Anna Maria Alberghetti - singer and actress

Child prodigy who rejected Hollywood to become Broadway star

Anna Maria Alberghetti's good looks made
her attractive to movie studios

The actress and operatic singer Anna Maria Alberghetti was born on this day in 1936 in the Adriatic resort of Pesaro.

She moved with her family to the United States in her teens and became a Broadway star, winning a Tony Award in 1962 as best actress in a musical for her performance in Bob Merrill’s Carnival, directed by Gower Champion.

Alberghetti was a child prodigy with music in her blood. Her father was an accomplished musician, an opera singer and concert master of the Rome Opera Company, who also played the cello. Her mother was a pianist.

They influenced the direction in which her talent developed and by the age of six she was singing with symphony orchestras with her father as her vocal instructor.

After success touring Europe, Anna Maria was invited to perform in the United States and made her debut at Carnegie Hall in New York at the age of 14. Given the state of Italy after the Second World War, the idea of settling permanently in America became too attractive for the family to resist.

Alberghetti in an early publicity shot
for the MGM studios

At that time, Anna Maria’s focus was on a career as an opera singer but the American cinema industry was obsessed with European actresses and saw in her someone with the same qualities as her contemporary Anna MariaPierangeli, the beautiful actress from Sardinia who became better known as Pier Angeli.

Paramount was the studio that showed the most interest, foreseeing a bright future for her on screen.  She made her debut in the hypnotic Gian Carlo Menotti's chamber opera The Medium in 1951. It was an art-house movie that was well appreciated by the devotees of that genre but Paramount had bigger plans for their new discovery.

However, her talent was used strangely used. After an extended operatic solo in the Bing Crosby comedy Here Comes the Groom (1951), she played a Polish émigré befriended by a singer (played by Rosemary Clooney) who discovers the girl has musical talent of her own in The Stars Are Singing (1953).

But thereafter, her vocals were required less and less as Paramount pushed her towards mainstream parts, casting her in adventure stories and comedies. It was not a path she wanted to follow and after being cast in the Jerry Lewis farce Cinderfella (1960), in which all the songs were sung by Lewis and none by her, she became disillusioned and quit cinema to seek expression on the Broadway stage.

It was on Broadway that she found stardom, landing the part of Lili in the musical Carnival for which she received outstanding reviews. Her delightful and moving performance was rewarded with the Tony Award.

Alberghetti in the Broadway hit Carnival
which established her stardom

More success followed in the title role in Fanny (1963), Maria in West Side Story (1964), Marsinah in Kismet (1967) and Luisa in The Fantasticks (1968), to name just a few. 

Via the Ed Sullivan TV show, she became a familiar face – and voice - to millions of American households and appearances in other TV shows followed, as well as a recording career.

She often figured in the gossip pages of newspapers and magazines after romantic associations with a number of famous figures in the entertainment world, including the singer Vic Damone, the actors Bob Wagner  and Dick Contino and Count Alberto Mochiand, a 30-year-old Italian doctor who bought her a pearl and diamond engagement ring.

She was briefly engaged to the producer-composer Buddy Bregman but cancelled the wedding plans and began dating Claudio Guzman, the Chile-born television director, whom she married in September 1964. They had two children, Alexander, Pilar, but divorced in 1972.  

Travel tip:

Pesaro, in the Marche region on Italy's Adriatic coast, is a traditional seaside resort blessed with sandy beaches, particularly popular with Italians. Situated to the north of the region, it is around 40km (25 miles) south of the better known resort of Rimini and represents an interesting alternative, although with a population of 95,000 it is by no means a quiet backwater. A feature, too, is its many cycle paths, which earned Pesaro the nickname City of Bicycles.

Rossini's birthplace is now a museum

Travel tip:

The older part of Pesaro, inland from the grid of streets parallel with the shoreline where most of the hotels and holiday apartments are situated, has no shortage of history.  Look out for the Ducal Palace and Rocca Costanza, the palace and castle built by the Sforza family in the 15^th century and the 16^th century Villa Imperiale, built in the 16^th century for Duke Francesco Maria della Rovere and his wife.  The Piazza del Popolo is a pleasant main square where there is a regular market. The town’s most famous son, the opera composer Gioachino Rossini, is commemorated in many ways, in particular with the a museum at his birthplace in what is now Via Rossini and the Conservatorio Statale di Musica in Piazza Oliveri.

More reading:

Rossini's legacy to Pesaro

Pier Angeli - talented actress who died tragically young

How screen siren Virna Lisi turned her back on glamour roles

Also on this day:

1567: Composer Claudio Monteverdi baptised

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Aurelio Milani - footballer

Centre forward helped Inter win first European Cup

Aurelio Milano scored Inter's second goal in the
1964 European Cup final in Vienna

Aurelio Milani, who helped Internazionale become the second Italian football club to win the European Cup, was born on this day in 1934 in Desio, about 25km (15 miles) north of Lombardy’s regional capital.

