Lucio Dalla - musician

Cantautore inspired by the great Caruso

Lucio Dalla was inspired by stay in Sorrento

The singer/songwriter Lucio Dalla was born on this day in 1943 in Bologna.

Dalla is most famous for composing the song, Caruso, in 1986 after staying in the suite the great tenor used to occupy overlooking the sea at the Grand Hotel Excelsior Vittoria in Sorrento.

Dalla started playing the clarinet when he was young and joined the Rheno Dixieland Band in Bologna along with the future film director, Pupi Avati.

Avati was later to say that his film Ma quando arrivano le ragazze? was inspired by his friendship with Dalla.

In the 1960s the band won first prize in the traditional jazz band category at a festival in Antibes. After hearing Dalla’s voice, his fellow cantautore - the Italian word for singer/songwriter - Gino Paoli suggested he try for a solo career as a soul singer, but his first single was a failure.

Dalla had a hit with 4 Marzo 1943, originally entitled Gesu Bambino, but the title was changed to the singer’s birth date so as not to cause offence.

In the 1970s Dalla started a collaboration with the Bolognese poet Roberto Roversi, who wrote the lyrics for three of his albums.

Watch Pavarotti and Lucio Dalla on stage at Modena in 1992

When the association ended, Dalla decided to write the lyrics for his songs himself and his subsequent Banana Republic album was a success in 1979.

The song, Caruso, released in 1986, was his most famous composition. It has been covered by many other artists since, including Luciano Pavarotti and Julio Iglesias.

Dalla played various instruments,
including saxaphone, as well as singing

In the book Caruso the Song - Lucio Dalla e Sorrento, Raffaele Lauro, a writer from Sorrento, recalls that Dalla booked the very suite at the Excelsior Vittoria that Caruso had occupied during the final weeks of his life in 1921. While staying there Dalla composed the song, inspired by his love for Sorrento, his respect for the great tenor and his fondness for classic Neapolitan songs. The Fiorentino family, who owned the Excelsior Vittoria, were later to dedicate a suite to Dalla.

The version of Caruso sung by Pavarotti sold more than nine million copies and Dalla was invited to sing Caruso in a duet with Pavarotti in a 'Pavarotti and Friends' concert in Modena in 1992.

Andrea Bocelli included his version of the song on his first international album, Romanza, which sold more than 20 million copies worldwide.

Dalla was made a Commander and subsequently a Grand Officer of the Order of Merit of the Italian Republic and was awarded an honorary degree by the University of Bologna.

The singer songwriter died three days before his 69th birthday in 2012, after suffering a heart attack in a hotel in Montreux in Switzerland, where he had been performing the night before.

About 50,000 people attended his funeral in Bologna and his hit song, Caruso, entered the Italian singles chart after his death, peaking at number two for two consecutive weeks.

The single was also certified platinum by the Federation of the Italian Music Industry.

The bronze sculpture on Lucio Dalla near his home in Bologna

Travel tip:

Dalla was awarded an honorary degree by the University in his home town of Bologna, which had been the first in the world when it was established in 1088. The University attracted popes and kings, as well as students of the calibre of Dante, Copernicus and Boccaccio. You can visit the university’s former anatomy theatre in the oldest surviving building, the Archiginnasio, in Piazza Galvani, which is open Monday to Saturday from 9am to 1pm, admission free. A short distance from the Archiginnasio, in Piazza dei Celestini, a bronze sculpture of Dalla sitting on a bench was unveiled in 2016 close to the house where he lived.

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The Excelsior Vittoria is one of  Sorrento's oldest and most
famous hotels and was a favourite of Caruso

Travel tip:

The Grand Hotel Excelsior Vittoria is a familiar landmark for visitors who approach Sorrento by sea. The three 19th century buildings that comprise the hotel sit high on the cliff above the port of Marina Piccola, where boats arrive from Naples and the islands. The Excelsior Vittoria is probably Sorrento’s most famous hotel and it has now achieved global recognition as part of the Leading Hotels of the World group. From the imposing wrought-iron entrance gates in Piazza Tasso, a long driveway lined with orange trees leads to the entrance and reception area. At the back of the hotel, the terrace has panoramic views over the bay of Naples and of Vesuvius across the water. Tenor Enrico Caruso was famously photographed in front of those views during his final stay in 1921. The Excelsior Vittoria had been opened as a hotel by the Fiorentino family in 1834 and is still, to this day, run by their descendants.

