Luigi Fagioli - racing driver

Man from Le Marche is Formula One's oldest winner

Luigi Fagioli in action in the 1928 Targa Florio
near Palermo in Sicily

Racing driver Luigi Fagioli, who remains the oldest driver to win a Formula One Grand Prix, was born on this day in 1898 at Osimo, an historic hill town in the Marche region.

Fagioli was a highly skilled driver but one who was also renowned for his fiery temperament, frequently clashing with rivals, team-mates and his bosses.

It was typical of his behaviour after recording his historic triumph at the F1 French Grand Prix at Reims in 1951 he announced in high dudgeon that he was quitting Formula One there and then.

He was furious that his Alfa Romeo team had ordered him during the race to hand his car over to Juan Manuel Fangio, the Argentine who would go on win the 1951 World Championship, which meant the victory was shared rather than his outright.

Nonetheless, at 53 years and 22 days, Fagioli's name entered the record books as the oldest F1 Grand Prix winner.

Fagioli trained as an accountant but was always fascinated with the new sport of car racing and his background - he was born into a wealthy family of pasta manufacturers - gave him the financial wherewithal to compete.

Having made his debut in 1926, he achieved his first major victories after signing as a works driver for Maserati in 1930, finishing first in the Coppa Ciano and the Circuito di Avellino.  He then won the Monza GP of 1931 and the Rome GP in 1932.

The bust of Luigi Fagioli in Osimo

In 1933 Fagioli was taken on to race Alfa Romeos for Enzo Ferrari, winning in the Coppa Acerbo and the Italian GP, which in turn earned him a move to Mercedes-Benz.

However, his relationship with team-mates Manfred von Brauchitsch and Rudolf Caracciola was fraught with problems. When team manager Alfred Neubauer ordered Fagioli to move over for Brauchitsch in his very first race, the Italian simply dropped out, abandoning his car in disgust.

Despite winning three races for Alfa Romeo in 1934 and 1935, Fagioli quit to join Auto Union in 1937, becoming embroiled in an altercation with Caracciola during his first season in which he attacked his former colleague with a wheel hammer.

Struggling with rheumatism, which restricted him to the extent that at times he needed the aid of a stick to walk, he did not race again before the Second World War but in 1950, in much better health, he returned to the sport to race for the Alfa Romeo factory team, finishing on the podium in all but one race and finishing third in the inaugural F1 World Championship.

After his controversial exit from Formula One, he signed to drive in sportscar events for Lancia, taking great delight in finishing in front of Caracciola when he was third in the 1952 Mille Miglia.

His aggressive driving style sometimes bordered on the reckless and he had many accidents, one of which forced him out of a supporting race at the Monaco GP meeting in June of that year.

He broke a hand and a leg, which seemed relatively minor injuries, but he developed complications as he recovered in hospital and three weeks later, at the age of only 54, he died.

The Cathedral of San Leopardo in Osimo

Travel tip:

The town of Osimo, perched on top of a hill about 15 kilometres from the port of Ancona, can trace its origins to 200BC and parts if the city walls dating back to that time remain intact.  It is dominated by the Cathedral of San Leopardo, the main structure of which was built between the 12th and 13th centuries.

Stay in Osimo with Booking.com

Travel tip:

Luigi Fagioli is commemorated in a bronze statue which can be found in the Giardini Pubblici in Osimo

More reading:

Vittorio Jano - genius designer behind Italy's Formula One success

(Photo of Luigi Fagioli bust by Giorgio Gentili CC BY-SA 3.0)
(Photo of Catheral by Parsifall CC BY-SA 3.0)

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Tomaso Albinoni - Venetian composer

Prolific writer of operas and instrumental music

Tomaso Albinoni

The composer Tomaso Albinoni, perhaps best known for the haunting and powerful Adagio in G Minor, was born on this day in 1671 in Venice.

Albinoni was a contemporary of two other great Venetian composers, Arcangelo Corelli and Antonio Vivaldi, and was favourably compared with both.

It is his instrumental music for which he is popular today, although during his own lifetime he was famous for his operas, the first of which was performed in Venice in 1694.  He is thought to have composed some 81 operas in total, although they were not published at the time and the majority were lost.

