Enzo Biagi - author and journalist

Much respected presenter taken off air by Berlusconi

Enzo Biagi, pictured in 2006

Enzo Biagi, the distinguished print and television journalist and author of more than 80 books, died in Milan on this day in 2007, at the age of 87.  

A staunch defender of the freedom of the press, Biagi himself was the victim of censorship from the highest level of the Italian government in 2002 when prime minister Silvio Berlusconi effectively sacked him from the public broadcaster RAI for what he called "criminal use" of the network.

In what became known as il Editto bulgaro - the Bulgarian Edict - because he made the pronouncement during a state visit to Sofia, Berlusconi named another journalist, Michele Santoro, and the satirical comedian, Daniele Luttazzi, as guilty of similar conduct and said it was his duty to "not to allow this to happen".

It meant that the last years of Biagi's life were marred somewhat by an absence from the screen that lasted five years.  He made an emotional comeback in April 2007, seven months before his death, when Romani Prodi had begun his second stint as PM and saw to it that he was reinstated.

Berlusconi's disapproval of Biagi was thought to have related to two interviews he conducted during the run-up to the 2001 elections.

In the first, he appeared to be sympathetic to Berlusconi's opponent, Francesco Rutelli. The second - just two days before polling - was with Roberto Benigni, the actor-director and comedian, who poked fun at what he saw as a conflict between Berlusconi's political ambitions and his business interests.

Silvio Berlusconi banished Biagi from
Italian state TV network RAI

Biagi had interviewed Berlusconi himself before he first stood for prime minister, grilling him over his relationship with Bettino Craxi at the time the former prime minister was convicted of corruption and illegal funding of the Italian Socialist Party.

Born in 1920 in Lizzano in Belvedere, an Apennine village in Emilia-Romagna, the son of a warehouse guard, he began working for the Bologna newspaper Il Resto del Carlino at the age of 18. An opponent of Fascism, he joined the Italian partisans in 1943 and was a member of an anti-Fascist political movement at the time but during his journalistic career he never adhered to any political party.

After the Second World War, he moved to Milan and between 1952 and 1960 was editor of the magazine Epoca. He started working regularly for RAI in the 1960s, while continuing to write for leading newspapers.

He hosted many magazine programmes for the station, interviewing leading political leaders from Margaret Thatcher to Muammar Gadaffi, as well as key figures from his other great love, the cinema.

Biagi published more than 80 books, many about history and current affairs, as well as a biography of his friend, the actor Marcello Mastroianni.  His 1987 book, Il boss è solo, based on interviews with the Mafia pentito (state witness) Tommaso Buscetta, won the Premio Bancarella literary prize.

The snow capped Corno alle Scale mountain is close
to Biagi's home village of Lizzano in Belvedere

Travel tip:

Lizzano in Belvedere, in a mountainous area on the border between the provinces of Modena and Pistoia, offers all-year-round attractions, from skiing on the nearby Corno alle Scale peak in winter to trekking and mountain biking in the spring and summer, with the village centre well stocked with restaurants specialising in local dishes.  The ancient round church, known as 'Rotonda' or 'Delubro', is an interesting feature.


Travel tip:

Bologna is the historic capital of Emilia-Romagna, at the centre of which is the spacious Piazza Maggiore, the social hub of the city, surrounded with arched colonnades, many attractive cafes and fine medieval and Renaissance buildings, including the Palazzo Comunale, the Fountain of Neptune and the imposing Basilica di San Petronio, which dominates the square.

More reading:

How journalist Bruno Vespa opened door to late-night political debate

Maurizio Costanzo - journalist host of Italy's longest running TV show

Roberto Benigni - Oscar-winning star and director of Life is Beautiful

Also on this day:

Raise a glass to Vino Novello - Italy's autumn treat

(Picture credits: Enzo Biagi by Stefano Vesco; Berlusconi by paz.ca; Corno alle Scale by Adriano Petrachi - all via Wikimedia Commons)

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Francesco Chiarello - survivor of two World Wars

Calabrian veteran lived to be 109 years old

Francesco Chiarello fought in the
First World War at 20 years old

Francesco Domenico Chiarello, who would live to be one of the world's longest surviving veterans to serve in both World Wars, was born on this day in 1898.

