Eleonora Gonzaga – Holy Roman Empress

Pious princess who promoted the arts and education

Eleonora Gonzaga: a portrait by
 Frans Luycx, the Flemish artist

Eleonora Gonzaga, Princess of Mantua, Nevers and Rethel, was born on this day in 1630 in Mantua.

She grew up to marry the Holy Roman Emperor, Ferdinand III, and established a reputation as one of the most educated and virtuous women of her time.

Eleonora became fascinated by religious poetry, founded a literary academy and was a patron of musical theatre.

As Holy Roman Empress she developed the cultural and spiritual life at the Imperial Court in Vienna, continuing the work of her great aunt, also called Eleonora, who had introduced opera to Vienna in the early part of the 17th century.

Vienna subsequently became recognised as the music capital of Europe.

Eleonora was the second child of Charles Gonzaga, Duke of Nevers, who was heir to the Duchy of Mantua, and Maria Gonzaga, who was heiress to the Duchy of Montferrat.

She was given a good education, became fluent in French, Spanish and Italian and learnt about literature, music and art.

Having become interested in poetry, she composed religious and philosophical poems herself.

Ferdinand III, as depicted by Jan van den Hoecke

A marriage was arranged for her with the Holy Roman Emperor, who imposed the condition that the Duchy of Mantua had to remain loyal to the Empire. It was agreed that Mantua would stay loyal to the empire provided it didn’t have negative consequences for the Duchy.

It was the third marriage for Ferdinand, who had children from both his previous marriages.

But after the wedding in April 1651 at Wiener Neustadt, he became happy with Eleonora and she established good relationships with all her stepchildren.

She learned German and Ferdinand learned Italian. They were both interested in literature and music and enjoyed going to the theatre and hunting together.

They founded a literary academy and encouraged the development of science.

Italians became more influential at the Imperial Court and Italian became the most used language among the German aristocracy.

They had four children between 1652 and 1657, but Ferdinand died two months after the birth of his first son by Eleonora, Ferdinand Joseph Alois, who himself died just over a year later.

But under Ferdinand’s will, Eleonora assumed guardianship of all his children and she supported her stepson, Leopold I, when he became the new Emperor.

She tried to improve the standard of education for girls by inviting the Ursuline nuns to Vienna, where they established a monastery, church and school. She also established the Order of Virtuosity and the Order of the Starry Cross for women.

After Eleonora’s death in Vienna in 1686 she was buried in the Imperial Crypt.

The Basilica of Sant'Andrea in Mantua

Travel tip:

Mantua, where Eleonora Gonzaga was born, is an atmospheric old city in Lombardy, to the south east of Milan. In the Renaissance heart of Mantua is Piazza Mantegna, where the 15th century Basilica of Sant’Andrea houses the tomb of the artist, Andrea Mantegna. The church was originally built to accommodate the large number of pilgrims who came to Mantua to see a precious relic, an ampoule containing what were believed to be drops of Christ’s blood mixed with earth. This was claimed to have been collected at the site of his crucifixion by a Roman soldier.

Hotels in Mantua by Hotels.com

Travel tip:

Mantua is famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Eleonora’s ancestor, Ludovico Gonzaga and his family in the 15th century. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

More reading:

Monteverdi's l'Orfeo, the oldest opera still regularly performed, makes its debut in Mantua

Claudio Monteverdi - the viola player at the court of Vincenzo Gonzaga who became the first great opera composer

How Andrea Mantegna from Mantua used perspective to break new ground in painting

Also on this day:

1626: The consecration of St Peter's Basilica in Rome

(Picture of Basilica di Sant'Andrea in Mantua by Vitold Muratov via Wikimedia Commons)

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Giovanni Pico della Mirandola – philosopher

Writer of the 'Manifesto of the Renaissance' met an early death

Giovanni Pico della Mirandola: this portrait by
Cristofano dell'Altissimo hangs in the Uffizi

Renaissance nobleman and philosopher, Giovanni Pico della Mirandola died on this day in 1494 in Florence, sparking a murder mystery still not solved more than 500 years later and that led to the exhumation of his body in 2007.