His first major instrumental work also appeared in 1694. With the support of sponsorship from noble patrons, he published nine collections - in Italy, Amsterdam and London - beginning with Opus 1, the 12 Sonate a Tre, which he dedicated to his fellow Venetian, Cardinal Pietro Ottoboni, the grand-nephew of Pope Alexander VIII.

It was this work that established his fame.  He followed it with an other collection of instrumental pieces, dedicated to Charles IV, Duke of Mantua, who may have employed him as a violinist. His Opus 3, a collection of  suites, was sponsored by Cosimo III de' Medici, Grand Duke of Tuscany.

His career output numbered 99 sonatas, 59 concertos and nine symphonies.  By his seventh Opus he was writing regular pieces for the oboe and is regarded as the first composer to include the instrument in concertos. His ninth Opus was his last.

Albinoni came from a privileged background.  His family manufactured playing cards and owned several shops in Venice, allowing Tomaso to indulge his musical talents - he was a talented singer and violinist as well as a composer - as an amateur, known as a Dilettante Veneto.

A poster advertising the premiere
of an Albinoni opera in 1716

He would have expected, at some stage, to take over the running of the family business, but after the commercial success of his 12 Sonate a Tre, his father changed the terms of his will so that the business would be placed instead in the hands of his younger brothers.  This meant Tomaso could pursue a career in music.

In 1705, Albinoni married an opera singer, Margherita Raimondi. He always lived in Venice but travelled extensively as his works were performed around Italy and later in northern Europe.  He died in Venice in 1751, apparently of diabetes.

Ironically, given his prolific output, his best loved work - the Adagio in G Minor - was written largely by someone else.

A good deal of Albinoni's work was damaged or destroyed in the bombing of Dresden towards the end of the Second World War when it was being kept in the Dresden State Library.  The ruins were visited in 1945 by a musicologist from Rome, Remo Giazotto, who was catalogueing the composer's output.

When Giazotto later published the adagio, copyrighted in his own name, he claimed it had been based on what remained of manuscript discovered in the ruins, which consisted of just the bass line and six bars of melody from a church sonata that was possibly included in Albinoni's Opus Four, written in about 1704.

Giazotto said he had constructed the piece as a complete movement based on that fragment of manuscript, although the claim was never corroborated and no one else saw the scrap of paper.  The consensus among musical scholars is that it should be seen as Giazotto's work, yet the piece continues to be referred to as Albinoni's Adagio in G Minor.

The former Chiesa San Vidal in Venice

Travel tip:

Performances of Albinoni's music form part of the season performed annually by the Interpreti Veneziani, a chamber music ensemble who specialise in Venetian music.  They perform at a former church, the Chiesa San Vidal, situated between the Accademia Bridge and Campo Santo Stefano, and sometimes at the Scuola Grande di San Rocco, both in the San Marco district.  For more information, visit www.interpretiveneziani.com.

Travel tip:

The Scuola di San Rocco was established in 1478 by a group of wealthy Venetian citizens, next to the church of San Rocco. In 1564 the painter Tintoretto was commissioned to provide paintings for the Scuola, and his most renowned works are to be found in the Sala dell'Albergo and the Sala Superiore.

More reading:

Where to see Tintoretto's work in Venice

Success and sadness of Antonio Vivaldi

How Arcangelo Corelli's music influenced others

(Photo of Chiesa San Vidal by Didier Descouens CC BY-SA 4.0)

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Federico da Montefeltro – condottiero

Patron of the arts made money through war

Piero della Francesca's stark portrait
of Federico da Montefeltro

Federico da Montefeltro, one of the most successful of the Italian condottieri, was born on this day in 1422 in Gubbio.

He has been immortalised by the famous portrait painted of him by Piero della Francesca, where he was dressed in red and showing his formidable profile.

Federico ruled Urbino from 1444 until his death, commissioning the building of a large library where he employed his own team of scribes to copy texts.

He was the illegitimate son of Guidantonio da Montefeltro but he was legitimised by the Pope with the consent of Guidantonio’s wife.

Federico began his career as a condottiero - a kind of mercenary military leader - at the age of 16. When his half brother, who had recently become Duke of Urbino, was assassinated in 1444, Federico seized the city of Urbino.