Chiarello was 109 years old when he died in June 2008.  Of soldiers anywhere on the planet who were active in the 1914-18 conflict and were called up again after 1939, only the Frenchman Fernand Goux outlived him.

Goux, from the Loiret department of central northern France, died just five months later, aged 108.

Chiarello also died as one of the last two surviving Italian soldiers from the First World War, outlived only by Delfino Borroni, from just outside Pavia in Lombardy, who was a tram driver during the Second World War.

Italian troops in Trento on November 3, 1918, in the final
hours of the Battle of Vittorio Veneto

Borroni recovered from serious injuries sustained in an Allied bombing raid to be 110 years old when he died four months after Chiarello.

Chiarello, a farmer from Umbriatico in the province of Crotone in Calabria,  joined the Italian army in 1918 as a member of the 19th infantry regiment from Cosenza.

He was sent to the northern front at Trento where he took part in the final Battle of Vittorio Veneto, a seminal moment in the history of the conflict and of Italy.

The Italian victory brought the end of the war on the Italian Front and sealed the collapse of the Austro-Hungarian Empire.  Some Italians see Vittorio Veneto as the completion of the Risorgimento nationalist movement, in which Italy was unified.

In 1968, the Italian government created a medal to commemorate the Battle of Vittorio Veneto, which was awarded to all veterans who fought for at least six months in the First World War.

After peace was declared, Chiarello continued his service in Albania, where he contracted malaria, and spent a period in Montenegro before returning to civilian life in Umbriatico in 1920.  He was called up for a second time in 1940 and was attached to a unit in Reggio Calabria, but was discharged after six months.

Examples of the Vittorio Veneto medal

He remained in Umbriatico, a hill town accessible only by a viaduct over a steep valley, until he was in his 80s, at which point he moved with his son, Louis, to the coastal resort of Cirò Marina, about 30km away.

Chiarello attributed his long life to the clean air of Umbriatico and a simple Crotonese diet, of which the staples are fresh milk - a half-litre at breakfast and another at dinner - lunches combining pasta and fresh vegetables, fruit and occasionally ice cream, plus a daily tumbler (or two) of local red wine.

In Cirò Marina, where he bemoaned the air quality compared with Umbriatico, he would maintain his good health by taking long daily walks along the sea front.

A deputation of senior Italian army officers visited him shortly after his 109th birthday. They were concerned about how frail he might be but found him dressed and sitting in his armchair. His daughter-in-law, Maria, told them that Signor Chiarello suffered no rheumatic pains at all and refused to stay in bed in the mornings, even when offered the chance to do so.

Umbriatico is surrounded by steep ravines

Travel tip:

Umbriatico was the site, in 215 BC, of a battle between forces from the Carthagian and Roman empires in which Hannibal himself is said to have fought before escaping back to Carthage, leaving the Romans to overrun the city.  Nowadays, home to less than 1,000 inhabitants, it sits on a hill surrounded by ravines and connected to the outside world by just one road.  The medieval Cathedral of San Donato stands above a crypt that was originally a Greek pagan temple.

Travel tip:

The modern resort of Cirò Marina on the Ionian Sea is renowned for the quality of its bathing facilities and the cleanliness of its beaches and seawater. In 2015, Cirò Marina‘s beaches were awarded a blue flag certificate for the 15th time. The area is also known for its fine wine, Ciro DOC, and was named as Italy’s City of Wine in 2000.

