23 June 2017

Claudio Capone – actor and dubber

The Italian voice of a host of stars


The dubbing professional Claudio Capone  was the Italian voice of many stars
The dubbing professional Claudio Capone
 was the Italian voice of many stars 
Italy lost one of its most famous voices on this day in 2008 with the premature death of Claudio Capone.

The Rome-born actor was working in Scotland when he suffered a stroke. He was admitted to hospital in Perth but despite the best efforts of doctors he died two days later, at the age of only 55.

Although he began his career with the ambitions of any actor to reach the top of his profession, he was offered an opportunity only a few years out of drama school to do some voice-over work and found the flow of work in dubbing to be so consistent he ultimately made it his career.

Unlike some countries, Italian cinema and TV audiences have always preferred to watch imported films and TV shows with dubbed Italian voices rather than subtitles, which meant that a talented dubbing actor was seldom unemployed.

Capone was among the best and it was down to him that many foreign stars became famous in Italy, even though many did not speak a word of Italian.

The biggest example of this was the American actor Ronn Moss, who played the part of fashion magnate Ridge Forrester in the CBS soap opera The Bold and the Beautiful.

Moss, who had enjoyed a successful pop career as a member of a band he formed with friends in Los Angeles, called Player, was by no means an outstanding actor but when in 1990 the Italian station Rai bought the rights to The Bold and the Beautiful, which they repackaged as simply Beautiful, his fame took off – in Italy, at any rate.

The American actor Ronn Moss owed his fame in Italy at least in part to Claudio Capone
The American actor Ronn Moss owed his fame
in Italy at least in part to Claudio Capone
He became a favourite with Italian TV audiences, although his appeal owed as much to Capone as his own good looks or acting ability.

Capone gave him a deep, husky voice that female viewers found irresistible. The show quickly built a following, and when it was bought by Silvio Berlusconi’s Fininvest in 1994 and broadcast on Canale 5, Capone continued in the role.

Moss became a star in Italy, yet when he was a celebrity dancer in the 2010 series of Ballando con le Stelle – the Italian equivalent of America’s Dancing with the Stars and the UK show Strictly Come Dancing – audiences were shocked that his own Italian was so limited he needed the show’s host, Milly Carlucci, to interpret for him.

There was much more to Capone’s career than simply being the voice of Ronn Moss, although he also dubbed his part in an Italian-made Romantic comedy, Christmas in Love, in which Moss appeared as himself.

Indeed, his movie credits read like a cinema who’s who, such was his versatility and ability to tailor his voice for an extraordinary range of diverse parts.

He was the voice of Mark Hamill as Luke Skywalker in Star Wars, of Brad Davis as Billy Hayes in Midnight Express, of Stephen Fry as Oscar Wilde in Wilde, of Steve Guttenberg as Carey Mahoney in the Police Academy series and of Martin Sheen as Carruthers Kit in Badlands.

Claudio Capone at work behind a microphone
Claudio Capone at work behind a microphone
Others for whom he was the Italian voice – and this list is by no means comprehensive – included John Travolta, Alan Alda, Richard Dreyfuss, Christopher Walken, Chuck Norris, Michael Douglas, Jeff Bridges, Kyle MacLachlan, Jean-Claude Van Damme, Ralph Fiennes, Willem Dafoe and Michael York.

On the small screen, he dubbed for Don Johnson in Miami Vice and Michael Newman in Baywatch, and – again showing his versatility – for John Nettles as an English detective in Midsomer Murders (shown in Italy as Inspector Barnaby), a sitcom doctor played by Alexander Armstrong in TLC and the English vet in Africa (Stephen Tompkinson) in Wild at Heart, shown as Cuore D’Africa.

In addition to his film and TV drama roles, Capone’s other outstanding success was as the Italian voice of documentaries on the Discovery Channel, and as the narrator of the hit Italian science programme Quark.

He was in Scotland to narrate a documentary programme when he was taken ill.  The older of his two sons, David, also became a voiceover specialist.

Rome's Piazza del Popolo
Rome's Piazza del Popolo
Travel tip:

Claudio Capone’s funeral in Rome attracted many of his fans to pay their respects, with hundreds gathering as his coffin was carried through Piazza del Popolo.  The name of the large square at one end of the Via del Corso, the long, straight thoroughfare stretching north from Piazza Venezia, is often taken to mean the square “of the people”. In fact, many people believe Popolo derives from the Latin populus – poplar – after the trees from which the church of Santa Maria del Popolo is named.

