Gentile Bellini - Renaissance painter

Bellini family were Venice's leading 15th century artists

A self-portrait of Gentile Bellini which he is
thought to have drawn in 1496

Gentile Bellini, a member of Venice's leading family of painters in the 15th century, died in Venice on this day in 1507.  He was believed to be in his late 70s, although the exact date of his birth was not recorded.

The son of Jacopo Bellini, who had been a pioneer in the use of oil paint in art, he was the brother of Giovanni Bellini and the brother-in-law of Andrea Mantegna.  Together, they were the founding family of the Venetian school of Renaissance art.

Although history tends to place Gentile in their shadow, he was considered in his time to be one of the greatest living painters in Venice and from 1454 he was the official portrait artist for the Doges of Venice.

He also served Venice as a cultural ambassador in Constantinople, where he was sent to work for Sultan Mehmed II as part of a peace settlement between Venice and Turkey.

Gentile learned painting in his father's studio.  Once established, he had no shortage of commissions, for portraits, views of the city, and for large paintings for public buildings, often characterised by multiple figures.

Gentile Bellini's Miracle of the True Cross at the Bridge of
San Lorenzo can be found at the Galleria dell'Accademia 

He was one of the artists hired by the Scuola Grande di San Giovanni Evangelista to paint a 10-painting cycle known as the The Miracle of the Relics of the Cross.  His contribution included the Procession of the True Cross in Piazza San Marco (1496) and the Miracle of the True Cross at the Bridge of San Lorenzo (1500), which includes a self-portrait and a portrait of his brother, Giovanni.

Gentile was despatched by the Venetian senate to Turkey in 1479. Mehmed II had been interested for many years in the art and culture of Italy and one of his life's wishes was to have his portrait painted by an Italian.  It is certain that Gentile would have executed at least one, possibly more.  The portrait of Mehmed in the National Gallery has for many years been attributed to Gentile, although there are some who question that assumption.

His painting Saint Mark Preaching in Alexandria, which was completed by Giovanni after Gentile's death, has an Oriental flavour influenced by his time there. Saint Mark, the patron of Venice, was from Alexandria.

Gentile Bellini's painting Saint Mark Preaching in Alexandria

Back in Venice, Gentile Bellini was an early teacher of Titian, although they were said to have had a difficult relationship and Titian found his adherence to conventions somewhat restricting.  He is said to have preferred to learn from Giovanni, although soon afterwards he went to work with Giorgione.

Some 70 years after his death, a large fire at the Doge's Palace in Venice destroyed some of Gentile's most notable work, although there are several examples preserved in galleries around the world, notably in the United States and in London as well as Italy.

Saint Mark Preaching in Alexandria is in the Pinacoteca di Brera in Milan, while the Procession of the True Cross in Piazza San Marco and the Miracle of the True Cross at the Bridge of San Lorenzo can both be found in the Gallerie dell'Accademia in Venice.

Two of his portraits of the Doges - of Giovanni Mocenigo and Leonardo Loredan - are housed in the Museo Correr in Venice. Another in the series, of Pasquale Malipiero, is in the Museum of Fine Arts in Boston.  The Frick Collection in New York has another portrait of Giovanni Mocenigo; another of Leonardo Loredan can be seen in the Young Memorial Museum in San Francisco.

The entrance to the Galleria dell'Accademia in Campo
della Carità in the Dorsoduro district of Venice

Travel tip:

The Gallerie dell'Accademia in Venice is housed in the Scuola della Carità on the south bank of the Grand Canal, in the Dorsoduro district. It evolved from the gallery of the Accademia di Belle Arti di Venezia, from which it became independent in 1879.  The church of Santa Maria and the monastery of the Canonici Lateranensi, built by Andrea Palladio, are integral parts of the Accademia. As well as works by Gentile and Giovanni Bellini, its collection includes paintings by Canaletto, Carpaccio, Guardi, Giorgione, Longhi, Lotto, Mantegna, Tiepolo, Tintoretto, Titian, Veronese, Vasari and Leonardo da Vinci.  Opening hours are 8.15am to 2pm on Mondays, 8.15am to 7.15pm on Tuesday to Sunday.