Pico became famous for writing the Oration on the Dignity of Man, which was later dubbed the Manifesto of the Renaissance.

At its heart, the Oration proposed that man is the only species of being to which God assigned no specific place in the chain of being and that man could ascend the chain through the exercise of his intellectual capacity, and for that reason it stresses the importance of the human quest for knowledge.

Renowned for his memory as well as his intellect, he could recite Dante’s Divine Comedy line-by-line backwards and by the time he was 20 he has mastered six languages.

But he made enemies and it his thought that his death at the age of just 31 was the result of poisoning because of concerns that he had become too close to hellfire preacher Girolamo Savonarola, an enemy of Florence's ruling Medici family.

It was Savonarola himself who delivered the funeral oration when Pico was buried at the Convent of San Marco in Florence where he was the Prior.

The philosopher was born into a noble family at Mirandola, near Modena, in 1463. He was the youngest son of Gianfrancesco della Mirandola, Count of Concordia, who lived in the Castle of Mirandola and was closely related to the Sforza, Gonzaga and Este dynasties.

Pico studied at the University of Padua, where he wrote sonnets in Latin and Italian, which because of the influence of Savonarola, who encouraged his followers to burn possessions that might tempt them into sin, he destroyed towards the end of his life.

Portrait of Lorenzo de' Medici by the Flemish
Baroque painter Peter Paul Rubens

He travelled to Paris, the most important centre in Europe for Philosophy and Theology and it is thought while he was there he began writing his celebrated 900 Theses on religion, philosophy and magic, and came up with the idea of defending them in a public debate.

When he returned to Florence in 1484 he met for the first time Lorenzo de' Medici, also known as Lorenzo the Magnificent, who seems to have been charmed by him and wished to help him.

On his way to Rome, where he intended to publish his 900 Theses and debate them with other scholars, Pico stopped off in Arezzo, where he had a love affair with the wife of one of Lorenzo de' Medici’s cousins. He attempted to run away with her but was caught, wounded and imprisoned. He was released only after the intervention of Lorenzo himself.

While recovering from his wounds he became interested in Hebrew writings, which he believed educated people should study. He travelled to Rome to publish his 900 Theses and offered to pay the expenses of any scholars who came to Rome to debate them publicly.

But Pope Innocent VIII halted the proposed debate and condemned part of his 900 Theses as heretical.

Pico fled to France where he was arrested and imprisoned but at the instigation of Lorenzo de Medici he was released and allowed to move back to Florence. He settled in a villa near Fiesole provided by Lorenzo and carried on writing.

After the death of Lorenzo, Savonarola became increasingly influential. This led to a wholesale destruction of books and paintings in Florence.

Pico was determined to become a monk and destroyed his own poetry and gave away his fortune.

When he fell ill in 1494, the King of France, Charles VIII, whose armies would take control of Florence on the day of Pico's death, driving the Medici into exile, sent his own physicians to tend to him but after two weeks of suffering he passed away.

The Castello dei Pico in an image from a 1940s postcard

It was rumoured that Pico was poisoned by his own secretary, who is said to have made a confession to that effect two years later after being arrested by Savonarola, who by then had taken control of Florence from the French.  Some historians believe it was Piero de' Medici, the son of Lorenzo, who ordered his killing.

Another theory was that Pico had died of syphilis but when his body was exhumed in 2007, as part of a project led by Giorgio Gruppioni, a professor of anthropology from Bologna, tests showed toxic levels of arsenic in his remains.

Travel tip:

The small city of Mirandola, which is about 30km north-east of Modena in Emilia-Romagna, developed as a fortress city in Renaissance times and was once an independent principality.  The Palazzo Communale and the Castello dei Pico can both be found in Piazza della Costituente.  The castle was forced to close its door to the public because of damage sustained in an earthquake in 2012.