The church of Santa Maria del Popolo
The church of Santa Maria del Popolo
Travel tip:

The Basilica Parrocchiale Santa Maria del Popolo, which can be found on the north side of Piazza del Popolo, is a minor, parish basilica yet contains works by several famous artists, including Raphael, Gian Lorenzo Bernini, Caravaggio and Donato Bramante.  There is a tradition of appointing Catholic ministers from around the world as Cardinal Priest of the church. In fact, there has not been an Italian appointment since 1886. The last six Cardinal Priests have included two Spaniards, an American, a Canadian, a Senegalese and the present incumbent, a Pole.


22 June 2017

Galileo Galilei convicted of heresy

'Father of Science' forced to deny that earth revolved around sun


This 1857 painting by Cristiano Benti depicts  Galileo's appearance before the Inquisition
This 1857 painting by Cristiano Benti depicts
Galileo's appearance before the Inquisition
One of the more bizarre episodes in the history of human intellectual advancement took place in Rome on this day in 1633 when Galileo Galilei, the brilliant astronomer, mathematician, philosopher and engineer – often described as ‘the father of science’ - was convicted of heresy.

His crime was to support the view – indeed, to confirm it with scientific proof – that the sun rather than the earth was the centre of the solar system, as had been theorised by the Polish scientist Nicolaus Copernicus in the previous century.

This flew completely in the face of a major plank of orthodox Roman Catholic beliefs, within which the contention that the sun moved around the earth was regarded a fact of scripture that could not be disputed.

Galileo, something of a celebrity in his day who won the patronage of such powerful Italian families as the Medicis and the Barberinis following the discoveries he made with his astronomical telescope, had been essentially under surveillance by the Church since 1609 after publishing details of observations he had made that supported Copernicus’s theory of heliocentrism.

In 1616 the Copernican view was formally declared heretical and the biblical interpretation of creation was reaffirmed, part of which said that “God fixed the Earth upon its foundation, not to be moved forever.”

Pope Urban VIII - Matteo Barberini -  was sympathetic to Galileo
Pope Urban VIII - Matteo Barberini -
was sympathetic to Galileo
Galileo feared arrest but was given permission by Pope Urban VIII, a member of the Barberini faily, to continue his studies into Copernican theory provided his findings drew no definitive conclusions and acknowledged divine omnipotence.

However, when in 1632 Galileo published his Dialogue Concerning the Two Chief World Systems – namely that proposed by Copernicus and the traditional view put forward by the second century astronomer Ptolemy – he came down heavily in favour of Copernicus.  He was considered by the Church to have gone a step too far and Urban VIII, fearing for his future in a fiercely political climate, felt compelled to act.

Galileo was summoned to Rome for trial by Inquisition in 1633 and despite the strength of his evidence he was found guilty of heresy and forced to recant his own findings as “abjured, cursed and detested”. He did so with great reluctance but little choice, given that the alternative was to be burned at the stake.

As it was he was sentenced to be imprisoned indefinitely, his Dialogue was banned and the future publication of any of his research was forbidden.  He is said to have muttered the words “E pur, si muove” – “And yet, it moves” – after declaring the earth to be a fixed object, which had it been overheard might have enraged the court still further.

Yet he was again shown some clemency, the sentence of imprisonment being commuted to house arrest the following day, after which he was allowed to live out the remainder of his days at his villa at Arcetri, near Florence.  

He went blind in 1638 and died in 1642 but was able, nonetheless, to reconstruct and summarise the discoveries he had made earlier in his life in Two New Sciences, which was smuggled out of Italy and published in Holland.

The 1630 portrait of Galileo by Peter Paul Rubens resides in a private collection
The 1630 portrait of Galileo by Peter Paul
Rubens resides in a private collection
Of course, Copernicus and Galileo were subsequently proved beyond any doubt to be have been right.  Amazingly, it took the Catholic Church more than 350 years to formally acknowledge their error.

In 1757, Galileo’s Dialogue was removed from the Vatican’s list of banned publications and in 1984 a panel of scientists, theologians and historians, assembled in 1979 to look into the 1633 accusations, published a preliminary report which accepted that Galileo had been wrongfully condemned.