Hotels in Cirò Marina from Hotels.com

More reading:

The armistice that followed Italy's victory at the Battle of Vittorio Veneto

Giuseppe Moscati - wartime doctor who became a saint

Also on this day

1702: Birth of Pietro Longhi, artist who painted Venetian life

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Florence's catastrophic floods

Tuscan capital devastated on same day six centuries apart

Plaques on the Via San Remigio in
Florence mark the level of both floods

More than 3,000 people were believed to have been killed when the River Arno flooded the streets of Florence on this day in 1333.

More than six centuries later, 101 people died when the city was flooded on the same day in 1966. The 50th anniversary of the most recent catastrophe, which took a staggering toll of priceless books and works of art in the Cradle of the Renaissance, is being commemorated in the city today.

The 1333 disaster - the first recorded flood of the Arno - was chronicled for posterity by Giovanni Villani, a diplomat and banker living in the city.

A plaque in Via San Remigio records the level the water allegedly reached in 1333 and another plaque commemorates the level the water reached after the river flooded in 1966, exactly 633 years later.

Villani wrote in his Nuova Cronica (New Chronicle), ‘By noon on Thursday, 4 November, 1333, a flood along the Arno River spread across the entire plain of San Salvi.’

By nightfall, the flood waters had filled the city streets and Villani claimed the water rose above the altar in Florence’s Baptistery, reaching halfway up the porphyry columns.

The statue of Giovanni Villani in the
Loggia del Mercato Nuovo in Florence

Apart from its two central piers, the Ponte Vecchio was swept away when huge logs in the rushing water became clogged around it, allowing the water to build and leap over the arches.

An old statue of Mars that stood on a pedestal near the Ponte Vecchio was also carried off by the flood waters, Villani recorded.

The idea of creating a year-by-year history of Florence came to Villani after he attended the first Jubilee in the city of Rome in 1300. He realised Rome’s history was well-known and wanted to create a history of his own city.

In his Cronica he covers 14th century building projects, population statistics and disasters, such as the flood and the Black Death of 1348, which eventually took his own life. His work on the Chronicle was continued by his brother and nephew after his death.

There have been eight major floods in Florence since 1333 but the one that occurred on November 4, 1966, is considered to be the worst.

It happened after two months of wet weather across the region began to cause problems in the Arno valley upstream of Florence, exacerbated when 43cm (17ins) of rain fell in 24 hours on November 2.

Pathe News footage following the 1966 flood

Dams built in the valley at Levane and La Penna, more than 50km away from the city, were already discharging water at a rate of more than 2,000 cubic metres per second on the afternoon of November 3.  At around four o'clock the following morning engineers feared that one of the dams would burst and took the decision to open the sluices still more.

The effect was to send a huge volume of water hurtling along the valley at a speed of around 60km per hour (37mph), turning the Arno into a terrifying torrent.  Within just a few hours the city was under water as the river rose a frightening 11m (36ft) above its normal level.

A marker of how high the water rose
in the 1966 catastophe

Streets were flooded up to 6.7m (22ft) at the flood's peak and although miraculously few people died compared with 1333 the damage to the city's historic treasures was almost unimaginable.  It is estimated that between three and four million books and manuscripts were destroyed or damaged and that 14,000 works of art were affected to one degree or another, with up to 1,000 suffering serious damage.

Two major libraries - the Biblioteca Nazionale Centrale Firenze and the Biblioteca del Gabinetto Vieusseux - and two notable archives - the Archivio di Opera del Duomo and the Archivio di Stato - suffered particularly badly.

Among the major artworks hit were Giovanni Cimabue's Crucifix at the Basilica di Santa Croce, the so-called Gates of Paradise doors by Lorenzo Ghiberti at the Florence Baptistry and Donatello's statue Magdalene Penitent, also at the Baptistry.

Astonishingly, thanks to the substantial generosity of donors and the work of experts from around the world, as well as many volunteers from among the citizens of Florence - dubbed the 'Mud Angels' by the Mayor of Florence - many of these works have been restored, although the task has taken many decades.

