Piero Barone – singer

Young tenor found fame on TV talent show

Piero Barone, one of the stars
of the group Il Volo

Piero Barone, one of the three singers who make up the Italian opera and pop group, Il Volo, was born on this day in 1993 in Naro, a town in the province of Agrigento in Sicily.

Il Volo hit the headlines after winning the Sanremo Music Festival in 2015. They came third when they represented Italy in the Eurovision Song Contest with their hit Grande Amore later that year in Austria and have since acquired growing popularity world wide.

In 2016, the group, together with tenor Placido Domingo, released Notte Magica – A Tribute to the Three Tenors, a live album featuring many of the songs performed by the Three Tenors (Domingo, Luciano Pavarotti and Jose Carreras) for their iconic concert held at the Baths of Caracalla in Rome on the eve of the Italia ’90 World Cup.

Piero’s father, Gaetano Barone, is a mechanic and his mother, Eleonora Ognibene, a housewife.

His musical talent was discovered by his grandfather, Pietro Ognibene, when he was just five years of age. Pietro was a blind musician who had written a song in Sicilian and when Piero sang it for him he was amazed by his voice.

The family helped Piero develop his talent and his grandfather paid for him to have piano lessons. Piero sang at school and in the church choir and even earned money as a wedding singer.

Il Volo performing at the Eurovision Song Contest in 2015

Considered a spinto tenor, a singer who easily reaches high notes but has elements of a baritone, Piero’s voice is powerful and he can sustain notes for a long while.

He had professional singing tuition while he was growing up and won a number of singing festivals in Italy. When he took part in the TV talent show, Ti Lascio Una Canzone, in 2009 he met fellow contestants Ignazio Boschetto and Gianluca Ginoble, with whom he would later form the group, Il Volo.

On the show, Piero sang with them for the first time in a rendition of the famous Neapolitan song, O’ Sole Mio.

Il Volo describe their music as ‘popera’ and sing at venues all over Italy and abroad. They have so far released five CDs, which have been hits all over the world.

Grande Amore was part of an album issued as L'amore si muove - Love moves - in Italy, which reached number one in the Italian album charts.

The view over Naro from the medieval castle

Travel tip:

Naro in Sicily, where Piero Barone was born, dates back to Roman times and the remains of catacombs and villas have been found there. The town has a medieval castle, the ruins of a Norman Church and several Baroque buildings. It is famous for the festival held on 18 June every year to remember the patron saint, San Calogero, when a statue of the saint is carried through the streets in a procession. The composer, Achille Campisiano, was born in the town in 1837.

Piazza Santa Croce is one of the most famous
squares in Florence

Travel tip:

Il Volo’s album, Notte Magico – A Tribute to the Three Tenors, was recorded at a live concert held on July 1, 2016 in Piazza Santa Croce in Florence accompanied by the orchestra of the Teatro Massimo di Palermo. The tenor, Placido Domingo, conducted the orchestra for eight pieces and joined with Il Volo to sing Non ti scordar di me. Set in one of the most famous squares in Florence, the concert took place against the backdrop of the 13th century church of Santa Croce, which contains the tombs of many illustrious Florentines, including Michelangelo and Galileo.

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Claudio Capone – actor and dubber

The Italian voice of a host of stars

The dubbing professional Claudio Capone
 was the Italian voice of many stars 

Italy lost one of its most famous voices on this day in 2008 with the premature death of Claudio Capone.

The Rome-born actor was working in Scotland when he suffered a stroke. He was admitted to hospital in Perth but despite the best efforts of doctors he died two days later, at the age of only 55.

Although he began his career with the ambitions of any actor to reach the top of his profession, he was offered an opportunity only a few years out of drama school to do some voice-over work and found the flow of work in dubbing to be so consistent he ultimately made it his career.

Unlike some countries, Italian cinema and TV audiences have always preferred to watch imported films and TV shows with dubbed Italian voices rather than subtitles, which meant that a talented dubbing actor was seldom unemployed.

Capone was among the best and it was down to him that many foreign stars became famous in Italy, even though many did not speak a word of Italian.

The biggest example of this was the American actor Ronn Moss, who played the part of fashion magnate Ridge Forrester in the CBS soap opera The Bold and the Beautiful.

