Showing posts with label San Pietro a Majella. Show all posts
Showing posts with label San Pietro a Majella. Show all posts

9 February 2019

Ferdinando Carulli - classical guitarist and composer

Neapolitan wrote first guide to playing the instrument


Ferdinando Carulli was born in Naples but spent much of his life in Paris, where he taught and composed guitar music
Ferdinando Carulli was born in Naples but spent much of
his life in Paris, where he taught and composed guitar music
The composer Ferdinando Carulli, who published the first complete method for playing the classical guitar as well as writing more than 400 works for the instrument, was born on this day in 1770 in Naples.

Carulli was also influential in changing the design of the guitar, which had a smaller body and produced a less resonant sound when he started out, to something much more like the classical guitars of today.

The son of an intellectual advisor to the Naples Jurisdiction, Carulli first trained as a cellist and received instruction in musical theory from a local priest.

He became interested in the guitar in his 20s and became so enthusiastic about the instrument he decided to devote himself to it entirely.  The guitar was little played and there were no guitar teachers in Naples in the late 18th century, so Carulli had to devise his own method of playing.

In time, he began to give concerts in Naples, playing some pieces of his own composition. These were popular, attracting large audiences who enjoyed the different sound that the guitar produced.

Carulli did much to make  the guitar widely popular
Carulli did much to make
the guitar widely popular
This encouraged Carulli to venture further afield and he engaged on a tour of Europe. He met his future wife, Marie-Josephine Boyer, in France. They married in around 1801 and had a son, Gustavo.  Carulli moved with his family to Milan, where he began to publish some of his works, but it was not long before they decided to settle in Paris, which was then seen as the capital of the music world.

Carulli became both a successful musician and teacher in Paris, attracting other guitarists from across Europe to join him in the French capital, helping him fulfil his ambition of making guitar music fashionable and popular, even in such a challenging environment. Members of the Parisian nobility would come to him for lessons. Filippo Gragnani, another Italian guitarist, with whom he collaborated on some pieces, devoted a number of duets to Carulli.

It was in Paris that Carulli wrote his method of classical guitar, entitled Harmony Applied to the Guitar. The book was hugely popular and many editions were published. His most influential work, Method, Op. 27, published in 1810, is still used widely today in training students of the classical guitar.

The guitar Carulli would have first played would have had five pairs of strings, similar to this one
The guitar Carulli would have first played would have had
five pairs of strings, similar to this one
Later in life, Carulli worked with the instrument makers Antonio de Torres Jurado and Pierre René Lacôte in introducing significant changes for improving the sound of the guitar.

By the early 19th century, the guitar had evolved from a shallow lute-like instrument with five pairs of strings to something more closely resembling the guitars of today, with a long neck and circular sound hole in the middle, and with a deeper body providing greater resonance of sound. Early guitars produced a sound more like that of a violin.

Carulli died in Paris in February 1841, eight days after his 71st birthday.

The Conservatorio di Musica San Pietro a Majella in Naples was established during Napoleonic rule of the city
The Conservatorio di Musica San Pietro a Majella in Naples
was established during Napoleonic rule of the city
Travel tip:

The famous Conservatorio di Musica San Pietro a Majella in Naples evolved from four institutions set up in the 16th century with the prime purpose of providing a refuge for orphan children.  The name ‘conservatorio’ relates to this original purpose, which was to conserve the lives of the children.  The oldest was the orphanage of Santa Maria di Loreto, situated in the poor fisherman’s district of the city. These institutions aimed to provide tuition in various skills, including music.  In time they acquired such a good reputation for providing a musical education that they began to be seen as music colleges primarily, and Naples eventually became one of the most important centres for musical training in Europe, nicknamed the “conservatory of Europe". Under the rule of Joachim Murat, the French cavalry leader Napoleon installed as King of Naples for a short period in the early 19th century, the original four conservatories were consolidated into a single institution, which was relocated in 1826 to the premises of the ex-monastery, San Pietro a Maiella.