Inter beat Real Madrid 3-1 in the final Vienna in 1964 to emulate the achievement of city rivals AC Milan, who had become the first European champions from Italy the previous year.

Milani, a centre forward, scored the all-important second goal in the 61st minute after his fellow attacker Sandro Mazzola had given Inter the lead in the first half, receiving a pass from Mazzola before beating Real goalkeeper Vicente Train with a shot from outside the penalty area.

Madrid, whose forward line was still led by the mighty Alfredo di Stefano with Ferenc Puskas playing at inside-left, pulled a goal back but Mazzola added a third for Inter.

But this was the so-called Grande Inter side managed by the Argentinian master-tactician Helenio Herrera, who coached them to three Serie A titles in four years and retained the European Cup by defeating Eusebio’s Benfica 12 months later, when the final was played in their home stadium at San Siro in Milan.

Sadly, Milani could not be on the field on that occasion. Playing against Dinamo Bucharest in San Siro in November, he scored the final goal in a resounding 6-0 win for Inter only to suffer a displaced vertebra in a collision with another player, the injury serious enough effectively to end his career at the age of 31.

Milani (right) with goalkeeper Giuliano
Sarti, who would join him at Inter, and
coach Nandor Hidegkuti, at Fiorentina

Although he was best remembered for his time with Inter, Milani had also played in Serie A for Sampdoria, Padova and Fiorentina, where he played in a European Cup-Winners’ Cup final and finished the 1962-63 season as the joint leading scorer in Serie A with 22 goals.

Milani had begun his career with his local club, Aurora Desio, in their youth side before being scouted by the Bergamo team, Atalanta, who loaned him to another Lombardy club Fanfulla, based in the city of Lodi. In 1955 he was sold to Simmenthal Monza, for whom he scored 37 times over two Serie B seasons. Those figures earned him his first move outside Lombardy, to Triestina in Friuli, where he scored 17 goals in 30 Serie B appearances in his first and only season.

By now he was regularly attracting scouts from Serie A and signed for Sampdoria, where he proved he could be an equally effective striker at the top level, with 13 goals in his debut season.  Injury blighted his second season but his talents were not forgotten and after one year with Padova, where he scored another 18 goals, he earned his move to Fiorentina in the summer of 1961.

Interestingly, his first two goals in the famous purple shirt of the viola were also the first two goals conceded in the career of the legendary Italy goalkeeper Dino Zoff, who was making his professional debut for opponents Udinese, aged 19.

After his injury in 1964 he attempted a comeback in the lower divisions with the Piedmont club Verbania but after eight appearances he decided to call it a day.

Milani, who had made his international debut a few months before the injury, which denied the chance to add to his debut cap in a friendly against Switzerland, died at his home in Borgo Ticino, near Lake Maggiore, in 2014 at the age of 80.

The Villa Tittoni Traversi, the former royal palace at Desio

Travel tip:

Desio, a town of 42,000 inhabitants that built its prosperity around the wool and silk industries, is historically significant for having been the site of a battle in 1277 between the Visconti and della Torre families for control of Milan. The birthplace of Pope Pius XI.  There is an impressive basilica, dedicated to the Saints Siro and Materno, in the centre of the town in Piazza Conciliazione.  Also worthy of a visit is the Villa Tittoni Traversi, a former royal palace that has been home to King Ferdinand IV of Naples and King Umberto I of Italy.

Travel tip:

Situated 32km (20 miles) south of Lake Maggiore, Borgo Ticino is a small town of fewer than 5,000 people. Nearby attractions include the pretty lakeside towns of Arona and Angera and the Volandia Museum of Flight in Somma Lombardo, close to Milan Malpensa airport, which houses 45 aircraft.

More reading:

Why Giuseppe Meazza was Italian football's first superstar

Dino Zoff - the record-breaking career of football's oldest World Cup winner

The unparalleled success of former Inter coach Giovanni Trapattoni

Also on this day:

1916: The birth of architect and designer Marco Zanuso

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Daniele Manin - Venetian leader

Lawyer who led fight to drive out Austrians

Daniele Manin, whose legal knowledge helped
him draw up a constitution for Venice

The Venetian patriot Daniele Manin, a revolutionary who fought to free Venice from Austrian rule and thereby made a significant contribution to the unification of Italy, was born on this day in 1804 in the San Polo sestiere.

