was recaptured by papal troops and the Medici were returned to power there. Pisano was released and was able to go back to live in Rome.

Raphael's portrait of Pope Leo X, who
was Pisano's friend and patron

Pisano had written sacred music during his time as maestro di cappella at the Church of the Annunziata. But he was later to be more influential as a composer of secular music and he was believed to be history's first madrigalist.

Madrigals were sung during the 15th and 16th centuries by groups of between two and eight voices. In 1520, a Venetian printer published ‘Musica di Messer Bernardo Pisano sopra del canzone del Petrarca’. While the pieces in the collection were not actually called madrigals, they contained features that have been recognised in retrospect as being distinctive of the madrigal genre. 

The collection was made up of verses by the poet Petrarch set to music by Pisano. He was influenced by the literary theories of the poet and scholar Pietro Bembo, who was a secretary to Pope Leo X and later became a Cardinal appointed by Pope Paul III.

This publication was also the first known collection of secular music by a single composer to be printed. 

Later composers who became masters of the madrigal genre are known to have been aware of this work by Pisano and to have copied some of his stylistic traits from it.

In 1546, Pope Paul III appointed Pisano as maestro di cappella of his private chapel. Among the singers in his group was a Franco/Flemish musician, Jacques Arcadelt, who was later to become famous as a madrigal composer. 

Bernardo Pisano died in 1548 in Rome. He is buried in the Church of Santa Maria sopra Minerva next to the two Medici popes who had been his friends and patrons.

 Giovanni Battista Caccini's Renaissance-style
facade of the Basilica della Santissima Annunziata

Travel tip:

The Basilica della Santissima Annunziata, where Bernardo Pisano was maestro di cappella, is a minor Catholic basilica near the centre of Florence. The church was founded in 1250 by the seven original members of the Servite order and is located in Piazza Santissima Annunziata. In 1252 a friar was commissioned to produce a painting of the Annunciation for the church. He was said to have despaired about being able to do justice to the face of the Virgin and eventually fell asleep while working on it, but when he woke again the painting had been miraculously completed. He attributed this to the work of an angel. The painting has since attracted many pilgrims to visit it, including Pope Alexander VI, who gave a silver effigy to the church. It has since become the tradition for brides in Florence to visit the church to leave their bouquets there.

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The Gothic interior of the Basilica di Santa Maria
sopra Minerva in Rome, where Pisano is buried

Travel tip:

The Basilica di Santa Maria sopra Minerva, where Bernardo Pisano is buried, is in Piazza della Minerva in Rome. The name of the church is derived from the fact that the original structure was built directly over the ruins of a temple dedicated to the Egyptian goddess Isis, that had been wrongly ascribed to the Greek/Roman goddess Minerva. It is located to the east of the Pantheon in the Pigna rione of Rome in the ancient district known as Campus Martius. Dominican friars began building the present Gothic church structure in 1280, modelling it on Santa Maria Novella in Florence. In 1431 the church and adjacent convent was the site of a papal conclave, when 14 Cardinals sitting in the sacristy elected Pope Eugenius IV. After his death, a second conclave was held there in 1447 when 18 Cardinals elected Pope Nicholas V. The church houses a marble sculpture by Michelangelo, Cristo della Minerva, representing the figure of Christ carrying the cross, which is located to the left of the main altar.

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More reading:

How the madrigal genre influenced the composer Monteverdi 

The madrigal writer also known for a brutal murder

The Medici musician who invented the madrigal comedy

Also on this day:

1492: The death of Renaissance painter Piero della Francesca

1812: The death of Ascanio Sobrero, the chemist who discovered nitroglycerine

1935: The birth of tenor Luciano Pavarotti

2006: The death of film director Gillo Pontecorvo

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Milly Carlucci - TV host

Former actress is the face of Ballando con le Stelle

Milly Carlucci is host and artistic director of the
hit Italian TV show Ballando con le Stelle

The television host and former actress Milly Carlucci was born on this day in 1954 in Sulmona, a picturesque town in central Abruzzo, about 52km (32 miles) inland from the coastal city of Pescara.

With a career spanning nearly five decades, Carlucci has been a well-known and popular personality on Italian television since the late 1970s, establishing a reputation for elegance and professionalism and a list of credits that grew rapidly through the ‘80s and ‘90s.

But it is in her current and most enduring role, as the presenter of the pro-celebrity dance contest Ballando con le Stelle - the Italian version of the US hit Dancing with the Stars and the UK’s Strictly Come Dancing - that she has established herself as a giant of small-screen entertainment.

Having fronted the show from its inception in 2005, Carlucci is also its artistic director and project manager. Now into its 20th season, Ballando con le Stelle has become a flagship for the state television network Rai and is currently its longest-running variety show still on air.

Born Camilla Patrizia Carlucci, she was brought up in a household in which discipline was a virtue instilled in her from an early age. Her father, Luigi Carlucci, reached the rank of General in the Italian Army. Her mother, Maria, was known for her cultural refinement and interest in the arts, which helped nurture Milly’s creative instincts.

Carlucci on the set of the 2025
edition of Ballando con le Stelle

The Carlucci family moved frequently due to her father’s military postings, and Milly spent much of her childhood in Udine, in the northwest of the country, before settling in Rome. 

She attended the Terenzio Mamiani high school in Rome’s Prati district, where he shone in her studies but also revealed a talent for roller skating, winning an Italian championship as a member of the successful Skating Folgore Roma team.

Carlucci enrolled at Sapienza University of Rome to study architecture, but her interest in performance and natural ability to command a stage gradually eclipsed her academic pursuits. Articulate as well as elegant, in 1972 she entered and won the Miss Teenager Italy beauty contest.