To bring in money he continued to wage war as a condottiero. He lost his right eye in an accident during a tournament and later commissioned a surgeon to remove the bridge of his nose to improve his field of vision and make him less vulnerable to assassination attempts.

Subsequently, he refused to have his portrait painted in full face, hence he is depicted in profile by Piero della Francesca.

Federico fought on behalf of the Sforza family, the King of Naples and various Popes.

In 1482 he was asked to command the army of Ercole I of Ferrara in his war against Venice but he then caught a fever and died in Ferrara.

Federico imposed justice and stability on Urbino and supported up and coming artists such as Raphael.

He took care of his soldiers when they were killed or wounded by providing dowries for their daughters. As a result his soldiers remained loyal to him and he never lost a battle.

The Ducal Palace in Urbino, a Unesco World
Heritage Site

Travel tip:

Urbino, which is inland from the Adriatic resort of Pesaro, in the Marche region, is a majestic city on a steep hill. It was once a centre of learning and culture, known not just in Italy but also in its glory days throughout Europe. The Ducal Palace, a Renaissance building made famous by The Book of the Courtier, is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.

Travel tip:

Gubbio, where Federico was born, is a small town in Perugia in the region of Umbria that still has many of its medieval buildings. It became absorbed into the territory of the Montefeltro family in the 15th century and Federico Montefeltro had the ancient Palazzo Ducale rebuilt in a similar style to his palace in Urbino.

(Photo of Ducal Palace at Urbino by Florian Prischi CC BY-SA 3.0)

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Camillo Benso, Count of Cavour

Prime Minister died after creating a united Italy

Camillo Benso Count of Cavour, depicted by
Michele Gordigiani in a painting circa 1850

The first Prime Minister of Italy, Camillo Benso Count of Cavour, died on this day in 1861 in Turin.

A leading figure in the struggle for Italian unification, Cavour died at the age of 50, only three months after taking office as Prime Minister of the new Kingdom of Italy. He did not live to see Venice and Rome become part of the Italian nation.

Cavour was born in 1810 in Turin, the second son of the fourth Marquess of Cavour. He was chosen to be a page to Charles Albert, King of Piedmont, when he was 14.

After attending a military academy he served in the Piedmont-Sardinian army but eventually resigned his commission and went to run his family’s estate at Grinzane in the province of Cuneo instead.

He then travelled extensively in Switzerland, France and England before returning to Turin where he became involved in politics.

The monument to Cavour in front of the
Palace of Justice in Rome

Originally he was interested in enlarging and developing Piedmont-Sardinia economically rather than creating a unified Italy.

As Prime Minister he took the kingdom of Piedmont-Sardinia into the Crimean war hoping it would gain him the support of the allies for his plans for expansion.

But he became expert at playing off the French against the Austrians, charming the British and making use of Garibaldi. As a result, Cavour became the architect of the Risorgimento that eventually led to the creation of a united Italy ruled by the House of Savoy.

When the Kingdom was finally created in 1860 he became Victor Emmanuel II’s first Prime Minister.

But worry and hard work took their toll on Cavour and he became ill with malaria. He died while he was at the height of his career in 1861.

Today many Italian cities have streets and squares named after Cavour, who is considered to have been the person responsible for establishing the new unified Italy.

The Grinzane Cavour, near Turin, which was Cavour's
home from 1830 until his death in 1861

Travel tip:

The 13th century castle of Grinzane Cavour near Turin is now a UNESCO World Heritage site. Camillo Benso Count of Cavour lived there from 1830 until his death in 1861. During his stays there he restored the building and improved the cultivation of the vines in the area. The castle has rooms dedicated to Cavour as well as the Cavour Regional Enoteca, which showcases the best wines produced in the region.

Travel tip:

Turin, where Cavour was born and died, is the capital city of the region of Piedmont. It is an important business centre and also has architecture demonstrating its rich history, which is linked with the Savoy Kings of Italy. Piazza Castello, with the royal palace, royal library and Palazzo Madama, which used to house the Italian senate, is at the heart of ‘royal’ Turin.