Manin had Jewish roots. His grandfather, Samuele Medina,  from Verona, had converted to Christianity in 1759 and took the name Manin because Lodovico Manin, the last Doge of Venice, had sponsored his conversion.

He studied law at the University of Padua and then took up practice in Venice. As his practice developed, he gained a reputation as a brilliant and profound jurist.

He harboured a deep hatred and resentment towards the Austrians, to whom control of the city passed after the defeat of Napoleon in 1814. The city became part of the Austrian-held Kingdom of Lombardy-Venetia.

Manin's first physical act to advance cause of liberation was the presentation of a petition in 1847 to a body called the Venetian Congregation, an advisory assembly that had no actual powers. The petition listed the grievances of the Venetian people but Manin’s frankness was not to the liking of the Austrians, who arrested him in January 1848 on charges of treason.

The house opposite Campo Manin in Venice's
San Marco sestiere, where Manin lived

With his arrest, however, his popularity only increased. The revolution sweeping Europe reached Venice and riots broke out. The Austrians released Manin on March 17 in the hope of quelling the unrest but the uprising continued and nine days later they were driven out of the city. Manin drew on his legal knowledge to create a structure for a government and became president of the new Venetian Republic.

A supporter of the concept of a united Italy, Manin nonetheless did not favour joining forces with Piedmont and it was only under pressure from his compatriots that he signed over his powers to Piedmontese government – and with justification, too, it turned out.

When the armies of Sardinia-Piedmont suffered defeat to the Austrians at Custoza in July 1848, King Charles Albert signed an armistice in which he abandoned Venice to their former hated rulers, along with Lombardy. This prompted another uprising in Venice in which the Piedmontese representatives in the city came close to being lynched. It was only when Manin intervened that their lives were saved.

Venice remained an independent republic for almost another year but gradually the Austrians regained control of the surrounding mainland, with a clear intention of re-occupying the city. The Venetians were in no mood to capitulate meekly, however, and early in 1849 the Venetian Assembly reaffirmed Manin as president, with a mandate to resist until the end.

Manin is carried on the shoulders of joyful Venetians after
the Austrians left the city. Painting by Naploeone Nani

The Austrian forces by now were strong enough to maintain an attack on the city for as long as it took to achieve their goal. Manin proved a good defensive tactician and with the help of Sardinian navy vessels and a Neapolitan army led by general Guglielmo Pepe he was able at least to delay the inevitable.

However, in May the Venetians had to abandon Fort Marghera, halfway between the city and the mainland and as food supplies dwindled cholera broke out. When the Sardinian fleet withdrew the Austrians had free rein to attack from the sea and in August 1849, when all provisions and ammunition were exhausted, Venice capitulated. Manin achieved an honourable surrender, obtaining an amnesty for all his supporters on condition that he, Pepe and other leaders agreed to go into exile.

Manin spent the rest of his life in France, giving his support eventually to the idea of a united Venice under a monarchy rather than a republic and working to promote the idea. He died in Paris in September 1857.

Luigi Borro's bronze statue of Manin and
the winged lion is in Campo Manin

In 1868, two years after the Austrians finally left Venice, his remains were returned home and he was granted a public funeral which saw his coffin carried in a gondola decorated with a golden lion of Saint Mark and two statues waving the national colours of Italy to represented the unification of Italy and Venice. His remains are interred in a sarcophagus, which is located in the Piazzetta dei Leoncini, on the north side of the Basilica San Marco.

Travel tip:

One of the main pedestrian routes in San Marco, roughly linking Teatro la Fenice with Teatro Goldoni in the direction of the Rialto Bridge leads through Campo Manin, the centrepiece of which is a bronze statue of Daniele Manin, sculpted by Luigi Borro and erected in 1875.  A bronze winged lion of Venice rests at the foot of the plinth.  Campo Manin, the former Campo San Pernian, abuts the Rio de l’Barcaroli  canal at one end, with Manin’s residence facing the square, looking towards the incongruously modern Palazzo Nervi-Scattolin, headquarters of the Venice Savings Bank.

The birthplace of Daniele Manin in Venice is marked
with a plaque and portrait in relief

Travel tip:

Daniele Manin was born in the house of his parents in Rio Astori, an alley off Rio Terra Secondo in the San Polo sestiere, a short distance away from the broad Campo San Polo, just off Campo Sant’Agostin in a quiet, unpretentious area of the city well away from the crowds that throng the Rialto and Piazza San Marco.  The house is at the end of the alley with a stone plaque over the door bearing Manin's name and date of birth and a small portrait in relief.