More reading:

How soul singer Zucchero found sweet success

Eros Ramazotti and the key to staying at the top

Raffaele Lauro - politician and Dalla fan

Also on this day:

1678: The birth of Venetian maestro Antonio Vivaldi

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Nicola Porpora – composer and teacher

Tutor of celebrated opera singers died in poverty

Nicola Porpora - a painting by an unknown artist

Nicola Porpora, who composed more than 60 operas and was a brilliant singing teacher in Italy, died on this day in 1768 in Naples.

Among his many pupils were poet and librettist Pietro Metastasio, composers Johann Adolph Hasse and Joseph Haydn and the celebrated castrati, Farinelli (Carlo Broschi) and Caffarelli (Gaetano Majorano).

Porpora’s most important teaching post was in Venice at the Ospedale degli Incurabili, where there was a music school for girls, in which he taught between 1726 and 1733.

He then went to London as chief composer to the Opera of the Nobility, a company that had been formed in opposition to Royal composer George Frideric Handel’s opera company.

The composer had been born Nicola Antonio Giacinto Porpora in 1686 in Naples.

He graduated from the music conservatory, Poveri di Gesù Cristo, and his first opera, Agrippina, was a success at the Neapolitan court in 1708. His second opera, Berenice, was performed in Rome.

To support himself financially while composing, Porpora worked as maestro di cappella for aristocratic patrons and also taught singing.

The castrato singer Farinelli was one of Porpora's
most successful pupils

Between 1715 and 1721 he trained Farinelli, Caffarelli, Salimbeni and many other famous singers.

Among the operas he wrote in London were Polifemo, Davide e Betsabea and Ifgenia in Aulide, in which he included parts for his brilliant pupil, Farinelli.

He returned to Italy when the opera company closed and wrote several comic operas while teaching in both Venice and Naples.

He went to live in Dresden, where he was a chapelmaster, and spent time in Vienna, where he taught the young Haydn to compose. Haydn later said he had profited greatly from Porpora’s tuition in singing, composing and the Italian language.

On his return to Naples, a revised version of Porpora’s opera Il Trionfo di Camilla was staged, but it failed.

The composer’s last years were spent living in poverty in the city and when he died, on March 3, 1768, he was so poor the expenses of his funeral had to be paid for by a subscription concert.

By contrast, his former pupils Farinelli and Caffarelli were living in luxury on the fortunes they had earned as a result of the excellent teaching they had received from Porpora.

As well as his operas, Porpora composed oratorios, masses, motets and instrumental works. Two of operas, Orlando and Arianno in Nasso, one mass and his Venetian Vespers have been recorded.

Travel tip:

The Music Conservatory, Poveri di Gesù Cristo, where Porpora studied, was founded in Naples in 1589 by Marcello Fossataro, a Franciscan monk. It was next to the Church of Santa Maria a Colonna on Via dei Tribunale but in 1743 it was converted into a church seminary. Via dei Tribunali is one of the main thoroughfares in the heart of the centro storico in Naples. The Church of Santa Maria della Colonna is close to the corner of Via San Gregorio Armeno, where craftsmen still carve shepherds and other figures for presepe, the traditional Neapolitan nativity scenes.

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The former Ospedale degli Incurabili can be found on
Fondamenta Zattere adjacent to the Giudecca Canal

Travel tip:

The former Ospedale degli Incurabili (hospital for incurables), where Porpora taught music in Venice, is a magnificent 16th century building, now the seat of the Venice Academy of Fine Arts. In 1527 a shelter for abandoned children was added to the hospital and the girls who had musical talent were taught to be singers.

More reading:

The short life of 'opera buffa' genius Giovanni Battista Pergolesi

How Jacopo Peri composed music history's first opera

When Teatro alla Scala opened its doors for the first time

Also on this day:

1585: Palladio's Teatro Olimpico stages its first performance

(Picture credit: Ospedale degli Incurabili by Abxbay via Wikimedia Commons)

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Vittorio Pozzo - double World Cup winner

Manager led Azzurri to victory in 1934 and 1938

Vittorio Pozzo is Italy's most
successful manager

Vittorio Pozzo, the most successful manager in the history of Italy's national football team, was born on this day in 1886 in Turin.

Under Pozzo's guidance, the Azzurri won the FIFA World Cups of 1934 and 1938 as well as the Olympic football tournament in 1936. He also led them to the Central European International Cup, the forerunner of the European championships, in 1931 and 1935. No other coach in football history has won the World Cup twice.

