Marietta Piccolomini – soprano

Popular star who found fame as Violetta

Marietta Piccolomini had to persuade
reluctant parents to let her sing

The operatic soprano Marietta Piccolomini, who was most famous for her performances as Violetta in Verdi’s La Traviata, was born on this day in 1834 in Siena.

Her career was relatively brief, spanning just 11 years. Yet she managed to achieve unprecedented popularity, to the extent that crowds of fans would gather outside her hotel and men would volunteer to take the place of horses in pulling her carriage through the streets.

Some critics said that the adulation she enjoyed was more to do with her youthful good looks and her acting ability than her voice, who they argued was weak and limited.

Nonetheless, she was seldom short of work and she was the first Violetta to be seen by operagoers in both Paris and London.  She had a particularly enthusiastic following in England, where she undertook several tours of provincial theatres as well as appearing in the capital.

Born Maria Teresa Violante Piccolomini Clementini, she came from a noble Tuscan family. Her musical mother, a talented amateur, would sing duets with her. However, while her family were happy to arrange lessons for her with Pietro Romani, one of Italy’s first professional singing teachers, her father was reluctant to allow her to make opera singing a career.

She made her first stage appearances in 1852, at the Teatro della Pergola in Florence in Gaetano Donizetti’s Lucrezia Borgia, and at the Teatro Apollo in Rome, where she performed in two more Donizetti operas, Poliuto and Don Pasquale.

Giuseppe Verdi tried to stop
Piccolomini's Paris debut

Piccolomini took the role of Gilda in Guiseppe Verdi’s Rigoletto in Pisa in 1853 and appeared as Violetta for the first time in Turin two years later, receiving a rapturous response from the audience. It was there for the first time that she enjoyed the adulation of a star, with fans waiting outside her hotel in the hope of catching a glimpse of her.

In 1856, she was invited to reprise the role in the British premiere of La Traviata at Her Majesty’s Theatre in London, where she became a favourite.  She enjoyed popularity in Dublin also.

The following year she was Violetta in the first French production of La Traviata, which was staged at the Theatre des Italiens in Paris despite attempts by Verdi, who did not have copyrights in France, to stop it going ahead.

Returning to England in 1858, she sang in Donizetti’s La figlia del reggimento and Lucia di Lammermoor, and in Don Giovanni and Le Nozze di Figaro by Mozart, before embarking on a long provincial tour. Later in the year, she performed in Holland and Germany.

After another season and another tour of English cities in 1859, in the autumn she made her New York debut at the Academy of Music, as Violetta in La Traviata, after which she took her repertoire of Verdi, Donizetti and Mozart roles on a successful tour of cities across America.

Her marriage in 1860 to the Marquis Francesco Caetani della Fargna effectively ended her career, although she was persuaded out of retirement in 1863 for some benefit concerts in honour of Benjamin Lumley, the former impresario of Her Majesty’s Theatre and the man who had launched her career as an international artist, who had fallen on hard times.

Piccolomini died in 1899 at her villa in Florence, having contracted pneumonia.  She was buried at the Cimitero della Porte Sante at the Basilica di San Miniato al Monte.

The Piccolomini library adjoins
Siena's beautiful cathedral 

Travel tip:

Adjoining Siena’s beautiful Italian Gothic and Romanesque cathedral, dedicated to the Assumption of Mary, is the Piccolomini Library, which houses precious illuminated choir books and is decorated with frescoes by Bernardino di Betto, who was better known as Pinturicchio, which were favourites of Cardinal Enea Silvio Piccolomini, who would become Pope Pius II.

The Basilica di San Miniato at Monte is a Romanesque
church standing at one of the highest points in Florence

Travel tip:

The Basilica di San Miniato al Monte, a handsome Romanesque church, stands at one of the highest points in Florence, commanding sweeping views across the city. The cemetery was established there in 1848 within the basilica’s 16^th century fortifications.  Among those interred there are the painters Giuseppe Abbati and Pietro Annigoni, the author Carlo Collodi (of Pinocchio fame), the actor Tommaso Salvini and the historian and politician Pasquale Villari.