Cimabue's Crucifix has undergone
painstaking restoration work

Giorgio Vasari's Last Supper, a five panel painting completed in 1546, is being reinstalled in the Cenacolo, the old refectory of Santa Croce, to mark the 50th anniversary.

Travel tip:

Plaques in Via San Remigio record the level the flood waters reached in the city in 1333 and 1966. The street is just off Via de Neri in the centre of the city, not far from the Basilica di Santa Croce.

Hotels in Florence from Hotels.com

Travel tip:

A statue of chronicler Giovanni Villani can be found in one of the niches of the Loggia del Mercato Nuovo in Florence. The New Market is also the home of Il Porcellino, a 17th century copy in bronze of a Roman statue of a wild boar in the Uffizi. Visitors who rub its nose are said to return to Florence some day and coins dropped in the water basin below it are collected and distributed to the city’s charities.

More reading:

Giorgio Vasari - painter and the first art historian

Donatello - the greatest sculptor of 15th century Florence

Florentine Dante Alighieri and the Divine Comedy

Also on this day:

1737: Teatro San Carlo in Naples opens its doors for the first time

(Photo of high water mark by Gryffindor Wikimedia Commons)


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Vincenzo Bellini – opera composer

Short but successful career of Sicilian musical genius

A portrait of Vincenzo Bellini

The talented composer of the celebrated opera, Norma, was born Vincenzo Salvatore Carmelo Francesco Bellini on this day in 1801 in Catania in Sicily.

Bellini became known for his long, flowing, melodic lines, which earned him the nickname, ‘The Swan of Catania’. He enjoyed great success during the bel canto era of Italian opera in the early part of the 19th century and many of his operas are still regularly performed today.

Born into a musical family, Bellini showed early talent. It was claimed he could sing an aria at 18 months and could play the piano by the age of five. Although some writers have said these are exaggerations, Bellini is known to have already begun composing music by his teens.

He was given financial support by the city of Catania to study music at a college in Naples and while he was there he was profoundly influenced by meeting the composer Gaetano Donizetti, having heard his opera, La zingara, performed at Teatro di San Carlo.

Bellini then wrote his first opera, Adelson e Salvini, which his fellow students performed to great acclaim.

In 1825, Bellini began work on what was to be his first professionally-produced opera, Bianca e Fernando. It was premiered at Teatro di San Carlo on 30 May, 1826 and was a big success. Donizetti attended the performance and wrote about it enthusiastically to his former tutor in Bergamo.

Teatro alla Scala in the 18th century

After Bellini was commissioned to compose an opera by Teatro alla Scala in Milan he moved to live in the city in 1827.

During the six years he spent in Milan he wrote four masterpieces, Il pirata, I Capuletti e I Montecchi, La sonnambula and Norma.

The tenor, Giovanni Battista Rubini, attracted rave reviews for his performance in Il pirata, having been urged by Bellini to act the part as well as sing it.

Norma was given 39 performances in its first season at La Scala and was equally popular when it was later performed in Bergamo.

When Bellini returned to Sicily in 1832, his opera, Il pirata, was a big success at the Teatro della Munzione in Messina and he was given a civic welcome when he arrived in Catania.

Excerpts from his operas were performed in a concert at the Teatro Massimo Bellini, which had been named by the city in his honour.

The Teatro Massimo Bellini in Catania

Bellini’s visit to London in 1833 was a triumph, with La sonnambula and Norma attracting excellent reviews, and he was fêted by the fashionable set when he moved on to Paris.

However, when he began composing I puritani he moved out of Paris to live in nearby Puteaux in order to concentrate fully on the opera.

The opera was premiered at the Theatre-Italien in Paris on 24 January 1835 and was given an enthusiastic reception.

In the aftermath of the opera’s success, Bellini was named by King Louis-Philippe as Chevalier of the Legion d’honneur and he was awarded the cross of the Order of Francesco I by King Ferdinand II in Naples.