Pozzo managed some outstanding players, such as Internazionale's Giuseppe Meazza and the Juventus defender Pietro Rava, but his reputation was tarnished by the success of his team coinciding with the Fascist regime's tight grip on power. Italy's success on the football field was exploited ruthlessly as a propaganda vehicle.

While not a Fascist himself, Pozzo upset many opponents of Mussolini across Europe at the 1938 World Cup in France when his players gave the so-called 'Roman' salute - the extended right-arm salute adopted by the Fascists - during the playing of the Italian anthem.

At Italy's opening match against Norway, the salute was greeted with boos and hisses, generated by Italian supporters in the crowd who had fled their home country to escape Fascism.  Some of the Italian players dropped their arms but Pozzo ordered them to resume the salute, which further antagonised the crowd.

Pozzo holds aloft the Jules Rimet Trophy surrounded by
the Italian team after their 1934 triumph on home soil

Afterwards, Pozzo said he insisted on the salute only out of respect for protocol, claiming that neither he nor his players had given consideration to political issues.  He explained that he gave the order to resume the salute because he did not want his players to be cowed by intimidation, fearing their confidence would suffer.

Nonetheless, the incident cast a shadow over the remainder of his career and some commentators feel the appreciation of his achievements was diminished as a result.

Pozzo was born in Turin, where family had moved from the small town of Ponderano in the province of Biella, some 75km (47 miles) north-west of the city in the foothills of the Alps.

He attended the Liceo Cavour, where he studied the classics and languages.  He became proficient in English, French and German, in which he expanded his knowledge by studying in England, France and Switzerland.

At the same time, Pozzo took the opportunity to immerse himself in football, for which he had a passion.  While in Manchester, he became friends with two prominent players, the Manchester United half-back, Charlie Roberts, and the Derby County forward, Steve Bloomer.

The 1934 World Cup final took place in the Stadio Nazionale
del PNF - the national stadium of the Fascist party

In Switzerland he played as a professional, spending the 1905-06 season with Grasshoppers of Zurich, and on returning to Italy was one of the founding members of FC Torino.  He retired as a player in 1911 but stayed at the club as technical director, while simultaneously pursuing a business career as a manager with the tyre manufacturer Pirelli.

He became involved with the national team for the first time in 1912, when an Italian team - the first in a competitive event - went to the Olympics in Stockholm, but he resigned after defeat to Finland in the first round.  He returned to Pirelli before joining the Alpini - the mountain warfare corps of the Italian army - at the outbreak of the First World War.

He was handed the reins of the national team for a second time in 1921.  He stepped down again in 1924 following a quarter-final defeat to Switzerland at the Olympics in Paris, although his decision was influenced by the need to care for his wife, who was terminally ill.

Appointed as national team coach for a third time in 1929, he had almost immediate success, winning the Central European International Cup, defeating Hungary 5-0 in the final.

Giuseppe Meazza of Internazionale was
one of Pozzo's key players

The key to Pozzo's winning formula was his clever use of tactics. Most teams still favoured the so-called Cambridge Pyramid formation, consisting of five forwards, three half-backs and just two out-and-out defenders.  Teams were top-heavy with attacking players because the basic philosophy of the game was simply to score more goals than the opposition, with little attention paid to defending.

Pozzo saw things differently.  His military experiences had taught him that even when on the attack it was an unwise general who would leave his base undefended.  Under what he called simply Il Metodo - the Method - he tweaked the 2-3-5 formation, retaining the centre forward and the wingers but pulling the two inside forwards back into midfield, where the half-backs served a dual purpose, supporting the attacking players but dropping back to defend when the opposing team was in possession.

A pragmatist who was always more concerned with winning than entertaining the crowd with expansive football, he was never afraid to leave a player out if his abilities did not suit his tactics. Twice he dropped the team captain, leaving out Adolfo Baloncieri, the Torino star who was country's highest scoring midfield player, in 1930 and, on the eve of 1934 finals, of which Italy were hosts, the Juventus defender Umberto Caligaris.

Thus Pozzo, who became known as il Vecchio Maestro - the Old Master - achieved unprecedented and - so far - unrepeated success.

Pozzo's 2-3-2-3 formation was revolutionary
in terms of football tactics

He continued as national manager until the London Olympics of 1948, his last match ending in a 5-3 defeat to Denmark in the quarter-finals. His Azzurri record was 64 wins, 17 draws and 16 defeats.