Hotels in Florence by Booking.com

More reading:

La Traviata's premiere in Venice

Verdi: How Italy mourned the loss of a national symbol

Rigoletto debuts at La Fenice

Also on this day:

1696: The birth of painter Giovanni Battista Tiepolo

1827: The death of scientist Alessandro Volta

1922: The birth of writer and movie director Pier Paolo Pasolini

(Picture credits: Siena cathedral by Myrabella; Basilica di San Miniato by Rufus46)

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Birth of the Italian Constitution

Celebrations in Turin for historic Statute

Charles Albert, King of Sardinia

The Albertine Statute - Statuto Albertino - which later became the Constitution of the Kingdom of Italy, was approved by Charles Albert, King of Sardinia, on this day in 1848 in Turin.

The Constitution was to last 100 years, until its abolition in 1948 when the Constitution of the new Italian republic came into effect.

The Statute was based on the French Charter of 1830. It ensured citizens were equal before the law and gave them limited rights of assembly and the right to a free press.

However, it gave voting rights to less than three per cent of the population.

The Statute established the three classic branches of government: the executive, which meant the king, the legislative, divided between the royally appointed Senate and an elected Chamber of Deputies, and a judiciary, also appointed by the king.

Originally, it was the king who possessed the widest powers, as he controlled foreign policy and had the prerogative of nominating and dismissing ministers of state.

In practice, the Statute was gradually modified to weaken the king’s power. The ministers of state became responsible to the parliament and the office of prime minister, not provided for in the Constitution, became prominent.

Charles Albert signs the Albertine Statute

The king, however, retained an important influence in foreign affairs and in times of domestic crisis his role was pivotal.

The social base of the constitution was gradually broadened so that by 1913 universal adult male suffrage was achieved.

Under the Fascist regime the Statute was substantially modified to put control of the Government into the hands of the Fascist Party.

Charles Albert, the King of Sardinia between 1831 and 1839, gave his name to the beginnings of the Italian Constitution as it was called the Albertine Statute.

Before the statute was drafted Charles Albert had said he would not approve it if it did not clearly state the pre-eminent position of the Catholic religion and the honour of the monarchy. Once he had obtained these concessions he approved it.

Later that day a royal edict was published in the streets of Turin laying out the 14 articles which formed the basis of the Statute.

By the evening the city was lit up by bonfires and a massive demonstration in favour of Charles Albert took place.

The full version of the Statute with all its articles was finally agreed on March 4, 1848 and approved the same day by Charles Albert.

The Piazza Castello in the heart of royal Turin

Travel tip:

Turin, the capital city of the region of Piedmont, has some fine architecture, which illustrates its rich history as the home of the Savoy Kings of Italy. Piazza Castello, with the royal palace, royal library and Palazzo Madama, which used to house the Italian senate, is at the heart of ‘royal’ Turin.

Hotels in Turin by Booking.com

The Palazzo Viceregio is a former royal palace

Travel tip:

The monarchs of the House of Savoy ruled from their mainland capital of Turin but styled themselves primarily Kings of Sardinia after Victor Amadeus II of Savoy was the first to rule the island after it was ceded to him by Emperor Charles VI in 1720. For a short period between the end of the 18th century and the beginning of the 19th century the Palazzo Viceregio in Cagliari in Sardinia was the official royal residence after the King was exiled from Turin.

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Sebastiano Venier – Doge of Venice

Victorious naval commander briefly ruled La Serenissima

Jacopo Tintoretto's portrait of Sebastiano
Venier at the Battle of Lepanto

Sebastiano Venier, who successfully commanded the Venetian contingent at the Battle of Lepanto, died on this day in 1578 in Venice.

He had been Doge of Venice for less than a year when fire badly damaged the Doge’s Palace. He died soon afterwards, supposedly as a result of the distress it had caused him.

Venier was born in Venice around 1496, the son of Moisè Venier and Elena Donà. He was descended from Pietro Venier, who governed Cerigo, one of the main Ionian islands off the coast of Greece, which was also known as Kythira.

Venier worked as a lawyer, although he had no formal qualifications, and he went on to become an administrator for the Government of the Republic of Venice. He was married to Cecilia Contarini, who bore him two sons and a daughter.

Venier was listed as procurator of St Mark’s in 1570, but by December of the same year, he was capitano generale da mar, the Admiral of the Venetian fleet, in the new war against the Ottoman Turks.

As the commander of the Venetian contingent at the Battle of Lepanto in 1571, he helped the Christian League decisively defeat the Turks.

