Showing posts with label Teatro Nuovo. Show all posts
Showing posts with label Teatro Nuovo. Show all posts

24 February 2022

Renata Scotto - soprano and opera director

Singer who stood in for Callas became an international star

After making her debut in 1952, Scotto had established herself as a star within five years
After making her debut in 1952, Scotto had
established herself as a star within five years
Opera singer Renata Scotto, who was one of the leading sopranos in the world at the height of her career, was born on this day in 1934 in Savona in Liguria.

Admired for her musicality and acting ability, Scotto was one of the most popular singers during the bel canto revival of the 1960s, performing throughout Italy, and in the UK, America, Russia, Japan, Spain, France and Germany.

She sang opposite great tenors such as Mario del Monaco, Alfredo Kraus and Luciano Pavarotti.

Scotto made her stage debut on Christmas Eve 1952 at the age of 18 as Violetta in Giuseppe Verdi’s La traviata, singing to a sold-out house in Savona, her home town. The next day she made her official debut at the Teatro Nuovo in Milan as Violetta. Shortly afterwards, she performed in Giacomo Puccini’s Madama Butterfly in Savona.

In 1953 she appeared at Teatro alla Scala in Milan as Walter in Alfredo Catalani's La Wally alongside Renata Tebaldi and Mario del Monaco and, on the opening night, was called back for 15 curtain calls.

At the Edinburgh Festival in 1957 she stood in for Maria Callas, who had refused to appear saying she was ill, as Amina in La Scala’s production of Vincenzo Bellini’s La sonnambula. The performance was a great success and Scotto, at the age of 23, had become an international opera star.

Scotto also achieved much success as a director
Scotto also achieved much
success as a director 
In 1961 she performed the role of Amina again ,appearing with the tenor Alfredo Kraus at La Fenice in Venice.

For more than 40 years, Scotto performed more than 45 different roles in operas written by Donizetti, Meyerbeer, Verdi, Puccini, Bellini, Ponchielli and many more composers.

In 1960, she married Lorenzo Anselmi, who was the first violinist at La Scala. They had two children and eventually the family made their home in America,  where Scotto had great success at the Metropolitan Opera House in New York.  Lorenzo died in 2021 at the age of 87, by which time they had moved back to Italy, returning to Savona.

Since the 1990s, Scotto has been a stage director with many credits to her name. She won an Emmy Award for her telecast of La traviata at New York City Opera in 1995. In 2009, she won an Anton Coppola Award for Excellence in the Arts.

Renata Scotto celebrates her 88th birthday today.

Savona, a centre for shipbuilding, used to have many iron works and foundaries
Savona, a centre for shipbuilding, used to have
many iron works and foundaries
Travel tip:

Liguria’s third largest city after Genoa and La Spezia, Savona used to be one of the biggest centres of the Italian iron industry, the iron works and foundries providing materials for shipbuilding and railways among other things. It also has a busy port but as well as industrial areas the city has a charming medieval centre containing architectural gems such as the Baroque Cattedrale di Nostra Signora Assunta - behind which is Italy’s other Sistine Chapel, like the Rome version erected by Pope Sixtus IV - and the Fortezza del Priamar, built by the Genoese in 1542 after their conquest of the city and later used a prison. The popes Sixtus IV and Julius II were born in the city and it was there in 1830 that the revolutionary Giuseppe Mazzini was imprisoned.   Food specialities include gnocchi with nettles, bardenulla (white polenta flavoured with leek and mushrooms) and tagliatelle with mushrooms.

Find accommodation in Savona with Booking.com

The Teatro Nuovo in Milan is part of a modern shopping complex
The Teatro Nuovo in Milan is part
of a modern shopping complex
Travel tip:

The Teatro Nuovo theatre in Milan, where Scotto made her official debut in Verdi’s La traviata in 1952, is located on the Piazza San Babila in the lower level of the Palazzo del Toro. It was designed by architect Emilio Lancia and was the project of the impresario Remigio Paone. It was inaugurated in December 1938 with a performance of Eduardo De Filippo's comedy Ditegli sempre di sì. Piazza San Babila is characterised by the presence of a fountain built in 1997 by the architect Luigi Caccia Dominioni in conjunction with the Ente Fiera Milano.

Stay in Milan with Booking.com

More reading:

Powerful voice made Mario del Monaco the perfect Otello

A star who prospered despite Madama Butterfly debut flop

The tragedy of Alfredo Catalani's early death

Also on this day:

1607: The debut of Monteverdi’s first opera, L’Orfeo

1896: The birth of restaurateur Cesare ‘Caesar’ Cardini

1934: The birth of politician Bettino Craxi

1990: The death of former president Sandro Pertini

(Picture credits: Savona by Andrea Ridács via Pixabay)



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24 August 2018

Peppino De Filippo - comedian, actor and playwright

Talented Neapolitan who lived in shadow of his brother


Peppino de Filippo enjoyed a successful career on stage and screen
Peppino de Filippo enjoyed a successful
career on stage and screen
The playwright and comic actor Peppino De Filippo was born Giuseppe De Filippo on this day in 1903 in Naples.