After declaring his career in management was over, he became a journalist with the Turin newspaper La Stampa, for whom he reported the 1950 World Cup finals.

He returned to his roots in Ponderano on retirement and died there in 1968 at the age of 82, a few months after watching Italy win the 1968 European championships.

Even after his death, some Italians felt his two World Cup wins were devalued by the association with Mussolini's regime. In the 1990s, he was posthumously exonerated, at least in part, when evidence came to light that he had secretly fought with the Italian anti-Fascist resistance during the Second World War.

Biella's Romanesque baptistry in Piazza Duomo

Travel tip:

The village of Ponderano sits just outside Biella, an attractive town in the sub-Alpine area of northern Piedmont. Biella is famed for Menabrea beer, for its production of wool and cashmere products and as a centre for hiking and mountain biking holidays.  The Fila sportswear company was founded in Biella in 1911. The town's historic centre is notable for a Romanesque baptistry and the Renaissance church and convent of San Sebastian.  Ponderano has staged an annual youth football tournament, one of the most prestigious in Italy, in Pozzo's honour every year since his death.

Piazza San Carlo is a typically elegant square
in the beautiful city centre of Turin

Travel tip:

Turin made its name as Italy’s manufacturing powerhouse, spearheaded by the car giant Fiat, although the city itself has elegant echoes of Paris in the tree-lined boulevards put in place during its time as capital of the Kingdom of Savoy. However, the city's economy suffered badly in the face of global competition in the 1980s, when more than 100,000 workers lost their jobs. Modern Turin is doing its best to regenerate. Former industrial sites such as Parco Dora, once a factory district where Fiat, Michelin and carpet manufacturer Paracchi were big employers, have been transformed into public leisure venues with modern facilities for sport and the infrastructure to host major open-air concerts.

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More reading:

Giuseppe Meazza - Italy's first superstar

How Marcello Lippi led Italy to 2006 World Cup glory

Paolo Rossi's hat-trick in World Cup classic

Also on this day:

1603: The birth of the Sicilian painter Pietro Novelli

1939: Pius XII elected wartime pope

(Picture credit: Baptistry by Alessandro Vecchi via Wikimedia Commons)


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Cesare Danova - movie actor

Acclaim came late for Bergamo-born star

Cesare Danova 

The actor Cesare Danova, who appeared in more than 300 films and TV shows over the course of a 45-year career, was born Cesare Deitinger on this day in 1926 in the Lombardy city of Bergamo. 

The son of an Austrian father and an Italian mother, he adopted Danova as his professional name after meeting the film producer, Dino De Laurentiis, in Rome.

De Laurentiis gave him a screen test and was so impressed he immediately cast Danova in the 1947 movie The Captain's Daughter, playing alongside Amedeo Nazzari and Vittorio Gassman.

So began a career that was to see Danova star opposite Elizabeth Taylor and Richard Burton in Joseph L Mankiewicz's 1963 hit Cleopatra, opposite Elvis Presley and Ann-Margaret in Viva Las Vegas (1964), alongside Robert De Niro and Harvey Keitel in Martin Scorsese's cult movie Mean Streets (1973) and as part of a star-studded cast in National Lampoon's Animal House (1978).

Danova made his big screen debut in 1947 in the film
The Captain's Daughter, starring  Irasema Dilián

In his later years, Danova became a familiar figure on TV screens in America, making appearances in almost all the popular drama series of the 1980s, including Charlie's Angels, Murder, She Wrote, Falcon Crest, Hart to Hart and Mission: Impossible.

He never retired.  Indeed, he had appeared in an episode of In the Heat of the Night shortly before he died in 1992 of a heart attack, aged 66.

Danova was an individual blessed with a wide range of talents. He spoke five languages, was a licensed pilot and a self-taught painter.

Standing 6ft 4ins (1.93m) tall, he was also an accomplished athlete, winning a fencing championship at the age of 15 and playing for the Italian national rugby team at 17. He was a low-handicap golfer, a respectable tennis player, an amateur swimming champion, an expert horseman and polo player, and a master archer.

Danova (left) with Harvey Keitel and Martin Scorsese on the
set of the 1973 cult movie Mean Streets

He might have made a career in professional sport but his parents wanted him to become a doctor.  While studying at Rome University, he became interested in acting, but was determined not to disappoint his parents and pushed himself so hard in his academic work he suffered a nervous breakdown.