The plaque to Sebastiano Venier at his house in Campo
Santa Maria Formosa in Venice

The battle took place in the Gulf of Patras when Ottoman forces sailing westwards from their naval station in Lepanto encountered the fleet of the Holy League sailing east from Messina in Sicily. The Holy League was a coalition of European Catholic maritime states, largely financed by Phillip II of Spain.

The Battle of Lepanto was the last major naval engagement to be fought almost entirely by rowing vessels and the victory of the Holy League was of great importance in the future defence of Europe against Ottoman military expansion.

Venier returned to Venice a hero and, as a popular figure, was unanimously elected Doge in 1577 at the age of 81.

The Doge’s Palace was in the process of being refurbished in the aftermath of a fire in 1547 when another fire broke out, damaging the Great Council Chamber and many works of art.

A heartbroken Venier died a few weeks later on March 3, 1578 and was interred in the Basilica di Santi Giovanni e Paolo, a traditional burial place of the doges.

There is a plaque commemorating his memory on the wall of the Palazzetto Venier in Campo Santa Maria Formosa, not far from St Mark’s.

The monument to Sebastiano Venier outside the
Basilica of SS Giovanni e Paolo in Venice

Travel tip:

The Doge’s Palace, where Sebastiano Venier lived during his brief reign, was the seat of the Government of Venice and the home of the Doge from the early days of the republic. For centuries this was the only building in Venice entitled to the name palazzo. The others were merely called Cà, short for Casa. The current palazzo was built in the 12th century in Venetian Gothic style, one side looking out over the lagoon, the other side looking out over the piazzetta that links St Mark’s Square with the waterfront. It opened as a museum in 1923 and is now run by Fondazione Musei Civici di Venezia.

Travel tip:

The Basilica di Santi Giovanni e Paolo, where Sebastiano Venier is buried, is referred to by Venetians as San Zanipolo. The church, in Campo Santi Giovanni e Paolo in the Castello district, is one of the largest in Venice. It has the status of a minor basilica and a total of 25 of Venice’s Doges are buried there.

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Pietro Novelli – painter and architect

Sicilian great who was killed in Palermo riot

Novelli's Annunciation, which he painted
in the church of Santissima Annunziata

Pietro Novelli, recognised as the most important artist in 17^th century Sicily, was born on this day in 1603 in Monreale, a town about 10km (6 miles) from Palermo.

A prolific painter, his works can be seen in many churches and galleries in Sicily, in particular in Palermo.

There are good examples of his work outside the city, too, for example at Piana degli Albanesi, about 30km (19 miles) from Palermo, where he painted a fresco cycle in the cathedral of San Demetrio Megalomartire and another fresco, entitled Annunciation, in the church of Santissima Annunziata.

At his peak, wealthy and aristocratic members of Sicilian society, as well as monasteries and churches, competed to be in possession of a Novelli work.

His father, also called Pietro, was a respected artist who also worked with mosaics and Pietro initially worked in his father’s workshop in Monreale.

A great student of art who travelled extensively, among his major influences were Caravaggio, whose work in Sicily he studied, particularly his Adoration of the Shepherds, which was commissioned for the Capuchin Franciscans and was painted in Messina for the Church of Santa Maria degli Angeli.

He was also influenced by Anthony Van Dyck, who had been present in Sicily in 1624, and whose altarpiece, the Madonna of the Rosary in the Oratory of the Rosario di San Domenico in Palermo, persuaded him to lighten his palate, which gave his subsequent works elegance and sweetness.

Novelli's Immaculate Conception is at
the Civic Museum in Termini Imerese

Novelli’s travels took him to Rome, where he was particularly receptive to Bolognese classicism and neo-Venetian Roman painting, and to Naples, where he was introduced to the work of Caracciolo, Stanzione and Ribera, and studied the classicising naturalism of Andrea Vaccaro.

He incorporated the chiaroscuro of Ribera into his own style, as can be seen from his two canvases about St Benedict in the abbey of San Martino alle Scale in Mondovi.

In addition to his paintings, he drew up plans for fortifications, designed jewellery and stage scenery for the theatre and turned his architectural hand to a number of buildings, notably the presbytery and apse in the cathedral at Piana degli Albanesi.

He also served as the engineer and architect of the Senate of Palermo and was made engineer of the Kingdom on the appointment of the Viceroy Count of Cabrera, for whose entry to Palermo he realized the triumphal arch in 1641.