This victory opened doors into modelling and television. She also studied classical dance and took part in amateur theatre productions, honing the stagecraft and composure that would become her trademarks. 

At times required to join the ranks of the showgirls that at the time were ever-present backdrop in Italian variety shows, Carlucci soon began to land presenting roles, first at the local Rome television station, GBR, and then with Rai, for whom she fronted various light entertainment shows including the Italian version of Jeux Sans Frontières. It was this show that made her famous, and she presented it for four seasons.

Carlucci enjoyed a brief career
as a pop singer in the 1980s

For a while, Carlucci had a parallel career in acting, appearing in popular Italian films such as The Taming of the Scoundrel (1980), Pappa e ciccia (1983), and Tomorrow I'm Getting Married (1984). Her role as Urania in The Adventures of Hercules (1985) further cemented her status as a screen favourite.

Blessed also with a beautiful singing voice, she was briefly a recording artist as well, releasing a number of pop singles and two albums in the 1980s.

However, it was television hosting that has truly defined Carlucci’s legacy. Apart from a few years in the 1980s when she worked for Silvio Berlusconi’s Fininvest networks, she has been a fixture on Rai for the best part of five decades, with a long list of successes from the popular game show Scommettiamo che...? (Shall we bet that…?), which she co-hosted with the late Fabrizio Frizzi, to the more recent Il cantante mascherato, the Italian version of The Masked Singer.

She has also become established as Rai’s go-to host for special events in the entertainment world. Having proved herself on big occasions such as the Sanremo Italian Song Festival, on which she was a co-host with Pippo Baudo in 1992, she was the long-running host of the annual Pavarotti & Friends concerts (1995 to 2003), in which the great operatic tenor performed in duets with famous guests. She hosted the David di Donatello film awards in 1997 and 1998, as well as 17 editions of the prestigious Ischia International Journalism Award.

Milly Carlucci at the funeral of her friend,
Luciano Pavarotti, in Modena in 2007

Yet nothing has come close to the success of Ballando con le Stelle, in which celebrities and sports stars dance with professional partners over 12 episodes, with couples marked by judges in the studio and by the viewing public, and eliminated one-by-one until a champion emerges at the end of the series.

Carlucci has been the host for every series so far, until this year alongside co-host Paolo Belli, whose Big Band provides the musicians. Belli is starring in the 2025 edition as a competitor. The panel of judges includes the fashion and set designer Guillermo Mariotto, whom Carlucci has known since the 1990s and was one of the original panel in 2005. The head judge since 2007 has been Glasgow-born Carolyn Smyth, who has been a dance teacher based in Italy since 1982. 

Beyond entertainment, Carlucci has also been active in humanitarian work. In 1996, she was named a UNICEF Goodwill Ambassador, using her platform to advocate for children’s rights and global development initiatives.

She has been married since 1985 to engineer Angelo Donati, with whom she has two children. Her two younger sisters, Gabriella and Anna Carlucci, have also had careers in the entertainment industry, Gabriella as a presenter, Anna as an actress, writer and director.

Gabriella also served for 12 years as a member of the Chamber of Deputies in the Italian parliament, representing Puglia.

Sulmona's elegant Piazza Garibaldi includes a
section of the town's 13th-century aqueduct 

Travel tip:

Nestled in the heart of Abruzzo, Sulmona is an historic town renowned for its cultural heritage, dramatic mountain backdrop, and artisanal traditions. Surrounded by the Majella National Park, it offers sweeping views of rugged peaks and verdant valleys. The town’s origins trace back to Roman times, its history visible in ancient Roman ruins, medieval churches, and Renaissance palaces. The town’s centerpiece is the elegant Piazza Garibaldi, framed by arcades and overlooked by an imposing aqueduct built in the 13th century. Nearby, the Gothic-style Church of Santa Maria della Tomba and the Palazzo Annunziata showcase centuries of architectural evolution, the palace a rare example of early Renaissance architecture in Sulmona that survived the earthquake of 1706.  Sulmona is famously the birthplace of the Roman poet Ovid, whose legacy is honoured with a statue and museum. Equally famous is its production of confetti - sugar-coated almonds crafted into elaborate floral arrangements, an Italian  confectionery tradition that dates back to the 15th century. 

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Its tree-lined boulevards give Rome's Prati
district something of a Parisian feel

Travel tip:

Carlucci went to school in the Prati district of Rome, close to the Vatican and St Peter’s Basilica, which is now an affluent residential neighbourhood that is also popular with tourists for offering a relatively quiet place to stay that still provides easy access to the city’s historical centre. It has many authentic Roman trattorie as well as a host of bars and pubs.  Located just north of the Vatican and west of the Tiber River, the area was developed in the late 19th and early 20th centuries, it was designed with wide boulevards and a grid layout - distinct from the winding alleys of Rome’s historic centre. This gives Prati a Parisian feel, its streets lined with stately buildings and Art Nouveau facades. Its main thoroughfare, Via Cola di Rienzo, is a hub for upscale shopping, featuring Italian fashion boutiques, gourmet food shops, and stylish cafés. Prati is also the home of the vast Palazzo di Giustizia in Piazza Cavour that houses the Supreme Court.

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More reading:

Pippo Baudo - record-breaking host of Sanremo song contest 

How Maria De Filippi became one of the most popular faces on Italian TV

The former actress who became the face of Sunday afternoons

Also on this day:

1450: The death of Leonello d’Este, Marquis of Ferrara

1910: The birth of Olympic cycling champion Attilio Pavesi

1931: The birth of composer and avant-garde artist Sylvano Bussotti

1961: The birth of football coach Walter Mazzarri

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