Moss, who had enjoyed a successful pop career as a member of a band he formed with friends in Los Angeles, called Player, was by no means an outstanding actor but when in 1990 the Italian station Rai bought the rights to The Bold and the Beautiful, which they repackaged as simply Beautiful, his fame took off – in Italy, at any rate.

The American actor Ronn Moss owed his fame
in Italy at least in part to Claudio Capone

He became a favourite with Italian TV audiences, although his appeal owed as much to Capone as his own good looks or acting ability.

Capone gave him a deep, husky voice that female viewers found irresistible. The show quickly built a following, and when it was bought by Silvio Berlusconi’s Fininvest in 1994 and broadcast on Canale 5, Capone continued in the role.

Moss became a star in Italy, yet when he was a celebrity dancer in the 2010 series of Ballando con le Stelle – the Italian equivalent of America’s Dancing with the Stars and the UK show Strictly Come Dancing – audiences were shocked that his own Italian was so limited he needed the show’s host, Milly Carlucci, to interpret for him.

There was much more to Capone’s career than simply being the voice of Ronn Moss, although he also dubbed his part in an Italian-made Romantic comedy, Christmas in Love, in which Moss appeared as himself.

Indeed, his movie credits read like a cinema who’s who, such was his versatility and ability to tailor his voice for an extraordinary range of diverse parts.

He was the voice of Mark Hamill as Luke Skywalker in Star Wars, of Brad Davis as Billy Hayes in Midnight Express, of Stephen Fry as Oscar Wilde in Wilde, of Steve Guttenberg as Carey Mahoney in the Police Academy series and of Martin Sheen as Carruthers Kit in Badlands.

Claudio Capone at work behind a microphone

Others for whom he was the Italian voice – and this list is by no means comprehensive – included John Travolta, Alan Alda, Richard Dreyfuss, Christopher Walken, Chuck Norris, Michael Douglas, Jeff Bridges, Kyle MacLachlan, Jean-Claude Van Damme, Ralph Fiennes, Willem Dafoe and Michael York.

On the small screen, he dubbed for Don Johnson in Miami Vice and Michael Newman in Baywatch, and – again showing his versatility – for John Nettles as an English detective in Midsomer Murders (shown in Italy as Inspector Barnaby), a sitcom doctor played by Alexander Armstrong in TLC and the English vet in Africa (Stephen Tompkinson) in Wild at Heart, shown as Cuore D’Africa.

In addition to his film and TV drama roles, Capone’s other outstanding success was as the Italian voice of documentaries on the Discovery Channel, and as the narrator of the hit Italian science programme Quark.

He was in Scotland to narrate a documentary programme when he was taken ill.  The older of his two sons, David, also became a voiceover specialist.

Rome's Piazza del Popolo

Travel tip:

Claudio Capone’s funeral in Rome attracted many of his fans to pay their respects, with hundreds gathering as his coffin was carried through Piazza del Popolo.  The name of the large square at one end of the Via del Corso, the long, straight thoroughfare stretching north from Piazza Venezia, is often taken to mean the square “of the people”. In fact, many people believe Popolo derives from the Latin populus – poplar – after the trees from which the church of Santa Maria del Popolo is named.

The church of Santa Maria del Popolo

Travel tip:

The Basilica Parrocchiale Santa Maria del Popolo, which can be found on the north side of Piazza del Popolo, is a minor, parish basilica yet contains works by several famous artists, including Raphael, Gian Lorenzo Bernini, Caravaggio and Donato Bramante.  There is a tradition of appointing Catholic ministers from around the world as Cardinal Priest of the church. In fact, there has not been an Italian appointment since 1886. The last six Cardinal Priests have included two Spaniards, an American, a Canadian, a Senegalese and the present incumbent, a Pole.

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Galileo Galilei convicted of heresy

'Father of Science' forced to deny that earth revolved around sun

This 1857 painting by Cristiano Benti depicts
Galileo's appearance before the Inquisition

One of the more bizarre episodes in the history of human intellectual advancement took place in Rome on this day in 1633 when Galileo Galilei, the brilliant astronomer, mathematician, philosopher and engineer – often described as ‘the father of science’ - was convicted of heresy.