Novelli was killed during the riots against the viceroys in Palermo in 1647 and was buried in the cemetery of the Friars in San Domenico.

Around the world, there are works by Novelli on display, among other places, at the Metropolitan Museum of Art in New York, the J Paul Getty Museum in Los Angeles, the Hermitage Museum in St Petersburg and the Prado in Madrid.

The Norman cathedral in Monreale

Travel tip:

The town of Monreale is located on the slope of Monte Caputo, overlooking a valley known as La Conca d'oro (the Golden Shell), which produces and exports orange, olive and almond trees. The town is famous for its cathedral, which is regarded as one of the finest examples of Norman architecture anywhere in the world, built there by William II following the Norman conquest of 1072, and has been designated a UNESCO World Heritage Site.

Monreale hotels from Booking.com

The Oratory of the Rosario del San
Domenico in Palermo

Travel tip:

The Oratory of the Rosaria del San Domenico, where there are a number of works by Novelli in addition to the Van Dyck altarpiece, is situated in Via dei Bambinai in the La Loggia district of Palermo, near the historic Vucciria marketplace.



More reading:

How Giovanni Battista Vaccarini turned Catania into a city of Sicilian Baroque

The Sicilian painter whose work represented the victims of Italian Fascism

Guido Reni - the 17th century Bolognese painter who idealised Raphael

Also on this day:

1886: The birth of double World Cup-winning coach Vittorio Pozzo

1939: Cardinal Eugenio Pacelli elected Pope Pius XII

(Picture credits: Monreale cathedral by Jerome Bon; Oratory by Bjs; via Wikimedia Commons)

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Gastone Nencini – cycling champion

Lion of Mugello won both Tour de France and Giro d’Italia

Gastone Nencini in buoyant mood after
winning the Tour de France in 1960

Gastone Nencini, sometimes described as Italy’s forgotten cycling champion, and certainly one of its least heralded, was born on this day in 1930 in Barberino di Mugello, a town in the Tuscan Apennines, about 38km (24 miles) north of Florence.

Nencini won the 1957 Giro d’Italia and the 1960 Tour de France, putting him in the company of only seven Italians to have won the greatest of cycling’s endurance tests.

He followed Ottavio Bottecchia, Gino Bartali and Fausto Coppi and preceded Felice Gimondi, Marco Pantani and the most recent winner, 2014 champion Vincenzo Nibali.

Yet often even cycling fans asked to name the seven Italian champions sometimes forget Nencini, despite his courage and resilience earning him the nickname The Lion of Mugello.

This may be in part because he died very young, a month short of his 50^th birthday, after developing a rare disease of the lymphatic system.  Others, in particular members of his family, believe it was his maverick nature, his refusal to comply with the sport’s etiquette, that damaged his reputation.

In his era, some claim, there were unwritten rules in cycling by which the so-called domestiques – i.e. those not expected to be in contention for honours – would ride purely for the benefit of their team, giving the best riders maximum chance of success.

Rival rider Fausto Coppi was accused
of plotting against Nencini

Nencini, a powerful all-rounder who was strong in the mountain sections and was a particularly fearless descender, was not willing to be told what to do for the benefit of someone else’s race and became known for ignoring team orders.

This was evident in 1955, in only his second year as a professional, when he put himself in a position to win the Giro d’Italia against the odds, in a field that included three previous champions in Hugo Koblet, Fiorenzo Magni and the five-times winner Coppi.

His family believed that Magni and Coppi were part of a conspiracy on the penultimate stage, the 216km (134 miles) leg from Trento to San Pellegrino Terme, when Nencini suffered multiple punctures but often found the support vehicles were slow to be on hand, meaning that wheel changes, often completed in as little as 15 seconds, sometimes cost him more than a minute.

The two champions drove on hard whenever Nencini had to stop, with the result that Coppi won the stage and Magni regained his place as race leader, which he kept over the final stage into Milan.

Two years later, with both Coppi and Magni absent, Nencini took the title, this time benefitting from a feud between the defending champion, Luxemburg’s Charly Gaul, and the Frenchman Louison Bobet, which saw Gaul determined to wear down Bobet in the closing stages, enabling Nencini to claim the title.