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The Teatro di San Carlo in Naples  adjoins the Royal Palace
The Teatro di San Carlo in Naples
adjoins the Royal Palace
Travel tip:

The most famous musical venue in Naples is the Teatro di San Carlo opera house in Via San Carlo, directly adjoining the Royal Palace. It is the oldest continuously active venue for public opera in the world, having opened in 1737, decades before both the Milan's Teatro alla Scala (La Scala) and Venice's Teatro La Fenice.  It is less known that there is smaller theater inside the Royal Palace, often used by the Neapolitan ballet company. Among the resident composers and musical directors in the 19th century, as the venue’s prestige grew, were Gioachino Rossini and Gaetano Donizetti.  One name readily associated with San Carlo is the great tenor, Enrico Caruso, although the Naples-born star in fact did not appear there after 1901, having taken umbrage at being booed by a section of the crowd during a performance of Donizetti’s L’elisir d’amore.


More reading:

Antonio Janigro - the cellist who found accidental fame in Yugoslavia

How Luigi Boccherini popularised cello music in the 18th century

How Domenico Sarro's opera was given historic status as the first to be played at Teatro San Carlo

Also on this day:

1621: Alessandro Ludovisi becomes Pope Gregory XV


3 January 2019

Renato Carosone – singer-songwriter

Composer revived popularity of the traditional Neapolitan song


Renato Carosone wrote such classic songs as  Tu vuo' fa' l'Americano and Mambo Italiano
Renato Carosone wrote such classic songs as
 Tu vuo' fa' l'Americano and Mambo Italiano
Renato Carosone, who became famous for writing and performing Neapolitan songs in modern times, was born Renato Carusone on this day in 1920 in Naples.

His 1956 song Tu vuo’ fa’ l’Americano - 'You want to be American' - has been used in films and performed by many famous singers right up to the present day.

Torero, a song released by him in 1957, was translated into 12 languages and was at the top of the US pop charts for 14 weeks.

Carosone studied the piano at the Naples Conservatory of San Pietro a Majella and obtained his diploma in 1937, when he was just 17. He went to work as a pianist in Addis Ababa and then served in the army on the Italian Somali front. He did not return to Italy until 1946, after the end of the Second World War.

Back home, he had to start his career afresh and moved to Rome, where he played the piano for small bands.

Carosone's Tu vuo' fa' l'Americano featured in a 1958 movie starring Totò
Carosone's Tu vuo' fa' l'Americano featured
in a 1958 movie starring Totò
He was asked to put together a group for the opening of a new club and signed Dutch guitarist, Peter van Houten and Neapolitan drummer, Gegè di Giacomo, with whom he launched the Trio Carosone.

When Van Houten left to pursue a solo career, Di Giacomo remained with Carosone and they recruited more musicians to form a new band.

The band was popular both in Italy and abroad during the 1950s and the songs Carosone composed, many inspired by his native city, achieved high sales after being recorded.

In 1957, Carosone and his band started off a US tour with a concert in Cuba and finished off with a triumphant performance at Carnegie Hall in New York.

In 1960, Carosone made the shock announcement that he was retiring. He was at the height of his career and his decision caused uproar. It was even suggested that he had received criminal threats, but nothing was ever proved. Away from the music business, Carosone took up painting.

He made a comeback in 1975 in a televised concert. He then performed in live concerts and at the Sanremo Music Festival, continuing to make TV appearances until the late 1990s.

Carosone retired from the music scene in 1960 but made a comeback at the 1975 Sanremo Music Festival
Carosone retired from the music scene in 1960 but made
a comeback at the 1975 Sanremo Music Festival
His biggest hits, such as Tu vuo’ fa’ l’Americano, Mambo Italiano and Torero were written in collaboration with the Neapolitan lyricist Nicola Salerno, who was known as Nisa. They developed a perfect understanding and it was said that after just a few words from Carosone, Nisa could write a funny story based on them.

Carosone's original version of Tu vuo' fa' l'Americano was performed by him in the film Totò, Peppino e le fanatiche (directed by Mario Mattoli, 1958). The song was featured in the 1960 Melville Shavelson film It Started in Naples, in which it was sung by Sophia Loren. It was also performed by Rosario Fiorello in the 1999 film The Talented Mr. Ripley.