However, it was not until 1992 that the investigation was closed and Galileo was officially vindicated in a statement issued by Cardinal Paul Poupard, head of the investigation, which said: “We today know that Galileo was right in adopting the Copernican astronomical theory.”

Galileo's house in Arcetri, the Villa Gioella
Galileo's house in Arcetri, the
Villa Gioella
Travel tip:

The house to which Galileo returned after his sentence was commuted to house arrest is called Villa Gioella, which he rented. It is situated just three or four kilometres – a couple of miles – from the centre of Florence in the Arcetri hills.  In Galileo’s time it was a farmhouse, surrounded by many acres of land. He lived there with his daughter Celeste, who was a nun in an adjoining monastery.

Travel tip:

The Palace of the Holy Office, the building in Rome to which Galileo would have been summoned for trial in 1633, is what is known as an extraterritorial property of Vatican City, in that it lies outside the confines of the Vatican itself. The palace, originally built in 1514 for Cardinal Lorenzo Pucci and called Palazzo Pucci, is situated south of St. Peter's Basilica near the Petriano Entrance to Vatican City. In 1566–67, the palace was purchased by Pope Pius V and it was converted into the seat of the Holy Office.




21 June 2017

Paolo Soleri - architect

Italian greatly influenced by Frank Lloyd Wright


Paolo Soleri envisaged buildings in  harmony with their environment
Paolo Soleri envisaged buildings in
harmony with their environment
The groundbreaking architect and ecologist Paolo Soleri was born on this day in 1919 in Turin.

Soleri is largely remembered for the Arcosanti project, an experiment in urban design in the Arizona desert that was like no other town on the planet, a unique fusion of architecture and ecology.

Originally conceived as providing a completely self-sufficient urban living space for 5,000 people when it began in 1970, only about five per cent of the proposed development was ever completed.

At its peak, Arcosanti’s population barely exceeded 200 yet the buildings Soleri erected in accordance with his vision are still there, rising from the desert as an assortment of concrete blocks, domes and soaring vaults, resembling a cross between the remains of some ancient civilisation and a set from Star Wars.

It has never been abandoned, however, and although Soleri died in 2013 the project is still home to between 50 and 100 of his most ardent disciples, still seeking to live as Soleri envisaged.

Although Soleri grew up in Italy and acquired his formal training in architecture and design at the Politecnico di Torino, where he obtained his master’s degree, it was a visit to the United States in 1946 that had the most profound influence on his life.

It was there that he met Frank Lloyd Wright, whose views on what he called organic architecture, in which buildings were designed in harmony with their environment, would form the basis of Soleri’s philosophy.

Soleri's ceramics factory in Vietri sul Mare
Soleri's ceramics factory in Vietri sul Mare
He returned to Italy, where in 1954 he built an extraordinary factory for a producer of ceramics in Vietri sul Mare, of which the exterior interspersed conical shapes covered with multi-coloured ceramic tiles and inverted triangles of glass.  Among many wonders of Campania’s spectacular Amalfi coast, the Ceramica Artistica Solimene is a tourist attraction in its own right.

It was not long, however, before he returned to the United States and to Scottsdale, Arizona, close to Wright’s concept home, Taliesen West, which on a smaller scale in that it was home also to a commune of Wright’s disciples could be seen as a forerunner of Arcosanti.

Soleri’s admiration for Wright waned over the latter’s Broadacre City project, an essentially low-rise development that went against the Italian’s belief that the urban sprawls that proliferated across America were a wasteful and inefficient use of land.  Soleri believed that in future man needed to build upwards rather than outwards.

In 1956, he settled in Scottsdale with his American-born wife Colly and established the Cosanti Foundation.  He built trial dwellings using a process he called "earthcasting", in which mounds of earth were built, concrete was poured over the top to create a shell, and the earth then dug away from beneath.

Soleri in Arizona in the early days of the Arcosanti project
Soleri in Arizona in the early days of the Arcosanti project
In Arcosanti, which he began in 1970, one of his favoured methods was to dig out troughs in the ground in order to create buildings that appeared to be semi-submerged in the earth as if they were a natural phenomenon in the landscape.  Every building in the town was carefully oriented to maximise the use of solar energy, which Soleri harnassed for heat and power.