More reading:

How the capture of Rome in 1870 completed Italian unification

Garibaldi and the Expedition of the Thousand

When the Austrians were driven out of Milan

Also on this day:

1909: The first Giro d'Italia

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Zeno Colò - Olympic skiing champion

Downhill ace reached speeds of almost 100mph with no helmet

Zeno Colò, pictured on the way to his 1947
skiing world speed record

Zeno Colò, the first Italian to win an Olympic alpine skiing title when he took the downhill gold at the 1952 Oslo Winter Games, died on this day in 1993, aged 72.

The winner, too, of the downhill and giant slalom World championship titles in Aspen in 1950, Colò achieved his success during a brief window in a life spent on skis.

Deprived of prime competitive years by the Second World War, part of which he spent as a prisoner of war, he began his career late, in 1947 at the age of 27, only to be banned for life in 1954 under the strict rules defining amateur status after he endorsed a brand of ski boots and a ski jacket.

Colò was born in Tuscany but in a mountainous part of the region in the village of Cutigliano, which is 678m (2,044ft) above sea level and is just 14km (9 miles) from Abetone, one of the largest ski resorts in the Apennines, with more than 50km (31 miles) of ski slopes, several of which were designed by Colò himself.

He began competitive skiing at the age of 14 and was selected for the Italian national team at 15. The outbreak of war brought his career to a stop but he maintained his skills as a member of an army alpine patrol in Cervinia, close to the Swiss border.

He remained in Cervinia after the war had finished and in 1947, the first year of his resumed career, on the Italian side of the nearby Klein Matterhorn (the Little Matterhorn), he set a world speed record of 158.8kph (98.7 mph), which stood for 13 years. The previous record of 136 kph (85mph), set by Leo Gasperl had stood for 16 years.

Using wooden skis,Zeno Colò won Olympic and world
titles in downhill and giant slalom competitions

Colò thus established himself as one of the first great downhill skiers. His so-called “turtle egg" position was the precursor of egg position that skiers still use today to reduce drag. His achievement in clocking such a speed was all the more remarkable, considering he used skis from wood and did not wear a helmet.

His big successes came at the World championships in 1950 in Aspen, when he won gold medals in both downhill and giant slalom, and the silver in slalom, followed two years later, at the 1952 Olympics in Oslo, with gold in the downhill.

Colò also finished fourth in the giant slalom and the slalom. Italy would wait two decades for its next Olympic gold in alpine skiing until Gustav Thöni's took giant slalom gold in 1972.

He was the first Italian to win the downhill title at the World championships and the first of any nationality to win the giant slalom, which was contested for the first time that year. Staying on in Aspen afterwards, he took in the North American championships, where he was also winner of the downhill.

Colò was Italy's torch bearer at the 1956
Olympics despite being banned

After the Oslo Games, Colò linked his name to a ski boot maker and a ski jacket. According to the regulations of the time, this breached his amateur status and in 1954 he was barred from participating in subsequent competitions.

Colò protested against the disqualification but his appeals were dismissed. Although he was allowed to compete in the national championships, it was the end of his international career. Pointedly, Italy selected him for the Olympics of Cortina d'Ampezzo in 1956 as a simple torchbearer.

He retired from competition with a record in the Italian Alpine ski championships of 29 wins in downhill, four in giant slalom, 10 in special slalom and six in combined disciplines.

Skiing remained the focus of his life, however. Leaving behind competitive skiing, he became a ski instructor at the Abetone resort, which he helped promote and develop as the ski resort of the Pistoia province. In 1973 he designed three ski slopes, which he named Zeno 1, 2 and 3.

He retained his connection with the Alps as director of the ski school in Madesimo, in the province of Sondrio in northern Lombardy.

In 1989 the Italian Winter Sports Federation finally revoked the disqualification imposed on him in 1954, although by then his days of competition were in the distant past. A lifelong smoker, his death in 1972 was the result of lung cancer.

Since Colò won his Olympic gold, Italy has won 12 more Alpine skiing gold medals, three of the them collected by the great Alberto Tomba.

The Palazzo Pretorio in Cutigliano

Travel tip:

Colò was born in Cutigliano and died in San Marcello Pistoiese, a small town less than 10km (6 miles) away. Cutigliano is an attractive medieval village, its roots possibly going back to Roman times but more likely to have origins in the eighth or ninth centuries, when it was a staging post on the mountain road linking Pistoia with Modena.  The 14^th-century Palazzo Pretorio is built in Florentine Renaissance style.

Travel tip:

San Marcello Pistoiese is a much larger place than Cutigliano, with a population of about 7,000 and again with a medieval heritage.  The churches of Santa Caterina and San Marcello are worth visiting, the latter featuring a mural by the 18^th century Florentine artist Giuseppe Gricci.  San Marcello is home to the Pistoia Mountains Astronomical Observatory.

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