Hotels in Mirandola from Hotels.com

Fra Angelico's stunning fresco The Last Judgment

Travel tip:

The Convent of San Marco in Florence, which holds the major collection of the works of Giovanni of Fiesole, known as Fra Angelico, stands on the site of a 12th century monastery. It was rebuilt in 1437 by Cosimo il Vecchio de’ Medici, who entrusted the work to Michelozzo, with the decoration of the walls carried out by Fra Angelico and his assistants, who included Benozzo Gozzoli.   His masterworks are considered to be the The Last Judgment and the The Crucifixion.

Hotels in Florence from venere.com

More reading:

Girolamo Savonarola and the 'Bonfire of the Vanities'

Cosimo de' Medici - banker who founded the dynasty

Why Cosimo II de' Medici was the patron of Galileo

Also on this day: 

1878: Umberto I survives assassination attempt



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Sofonisba Anguissola – Renaissance artist

Portrait painter paved the way for other women artists

Anguissola's painting of herself being painted by her teacher,
Bernardino Campi, during her early days in Cremona

Painter Sofonisba Anguissola died on this day in 1625 in Palermo at the age of 93.

As a young woman Anguissola had been introduced to Michelangelo in Rome, who had immediately recognised her talent.

She served an apprenticeship with established painters, which set a precedent for women to be accepted as students of art in the 16th century. Her success later in life paved the way for other women to pursue serious careers as artists. Many of her paintings can still be seen in prestigious galleries all over the world.

Anguissola was born in Cremona in Lombardy in 1532 to noble parents who believed they had a connection to the ancient Carthaginians and named their first daughter after the tragic Carthaginian figure, Sophonisba.

All their children were encouraged to cultivate their talents and five of the daughters became painters, but Sofonisba was the most accomplished and became the most famous.

Sofonisba was 14 when she was sent with her younger sister, Elena, to study with Bernardino Campi, a respected portrait and religious painter. When he moved to another city she continued her education with Bernardino Gatti.

Anguissola's most famous painting was of her three sisters,
Lucia, Minerva and Europa, playing chess

Her most important early work was Bernardino Campi painting Sofonisba Anguissola, a double portrait showing her art teacher painting a picture of her.

At the age of 22 she was introduced to Michelangelo in Rome by another painter familiar with her work. Michelangelo asked her to draw a weeping boy and she drew Boy Bitten by a Crayfish and sent it to Michelangelo who could tell she had talent.

He sent her sketches from his notebooks for her to draw in her own style and offered her advice on the results. This informal tuition went on for about two years.

As a woman, Anguissola was not allowed to draw from life, which ruled out having models pose for her, so she could not undertake large-scale, historical or religious paintings.

Instead, she experimented with new styles of portrait painting. Her most famous painting of Three Sisters Playing Chess shows a family scene where the formally-dressed subjects have informal facial expressions, which was unusual for Italian art at this time.

Anguissola's portrait of Queen Elizabeth of Spain

King Phillip II of Spain invited her to be a lady-in-waiting and art teacher to his new Queen, Elizabeth of Valois, who was herself a keen portrait painter and Anguissola went to join the Spanish court at the age of 26.

She painted many vibrant portraits of members of the Spanish royal family. A painting of Phillip II, which had long been attributed to another artist, has only recently been acknowledged as by Anguissola.

The King chose a Sicilian nobleman for an arranged marriage with Anguissola and paid her a royal pension after her marriage so she could continue painting.

After her husband’s death, Anguissola was travelling by boat to Genoa when she fell in love with the ship’s captain and married him.

They lived in Genoa until 1620 and she then moved to Palermo for the last years of her life, where she was visited by the young Flemish painter, Anthony van Dyck. She gave him advice about painting that he claimed taught him more about the true principles of art than anything else in his life and he painted a portrait of her at the age of 92.

On November 16, 1625 she died in Palermo at the age of 93 and was buried at the Church of San Giorgio dei Genovesi.

Cremona's enormous bell tower, Il Torrazzo,
is the tallest in Italy

Travel tip:

Cremona, where Anguissola was born, is famous for having the tallest bell tower in Italy, Il Torrazzo, which measures more than 112 metres in height. As well as making violins, Cremona is also famous for producing confectionery. Negozio Sperlari in Via Solferino specialises in the city’s famous torrone (nougat). A school in Cremona is named Liceo Statale Sofonisba Anguissola in her honour.