Nencini leads the field in the 1960 Giro d'Italia

His 1960 victory in the Tour de France was achieved without winning a single stage, one of only seven winners of the race with that distinction.  This time, he took advantage of the misfortune of the French rider Roger Rivière, who was in a position to win the race when he crashed over a wall trying to keep up with Nencini on a descent, suffering damage to his spine that left him permanently disabled.

Only the Frenchman Henry Anglade was a match for Nencini in a descent. He had come out on top in a one-to-one challenge down an Italian mountain in 1959 but had warned Rivière not to attempt to emulate him. 

After quitting competitive racing, Nencini, whose free-spirited, anti-authority nature also extended to smoking cigarettes and drinking wine with dinner even during races, owned a bike shop and indulged his talent for painting, taking lessons from Pietro Annigoni, who had painted portraits of Queen Elizabeth II, Pope John XXIII and President John F Kennedy among others.

He died in hospital in Florence in February, 1980. His memory has been honoured with a plaque mounted on a wall by the roadside at the Futa Pass, which has been part of a Giro d’Italia stage that passes close by Barberino.

Travel tip:

The Castle of Cafaggiolo was a Medici
summer residence 

Barberino di Mugello is one of nine municipalities in a pretty area of the Tuscan Apennines close to Lago di Bilancino on the road between Florence and Bologna. The locality was popular in the Renaissance years with the powerful Medici family, the rulers of Florence, who had several residences there including the Castle of Cafaggiolo, a former fortress that was converted into a summer residence by Michelozzo, best known for designing the Palazzo Medici Riccardi in Florence.

The Giro d'Italia traditionally finished with the riders
entering the Arena Civica, the neoclassical amphitheatre

Travel tip:

The Giro d’Italia of today has stages outside Italy – this year, for example, it will start in Jerusalem, in Israel – but traditionally it began and finished in Milan, the riders setting off from Piazzale Loreto and finishing at the Arena Civica, the neoclassical amphitheatre inside the Parco Sempione, behind the Castello Sforzesco. The stadium, commissioned by Napoleon Bonaparte soon after he became King of Italy in 1805, was at one time the home of the Milan football club Internazionale. Known nowadays as the Arena Gianni Brera, named after Italy’s most famous football journalist, it is a venue for international athletics, also hosting rugby union as well as Milan's third football team, Brera Calcio FC.

More reading:

The tragedy of Marco Pantani

Alfredo Binda - the champion so good he was paid not to race

Gino Bartali - cycling's secret war hero

Also on this day:

1773: The death of Luigi Vanvitelli, designer of the Royal Palace in Caserta and the backdrop to the Trevi Fountain in Rome

1869: The birth of sculptor Pietro Canonica

1926: The birth of movie star Cesare Danova

Selected reading:

Giro d'Italia: The Story of the World's Most Beautiful Bike Race, by Colin O'Brien

Pedalare! Pedalare! A History of Italian Cycling, by John Foot

(Nencini by Harry Pot; 1960 Giro from Dutch National Archives; Coppi by J.D.Noske; Castle by Massimilianogalardi; all via Wikimedia Commons)

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Mario Andretti – racing driver

American champion was born and grew up in Italy

Mario Andretti raced as an American but
was born in Montona, then part of Italy

Mario Andretti, who won the 1978 Formula One World Championship driving as an American, was born on this day in 1940 in Montona, about 35km (22 miles) south of Trieste in what was then Istria in the Kingdom of Italy.

Andretti’s career was notable for his versatility. He is the only driver in motor racing history to have won an Indianapolis 500, a Daytona 500 and an F1 world title, and one of only two to have won races in F1, Indy Car, NASCAR and the World Sportscar Championship. He is the last American to have won an F1 Grand Prix.

He clinched the 1978 F1 title at the Italian Grand Prix at Monza in September, the 14^th of the 16 rounds, having led the standings by 12 points going into the race.  He crossed the line first and even though he was demoted to sixth place – the result of a one-minute penalty for going too soon at a restart – it was enough to mean he could not be caught.

His celebrations were muted, however, after his close friend, the Swedish driver Ronnie Petersen, died from complications to injuries he suffered in a crash on the first lap.

Andretti’s early years in Italy were fraught with difficulties. He and his twin brother, Aldo, were brought up by their father Gigi,  a farm manager, and their mother Rina in a loving family but at the end of the Second World War their lives were turned upside down when the allies ceded Istria to Yugoslavia and they found themselves living in a Communist country.