More reading:

Victor Emmanuel II - first king of the united Italy

Giuseppe Mazzini - hero of the Risorgimento

(Photo of Grinzane Cavour by Sbisolo CC BY-SA 3.0)
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Salvatore Ferragamo - shoe designer

From humble beginnings to giant of the fashion industry

Shoes by Salvatore Ferragamo

Salvatore Ferragamo, the craftsman once dubbed 'Shoemaker to the Stars' after his success in creating made-to-measure footwear for movie stars and celebrities, was born on this day in 1898 in Bonito, a small hill town in Campania, in the province of Avellino.

Although in time he would become a prominent figure in the fashion world of Florence, Ferragamo learned how to make shoes in Naples, around 100 kilometres from his home village.  He was apprenticed to a Neapolitan shoemaker at the age of just 11 years and opened his first shop, trading from his parents' house, at 13.

When he was 16 he made the bold decision to move to the United States, joining one of his brothers in Boston, where they both worked in a factory manufacturing cowboy boots.  Salvatore was impressed at how modern production methods enabled the factory to turn out large numbers of boots but was concerned about compromises to quality.

This led him to move to California and to set up shop selling his own hand-made shoes in Santa Barbara, where he made his first contacts in the burgeoning American film industry.  Eager to make shoes that not only looked good but were comfortable to wear, he enrolled at the University of Southern California to study anatomy.

He moved to Hollywood when the movie makers relocated there and it was after opening the Hollywood Boot Shop that he acquired the label 'shoemaker to the stars'.

The famous Ferragamo logo

In 1927, after 13 years in the United States, Ferragamo returned to Italy to base his business in Florence, a city with a wealth of skilled craftsmen. He opened a workshop in the Via Mannelli and was soon making shoes for some of the wealthiest women in the world.

The collapse of the US stock market in 1929, sparking the Great Depression, hit him hard, virtually destroying the export side of his business, and he filed for bankruptcy in 1933.  Yet such was his enterprise and appetite for work that, by concentrating on the domestic market, he was able to make a rapid recovery.

In 1936 he rented two workshops and opened a shop in Palazzo Spini Feroni in Via de' Tornabuoni, which he subsequently bought and which remains the company's headquarters.

By the 1950s, as Italy recovered from wartime austerity and embraced la dolce vita, Ferragamo was the shoe of choice for wealthy young socialites in Italy and beyond and the company workshops were employing 700 craftsmen turning out up to 350 pairs of shoes per day.

The Rainbow platform sandal Ferragamo crafted for the
 actress and singer Judy Garland

Among Salvatore's creations were stiletto heels with metal reinforcement made famous by Marilyn Monroe, and a platform sandal he made for Judy Garland, which he called The Rainbow as a tribute to the actress and singer's performance in the Wizard of Oz. His 'invisible' sandal, which featured almost transparent nylon thread uppers, won the Neiman Marcus Award in 1947, the first time the prestigious mark of recognition in the fashion world was given to a shoe designer.

In 1940 Salvatore had married the daughter of the local doctor in Bonito, Wanda Miletti, who joined him in Florence. They had six children: three sons - Ferruccio, Leonardo and Massimo - and three daughters - Fiamma, Giovanna and Fulvia.

Salvatore died in 1960 aged just 62, leaving the company to be run by the family, with Wanda initially in charge.  Nowadays, Ferruccio is the president of a business employing more than 4000 people with 550 stores in Europe, Asia and the Americas.

It now has a range of products that includes eyewear, perfume, belts, scarves, bags, watches and clothing, as well as shoes.

Travel tip:

Bonito, perched on top of a hill between the valleys of the Arvi and Calore rivers, is roughly equidistant between Benevento and Avellino in inland Campania.  The Church of the Assunta contains the tomb of Santa Crescenzo, an 11-year-old boy killed during the persecution by the Roman Emperor Diocletianus in the third century and subsequently celebrated as a martyr.

The entrance to the Ferragamo museum at
the Palazzo Spini Feroni

Travel tip:

A museum dedicated to the life and work of Salvatore Ferragamo was opened in 1996 within the company's headquarters at the historic Palazzo Spini Feroni in Via de' Tornabouni, Florence's famed upmarket shopping street.  The museum has films, press cuttings, advertising posters, clothing and accessories and a staggering 10,000 shoes created by Salvatore himself or the skilled craftsmen he employed.