Travel tip:

Palermo, the capital of Sicily, where Anguissola died and was buried, is a vibrant city with a wealth of beautiful architecture bearing testament to European and Arabic influences. The city, on the northern coast of the island, has plenty of shops and markets to browse in, and a large opera house, the Teatro Massimo.

More reading:

Why Michelangelo is recognised as one of the greatest artists in history

Lisa del Giocondo - the merchant's wife immortalised as Da Vinci's Mona Lisa

How mystery surrounded the death of Caravaggio

Also on this day

1975: Doctor and scientist Giuseppe Moscati beatified by Pope Paul VI 

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Francesco Rosi - film director

Documentary style put him among greats of Italian cinema

Francesco Rosi

The film director Francesco Rosi, one of Italy's most influential movie-makers over four decades, was born on this day in 1922 in Naples. 

Rosi, who made his directing debut in 1958 and filmed his last movie in 1997, built on the fashion for neo-realism that dominated Italian cinema in the immediate post-war years and his films were often highly politicised.

Many of his works were almost pieces of investigative journalism, driven by his revulsion at the corruption and inequality he witnessed in the area in which he grew up, and the dubious relationships between local government and figures from the crime world.

His film Hands Over the City, for example, starring Rod Steiger as unscrupulous land developer, sought to show how the landscape of Naples was shaped by greed and political interests.  The film's disclaimer stated that “All characters and events narrated in this film are fictitious, but the social reality that created them is authentic.”

The Mattei Affair, which starred Gian Maria Volonté - himself a political activist - tells the story of Enrico Mattei, a former Italian resistance fighter who rose to be head of ENI, the state-owned oil company, and died in a plane crash in Sicily. Conspiracy theorists linked his death with his attempt, in the middle of the Cold War, to break America's dominance of the Italian market, sign deals with Arab countries and even court Russia as a possible trading partner.

The project took Rosi's team into such dangerous political territory that one of his researchers, the journalist Mauro de Mauro, disappeared. He was never found and it is presumed he was murdered for finding out too much about the case.

Gian Maria Volonté (centre) in a scene from The Mattei Affair

Lucky Luciano, which featured Volonté and Steiger, was another movie filmed in the style of a documentary investigation, this time with its focus on the controversial role of a repatriated Sicilian-American Mafia boss in the Allied liberation of Sicily and the assault on the Italian mainland towards the end of the Second World War.

Later, with Illustrious Corpses, Rosi sought to shine light on the dark machinations of what would come to be known as 'The Strategy of Tension' during the 1980s, in which a series of deadly attacks carried out by right-wing extremists with the apparent collusion of the secret services would be blamed on activists on the hard left in order to derail an alliance being proposed between the Christian Democrat Party and the Communist Party.

Among his many awards was a Palme d'Or at the 1972 Cannes Film Festival for The Mattei Affair, a Golden Lion at the 1963 Venice Biennale for Hands Over the City and ten David di Donatello awards from the Academy of Italian Cinema.

In 2012, he was awarded an honorary Golden Lion at the Venice Biennale for lifetime achievement and leaving "an indelible mark on the history of Italian film-making".

Rosi was born in Montecalvario, a neighbourhood of central Naples that includes part of the Spanish Quarter, the Piazza Carità and the bustling Via Toledo.  His father worked in the shipping industry, but also drew satirical cartoons, once earning a reprimand for his insulting depictions of Benito Mussolini and King Vittorio Emmanuel III.

Giorgio Napoletana, a schoolfriend of Francesco Rosi,
who would go one to become President of the Republic

Rosi went to college with Giorgio Napolitano, who would later become Italian President, and they would remain lifelong friends.  He studied law but his career took him in a different direction, first as an illustrator of children's books, then as a reporter with Radio Napoli.

The connections he made through the radio station led him into theatre work and film.  After several films as assistant director, learning from Ettore Giannini and Luchino Visconti among others, he made his solo debut in 1958 with La Sfida (The Challenge), an expose of corruption in the retail trade in Naples which quickly made clear Rosi's preoccupation with social justice and the complex labyrinths in Italian society.