In Vietri he had learned the techniques of ceramics and bronze casting, which he put to use in Arconsanti by setting up a small factory producing wind bells, which were sold to provide the town with an income.  

Soleri blamed himself for Arconsanti’s failure to grow much beyond its conceptual beginnings, admitting that he did not do enough to promote his work and persuade others to believe in the wisdom of his vision for urban living.

Nonetheless, through the Cosanti Foundation he and Colly devoted themselves to research and experimentation in urban planning and the support of innovative architectural ideas. Arconsanti may not have achieved its goals of becoming a cost-effective infrastructure, conserving water, minimizing the use of energy, raw materials and land, reducing waste and pollution, yet it remains an active project in which more than 6,000 people have had an input since it began.

Soleri died in Paradise Valley, Arizona, at the age of 93.

The distinctive dome of the Chiesa di San Giovanni  Battista in Vietri sul Mare
The distinctive dome of the Chiesa di San Giovanni
Battista in Vietri sul Mare
Travel tip:

The town of Vietri sul Mare is considered to be the southern gateway to the Amalfi coast. The town is best known for the production of ceramics, which goes back to the 15th century. The church of St John the Baptist is notable for its dome, which is decorated with blue and white ceramic tiles. Vietri borders the historic town of Cava dei Tirreni and is separated from the port of Salerno by nothing more than a sea wall.

Travel tip:

The historical base of the Politechnic University of Turin, as it is now, is the Castle of Valentino, a 17th-century House of Savoy on the River Po that houses the main teaching campus. The main campus of engineering is in Corso Duca degli Abruzzi in central Turin. Other facilities can be found close to the Mirafiori Motor Village and the Lingotto Building, which were both once car production centres for FIAT.


19 June 2017

Francesco Baracca – flying ace

Italy’s most successful First World War fighter pilot


Francesco Baracca alongside his Spad XIII with the  family's prancing stallion logo displayed on the side
Francesco Baracca alongside his Spad XIII with the
family's prancing stallion logo displayed on the side
Italy’s top fighter pilot of the First World War, Francesco Baracca, died in action on this day in 1918.

He had been flying a strafing mission against Austro-Hungarian ground troops in support of an Italian attack on the Montello Hill, about 17km (11 miles) north of Treviso in the Veneto, on which he was accompanied by a rookie pilot, Tenente Franco Osnago.

They split from one another after being hit by ground fire but a few minutes later, Osnago saw a burning plane falling from the sky.  Witnesses on the ground saw it too. Osnago flew back to his base but Baracca never returned.

Only when the Austro-Hungarian troops were driven back was the wreckage of Baracca’s Spad VII aircraft found in a valley.  His body was discovered a few metres away.

A monument in his memory was later built on the site. Osnago, fellow pilot Ferruccio Ranza and a journalist recovered his body. It was taken back to his home town of Lugo in the province of Ravenna, where a large funeral was held.

Francesco Baracca in his airman's uniform in 1916
Francesco Baracca in his airman's
uniform in 1916
It is thought that Barocca was seeking to provide Osnago with cover from above as he swooped on enemy trenches when he was attacked by an Austrian plane and downed.  The official version of events, written in the interests of propaganda, was that he had been hit by groundfire but records later showed a kill claimed by the crew of an Austrian two-seater, who noted the exact time and location of the engagement and took a photograph of the shot-down aircraft.

Mystery surrounded the condition of Baracca’s body, which reportedly bore the marks of a bullet to the head, while his pistol was out of its holster. This led to speculation that he had taken his life as the plane fell, rather than be killed in the crash or taken prisoner.

Baracca had claimed a total of 34 aerial victories, which made him the most successful of all Italy’s First World War flying aces.

His first came in 1916, flying a French-built Nieuport II, equipped with Lewis guns.  His victim was an Austrian Hansa-Brandenburg CI, which he hit in the fuel tank.  It was also Italy's first aerial victory in the war, brought about by what would become his favourite manoeuvre, which was to zoom in unseen behind and below an enemy.

The monument to Baracca erected on the spot where his plane fell
The monument to Baracca erected
on the spot where his plane fell
From the 1a Squadriglia Caccia, Baracca transferred to the 70a Squadriglia, where he was promoted to captain, before moving again, with nine victories, to the newly formed 91st Squadriglia, known as the "Squadron of the Aces", flying the Spad VII and Spad XIII planes. Soon, his ever-increasing list of victories made him nationally famous.