(Photo of Ferragamo shoes by Ben CC BY-SA 2.0)
(Photo of Judy Garland shoe by Sailko CC BY-SA 3.0)

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Cecilia Bartoli – opera singer

Soprano put the spotlight back on ‘forgotten’ composers and singers 

Cecilia Bartoli, who was born in
Rome on this day in 1966

Mezzo-soprano Cecilia Bartoli celebrates her 50th birthday today, having been born on this day in 1966 in Rome.

Bartoli is renowned for her interpretations of the music of Mozart and Rossini and for her performances of music by some of the lesser-known Baroque and 19th century composers.

Her parents were both professional singers and gave her music lessons themselves and her first public performance was at the age of eight when she appeared as the shepherd boy in Tosca.

Bartoli studied at the Conservatorio di Santa Cecilia in Rome and made her professional opera debut in 1987 at the Arena di Verona.

The following year she earned rave reviews for her portrayal of Rosina in Rossini’s The Barber of Seville in Germany and Switzerland.

Bartoli made her debut at La Scala in 1996, followed by the Metropolitan Opera in 1997 and the Royal Opera House in 2001.

She has performed and recorded Baroque music by composers such as Gluck, Vivaldi, Haydn and Salieri.

Cecilia Bartoli takes the applause after a performance
of Rossini's La Cenerentola in Paris

She has sold more than ten million copies of her albums, received numerous gold and platinum certificates and been given many awards and honours.

In 2012 Bartoli became artistic director of the Salzburg Whitsun Festival and her personal programme choices immediately resulted in record ticket sales. She has since sung Cleopatra in Handel’s Giulio Cesare and the title roles in Vincenzo Bellini’s Norma and Rossini’s La Cenerentola there.

The singer has a particular interest in early 19th century music, the age of Romanticism and bel canto, and has developed a fascination with the singer Maria Malibran. She marked the bicentenary of Maria Malibran’s birth in March this year with the release of Maria, a new album devoted to the singer. 

Bartoli lives with her husband, the Swiss baritone Oliver Widmer, on the shores of Lake Zurich in Switzerland and also in Rome.

The entrance to the Conservatorio di Santa
Cecilia in Via dei Greci in Rome

Travel tip:

The Conservatorio di Santa Cecilia, where Cecilia Bartoli was educated, dates back to 1875. It was set up under the auspices of one of the oldest musical institutions in the world, now known as the National Academy of Santa Cecilia, which was established in 1565. The Conservatorio can be found in Via dei Greci, not far from the Spanish Steps in central Rome. The Academy is located at the Parco della Musica in the northern part of Rome in Viale Pietro de Coubertin in the Flaminio district, close to the location of the 1960 Summer Olympic Games.


Travel tip:

Cecilia Bartoli’s debut at La Scala in Milan as Isolier in Le Comte Ory in 1991 helped establish her as one of the world’s leading Rossini singers. The opera house has a fascinating museum displaying costumes and memorabilia from the history of opera that is well worth visiting. The entrance is in Largo Ghiringhelli, just off Piazza della Scala. It is open every day except the Italian Bank Holidays and a few days in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

More reading:

The amazing talent of opera composer Rossini

The success and sadness of Antonio Vivaldi



(Photo of Conservatorio di Santa Cecilia by Lalupa CC BY-SA 3.0)



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Roberto Rossellini - film director

Roman movie pioneer whose 'neo-realism' had lasting influence

Roberto Rossellini pictured with his third wife,
the Swedish acress Ingrid Bergmann

Film director Roberto Rossellini died on this day in 1977 in Rome, the city that provided the backdrop to his greatest work and earned him the reputation as the 'father of neo-realism'.

Rossellini had been associated with the Fascist regime during the early part of the Second World War, in part due to his friendship with Vittorio Mussolini, the film producer son of the dictator, Benito Mussolini.  His three wartime movies, The White Ship, A Pilot Returns and The Man with a Cross, all had elements of pro-Fascist propaganda.

But after Mussolini was dismissed and his government collapsed in 1943, Rossellini began work on the anti-Fascist film Rome, Open City, which he described as a history of Rome under Nazi occupation.