But Bellini was being increasingly troubled by gastric problems and became seriously ill later in the year. The composer died on 23 September 1835 at his home in Puteaux. He was just 33 years old.

Bellini was buried in a French cemetery as a short-term arrangement and his remains were taken to Catania and reburied in the Cathedral there in 1876.

Vincenzo Bellini's tomb in the Duomo
in Catania, his birthplace

Travel tip:

Catania, where Bellini was born, is an ancient city on Sicily’s east coast, situated at the foot of Mount Etna, an active volcano. There is a monument to Bellini in the Cathedral in Piazza del Duomo and a museum dedicated to his life, the Bellini Museum, which was opened in 1930 in Palazzo Gravina-Cruyllas, the house where he was born.

Travel tip:

Teatro San Carlo in Naples, where Bellini’s first professionally-produced opera was staged, is thought to be the oldest opera house in the world. It was officially opened in 1737, way ahead of La Scala in Milan and La Fenice in Venice. The theatre is in Via San Carlo close to Piazza Plebiscito, the main square in Naples. It was designed by Giovanni Antonio Medrano for the Bourbon King of Naples, Charles I. In the magnificent auditorium the royal box is surmounted by the crown of the Kingdom of the Two Sicilies.

More reading:

The genius of Gaetano Donizetti

Giovanni Battista Rubini - as famous in his day as Pavarotti

Teatro San Carlo - the world's oldest opera house

Also on this day:

The end of the First World War in Italy

(Photo of Bellini's tomb by G.dallorto)

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Battista 'Pinin' Farina - car designer

Family's 'smallest brother' became giant of automobile history

Battista 'Pinin' Farina (right) pictured with
 Fiat's Gianni Agnelli

Battista 'Pinin' Farina, arguably the greatest of Italy's long roll call of outstanding automobile designers, was born on this day in 1893 in the village of Cortanze in Piedmont.

His coachbuilding company Carrozzeria Pininfarina became synonymous with Italian sports cars and influenced the design of countless luxury and family cars thanks to the partnerships he forged with Alfa Romeo, Fiat, Lancia, Nash, Peugeot, Rolls Royce and others - most notably Ferrari, with whom his company has had a continuous relationship since 1951.

Among the many iconic marques that Pinin and his designers created are the Alfa Romeo Giulietta Spider, the Ferrari Dino 206 and the Cisitalia 202.

Battista was the 10th of 11 children raised by his parents in Cortanze, a small community in the province of Asti, situated about 30km (19 miles) east of Turin.  He was always known as 'Pinin', a word from Piemontese dialect meaning 'smallest brother'.  In 1961, he had his name legally changed to Pininfarina.

He acquired his love of cars at a young age and from 12 years old he spent every spare moment working at his brother Giovanni’s body shop, Stabilimenti Industriali Farina, learning about bodywork and design.

Pinin Farina's breakthrough design, the stylishly
aerodynamic 1947 Cisitalia 202

Five years later, even before he was 18, he won his first commission, to design the radiator for the new Fiat Zero.

He could have emigrated to America, where the exponential growth of the automotive industry intrigued him.  He obtained an interview with Henry Ford and was offered a job but turned it down, preferring to return to Italy with the ideas he had gathered and a dream to start his own business.

In 1930, by which time he had married and started his own family, he left his brother and opened Carrozzeria Pinin Farina from a workshop on Corso Trapani in Turin.  Vincenzo Lancia, whom he had met during a brief career as a racing driver, was one of his first customers, along with Fiat and Alfa Romeo.

The Second World War interrupted the growth of the business and as an Italian Pinin found himself shackled somewhat in the aftermath as the hugely important Paris Auto Show barred him from exhibiting as a citizen of a former Axis power.