His breakthrough in terms of international acclaim came in 1962 with Salvatore Giuliano, a fictional exploration of the life of the Sicilian bandit of the title, his connections with the state and the church, and his role in fighting against communism in Sicily.  Rosi's aim was to use the bandit’s life and death to convey the complexities of post-war Sicilian politics and society in which "resolving the truth was an impossibility."

Salvatore Giuliano won the Silver Bear for Best Director at the Berlin International Film Festival in 1962 and established Rosi as one of the central figures of the post-neorealist phase in Italian cinema, along with Gillo Pontecorvo, Pier Paolo Pasolini, the Taviani brothers, Ettore Scola and Valerio Zurlini.

Rosi’s later movies were accomplished productions but critics felt they lacked the power of his earlier work, although in his adaptation of Christ Stopped at Eboli, Carlo Levi's memoir about his experiences as a doctor exiled in southern Italy for his anti-Fascist views, with Volonté in the title role, came close, winning a BAFTA for Best Foreign Language Film.

After ending his career in film with The Truce, based on holocaust survivor Primo Levi's memoir of returning to Italy after his liberation from Auschwitz, he returned to theatre, notably directing the Neapolitan comedies of Eduardo De Filippo.

He spent his last years living in Rome on Via Gregoriana, near the Spanish Steps.   He died in 2015 aged 92.

The Via Toledo in Naples has a typical flavour of the city

Travel tip:

Montecal- vario, where Francesco Rosi was born, is said by many visitors to capture the essence of Naples.  Bordered on one side by the Via Toledo, the busy shopping street which links Piazza Dante with Piazza Trieste e Trento, it includes the part of the Spanish Quarter in which can be found the Teatro Nuovo, an historic theatre originally built in 1724 and twice destroyed by fire.  The theatre became famous for comic opera in the 19th century and in the 20th century staged the plays of the great Neapolitian comic dramatist, Eduardo de Filippo.

Hotels in Napoli by Booking.com

Travel tip:

The Via Gregoriana, where Francesco Rosi spent his last years, is a street almost in the centre of Rome, very close to the tourist hubbub of Piazza di Spagna and the Spanish Steps, yet still retains the air of a peaceful residential thoroughfare, the kind you might expect to find in a well-to-do suburb.  Commissioned by Pope Gregory XIII in 1575, it runs from the church of Trinita dei Monti, which looks down over Piazza di Spagna, towards Via del Tritone and has long been popular with artists and intellectuals.

Rome hotels by Booking.com

More reading:

Ennio Morricone, the film music maestro enters his 89th year

Anna Magnani - Oscar winning star of neo-realist fashion

The legacy of Fellini and La Dolce Vita

Also on this day:

1905: The birth of conductor Annunzio Mantovani


(Picture credits: Francesco Rosi by Georges Biard; Gian Maria Volonté by Pèter; Giorgio Napoletana by Ralf Roletschek; Via Toledo by Inviaggiocommons all via Wikimedia Commons)

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Giuseppina Strepponi – soprano

Death of the woman who inspired Donizetti and Verdi

Giuseppina Strepponi in a portrait that can
be seen at the museum at Teatro alla Scala

Opera singer Giuseppina Strepponi died on this day in 1897 at the village of Sant’Agata in the province of Piacenza in Emilia-Romagna.

She was the second wife of the composer Giuseppe Verdi and is often credited with helping him achieve his first successes, having starred in several of his early operas.

Strepponi was born Clelia Maria Josepha Strepponi in Lodi, a little over 40km south-east of Milan, in 1815.

Her father was the organist at Monza Cathedral and also a composer and he gave her piano lessons when she was very young. At the age of 15 she was enrolled at the Milan Conservatory and she won first prize for singing in her final year.

Strepponi made her professional debut in 1834 at the Teatro Orfeo in Taranto and enjoyed her first success the following spring in Trieste, singing the title role in Rossini’s Matilde di Shabran. She quickly became a celebrity, singing Donizetti, Bellini and Rossini roles all over Italy to great acclaim.