A highly accomplished performer on stage in serious as well as comedy roles, De Filippo also had a list of film credits numbering almost 100, of which he is best remembered for his screen partnership with the brilliant comic actor Totò.

To an extent, however, he spent his career in the shadow of his older brother, Eduardo De Filippo, who after Luigi Pirandello was regarded as the second great Italian playwright of the 20th century.

The two fell out in the 1940s for reasons that were never made clear, although it later emerged that they had many artistic differences.

They were never reconciled, and though Peppino went on to enjoy a successful career and was widely acclaimed it annoyed him that he was always seen as a minor playwright compared with his brother.

When Peppino published an autobiography in 1977, three years before he died, he called it Una famiglia difficile - A Difficult Family. In the book he described his relationship with his sister, Titina, as one of warmth and affection, but portrays Eduardo as something of a tyrant.

Peppini, second from the right, with his father, mother, brother and sister in about 1910
Peppini, second from the right, with his father,
mother, brother and sister in about 1910
The son of Eduardo Scarpetta, one of the most prominent Neapolitan playwrights of the early 20th century, and Luisa De Filippo, he was born in a house on the corner of Via Giovanni Bausan and Via Vittoria Colonna in the Chiaia district of central Naples, about a 20-minute walk from Piazza del Plebiscito and the Royal Palace.

Yet he spent the first five years of his life being cared for by a nanny in Caivano, a small town about 14km (9 miles) northeast of Naples, and returned to his family somewhat reluctantly.

He made his stage debut at the age of six in a play written by his father, learned to play the piano and worked in various theatre companies as he grew up, meeting Totò for the first time in 1920 at the Teatro Nuovo in Naples, in the Spanish Quarter.

Married in 1929 to Adela Carloni, he became a father the following year and soon afterwards joined his brother, Eduardo, and Titina in forming the Compagnia Teatro Umoristico: i De Filippo - the De Filippos’ Humorous Theatre Company.

They were very successful, touring Italy, presenting new comedies to full theatres and enthusiastic reviews.

However, in 1944, after a number of clashes with Eduardo - one story was that Eduardo disapproved of his brother’s relationship with another woman, Lidia Maresca, who later became his second wife  - Peppino left the company.

Peppino de Filippo, right, with Totò, centre, in a scene from their 1956 movie, La Banda degli Onesti
Peppino de Filippo, right, with Totò, centre, in a scene
from their 1956 movie, La Banda degli Onesti
His own plays were lighter in tone than Eduardo’s and, some critics argued, superior work, yet he never achieved the same recognition for his writing.

On the other hand, he became a highly respected actor known for his versatility. His performances in Harold Pinter’s play The Caretaker and in Molière’s The Miser attracted glowing reviews.

Nonetheless, Peppino’s career tends to be defined by the high profile he achieved in film and on television.

His films with Totò, of which there were 16, though snubbed by the critics, were hugely successful, so much so that the popularity of De Filippo in his own right meant that several movies in which the pair collaborated, such as Totò, Peppino e la malafemmina and Totò, Peppino e le fanatiche, had his name in the title as well as that of his more famous co-star.

He worked with Federico Fellini - in Boccaccio '70, for example - and with Alberto Lattuada and also invented Pappagone, a character for a TV show, who represented a servant employed by himself, a typical character in Neapolitan theatre, whose phrases and jargon became popular sayings.

He married three times in total but had only child, his son Luigi, who maintained the family tradition by becoming an actor, director and playwright, producing and performing in many works by his father and uncle.

De Filippo died in Rome in 1980 and was buried at the Campo Verano cemetery.

The Naples waterfront to the west of the city centre - Chiaia is the area behind the trees of Villa Comunale
The Naples waterfront to the west of the city centre - Chiaia
is the area behind the trees of Villa Comunale 
Travel tip:

Chiaia, where Peppino De Filippo was born, is a neighbourhood bordering the seafront in Naples, roughly between Piazza Vittoria and Mergellina. It has become one of the most affluent districts in the city, with many of the top fashion designers having stores on the main streets. It is the home of a large public park known as the Villa Comunale, flanked by the large palazzi along the Riviera di Chiaia on one side, and the sweeping promenade of the Via Francesco Caracciolo on the other.

An artist's sketch of the Teatro Nuovo in around 1900
An artist's sketch of the Teatro Nuovo in around 1900
Travel tip:

The Teatro Nuovo, where Peppino first met Toto, is located on Via Montecalvario in the Quartieri Spagnoli - Spanish quarter - of Naples, off the Via Toledo, a few steps from Piazza del Plebiscito. The original theatre was an opera house designed by Domenico Antonio Vaccaro completed in 1724. It specialised in the opera buffa genre and saw the world premieres of hundreds of operas in its heyday, including 15 by Cimarosa and seven by Donizetti. The theatre has twice been destroyed by fire, in 1861 and again in 1935.

More reading:

How Eduardo De Filippo captured the spirit of Naples

The brilliance of Luigi Pirandello

The versatility of Alberto Lattuada

Also on this day:

1540: The death of the artist Parmigianino

1902: The birth of Mafia boss Carlo Gambino


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