It was not long, however, before he had the break that was to establish the name of Battista Pinin Farina as one of the great car designers, when Piero Dusio, a wealthy Turin industrialist and racing driver, offered him a commission to produce a car on behalf of the Compagnia Industriale Sportiva Italia. 

The result, the Cisitalia 202, a two-seater sports car, broke away from traditional boxy designs and presented a single shell notable for its continuous flowing lines, in which the body, hood, headlights and fenders were integral to the overall, aerodynamic design.

Although not a huge commercial success, because it was a handmade rather than mass-produced model, it is still regarded as one of the most beautiful cars ever made, to the extent that it was exhibited at the New York Museum of Modern Art.

The Alfa Romeo Giulietta Spider, the first high
volume success for Pinin Farina's company

The company expanded and prospered through the 1950s, moving to a larger site at Grugliasco, outside Turin, in 1958.  Apart from commissions from all the major Italian manufacturers, Pinin Farina began to work on behalf of companies outside Italy, breaking into the American market with Nash and later Cadillac, designing for the French manufacturer Peugeot, and for BMC in Britain.

Commercially, the first high volume success was the aforementioned Alfa Romeo Giulietta Spider, the open-top two seater.  In the first year of production, in 1956, the Grugliasco plant turned out 1,025 Spiders.  By 1959, with a high number of orders from the United States, it had risen to 4,000 a year.

Pininfarina's relationship with Ferrari began in 1951, when Pinin met Enzo Ferrari in a restaurant in Tortona, halfway between Pininfarina's headquarters and Ferrari's base in Modena.  The two men struck a deal over dinner, after which Pininfarina took responsibility for all aspects of Ferrari design, engineering and production in a relationship that in the next half century would create some of the most expensive and prestigious but most aesthetically beautiful cars in the industry's history.

Pinin retired in 1961, putting the business in the hands of his son, Sergio, and his son-in-law, Renzo Carli. He died in Lausanne, Switzerland in 1966, aged 72.

Sergio ran Pininfarina until 2001, then handing over to his own son, Andrea, who was tragically killed in a road accident in 2008.

The company, based now in Cambiano, much smaller than at its peak and no longer a producer of cars, is now 76 per cent owned by the Indian Mahindra Group, but retains a Pininfarina link through its chairman, Paolo Pininfarina, Andrea's younger brother.

Travel tip:

The medieval village of Cortanze, home nowadays to just a few hundred residents, has been the site of a settlement since Roman times.  Later it was controlled by the bishops of Asti before falling in turn into the hands of the armies of Savoy, France and Spain in the 18th century.  There is a medieval castle, its style typical of Piemontese castles, that has been restored and is open to the public and a number of notable churches, including the 17th century Church of the Saints Pietro and Giovanni.

The Piazza Duomo in Tortona

Travel tip:

Tortona, where Pinin Farina and Enzo Ferrari struck their historic deal in 1951, is an elegant small city not far from Alessandria in the area of Piedmont that borders Liguria.  It has a neat colonnaded square around the Duomo, the main structure of which was built in the 16th century with a neoclassicist facade added in the 19th century.  There are some Roman remains thought to be of the mausoleum of the Emperor Maiorianus.

More reading:

Vittorio Jano - engine maker behind racing success of Ferrari

Enrico Piaggio - the man behind the Vespa scooter

How Sergio Marchionne rescued Fiat

Also on this day:

The death of Bartolomeo Colleoni, the professional soldier charged with defending 15th-century Bergamo. 

(Photo of Alfa Romeo Giulietta by genossegerd CC BY-SA 3.0)


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Pietro da Cortona – painter and architect

Outstanding exponent of Baroque style

Pietro da Cortona: a self-portrait

Artist Pietro da Cortona was born Pietro Berrettini on this day in 1596 in Cortona in Tuscany.

Widely known by the name of his birthplace, Cortona became the leading Italian Baroque painter of his time and contributed to the emergence of Baroque architecture in Rome.