A portrait of Giuseppe Verdi in 1839, the
year of his first opera, Oberto 

She made her debut at Teatro alla Scala in Milan in 1839 as Leonora in the first production of Giuseppe Verdi’s first opera, Oberto.  Her strong performance was one of the main reasons the opera was received so well.

Despite suffering illnesses, Strepponi continued to be a popular singer in the early 1840s. She sang the title role in Donizetti’s Adelia in 1841, which he had written specifically for her. In 1842 she received acclaim for her performance of Abigaille in the world premiere of Verdi’s Nabucco at La Scala.

By 1844 she was beginning to experience vocal problems and she had a disastrous season in Palermo in 1845 when she was booed by the audience.

Most of her performances after that were in Verdi operas and she retired from the stage in February 1846 at the age of 31.

Her voice had been damaged by overwork during a career in which she had several affairs and carried on working through at least three known pregnancies.

It was only after she retired and moved to Paris to become a singing teacher that what had been a professional relationship with Verdi blossomed into something more. A widower whose first wife, Margherita, had died young, Verdi visited her there and they began a romance.

The couple returned to Italy in 1849 and began living together in Busseto, Verdi’s home town. She was shunned in the town and at church because they were not married and so the couple moved to a house in the nearby village of Sant’Agata, which is today known as Villa Verdi.

Strepponi helped Verdi’s work by translating for him and supplying comments and criticism while he was composing.

The Villa Verdi, where Strepponi and Verdi lived for
almost half a century before her death in 1897

They were finally married in 1859 and lived together happily until Strepponi became bedridden through arthritis. She was 82 when she died from pneumonia on November 14, 1897, and was initially buried in Milan.

Verdi had left instructions in his will that he wanted to be buried next to her, but after his death he was buried in another cemetery in Milan.

However, so they could be together once again, on February 26, 1901 their bodies were both transferred to be buried in the oratory at the Casa di Riposo, a retirement home for musicians Verdi had created. At the ceremony, Arturo Toscanini directed a choir singing the famous Va, pensiero chorus from Nabucco.

Travel tip:

Villa Verdi, where Strepponi died, is a house Verdi owned from 1848 till his death in 1901 in the village of Sant’Agata in the province of Piacenza. He extended the original house and developed the park around the house, planting many exotic trees. Today visitors can view some of the rooms, including Strepponi’s room, with its original bed, where she died in 1897.

Hotels in Busseto by venere.com

The Basilica Cattedrale della Vergine Assunta
dominates Lodi's Piazza della Vittoria 

Travel tip:

Lodi, the birthplace of Strepponi, is a city in Lombardy, to the south-east of Milan. The town’s main square, Piazza della Vittoria, has porticoes on all four sides and is listed by the Italian Touring Club among the most beautiful squares in Italy. In 1796, in his first major battle, the young Napoleon Bonaparte defeated the Austrians in the Battle of Lodi.

Hotels in Lodi by venere.com

More reading:

The death of Giuseppe Verdi - how Italy mourned his loss

Gaetano Donizetti: the greatest composer of lyrical 
opera

How opera brought fame and wealth to Gioachino Rossini

Also on this day:

1812: The birth of Aleardo Aleardi, the poet who was an important figure in the Risorgimento movement



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Agostina Livia Pietrantoni - Saint

Tragic sister’s simple virtue stopped the traffic in the capital

Sister Agostina Livia Pietrantoni
was murdered by a patient

Nun Agostina Livia Pietrantoni died on this day in 1894 in Rome after being attacked by a patient at the hospital where she was working.

Her story touched Romans so deeply that her funeral brought the city to a standstill as thousands of residents lined the streets and knelt before her casket when it passed them.

The November 16 edition of the daily newspaper Il Messaggero reported that a more impressive spectacle had never before been seen in Rome.

‘From one o’clock in the afternoon, the streets close to Santo Spirito, and all the roads it was believed that the funeral procession would pass, were crowded with people to the point of making the flow of traffic difficult.’