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The Museo Correr in St Mark's Square has a substantial
collection of Venetian works of art

Travel tip:

Venice's Museo Correr is located on the south side of Piazza San Marco (St Mark's Square) on the upper floors of the Procuratorie Nuove.  The museum originated with the collection bequeathed to the city of Venice in 1830 by Teodoro Correr, a member of a prestigious Venetian family who dedicated most of his life to the collection of works of art, documents and objects that reflected the history of Venice, which he donated to the city after his death. Museo Correr is open from 10am to 5pm from November 1 to March 31 and from 10am to 7pm from April 1 to October 31.


More reading:

Why Titian was a giant of Renaissance art in Venice

How Andrea Mantegna pioneered use of perspective

The boundless energy of Tintoretto

Also on this day:

1806: The birth of military general Manfredo Fanti

1821: The death in Rome of the poet John Keats

1822: The birth of archaeologist Giovanni Battista de Rossi

1834: The birth of Sicilian banker Emanuele Notarbartolo

1910: The birth of painter Corrado Cagli

Selected books:

Venetian Painting in the 15th Century

Canaletto and the Venetian Vedutisti

(Picture credit: Accademia by Didier Descouens; Museo Correr by Sailko;  via Wikimedia Commons)

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Giulietta Masina - actress

Married to Fellini and excelled in his films

Giulietta Masina in a picture taken
in about 1960

The actress Giulietta Masina, who was married for 50 years to the film director Federico Fellini, was born on this day in 1921 in San Giorgio di Piano, a small town in Emilia-Romagna, about 20km (12 miles) north of Bologna.

She appeared in 22 films, six of them directed by her husband, who gave her the lead female role opposition Anthony Quinn in La Strada (1954) and enabled her to win international acclaim when he cast her as a prostitute in the 1957 film Nights of Cabiria, which built on a small role she had played in an earlier Fellini movie, The White Sheik.

Masina's performance in what was a controversial film at the time earned her best actress awards at the film festivals of Cannes and San Sebastián and from the Italian National Syndicate of Film Journalists (SNGCI).

Both La Strada and Nights of Cabiria won Oscars for best foreign film at the Academy Awards.

Masina also won best actress in the David di Donatello awards for the title role in Fellini's Juliet of the Spirits (1965) and a second SNGCI best actress award for his 1986 film Ginger and Fred.

Although born in northern Italy, one of four children, her parents sent her to live with a widowed aunt in Via Lutezia in the Parioli area of Rome. They hoped it would improve her prospects by obtaining a better education.  Ultimately, she graduated from the Sapienza University of Rome with a degree in Literature.

Giulietta Masina as Cabiria in the Fellini film Nights of
Cabiria, for which she won a string of awards

Having earlier studied music and dance, she turned to acting while at university, appearing in productions at the university's own Ateneo Theatre and the Compagnia del Teatro Comico Musicale.  It was there in 1942 that she was spotted by Fellini, who cast her in his radio serial, Terziglio.

The two hit it off immediately and married after only one year, in October 1943.  Masina continued to work on stage, in some productions alongside Marcello Mastroianni, who would become Fellini's leading man, before her husband helped her make the transition to the big screen, where she excelled in the portrayal of innocent, pathetic and troubled outcasts.

She was renowned for being able to use her expressive face to convey a range of emotions from sorrow and pathos to happiness and love. Many critics described her as a female Charlie Chaplin.  In her private life, she was noted for her impish sense of humour.

The original movie poster for
Fellini's film Nights of Cabiria

As well as movie work, towards the end of her career Masina worked successfully in radio, hosting Lettere aperte, a show in which she responded to listeners' correspondence, and acted in television dramas.

Her marriage to Fellini was not blessed with children. Her first pregnancy ended after she suffered a miscarriage following a fall on a flight of stairs. She became pregnant again but her son, Pierfederico, to whom she gave birth in March 1945, tragically died from encephalitis at a month old.

Despite her husband's frequent infidelities, most of which he confessed, Masina stuck by Fellini.  They celebrated their 50th wedding anniversary in October 1993, a day before he died.

Onlookers noted how frail she looked at his funeral and it was only five months later that she passed away herself at the age of 73, having been diagnosed with lung cancer.  She and her husband are buried together at Rimini cemetery in a tomb marked by a prow-shaped monument, the work of sculptor Arnaldo Pomodoro.