The melodies of Carosone, influenced by jazz and swing, helped revive the popularity of Neapolitan songs, which he presented in a modern manner.

Carosone died in 2001 in Rome at the age of 81 and was buried in the Flaminio Cemetery in the city.

Carosone's boyhood home in Naples was in a street close to the historic square, Piazza Mercato
Carosone's boyhood home in Naples was in a street close
to the historic square, the vast Piazza Mercato
Travel tip:

Carosone lived as a child in Vico dei Tornieri, in the historic centre of Naples near Piazza Mercato, which is now a lively commercial area, but was once the setting for the city’s important executions. He studied the piano at the Naples Conservatory, which has been housed in a monastery next to the Church of San Pietro a Majella since 1826. The church and monastery are in Via San Pietro a Majella, which leads off the top of Via dei Tribunali.

The Cimitero Flaminio in Rome, where Carosone was buried, is the largest cemetery in the city
The Cimitero Flaminio in Rome, where Carosone was
buried, is the largest cemetery in the city


Travel tip:

Carosone was laid to rest in the Cimitero Flaminio in Via Flaminio in Rome, which is also known as Cimitero di Prima Porta, and is the largest cemetery in the city. Prima Porta is a suburb of Rome on the right bank of the Tiber. An important marble statue of Augustus Caesar was discovered in the area in 1863.

More reading:

The classic songs of Cesare Andrea Bixio

Giambattista De Curtis - the man behind Torna a Surriento

Why Totò is still regarded as Italy's finest funny man

Also on this day:

1698: The birth of poet and librettist Pietro Metastasio

1929: The birth of film director Sergio Leone

1952: The birth of politician Gianfranco Fini

Watch Renato Carosone and his musicians perform Tu vuo' fa' l'Americano





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24 December 2018

Domenico Sarro – composer

Court choirmaster wrote several important operas


Domenico Sarro, as depicted by Nicolò Maria Rossi
Domenico Sarro, as depicted
by Nicolò Maria Rossi
Opera composer Domenico Sarro was born on this day in 1679 in Trani, a seaport north of Bari in Apulia.

He was given the middle name, Natale, which is the Italian word for Christmas.

Sarro is famous for being the composer of Achille in Sciro, the opera chosen for the opening night of the new Teatro San Carlo in Naples in 1737.

He studied music from the age of six at Sant’Onofrio, a church near Porta Capuana, one of the ancient city gates of Naples, which at the time was the location of the city’s music conservatory. His first opera, L’opera d’amore, was performed in Naples in 1702.

He was appointed assistant choirmaster to the Neapolitan court in 1702 and by 1706 was having his religious music performed in churches in Naples. He wrote several of what were then referred to as three-act musical dramas, which were performed in theatres and private palaces throughout the city.

Sarro’s opera, Didone abbandonata, was premiered on February 1, 1724 at the Teatro San Bartolomeo in Naples. It was the first setting of a major libretto by the writer Pietro Metastasio, who would become the most celebrated librettist of the 18th century. The intermezzo, Dorina e Nibbio or L’impresario delle canarie, has been performed extensively by orchestras since then, right up to the present day. It has also been imitated by composers such as Tomaso Albinoni, Francesco Gasparini, Leonardo Leo and Martini il Tedesco.

The title page of Sarro's opera Didone Abbandonata
The title page of Sarro's opera
Didone Abbandonata
Sarro’s 1726 opera, Valdemaro, is considered important because it demonstrates Sarro’s interest in the upper voice, as in this opera the melodic lines are dominant in the upper voices.

Sarro, sometimes called Sarri, also wrote many vocal cantatas, which have been admired by music experts for their charm and inventiveness.

The only known portrait of Domenico Sarro is part of a painting called The Viceroy at the Festa of the Quattro Altari by Nicolò Maria Rossi. Sarro is one of the many composers depicted by the artist as part of the Neapolitan Court.

Domenico Sarro died in Naples in 1744, aged 65.