Sister Agostina was beatified by Pope Paul VI in 1972 and canonised by Pope John Paul II in 1999. Her feast day is celebrated each year on November 12.

Sant’Agostina was born Livia Pietrantoni in 1864 in Pozzaglia Sabina to the north east of Rome. She was the second of 11 children born to a poor farmer and his wife.

She started work at the age of seven doing manual labour, carrying heavy sacks of stones and sand for road construction.

The former Santo Spirito Hospital, now a convention centre,
 is situated on the banks of the Tiber close to the Vatican

When she was 12, she went to Tivoli with other poor children to work during the olive harvesting.

Livia refused offers of marriage when she was older as she had her heart set on entering a religious order and, after an initial rejection, was accepted into the Thouret order, becoming a nun and taking the name of Agostina in 1887.

Sister Agostina was sent to work as a nurse at Santo Spirito Hospital in Rome. While working in the tuberculosis ward she contracted the disease herself, but miraculously recovered from it and continued to work there.

On one occasion while working on the tuberculosis ward she was attacked and beaten after seizing a knife from a male patient.

The patient, Giuseppe Romanelli, began to harass her and send her taunting death threats. Her fellow Sisters asked her to take time off work for her own safety but she refused.

On the morning of November 13, 1894, Romanelli stabbed Sister Agostina to death in a dark corridor at the hospital.

After suffering stab wounds to her shoulder, left arm, jugular and chest, she died, moments after forgiving her killer.

Following her canonisation, Sant’Agostina Pietrantoni was named as the Patron Saint of Nurses in 2003.

The village of Pozzaglia Sabina in Lazio, where Agostina
was born and where her remains are buried

Travel tip:

Pozzaglia Sabina, where Sant’Agostina was born, is a small comune in the province of Rieti in Lazio. In 2004 Sant’Agos- tina’s remains were returned to her home town and buried in her former parish church, the Church of San Nicola di Bari, in the first chapel on the left side of the church, which is now dedicated to her.

Travel tip:

Tivoli, where Sant’Agostina worked as a child harvesting olives, is to the north east of Rome. It is famous for its 16th century Villa d’Este, which has a terraced hillside garden with spectacular fountains. The Villa d’Este is now a state museum and is listed as a UNESCO world heritage site.

More reading:

Saint Giustina of Padua - murdered by Romans for preaching Christianity

The election of Pope John Paul II, the Polish pope

Saint Peter's Basilica - the largest church in the world

Also on this day:

1868: The death of composer Gioachino Rossini

(Photo of Pozzaglia Sabina by altotemi via Wikimedia Commons)

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Silvio Berlusconi resigns as PM

Financial crisis brings down 'untouchable' premier 

A large crowd assembled outside the Palazzo Quirinale
to celebrate Berlusconi's resignation in 2011

Silvio Berlusconi resigned as prime minister of Italy on this day in 2011. A controversial, polarising figure, he had dominated Italian politics for 17 years.

With Italy in the grip of the economic crisis that had brought severe consequences to other parts of the Euro zone, Berlusconi lost his parliamentary majority a few days earlier and promised to resign when austerity measures demanded by Brussels were passed by both houses of the Italian parliament.

The Senate had approved the measures the day before. When the lower house voted 380-26 in favour, Berlusconi was true to his word, meeting president Giorgio Napoletano within two hours to tender his resignation.

His last journey from the Palazzo Chigi to the Palazzo Quirinale, the respective official residences of the prime minister and the president, was not a dignified one.

When he arrived at the Quirinale, he was booed by a large and somewhat hostile crowd that had gathered, entering the building to shouts of 'buffoon' and 'mafioso'.  A gathering of musicians and singers serenaded him with a version of the Hallelujah Chorus from Handel's Messiah.  After the meeting concluded, he left by a side entrance to avoid further barracking.

Berlusconi had until that moment held a reputation as a consummate survivor, becoming Italy's longest-serving post-war prime minister despite a litany of scandals.