Having been born into a family of artisans and masons, Cortona went to Florence to train as a painter before moving to Rome, where he was involved in painting frescoes at the Palazzo Mattei by 1622.

His talent was recognised and he was encouraged by prominent people in Rome at the time. He was commissioned to paint a fresco in the church of Santa Bibiana that was being renovated under the direction of Gian Lorenzo Bernini in 1624.

Then, in 1633, Pope Urban VIII commissioned Cortona to paint a large fresco on the ceiling of the Grand Salon at Palazzo Barberini, his family’s palace. Cortona’s huge Allegory of Divine Providence and Barberini Power marked a watershed in Baroque painting as he created an illusion of an open, airy architectural framework against which figures were situated, creating spatial extension through the medium of paint.

Cortona's masterpiece: the ceiling
of the Palazzo Barberini

Cortona was commissioned in 1637 by Grand Duke Ferdinand II dè Medici to paint a series of frescoes representing the four ages of man in the Palazzo Pitti in Florence. He returned there in 1640 to paint the ceilings of a suite of apartments in the palace that were named after the planets.

Cortona trained a number of artists to disseminate his grand manner style, which had been influenced by his interest in antique sculpture and the work of Raphael.

Towards the end of his life, Cortona spent his time involved in architectural projects, such as the design of the church of Santi Luca e Martina in Rome and the design and decoration of the Villa Pigneto just outside the city.

Cortona died in 1669 at the age of 72 in Rome.

The Via Janelli in Cortona: reputed to be
one of the oldest streets in Italy

Travel tip:

Cortona, the birthplace of Pietro da Cortona, was founded by the Etruscans and is one of the oldest cities in Tuscany. Powerful during the medieval period it was defeated by Naples in 1409 and then sold to Florence. The medieval houses that still stand in Via Janelli are some of the oldest houses still surviving in Italy.


Travel tip

Palazzo Barberini, where Pietro da Cortona painted his masterpiece on the ceiling of the Grand Salon, is just off Piazza Barberini in the centre of Rome. The palace was completed in 1633 for Pope Urban VIII and the design was the work of three great architects, Carlo Maderno, Francesco Borromini and Gian Lorenzo Bernini. The palace now houses part of the collection of Italy’s National Gallery of Ancient Art.

Also on this day:

The birth of sculptor Antonio Canova, creator of The Three Graces

More reading:

Cigoli - the first to paint a realistic moon

Raphael - precocious genius renowned for Vatican frescoes

Michelangelo - 'the greatest artist of all time'



(Photo of Palazzo Barberini ceiling by Livioandronico CC BY-SA 4.0)
(Photo of Via Janelli in Cortona by Geobia CC BY-SA 3.0)

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Eduardo De Filippo - Neapolitan dramatist

Playwright captured essence of city's spirit

A playwright and dramatist, Eduardo De
Filippo was also an accomplished actor

One of Italy’s greatest dramatists, Eduardo De Filippo, died on this day in 1984 in Rome at the age of 84.

An actor and film director as well as a playwright, De Filippo – often referred to simply as Eduardo – is most remembered as the author of a number of classic dramas set in his native Naples in the 1940s that continue to be performed today.

Arguably the most famous of these was Filomena marturano, upon which was based the hit movie Marriage, Italian Style, which starred Sophia Loren and Marcello Mastroianni under the direction of Vittorio de Sica. 

De Filippo’s other memorable works included Napoli Milionaria, Le voci di dentro and Sabato, domenica e lunedi.

All of these plays showcased De Filippo’s ability to capture the essence of life in Naples in his time, particularly in the working class neighbourhoods that he felt were the beating heart of the city.

Rich in Neapolitan dialect, they were often bittersweet comedies of family life. They were social commentaries in which typical themes were the erosion of morals in times of desperation, the struggle of the downtrodden to retain their dignity and the preservation of family values even in the most poverty-stricken households.