It starred the popular actor Aldo Fabrizi in the role of a priest ultimately executed by the Nazis and the actress Anna Magnani as the heroine, Pina, but also featured footage of real Roman citizens originally intended to be used in two short documentary films.  Rossellini also used non-professional actors for many scenes, feeling that they could portray the hardships and poverty of Rome under occupation more authentically.  Rossellini's brother, Renzo, a musician, wrote the score.

The difficulties faced in production, such as the scarcity of film and an unreliable electricity supply, affected the quality of the end product but somehow added to the realism Rossellini sought to capture.

Rome, Open City was not well received by cinemagoers in Italy, who wanted escapism rather than to be confronted with a reality they knew only too well. There was still much war damage in evidence in Rome when the film had its premiere in September 1945.

However, it won critical acclaim and several major awards, including the Grand Prix at the Cannes Film Festival in 1946.  It was also nominated for an Oscar for the screenplay, written by Federico Fellini and Sergio Amidei. Rossellini went on to direct Paisan (1946) and Germany Year Zero (1948), also regarded as classics.  The three movies became known as his Neorealist Trilogy.

Rossellini's later films were not commercially successful but his status in the history of Italian cinema was established and he has been cited as a major influence by many directors since, including the Italian-American colossus of American cinema, Martin Scorsese.

A plaque on a wall in the Via degli Avignonesi marks one of
the locations used for Rossellini's film 'Rome, Open City'

Born in Rome in 1906, Rossellini's love of the cinema was influenced by his father, an architect, Angiolo Giuseppe "Beppino" Rossellini, who owned a construction company in Rome and built the city's first cinema, the Barberini, to which he gave the young Roberto an unlimited free pass.  After his father died, Roberto worked in a number of jobs related to film production and gained experience in many parts of the movie-making business.

His private life was turbulent.  The first of his four marriages was to a Russian actress, Assia Noris, whom he divorced in 1936 in order to marry Marcella de Marchis, a costume designer.  In 1948 he received a letter from Ingrid Bergman, the beautiful Swedish actress who had starred opposite Humphrey Bogart in Casablanca and Cary Grant in the Hitchcock thriller Notorious, in which she declared herself "ready to make a film with you".

By coincidence - it is assumed - the characters in Rome, Open City had included one called Bergman and another called Ingrid.

They began an affair during the shooting of their first collaboration. It was regarded as a scandal in some countries, given that they were both married, and filled many column inches in the gossip magazines.  Bergman became pregnant with Roberto Ingmar Rossellini, after which they were married. They had two more children, Isabella Rossellini, the actress and model, and her twin, Ingrid Isotta.

While married to Bergman, Rossellini was invited by the Indian Prime Minister, Jewaharlal Nehru, to help revive the ailing Indian cinema industry and began an affair with the Indian screenwriter, Sonali DasGupta, herself married. The scandal led Nehru to ask Rossellini to leave India.

Dasgupta quit India with him to become his fourth wife, although he would walk out on her in 1973, four years before his death from a heart attack, after beginning a relationship with a young woman, Sylvia D'Amico.  He was survived by six children, plus one adopted stepson and a stepdaughter.

Travel tip:

Rossellini's childhood home was in Via Ludovisi, situated in the rione of the same name, one of 22 neighbourhoods that make up the Centro Storico (Historic Centre) of Rome.  Ludovisi is dominated by the elegant, upmarket Via Vittorio Veneto.  The Cinema Barberini, built by Rossellini's father, is on Piazza Barberini.  He began shooting Rome, Open City, just a few streets away in Via degli Avignonesi.

The Fontana del Tritone in Rome's
Piazza Barberini, close to Rossellini's home

Travel tip:

Piazza Barberini is a large square in Rome's Centro Storico situated on the Quirinal Hill. It was created in the 16th century and although many of the surrounding buildings have been rebuilt, the Fontana del Tritone or Triton Fountain, sculpted by Bernini between 1642 and 1643, remains intact as its centrepiece.

(Photo of Fontana del Tritone by Alers CC BY-SA 3.0)
(Photo of plaque by Lalupa CC BY-SA 3.0)

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