His crime was to support the view – indeed, to confirm it with scientific proof – that the sun rather than the earth was the centre of the solar system, as had been theorised by the Polish scientist Nicolaus Copernicus in the previous century.

This flew completely in the face of a major plank of orthodox Roman Catholic beliefs, within which the contention that the sun moved around the earth was regarded a fact of scripture that could not be disputed.

Galileo, something of a celebrity in his day who won the patronage of such powerful Italian families as the Medicis and the Barberinis following the discoveries he made with his astronomical telescope, had been essentially under surveillance by the Church since 1609 after publishing details of observations he had made that supported Copernicus’s theory of heliocentrism.

In 1616 the Copernican view was formally declared heretical and the biblical interpretation of creation was reaffirmed, part of which said that “God fixed the Earth upon its foundation, not to be moved forever.”

Pope Urban VIII - Matteo Barberini -
was sympathetic to Galileo

Galileo feared arrest but was given permission by Pope Urban VIII, a member of the Barberini faily, to continue his studies into Copernican theory provided his findings drew no definitive conclusions and acknowledged divine omnipotence.

However, when in 1632 Galileo published his Dialogue Concerning the Two Chief World Systems – namely that proposed by Copernicus and the traditional view put forward by the second century astronomer Ptolemy – he came down heavily in favour of Copernicus.  He was considered by the Church to have gone a step too far and Urban VIII, fearing for his future in a fiercely political climate, felt compelled to act.

Galileo was summoned to Rome for trial by Inquisition in 1633 and despite the strength of his evidence he was found guilty of heresy and forced to recant his own findings as “abjured, cursed and detested”. He did so with great reluctance but little choice, given that the alternative was to be burned at the stake.

As it was he was sentenced to be imprisoned indefinitely, his Dialogue was banned and the future publication of any of his research was forbidden.  He is said to have muttered the words “E pur, si muove” – “And yet, it moves” – after declaring the earth to be a fixed object, which had it been overheard might have enraged the court still further.

Yet he was again shown some clemency, the sentence of imprisonment being commuted to house arrest the following day, after which he was allowed to live out the remainder of his days at his villa at Arcetri, near Florence.  

He went blind in 1638 and died in 1642 but was able, nonetheless, to reconstruct and summarise the discoveries he had made earlier in his life in Two New Sciences, which was smuggled out of Italy and published in Holland.

The 1630 portrait of Galileo by Peter Paul
Rubens resides in a private collection

Of course, Copernicus and Galileo were subsequently proved beyond any doubt to be have been right.  Amazingly, it took the Catholic Church more than 350 years to formally acknowledge their error.

In 1757, Galileo’s Dialogue was removed from the Vatican’s list of banned publications and in 1984 a panel of scientists, theologians and historians, assembled in 1979 to look into the 1633 accusations, published a preliminary report which accepted that Galileo had been wrongfully condemned.

However, it was not until 1992 that the investigation was closed and Galileo was officially vindicated in a statement issued by Cardinal Paul Poupard, head of the investigation, which said: “We today know that Galileo was right in adopting the Copernican astronomical theory.”

Galileo's house in Arcetri, the
Villa Gioella

Travel tip:

The house to which Galileo returned after his sentence was commuted to house arrest is called Villa Gioella, which he rented. It is situated just three or four kilometres – a couple of miles – from the centre of Florence in the Arcetri hills.  In Galileo’s time it was a farmhouse, surrounded by many acres of land. He lived there with his daughter Celeste, who was a nun in an adjoining monastery.

Travel tip:

The Palace of the Holy Office, the building in Rome to which Galileo would have been summoned for trial in 1633, is what is known as an extraterritorial property of Vatican City, in that it lies outside the confines of the Vatican itself. The palace, originally built in 1514 for Cardinal Lorenzo Pucci and called Palazzo Pucci, is situated south of St. Peter's Basilica near the Petriano Entrance to Vatican City. In 1566–67, the palace was purchased by Pope Pius V and it was converted into the seat of the Holy Office.

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Paolo Soleri - architect

Italian greatly influenced by Frank Lloyd Wright

Paolo Soleri envisaged buildings in
harmony with their environment

The groundbreaking architect and ecologist Paolo Soleri was born on this day in 1919 in Turin.