Trani's 12th century duomo - the Cattedrale di San Nicola Pellegrino - stands on a platform on the sea
Trani's 12th century duomo - the Cattedrale di San Nicola
Pellegrino - stands on a platform on the sea
Travel tip:

The port of Trani, where Domenico Sarro was born, is about 40km (25 miles) to the northwest of Bari. It was a flourishing port as early as the 11th century because of its location on the Adriatic Sea. In 1063 Trani issued a maritime law code, believed now to be the oldest in western Europe. Trani has lost its old walls and bastions but still has a 13th century fort,  which has been restored as a museum and performance venue. The 12th century Cathedral on a raised site over the sea is dedicated to St Nicholas the pilgrim, a Greek who died there in 1094 while on the way to Rome.

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The church of San Pietro a Majella, looking along Via dei Tribunali
The church of San Pietro a Majella, looking
along Via dei Tribunali
Travel tip:

Sarro studied at the Music Conservatory when it was in Sant’Onofrio in Naples. Today, the Music Conservatory is in the complex of San Pietro a Majella, close to Via dei Tribunali, one of the main thoroughfares in the heart of the centro storico in Naples. It is the last of a string of establishments that were once music conservatories in Naples, dating back to when the Spanish ruled the city in the 16th century. One of the earliest, I Poveri di Gesù Cristo, was founded in 1589 by Marcello Fossataro, a Franciscan monk. It was next to the Church of Santa Maria a Colonna on Via dei Tribunale, but in 1743 it was converted into a church seminary.

More reading:

Tomaso Albinoni, the Venetian most famous for his haunting Adagio in G Minor

How Pietro Metastasio progressed from street entertainer to great librettist

Francesco Gasparini, the musical director who gave Vivaldi a job

Also on this day:

Vigilia di Natale - Christmas Eve

1836: The birth of food canning pioneer Francesco Cirio

1897: The birth of Lazzaro Ponticelli, the longest surviving veteran of World War One


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11 May 2018

Ignazio Fiorillo – composer

Talented Neapolitan influenced music in Germany


Fiorillo studied music at the Naples  Conservatory in his home town
Fiorillo studied music at the Naples
Conservatory in his home town
Ignazio Fiorillo, who is remembered as an opera seria composer, was born in Naples on this day in 1715.

Fiorillo often composed music for the libretti of the acclaimed writer, Pietro Metastasio, creating the type of noble and serious operas that were fashionable in Europe in the 18th century.

After studying music at the Naples Conservatory, Fiorillo composed the opera L’egeste, which was premiered in Trieste in 1733.

Another of his operas, Mandane, was first performed at the Teatro Sant’Angelo in Venice in 1736.

Fiorillo was later engaged as a composer for an ensemble specialising in performances for children and toured Europe with them.

Pietro Metastasio was one of the most  acclaimed librettists of his day
Pietro Metastasio was one of the most
acclaimed librettists of his day
In 1749 they stayed in Braunschweig in Germany at the court of Carl I von Braunschweig-Wolfenbüttel. Fiorillo was appointed court composer the following year and during his remaining time at Braunschweig composed most of his operas.

He became composer to the court of Frederick II Landgrave of Hesse-Kassel in 1762 and went on to improve significantly the quality of court opera in Kassel. He also composed intermezzi and stage music for court theatre.

Ignazio Fiorillo retired in 1779 and died in Fritlar in Germany in 1787.

His son, Federigo, who had been born in 1753, became a violinist and composer and is best remembered for his collection of études.

The Naples Conservatory adjoins the church of San Pietro a Majella
The Naples Conservatory adjoins the church
of San Pietro a Majella
Travel tip:

A Neapolitan by birth, Fiorillo studied at the Naples Music Conservatory. Today, the Music Conservatory is in the complex of San Pietro a Majella, close to Via dei Tribunali, one of the main thoroughfares in the heart of the centro storico in Naples. It is the last in a long series of establishments that were once music conservatories in Naples, dating back to when the Spanish ruled the city in the 16th century. One of the earliest, I Poveri di Gesù Cristo, was founded in 1589 by Marcello Fossataro, a Franciscan monk. It was next to the Church of Santa Maria a Colonna on Via dei Tribunale, but in 1743 it was converted into a church seminary.