Mario Andretti with Lotus boss Colin Chapman (left) during
the 1978 Formula One championship-winning season

They stayed there until 1948, hoping somehow the old order would be restored, but eventually joined the Italian exodus from the region, moving first to a dispersement camp in Udine, and then to Lucca in Tuscany, where they would live in a crowded refugee camp, sharing a single room with several other families, for the next seven years.

In 1955, the family decided to emigrate to the United States, leaving all of their possessions behind and settling in Nazareth, Pennsylvania.

The twins were already enthusiastic about cars.  As five-year-olds in their home village, they had raced each other down the steep streets in hand-made wooden cars.  Later, while they were living in Lucca, they watched a section of the Mille Miglia endurance race and Mario became captivated by Alberto Ascari, the two-times F1 World Champion, who won the race.

In Nazareth they went to work in an uncle’s garage and quickly learned about cars.  Their first experience of competition in America was on a dirt track near their home, where they took part in stockcar races unbeknown to their parents, in a car they had borrowed from their uncle’s workshop.

Although Aldo was unlucky that an injury hampered his progress, Mario quickly showed his talent, winning 20 races in his first two seasons.

The Lotus 79 car in which Andretti won the 1978 title

He knew racing was the career he wanted to follow and quickly worked his way through the ranks before making his Indy Car debut in 1964, the year he became an American citizen.  He won his first Indy Car race in 1965 and, amazingly, became United States Auto Club champion at the first attempt, finishing in the top four in 12 races. At 25, he was the youngest champion in the history of the event.

He defended the title successfully in 1966, winning eight races, and claimed further Indy Car championships in 1969 and 1984.

Andretti’s Formula One debut came in 1968, three years after he had met Colin Chapman, the British owner of the Lotus team, and outlined his ambitions.  Chapman had told him to get in touch once he thought he was ready and, true to his word, gave the Italian-American an opportunity.

It took him three years to achieve a first F1 win, in the South African GP in 1971, driving for Ferrari, and another five years to clinch his second, in the Japanese GP in 1976, having returned to Chapman’s garage for John Player Team Lotus.

Mario Andretti today

Everything clicked in 1977, when he was third in the standings after four race wins, and in 1978, driving the so-called “ground effects” Lotus he had helped develop, when he took the drivers’ title.

Andretti continued to race competitively until he was 54.  By the time he decided enough was enough, his list of honours, in addition to his four Indy Car titles, his wins at the 1969 Indianapolis 500 and 1967 Daytona 500 events and his F1 title, included three 12 Hours of Sebring victories, a USAC dirt track title and an International Race of Champions victory.

In all, he competed in 879 races, of which he won 111. He is the only driver to have won Indy Car races in four decades.

In retirement, Andretti has pursued a number of business interests, including a winery, worked as an ambassador for a number of companies and made frequent television appearances.  Both his sons, Michael and Jeff, became drivers, Michael repeating his father’s success by becoming Indy Car champion in 1991. His grandson, Marco – Michael’s son – is also a racing driver.

Motovun, formerly Montona, sits on top of a hill in Istria,
the area of Croatia that was in Italy when Andretti was born

Travel tip:

Montona – now known as Motovun and part of Croatia – was an idyllic hilltop village as Mario and his brother, Aldo, were growing up, surrounded by beautiful rolling countryside.  The summit could be reached by climbing a 1,052-step staircase, said to be the longest staircase in the world, and anyone with the stamina to complete the climb would be rewarded with stunning views over the vineyards of the Quieto river valley. The main square is named after Andrea Antico, a Renaissance music printer who invented the first wooden types for printing music scores.

Piazza dell'Anfiteatro in Lucca

Travel tip:

Lucca, where the Andrettis lived until they were granted visas to emigrate to the United States, is situated in western Tuscany, just 20km (12 miles) from Pisa, and 80km (50 miles) from Florence. Its majestic Renaissance walls are still intact, providing a complete 4.2km (2.6 miles) circuit of the city popular with walkers and cyclists.  The city has many charming cobbled streets and a number of beautiful squares, plus a wealth of churches, museums and galleries and a notable musical tradition, being the home of composers Alfredo Catalani, Luigi Boccherini and the opera giant, Giacomo Puccini.