He had entered the Military Academy of Modena in October 1907 and became a cavalryman with the prestigious Piemonte Reale Cavalleria Regiment on his commissioning in 1910. He became interested in aviation and learned to fly at Reims, France, receiving his pilot's licence in July 1912.

From a wealthy landowning background, Baracca had the title of Count. The family’s coat of arms bore the black prancing stallion symbol he attached to all his aircraft.
  
Baracca's mother is said to have presented the emblem, the Cavallino Rampante, to Enzo Ferrari, who incorporated it as part of the badge displayed by cars belonging to his Scuderia Ferrari racing team and in time all Ferrari automobiles.

Lugo's main square contains a huge memorial to Baracca
Lugo's main square contains a huge memorial to Baracca
Travel tip:

The town of Lugo, Baracca’s place of birth, is situated in the Emilia-Romagna countryside between the cities of Bologna and Ravenna.  From above, coincidentally, some say the shape of the town resembles an aircraft. The town’s landmark is the Rocca Estense, an Este-family fortress that now contains the town hall. Next to the fortress is a monument to Baracca erected in 1936 and town also has a museum dedicated to him, in his former house, which displays mementos, uniforms, medals from Baracca's life, as well as rudders and guns taken from shot-down aircraft.

Artillery shells stockpiled in Crocetta, which was on the front line in World War One
Artillery shells stockpiled in Crocetta, which
was on the front line in World War One
Travel tip:

The village of Crocetta del Montello, once known as Crocetta Trevigiana, the nearest community to where Baracca was shot down, suffered badly because of the First World War. It had become prosperous after the construction, in 1882, of a vast hemp rope mill, providing employment and helping the area acquire resources including electricity, thanks to water-driven generators set up on the Brentella river. But the mill was destroyed during the 1918 battle that Baracca was supporting – the Battle of the Solstice. It was rebuilt only to be hit by global financial crises, forcing it to close in 1938, leaving an unemployment problem and triggering the bankruptcy of many local businesses that depended on it



18 June 2017

Raffaella Carrà - entertainer and TV presenter

Much-loved star with long and varied career


Raffaella Carrà has been one of the most  popular entertainers on Italian TV for 35 years
Raffaella Carrà has been one of the most
popular entertainers on Italian TV for 35 years
Raffaella Carrà, the singer, dancer, television presenter, and actress often simply known as la Carrà or Raffaella, was born in Bologna on this day in 1943.

Carrà has become a familiar face on Italian TV screens as the host of many variety shows and, more recently, as a judge on the talent show The Voice of Italy.

She has also enjoyed a recording career spanning 45 years and was a film actress for the best part of 25 years, having made her debut at the age of nine.  Her best-known screen role outside Italy was alongside Frank Sinatra in the hit American wartime drama, Von Ryan’s Express.

Carrà was born Raffaella Maria Roberta Pelloni. Shew grew up in the Adriatic resort of Bellaria-Igea Marina, just north of Rimini, where her father ran a bar and her maternal grandfather an ice cream parlour.  At the age of eight, she won a place at the National Dance Academy in Rome and from there moved to the Centro Sperimentale di Cinematografie, Italy’s oldest film school.

Her film career was never more than modestly successful. Although she has a long list of credits, she was cast mainly in small parts. Her most successful years were the 1960s, when she had more prominent roles in Mario Monicelli’s I compagnoni – the companions – which was a hit in Italy, and in Von Ryan’s Express, in which she played the part of the mistress of a German officer, which raised her profile with international audiences.

Carrà opposite Gian Maria Volontè in the 1963 film  Il terrorista, directed by Gianfranco De Bosio
Carrà opposite Gian Maria Volontè in the 1963 film
Il terrorista, directed by Gianfranco De Bosio
It was at the suggestion of one of her directors, Dante Guardamagna, that she changed her name.  Carrà, in fact, was his choice, after the Futurist artist Carlo Carrà, who was a particular favourite of his.

She frequently appeared in the gossip columns, which excitedly reported an affair with Sinatra at around the time Von Ryan’s Express was being shot, and a longer relationship with the Juventus footballer Gino Stacchini, her partner for eight years.