San Giorgio di Piano's parish church of
San Giorgio Martire (St George the Martyr)

Travel tip:

San Giorgio di Piano is a pleasant town within greater Bologna in an area with an economy based on the production of hemp and wheat.  It grew in the 14th century around a castle, the Castello di San Giorgio.  The Via della Libertà is an elegant porticoed street typical of the architecture in Bologna and Ferrara.  The parish church of St George the Martyr was renovated during the 19th century, as was the adjoining bell tower, which was added in the 18th century.  The church contains important paintings by Antonio Randa and Mario Roversi. In June each year, the town hosts a festival, the Corso dei Fiori, which is celebrated in the manner of a carnival with a parade of floats and a tradition of wearing decorative masks. 

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The Parioli district of Rome, where Masina grew up,
is a well-to-do area notable for its tree-lined streets

Travel tip:

Parioli, where Masina grew up, is now one of Rome's wealthiest residential areas. Located between two of the city's largest parks - the gardens of the Villa Borghese and the Villa Ada - it is notable for tree-lined streets and elegant houses, and is also home to some of Rome's best restaurants, while its bars attract a sophisticated clientele. Many luxury apartments to rent make it popular with well-heeled visitors to the capital.

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More reading:

The cinematic legacy of Federico Fellini

Otto e mezzo - Fellini's masterpiece

Oscar-winning talent of Anna Magnani

Also on this day:

1876: The birth of opera singer and director Giovanni Zenatello

1905: The birth of industrialist Enrico Piaggio

1914: The birth of Nobel Prize winner Renato Dulbecco

1990: The death of Autogrill pioneer Mario Pavesi

(Picture credits: Main picture by Wim van Rossem; Church of San Giorgio Martire by threecharlie; Parioli street by Lalupa; via Wikimedia Commons)

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Giuseppe Abbati - painter and revolutionary

Early death robbed Italian art of bright new talent

Giovanni Boldini's portrait of
Giuseppe Abbati in 1865

Italy lost a great artistic talent tragically young when the painter and patriot Giuseppe Abbati died on this day in 1868.

Only 32 years old, Abbati passed away in the hospital of Santa Maria Nuova in Florence, having contracted rabies as a result of being bitten by a dog.

Abbati was a leading figure in the Macchiaioli movement, a school of painting advanced by a small group of artists who began to meet at the Caffè Michelangiolo in Florence in the late 1850s.

The group, in which Giovanni Fattori, Silvestro Lega and Cristiano Banti were other prominent members, were also for the most part revolutionaries, many of whom had taken part in the uprisings that occurred at different places in the still-to-be-united Italian peninsula in 1848.

Abbati, born in Naples, had joined Giuseppe Garibaldi's Expedition of the Thousand, losing his right eye in the Battle of the Volturno in 1860, when around 24,000 partisans were confronted by a 50,000-strong Bourbon army at Capua, north of Naples.

The son of Vincenzo Abbati, also a painter, Abbati was taken to live in Florence when he was six and to Venice before he was 10.  The family stayed in Venice for 12 years, Abbati attending the Accademia di Belle Arti, where he met future Macchiaioli painters Vito D'Ancona and Telemaco Signorini.

Abbati's painting Il lattaio di Piagentina, which was
completed in Florence in 1864 (Museo Civico, Naples)

It was there that he witnessed the uprising against the Austrians led by Daniele Manin, future president of the short-lived Republic of San Marco.

Abbati returned to Naples in 1858, exhibiting at the Royal Bourbon Museum, before moving again to Florence in 1860 and making the acquaintance at the Caffè Michelangiolo of the Macchiaioli group.

They were a group who favoured political renewal but wanted also to establish a new Italian national pictorial culture, breaking away from the conventions taught by the established academies.  They believed that spots - macchie, in Italian - of light and shade were the chief components of works of art and were also advocates of painting outdoors - often referred to by the French expression en plein air - in order to capture the way scenes appeared at the time of execution, and how they are affected by light and weather conditions.

Abbati's La Fenestra, which is housed
in the Pitti Palace in Florence

Comparisons were made with the Impressionist movement in France but the Macchiaioli were less bold in their pursuit of optical effects and their outlines and figures were generally more sharply defined.

Abbati was seen as one of the most talented in the group and enjoyed a period of high productivity between 1860 and 1866 with a series of street or countryside scenes, sometimes painting a scene through the frame of a window or an archway, emphasising the contrasts of light and shade.

He tasted military action again in 1866, joining up to fight in the Third Italian War of Independence on the side of the new Kingdom of Italy against the Austrians.  He was captured during the Battle of Custoza and imprisoned in Croatia.