Berlusconi is one of the richest men in Italy

One of Italy's richest men, he built a fortune estimated at $9billion (€9bn) from a business empire that comprised three television channels, a major publishing house, a national newspaper, the AC Milan football club and countless smaller companies.

He entered politics in In 1993, founding his own political party, Forza Italia - literally, Italy Power - named after an Italian football chant, and was prime minister within a year.

As the head of a decidedly right-wing coalition with the post-Fascist Alleanza Nationale (National Alliance) and the separatist Lega Nord (Northern League), he made many Italians uncomfortable about the direction in which the country was moving.

Yet many hoped his business prowess could help revitalize Italy's economy and saw him as a refreshing change from a political establishment associated with instability and corruption.

The coalition was always an uneasy one, however, and the hopes of his supporters began to erode when Berlusconi was indicted for tax fraud.  He lost to the left-wing Romani Prodi in the election of 1996.

Berlusconi's capacity for bouncing back, though, was remarkable.  By 2001 he was back in power, having rallied his former allies to defeat Prodi and held together the longest-serving Italian government since the Second World War.

Defeated by Prodi again in 2006, he was re-elected in 2008 at the helm of a revamped party, renamed the People of Freedom. 

Romano Prodi

But Italy's economic crisis proved too much for him in the end. In the week of his resignation, the interest rate on Italy's enormous public debts - estimated at around $2.6 trillion - touched 7%, the rate at which Greece, Ireland and Portugal were forced to seek bailouts from the EU.

Berlusconi was never far removed from scandal during his political career but his ability to brush off allegations of corruption or sexual indiscretion made him seem untouchable.

Less than a year after his resignation, however, he was given a four-year sentence for tax fraud and barred from public office, a verdict upheld in Italy's supreme court a year later.

Because he was over 75, he could not be jailed under Italian law and instead served four hours a week of community service, working with elderly dementia patients at a Catholic care home near Milan.

A seven-year sentence imposed in 2013 on charges of having sex with an underage girl was overturned in 2015 and Berlusconi says he will make a political comeback. But his reformed Forza Italia party has so far attracted only minimal support

The Palazzo Chigi in Rome, the official residence of
the Italian prime minister

Travel tip:

The 16th-century Palazzo Chigi, which overlooks the Piazza Colonna and the Via del Corso in Rome, was in the ownership of the Chigi family, part of Roman nobility, from 1659 until the 19th century. It became the residence of the Austro-Hungarian Ambassador to Italy in 1878 before being bought by the Italian state in 1916, when it became the home of the Minister for Colonial Affairs. Later it was the official residence of the Italian Minister of Foreign Affairs and in 1961 became the official meeting place of Council of Ministers, whose President is the head of the Italian government and can now use the palace as his official residence.

Waterways are another key feature of Milano Due

Travel tip:

Berlusconi's business roots are in the groundbreaking 1970s new town of Milano Due, which was built by Berlusconi's company Edilnord as a residential centre close to the Segrate area of suburban Milan.  Although property there is nowadays marketed with a well-heeled clientele in mind, Berlusconi conceived it as something different, providing homes for families in a safe environment, an inter-connecting system of walkways ensuring that its residents could reach any part of the community without encountering any vehicular traffic.  Every house or apartment was connected to a cable television system run by another Berlusconi company,  TeleMilano, Italy's first private television channel, was the project from which the tycoon would eventually grow his national TV company, Mediaset.

Also on this day:

1948: Death of composer Umberto Giordano

More reading:

Silvio Berlusconi: how he built his power

Gianni Rivera - AC Milan legend who clashed with Berlusconi

Enzo Biagi - veteran journalist 'silenced' by Berlusconi

Beppe Grillo, the comedian turned activist behind the Cinque Stelle - Five Star - movement

Books

My Way: Berlusconi in His Own Words, by Alan Friedman

Silvio Berlusconi: Television, Power and Patrimony, by Paul Ginsborg

The Italians, by John Hooper

(Picture credits: Crowd scene by Lalupa; Berlusconi by European People's Party; Palazzo Chigi by Geobia; Romano Prodi by Presidenza della Repubblica; all via Wikimedia Commons)

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