Carrà also enjoyed some success in Italian TV dramas but it was her move into variety shows in the 1970s that would catapult her to bigger fame.  An uninhibited and daring dancer, she pushed the limits of what was acceptable on Italian TV screens at the time, achieving notoriety for a while as the first showgirl to reveal her belly button on camera, in the show Canzonissima, which attracting serious criticism from the Catholic Church, who felt it bordered in indecency.

Carrà became famous as a singer and dancer
Carrà became famous as a singer and dancer
Nonetheless, her career took off, both as a dancer and a singer, in Italy and in Spain, where she was almost as popular as in her home country.  The sensual Tuca tuca, written as a song and dance presentation by her long-term collaborator and boyfriend Gianni Boncompagni, gave her a first hit and others followed, including Chissa Se Va, A far l’amore comincia tu, and Tanti auguri, which was probably her most successful. 

She even had a hit in the United Kingdom, a difficult market for singers from Europe, with Do It, Do It Again. Years later, a video of the single featured in an episode of the sci-fi series Doctor Who.

Her move from performer to TV host came in the 1980s, when as the presenter of daytime TV show Pronto, Raffaella? for RAI, a game show in which viewers could speak to her directly by telephone, she displayed an ability to relate both to the celebrities who appeared as studio guests and ordinary members of the public.

More shows for RAI followed, her success bringing a move to the Fininvest channels owned by Silvio Berlusconi and a return to RAI, where in the mid-90s she became the host of the huge hit, Carràmba! Que Sorpresa, which reunited long-separated friends and relatives.

Carrà sometimes presented the television coverage of the Sanremo music competition and was Italy’s jury spokesman on their return to the Eurovision Song Contest in 2011, which ended the country’s 13-year absence.

She became the face of the Italian national lottery for many years, because her shows, starting with Canzonissima and continuing with Fantastico, Carràmba! Che Sorpresa and Carràmba! Che Fortuna would incorporate the lottery draw.

More recently, she presented Forte forte forte – a talent show on which she worked with long-time romantic partner Sergio Jacopo – as well The Voice of Italy.

Her Italian career ran in parallel with similar success in variety shows in Spain, who chose her to front a gala night in 2016 celebrating 60 years of Spanish public television.

The harbour area at Bellaria-Igea Marina
The harbour area at Bellaria-Igea Marina
Travel tip:

Bellaria-Igea Marina is a popular resort about 14km (9 miles) from Rimini and 35km (22 miles) from Ravenna in Emilia-Romagna.  As well as extensive sandy beaches it has a charming harbour area on the site of the fishing village it once was. It began to develop as resort in the early 20th century, with many tree-lined avenues running parallel with the shore. Interesting features include the Red House, the summer residence of the writer Alfredo Panzini, in the Via Panzini, and the ‘shell house’ in Via Nicolò Zeno, the entire walls of which are covered in shells attached by the owner.

Travel tip:

The Centro sperimentale di cinematografia, established in Rome in 1935, is the oldest film school in Western Europe. It is located close to the Cinecittà studios. Classes are limited to only six students, who train using classic 35mm equipment. Many of Italy’s finest actors and directors are former students.


17 June 2017

Giovanni Paolo Panini – artist

Painter who preserved scenes of Rome


Giovanni Paolo Panini, in a portrait by  Louis Gabriel Blanchet
Giovanni Paolo Panini, in a portrait by
Louis Gabriel Blanchet 
Giovanni Paolo Panini, an artist mainly known for his views of Rome, was born on this day in 1691 in Piacenza.

He is particularly remembered for his view of the interior of the Pantheon, commissioned by the Venetian collector, Francesco Algarotti, in around 1734.

The Pantheon was as much a tourist attraction in Panini’s day as it is today and Panini manipulated the proportions and perspective to include more of the interior that is actually visible from any one vantage point.

Indeed, many of his works, especially those of ruins, have slightly unreal embellishment. He sought to meet the needs of visitors for painted postcards depicting scenes of Italy and his clients were often happy with minor distortions of reality if it meant they could show off a unique picture. 

As a young man, Panini trained in his native town of Piacenza. He moved to Rome where he studied drawing. His work was to influence other painters, such as Canaletto, who resolved to do for Venice what Panini had done for Rome and, of course, enjoyed enormous fame and success.