On his return to Italy, he lived on the estate owned by Diego Martelli, a patron and critic he met in Florence, in Castelnuovo della Misericordia, in the hills above Livorno, on the Tuscan coast.

It was there, however, that Abbati was bitten by one of Martelli's dogs, which turned out to be rabid.  He was treated in hospital for almost six weeks before the disease finally took him.

The facade of the 11th century Basilica of Sant'
Angelo in Formis was built over a Roman temple 

Travel tip:

Capua, where Abbati fought alongside Garibaldi in the Expedition of the Thousand, developed as a town around the point at which the Volturno river crosses the Via Appia, the Roman road linking Rome with Brindisi, and therefore was always strategically important.  There are many Roman relics including the remains of the second largest amphitheatre of the Roman empire.  Only the Colosseum in Rome has larger dimensions.  The 11th century Basilica of Sant'Angelo in Formis and the Cathedral of Capua, some of which dates back to the ninth century and which contains painting by Domenico Vaccaro, are also worth visiting.

The plaque outside 21 Via Cavour in Florence marks
the site of the Caffè Michelangiolo 

Travel tip:

The Caffè Michelangiolo was a literary cafe that could be found in what was then Via Largo (now Via Cavour) in Florence, a short distance from the centre of the city going towards the university.  The building at 21 Via Cavour has a plaque to commemorate its history as a meeting place of the Macchiaioli artists. Today it is a centre for events and exhibitions celebrating their work.


More reading:

How Carlo Carra and the Futurists turned their art into a political movement

Marcello Piacentini: designer whose buildings symbolised Fascist ideals

Giuseppe Mazzini - hero of the Risorgimento

Also on this day:

1513: The death of Pope Julius II

1609: The birth of military leader Raimondo Montecuccoli

1817: The birth of chocolatier Domenico Ghirardelli

(Picture credit: Caffè Michelangelo plaque by Sailko via Wikimedia Commons)

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Ferruccio Lamborghini - car maker

Tractor manufacturer inspired by Enzo Ferrari's 'insult'

Ferruccio Lamborghini was dismissed
by Enzo Ferrari as a mere tractor maker

Fans on one side of a great rivalry in Italy's performance car market were in mourning on this day in 1993 following the death at the age of 76 of Ferruccio Lamborghini.

Lamborghini, who made his fortune from building tractors to service Italy's post-war agricultural recovery, set up as a car maker in 1963 in direct competition with Enzo Ferrari, who had been selling sports cars with increasing success since 1947.

It is said there was no love lost between the two, not least because they first met when Lamborghini turned up at Ferrari's factory in Maranello, a few kilometres from Modena, to complain to Enzo in person that Ferrari were using inferior parts.

Lamborghini had become a collector of fast cars and owned a Mercedes-Benz 300SL, a Jaguar E-Type and two Maserati 3500 GTs among others.  He acquired his first Ferrari, a two-seater 250GT with bodywork designed by Pinin Farina, in 1958, and went on to own several more.

He was generally unimpressed, complaining that they were noisy and rough and essentially re-purposed track cars, with too little luxury refinement.  After encountering a series of mechanical problems, notably with the clutches, all of which required the cars to be returned to the factory, he accused Ferrari of fitting poor quality parts.

Lamborghini's raging bull logo

Yet Enzo is alleged to have dismissed his complaints, telling Ferruccio that he was not prepared to be lectured about high performance cars by a tractor manufacturer.  Insulted, Lamborghini decided he would hit back.

His first step was to prove his point about inferior parts by fitting one of his troublesome 250GTs with a clutch used in his tractors, delightedly making it known that the problem was solved and never returned.

Then, happy in the knowledge that the tractor business, as well as the heating and air conditioning business he had set up as a second income stream, would continue to make profits without requiring too much attention from him, he devoted himself to producing cars of his own.

Working on the basis that a car in the grand tourer category should have attributes that were lacking in Ferrari's offerings, namely high performance without compromising ride quality, and luxury interior appointments, he took only four months to produce his first car, unveiling the Lamborghini 350 GTV at the Turin Motor Show in October 1963.

Ferruccio sold the 350 GTV at a loss at first to remain competitive on price with the Ferraris but soon his factory at Sant'Agata Bolognese - just 40km (25 miles) from Maranello - was increasing production and expanding its workforce.