Soleri is largely remembered for the Arcosanti project, an experiment in urban design in the Arizona desert that was like no other town on the planet, a unique fusion of architecture and ecology.

Originally conceived as providing a completely self-sufficient urban living space for 5,000 people when it began in 1970, only about five per cent of the proposed development was ever completed.

At its peak, Arcosanti’s population barely exceeded 200 yet the buildings Soleri erected in accordance with his vision are still there, rising from the desert as an assortment of concrete blocks, domes and soaring vaults, resembling a cross between the remains of some ancient civilisation and a set from Star Wars.

It has never been abandoned, however, and although Soleri died in 2013 the project is still home to between 50 and 100 of his most ardent disciples, still seeking to live as Soleri envisaged.

Although Soleri grew up in Italy and acquired his formal training in architecture and design at the Politecnico di Torino, where he obtained his master’s degree, it was a visit to the United States in 1946 that had the most profound influence on his life.

It was there that he met Frank Lloyd Wright, whose views on what he called organic architecture, in which buildings were designed in harmony with their environment, would form the basis of Soleri’s philosophy.

Soleri's ceramics factory in Vietri sul Mare

He returned to Italy, where in 1954 he built an extraordinary factory for a producer of ceramics in Vietri sul Mare, of which the exterior interspersed conical shapes covered with multi-coloured ceramic tiles and inverted triangles of glass.  Among many wonders of Campania’s spectacular Amalfi coast, the Ceramica Artistica Solimene is a tourist attraction in its own right.

It was not long, however, before he returned to the United States and to Scottsdale, Arizona, close to Wright’s concept home, Taliesen West, which on a smaller scale in that it was home also to a commune of Wright’s disciples could be seen as a forerunner of Arcosanti.

Soleri’s admiration for Wright waned over the latter’s Broadacre City project, an essentially low-rise development that went against the Italian’s belief that the urban sprawls that proliferated across America were a wasteful and inefficient use of land.  Soleri believed that in future man needed to build upwards rather than outwards.

In 1956, he settled in Scottsdale with his American-born wife Colly and established the Cosanti Foundation.  He built trial dwellings using a process he called "earthcasting", in which mounds of earth were built, concrete was poured over the top to create a shell, and the earth then dug away from beneath.

Soleri in Arizona in the early days of the Arcosanti project

In Arcosanti, which he began in 1970, one of his favoured methods was to dig out troughs in the ground in order to create buildings that appeared to be semi-submerged in the earth as if they were a natural phenomenon in the landscape.  Every building in the town was carefully oriented to maximise the use of solar energy, which Soleri harnassed for heat and power.

In Vietri he had learned the techniques of ceramics and bronze casting, which he put to use in Arconsanti by setting up a small factory producing wind bells, which were sold to provide the town with an income.  

Soleri blamed himself for Arconsanti’s failure to grow much beyond its conceptual beginnings, admitting that he did not do enough to promote his work and persuade others to believe in the wisdom of his vision for urban living.

Nonetheless, through the Cosanti Foundation he and Colly devoted themselves to research and experimentation in urban planning and the support of innovative architectural ideas. Arconsanti may not have achieved its goals of becoming a cost-effective infrastructure, conserving water, minimizing the use of energy, raw materials and land, reducing waste and pollution, yet it remains an active project in which more than 6,000 people have had an input since it began.

Soleri died in Paradise Valley, Arizona, at the age of 93.

The distinctive dome of the Chiesa di San Giovanni
Battista in Vietri sul Mare

Travel tip:

The town of Vietri sul Mare is considered to be the southern gateway to the Amalfi coast. The town is best known for the production of ceramics, which goes back to the 15^th century. The church of St John the Baptist is notable for its dome, which is decorated with blue and white ceramic tiles. Vietri borders the historic town of Cava dei Tirreni and is separated from the port of Salerno by nothing more than a sea wall.

Travel tip:

The historical base of the Politechnic University of Turin, as it is now, is the Castle of Valentino, a 17^th-century House of Savoy on the River Po that houses the main teaching campus. The main campus of engineering is in Corso Duca degli Abruzzi in central Turin. Other facilities can be found close to the Mirafiori Motor Village and the Lingotto Building, which were both once car production centres for FIAT.

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