More reading: 

Riccardo Patrese, the first F1 driver to compete in 250 Grands Prix

Michele Alboreto, the last Italian to challenge for the F1 drivers' title

A crash kills Alberto Ascari, twice F1 world champion

Also on this day:

1915: The birth of jam and juice maker Karl Zuegg

1942: The birth of goalkeeper Dino Zoff, the oldest player to win a World Cup

Selected reading:

The Golden Age of Formula One, by Rainer W Schlegelmilch

Driven: The Men Who Made Formula One, by Kevin Eason

(Picture credits: Top picture of Andreotti by Gillfoto; Andretti with Chapman by Suyk, Koen; Andretti today by Jonathan Mauer; Piazza in Lucca by Robespierre; via Wikimedia Commons)

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Simone Di Pasquale – dancer

Ballroom talent has been springboard for business success

Simone Di Pasquale is a regular on the
Italian TV show Ballando con le Stelle

Ballroom dancer and television celebrity Simone Di Pasquale was born on this day in 1978.

In 2005, he became a household name after he started to appear regularly on Italian television in Ballando con le Stelle - the equivalent of the US show Dancing with the Stars and Britain’s Strictly Come Dancing. The annual show, presented by Milly Carlucci, is broadcast every Saturday evening on the tv channel Rai Uno during the season.

Pasquale has also appeared in numerous other television programmes, on stage in musical theatre and as an actor in a television drama.

Born in Rome, Di Pasquale learnt ballroom dancing at a young age and took part in competitions.

In 2000 he paired up with the dancer Natalia Titova, who also later became a celebrity because of Ballando con le Stelle. The couple were engaged from 1998 to 2005.

They took first place in the competition Rising Stars UK in 2004.

In the first season of Ballando con le Stelle, Di Pasquale partnered the Italian actress Hoara Borselli and the couple won the competition. He has taken part in each successive series since. The 2018 season of the show is due to begin on March 10 and will be broadcast live on Rai Uno every Saturday night.

Di Pasquale has appeared as a guest on numerous programmes on Italian television and had a role in an episode of the long running crime series, Don Matteo.

Di Pasquale and actress Hoara Borselli won the first
series of the Ballando con le stelle competition

He has also appeared on many famous stages in the musicals, Saturday Night Fever and Hairspray: Fat is beautiful!

Di Pasquale has dance schools in Rome, Florence, Milan, and Bologna and runs the company, Twister Entertainment, which organises events and dance and entertainment initiatives.

He presented the final of the European Championship of Tango in 2013, which was broadcast from Rome on Rai Uno and he also was part of the Canadian tour of Ballando con le Stelle in 2014, which was renamed Dances with Milly.

In January 2018, he was production director for the prestigious La Notte delle Stelle, a pro-am dance competition held at the Parco dei Principi in Rome.

Mussolini had hoped his new stadium in Rome would
host the Olympic Games in 1944

Travel tip:

Ballando con le Stelle is broadcast from Rai's studio in Piazza Lauro de Bosis close to Foro Italico in Rome. Formerly named Foro Mussolini, the Olympic Stadium was built between 1928 and 1938 to a design by Enrico del Debbio and Luigi Moretti inspired by the Roman forums of the Imperial age. The purpose of the prestigious project was to secure the Olympic Games of 1944 for Fascist-run Italy, although in the event there were no Games that year because of the Second World War.

Rome hotels from Booking.com

The Villa Borghese gardens date back to 1605

Travel tip:

The pro-am dance competition produced and directed by Di Pasquale in January was held at the Grand Hotel Parco dei Principi, which is in one of the most prestigious locations in Rome, on the edge of the Villa Borghese gardens and close to the Via Veneto. The beautiful Villa Borghese gardens date back to 1605 when Cardinal Scipione Borghese, nephew of Pope Paul V, commissioned the work to turn a former vineyard into the most extensive gardens built in Rome since the days of the republic.

More reading:

Marco Delvecchio - the footballer who became a dance show star

Italy's Strictly Come Dancing judge Bruno Tonioli

Flavia Cacace - the Strictly star famous for Argentine tango

Also on 27 February:

1935: The birth of opera star Mirella Freni

1950: The birth of fashion designer Franco Moschino

1964: Italy appeals for help in Leaning Tower scare

1973: The birth of singer and actress Chiara Iezzi

Books:

Bruno Tonioli: My Story

(Picture credits: Stadio dei Marmi by Blackcat; Borghese Gardens by Jean-Christophe Benoist; via Wikimedia Commons)

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