The Lamborghini Miura was hailed for its aerodynamic
and beautiful design features

Over the next few years, models such as the 400 GT, the Miura - the first to use the mid-engined, rear-wheel drive design that is now standard - the Urraco and the Espada established Lamborghini as Ferrari's main rival in what became known as the supercar market.

In opposition to Ferrari's famous prancing horse on the company badge, Lamborghini's symbol was a raging bull, inspired by his interest in bullfighting.  The Miura, in fact, was named after Don Eduardo Miura, a breeder of bulls from Seville, the Urraco after a bull breed, and the Espada after the Spanish word for sword.

Ferruccio's involvement with making cars ended in 1974 after a series of events beyond his control plunged all of his companies one by one into financial difficulties.  He retired to a 740-acre estate on the shores of Lake Trasimeno, near the town of Castiglione del Lago in Umbria, and began to produce wine.

It represented a return to his roots in farming, having been born into a family of grape producers in 1916 in Cento, a town in the province of Ferrara in Emilia-Romagna, only a few kilometres from Sant'Agata Bolognese.

His interest in his youth had been in agricultural vehicles.  He acquired skills as a mechanic while serving in the Italian Royal Air Force in the Second World War, opened a garage after the war and competed in the 1948 Mille Miglia motor race in a modified Fiat, which he crashed into the side of a restaurant in Fiano, near Turin, ending his participation after 700 miles (1,100km).

The Lamborghini Museum in Sant'Agata Bolognese

The accident put him off racing and encouraged him to devote his energy to using spare parts from military vehicles to turn into tractors before eventually building new tractors from components made for the purpose.

Lamborghini died in hospital in Perugia on February 20, 1993, after suffering a heart attack. He is buried at the Monumental Cemetery of the Certosa di Bologna monastery.

His cars live on, now produced under the ownership of Volkswagen.  In fact, recent years have seen the marque achieve record sales.

The Lamborghini name is also preserved in Ferruccio's son Tonino's range of clothing and accessories, while his daughter, Patrizia, runs the Lamborghini winery on the Umbrian estate.

In 1995, Tonino opened a museum in honour of his father's legacy, the Centro Studi e Ricerche Ferruccio Lamborghini in Dosso (Ferrara), which was moved to Sant'Agata Bolognese in 2014 with the new name Ferruccio Lamborghini Museum.

Travel tip:

Cento is an agricultural town in Emilia-Romagna that was once part of the dowry of Lucrezia Borgia, daughter of Pope Alexander VI, who seized it from the Bishop of Bologna.  Things to see include the Rocca (castle), built by the Bishop in 1378, and the 18th century Palazzo del Monte di Pietà, in which is housed a civic gallery exhibiting paintings by the famed local artist, Giovan Francesco Barbieri, better known as Il Guercino, whose works can also be found in the Basilica Collegiata San Biagio. Apart from Lamborghini and Il Guercino, other notable people born in Cento include the grandfather of former British prime minister Benjamin D'Israeli and Jessica Rossi, who won a gold medal for shooting at the London 2012 Olympics.

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Lamborghini's estate offers beautiful views of the lake

Travel tip:

Castiglione del Lago is a charming small town sitting on a promontory in the south-west corner of Lake Trasimeno. The old centre, which is ringed with medieval walls, is not only full of character but has an outstanding view of the lake and some fine buildings, including the Renaissance style Palazzo della Corgna, which has a museum and gallery and serves as the town hall, which is connected by a covered corridor with the Rocca del Leone, a pentagonal castle completed in 1247.  The lake shore nearby has some pleasant beaches and reputedly very good restaurants.

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More reading:

Flaminio Bertoni - a sculptor who designed works of art on four wheels

Why Battista 'Pinin' Farina was so important to Ferrari

How a motor scooter changed the life of helicopter designer Corradino D'Ascanio

Also on this day:

1339: Visconti v Visconti in the Battle of Parabiago

1549: The birth of  Francesco Maria II della Rovere, the last Duke of Urbino

1778: The death of ground-breaking academic Laura Bassi

1816: Rossini's opera The Barber of Seville premieres in Rome

(Picture credits: Ferrucio Lamborghni by kys96811; logo by vllmtt; Miura by Andrew Bossi; museum by Leonard J DeFrancisci; Lake Trasimeno by Schwarzer Kater; all via Wikimedia Commons)

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