The Palazzo Barocci, now a top hotel, is only a short  distance from the Sant'Angelo vaporetto stop
The Palazzo Barocci, now a top hotel, is only a short
 distance from the Sant'Angelo vaporetto stop
Travel tip:

Teatro Sant’Angelo, where Fiorillo’s opera Mandane, was premiered in 1736, was a theatre in Venice between 1677 and 1803. It was in Campo Sant’Angelo facing the Grand Canal and the Rialto Bridge and was the venue for many operas by Antonio Vivaldi and plays by Carlo Goldoni. After the theatre closed, the building was converted into a warehouse, but was later demolished and rebuilt as the Palazzo Barocci. Today it is the four-star Hotel NH Collection Palazzo Barocci, just a few steps from the Sant’Angelo vaporetto stop.


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29 August 2017

Leonardo De Lorenzo – flautist

Flair for the flute led to international career


Leonardo De Lorenzo played with the New York Philharmonic Orchestra
Leonardo De Lorenzo played with the
New York Philharmonic Orchestra
Leonardo De Lorenzo, a brilliant flute player who passed on his knowledge of the instrument to others through his books, was born on this day in 1875 in Viggiano in the province of Potenza.

De Lorenzo started playing the flute at the age of eight and then moved to Naples to attend the music conservatory of San Pietro a Majella.

He became an itinerant flautist until he was 16, when he moved to America, where he worked in a hotel. He returned to Italy in 1896 to do his military service in Alessandria and became a member of a military band directed by Giovanni Moranzoni, whose son was to become a famous conductor of the orchestra at the Metropolitan Opera in New York.

De Lorenzo then began a career as a flautist and toured Italy, Germany, England and South Africa, joining an orchestra in Cape Town for a while. Eventually he returned to Naples to continue his studies.

When he travelled to America again, he became first flautist of the New York Philharmonic Orchestra directed by Gustav Mahler. He was warned never to answer back to Mahler, who had a reputation for being unpleasant. Later, in his writing, he recalled that the only time he dared speak to Mahler was after his name had been misspelled in the programme as ‘de Lorenzo’ with a lower case ‘d’. He politely requested the correction saying: ‘De Lorenzo, please, Maestro.’

Gustav Mahler, who was director of the New York Philharmonic when De Lorenzo was first flautist
Gustav Mahler, who was director of the New York
Philharmonic when De Lorenzo was first flautist
He also went on to play for the New York Symphony Orchestra and for orchestras in Minneapolis, Los Angeles and Rochester.

While playing in Minneapolis, he met Maud Peterson, a pianist who frequently accompanied him, and they were later married.

De Lorenzo became professor for flute at the Eastman School of Music and on his retirement concentrated on composing music for the flute and writing about the instrument.

His compositions, Saltarella and Pizzica-pizzica are a homage to the traditional music of his native town.

In 1951 he published the book, My Complete Story of the Flute, after carrying out extensive research.

On August 29 1955 the Los Angeles Flute Club gave a concert in which they performed his compositions to celebrate his 80th birthday.

De Lorenzo died at his home in Santa Barbara in 1962 at the age of 86.

The International Flute Competition, Leonardo De Lorenzo, is held every two years in his birthplace, Viggiano.

Musicians of Viggiano, as imagined in a book in 1853
Musicians of Viggiano, as imagined in a book in 1853
Travel Tip:

Viggiano, where De Lorenzo was born, is a town in the province of Potenza in the southern Italian region of Basilicata. It is well known for its migrant street musicians and for harp making. Many street musicians from Viggiano have gone on to play in orchestras in Europe, America and Australia. Viggiano is also home to Europe’s biggest oil field.

The Church of San Pietro a Majella in Naples
The Church of San Pietro a Majella in Naples
Travel tip:

San Pietro a Majella, the Naples Music Conservatory, occupies the former monastery adjoining the church of San Pietro a Majella at the western end of Via Tribunali in Naples. Formerly housed in the monastery of San Sebastiano, the Music Conservatory moved to its present location in 1826.