It was while he was recuperating that a friend introduced him to De Laurentiis, by then an up-and-coming producer, whose gamble on giving this unknown a part in a prestigious title paid off, launching Danova as a kind of Italian Errol Flynn, cast as the dashing lead in about 20 Italian action-romance movies.

Danova moved to the United States in the 1950s. he had been spotted by MGM when appearing in the German-backed 1955 movie Don Giovanni and signed a long-term contract with the studio in June 1956.

He was touted as a possible Ben-Hur amid stories that director William Wyler had lured him from Europe specifically to be groomed for the lead role in what was a carefully planned epic production. He was talked about as a glamour boy to fill the shoes of Rudolph Valentino.

The original movie poster from
Martin Scorsese's Mean Streets

Danova spoke no English when he arrived in the United States but spent six months learning the language and it seemed certain he would land the role. However, just as filming was about to begin in March 1957, Wyler decided he did not want an actor with an accent and instead chose Charlton Heston. Danova was stunned, believing the role would have made him an international star. Indeed, it won Heston an Oscar for best actor.

Clearly, luck was not always Danova's friend.  When he was given his second chance to break through as a major star, he was cast in Cleopatra as one of a trio of lovers vying for the attention of the glamorous ruler of Egypt alongside Rex Harrison's Julius Caesar and Richard Burton's Marc Antony. He filmed a number of love scenes with Elizabeth Taylor. But after a real-life romance between Taylor and Burton made headlines, the producers decided they needed to exploit the Burton-Taylor chemistry and most of Danova's scenes ended up on the cutting room floor.

Thereafter, the stellar hit he craved never really came about, although he would win acclaim in the 70s as the Mafia Don Giovanni Cappa in Mean Streets, Scorsese's brilliant story about life among the small-time hoods in New York, and as corrupt mayor Carmine DePasto in Animal House. 

Married twice, Danova had two sons, Marco and Fabrizio, by his first wife, Pamela.

The Palazzo della Ragione in Bergamo's Piazza Vecchia

Travel tip:

Most visitors to the Lombardy city of Bergamo, where Danova was born, want to spend some time in Piazza Vecchia, the beautiful square at the heart of the Città Alta, the historic city that stands on a hill above Bergamo's more modern metropolis. Features of the square are the 12th century Palazzo della Ragione, which has a beautiful covered staircase to one side, the tall bell tower known as il Campanone, the 14th century Palazzo del Podesta Veneto (the Palace of the Mayor of Venice), which is now part of the University of Bergamo, the white marble Biblioteca Civica, the fountain decorated with white marble lions, which was donated to the city in 1780 by former mayor Alvise Contarini, and the statue of Torquato Tasso, one of the greatest Italian renaissance poets, who was the son of a Bergamo nobleman.

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The church of Sant'Ivo alla Sapienza

Travel tip:

The University of Rome - often referred to as the Sapienza University of Rome or simply La Sapienza, meaning 'knowledge' - was founded in 1303 by Pope Boniface VIII, as a place for  ecclesiastical studies over which he could exert greater control than the already established universities of Bologna and Padua. The first pontifical university, it expanded in the 15th century to include schools of Law, Medicine, Philosophy and Theology. Money raised from a new tax on wine enabled the University to buy a palace, which later housed the Sant'Ivo alla Sapienza church. The University was closed during the sack of Rome in 1527 but reopened by Pope Paul III in 1534. In 1870, La Sapienza ceased to be the papal university and as the university of the capital of Italy became recognised as the country's most prestigious seat of learning. A new modern campus was built in 1935 under the guidance of the architect Marcello Piacentini. 


More reading:

Dino De Laurentiis, the former pasta salesman who helped sell Italian cinema to the world

How Amedeo Nazzari was touted as Italy's Errol Flynn

Why Rossano Brazzi gave up a legal career to go to Hollywood

Also on this day:

1773: The death of architect Luigi Vanvitelli, who built the Royal Palace at Caserta

1869: The birth of sculptor Pietro Canonica

1930: The birth of cycling champion Gastone Nencini

Selected books:

The History of Italian Cinema: A Guide To Italian Film From Its Origins To The Twenty-First Century, by Gian Piero Brunetta

A History of Italian Cinema, by Peter Bondanella and Federico Pacchioni

(Picture credit: Church of Sant'Ivo alla Sapienza by Fb78 via Wikimedia Commons)

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