Born out of wedlock, the son of a playwright, Eduardo Scarpetta, and the seamstress and costumier Luisa De Filippo, Eduardo was destined for a life in the theatre and appeared in one of his father’s plays at the age of five.

De Filippo often played opposite his sister, Titina

At 32 he formed his own stage company, the ‘Compagnie del Teatro Umoristico i de Filippo’, with his brother Peppino and sister Titina. The trio enjoyed success in films and on the stage in the 1930s but broke up soon after the Second World War.

But it was his plays that were his enduring legacy, for which many critics place him among the greatest of Italian dramatists, in the company of Carlo Goldoni and Luigi Pirandello.

Napoli milionaria (Naples Millionaire), written in 1945 is a realistic drama about a family's involvement in the Italian black market, set against the deprivations of war.He followed this with Questi fantasmi! (Neapoliitan Ghosts), a 1946 comedy in which a husband mistakes his wife's lover for a ghost.

In the same year came Filumena marturano, in which a former prostitute obtains financial stability for her three children by persuading her lover he is the father of one of them, without saying which.

De Filippo continued in 1948 with Le voci di dentro (Inner Voices), in which a man mistakes for reality a dream in which a friend is murdered by neighbours.

De Filippo (right) with the Italian president,
Sandro Pertini. De Filippo was made a life senator

His work became popular outside Italy.  In 1972, with his own production company, he took Naples Millionaire to London. The following year, the National Theatre in London produced Saturday, Sunday, Monday, directed by Franco Zeffirelli, with Joan Plowright and Frank Finlay. It won the London drama critics’ award as the best play of the year.

De Filippo, who had begun directing films in 1940, had some success as a director in the 1950s, his films largely light comedies.

In 1979, Laurence Olivier directed Frank Finlay and Joan Plowright in Filumena. Later, Sir Ralph Richardson had the final role of his career, playing Don Alberto, in the National Theatre's 1983 production of Inner Voices.

Filumena remains popular in Russia, where it is not forgotten that, in the 1960s in Moscow, the audience demanded and were granted 24 curtain calls after Eduardo's own company performed the work.

Napoli Milionaria, which opened at the Teatro San Carlo in Naples in March,1945, featuring Eduardo himself, became a film in 1951, with him in the leading role. It was also adapted as an opera with music by the film composer, Nino Rota, and a libretto written by Eduardo himself. It opened in June 1977 at the Festival of Two Worlds in Spoleto.

In 1981, De Filippo was appointed life senator of the Italian Republic. He died three years later.

The sumptuous interior of the Teatro San Carlo

Travel tip:

The Teatro San Carlo, Europe’s oldest theatre and opera house, suffered bomb damage during the war and its rebirth was a testament to the determination of Neapolitans not to allow their city’s heritage to be crushed. After one raid in 1943, the foyer that runs the whole length of the theatre suffered blast damage, many of the boxes were unusable, the dressing rooms were hit, the scenery and paint shop, the costume and wardrobe stores left beyond repair. Yet within a week the theatre was up and running again and staging musical productions. De Filippo’s play. Napoli Milionaria, which premiered there in 1945, was hailed for reflecting the city’s resourcefulness in the most testing of circumstances.

Travel tip:

Although Italian spoken by Neapolitans is often clear and easy to follow if you have some acquaintance with the language, dialect is widely used and many words differ from standard Italian. For a tomato, for example, Neapolitans say pummarola rather than pomodoro; for boy or girl they use the word guaglio/a rather than ragazzo/a; and for this and that (questo e quello) they say chisto and chillo.  In O Sole Mio, the famous Neapolitan song, the ‘O’ means ‘the’, as in ‘The sun of mine’ not ‘Oh sun of mine’.

More reading:

Roberto Benigni - Oscar winning director and star of Life is Beautiful

Arnold Foà - versatile actor still doing stage work in his 90s

Anna Magnani - earthy character actress who won over Rossellini

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