Panini's view of the inside of the Pantheon  typified his use of manipulated perspective
Panini's view of the inside of the Pantheon
typified his use of manipulated perspective 
Much in demand, Panini also became famous as the decorator of Roman palaces. He was hailed for his frescoes at the Villa Patrizi, painted between 1719–1725. He was also noted for his work at the Palazzo de Carolis (1720), and the Seminario Romano (1721–1722).

He also painted some portraits, including one of Pope Benedict XIV.

Panini taught in Rome at the Accademia di San Luca and the Académie de France. From 1754, he served as the principal of the Accademia di San Luca.

His use of perspective was later the inspiration for the Panini projection, which was instrumental in displaying panoramic views.  He was professor of perspective at the Académie de France.

He died in Rome on 21 October 1765 at the age of 74.

Travel tip:

The Pantheon in Piazza della Rotonda in Rome is considered to be Rome’s best preserved ancient building. It was built in AD 118 on the site of a previous building dating back to 27 BC. It was consecrated as a church in the seventh century and many important people are buried there, including Victor Emmanuel II, his son, Umberto I, and his wife, Queen Margherita.

Canaletto's Grande Veduta of the Grand Canal is on display at Ca' Rezzonico
Canaletto's Grande Veduta of the Grand Canal is
on display at Ca' Rezzonico
Travel tip:

Many of Canaletto’s paintings of Venice are in museums and private collections around the world, particularly in England and the United States, A small number are on display in Ca’ Rezzonico in Venice, a palace on the Grand Canal, open to tourists.



16 June 2017

Mario Rigoni Stern – author

Brave soldier became a bestselling novelist


Mario Rigoni Stern pictured in 1958
Mario Rigoni Stern pictured in 1958
The novelist Mario Rigoni Stern, who was a veteran of World War II, died on this day in 2008 in Asiago in the Veneto region.

His first novel, Il sergente della neve - The Sergeant in the snow - was published in 1953. It drew upon his experiences as a sergeant major in the Alpine corps during the disastrous retreat from Russia in the Second World War. It became a best seller and was translated into English and Spanish.

Rigoni Stern had been a sergeant commanding a platoon in Mussolini’s army in the Soviet Union during the retreat of the Italians in the winter of 1942.

His book was inspired by how he succeeded in leading 70 survivors on foot from the Ukraine into what was then White Russia - now part of Belarus - and back to Italy.

It won the Viareggio Prize for best debut novel and went on to sell more than a million copies.

At the time the author said it was not written to claim a role for him as a hero, but as a tribute to his fellow soldiers and the ordinary Russians who gave them shelter.

Rigoni Stern was born in Asiago in the Veneto and became a cadet at the military academy at Aosta in 1938. He became a sergeant in the Alpine corps - the Alpini - and was posted to the eastern front.

After the Italian armistice with the allies in 1943 he refused to continue serving in the army of Mussolini’s puppet republic of Salò and was interned in a German prison camp.

At the end of the war he returned to Asiago and got a job working for his local council.

Rigoni Stern at a celebration of the Alpini Corps in 2006
Rigoni Stern at a celebration of the Alpini
Corps in 2006
In 1953 he sent the manuscript of his book to the Einaudi publishing house. They agreed to publish it but said they didn’t think he had a future as a writer.

They were proved wrong as he went on to publish more than a dozen novels and collections of short stories and was awarded three literary prizes.

His novel, The Story of Tonie, published in 1978, was about a peasant smuggler in the mountains who lived between the end of the 19th century and the beginning of the First World War.

Tonie was a simple shepherd who couldn’t avoid getting caught up in the outside events of the new century leading up to the war. Rigoni Stern described vividly this world where no one had a distinctive nationality and citizens had to struggle to preserve their identity.

Rigoni Stern was in his 80s before he saw The Sergeant in the snow recreated on stage and screen by Marco Paolini, an actor and author.

The production had been staged at Milan’s Piccolo Theatre and was then filmed in 2007 in front of an audience in a disused quarry near Vicenza, from which the architect Palladio had once extracted the material to build his villas.

It was shown on Italian television to an audience of in excess of five million people.

Mario Rigoni Stern died the following year, at the age of 86, having been diagnosed with a brain tumour in November 2007.

Piazza Il Risorgimento in Asiago
Piazza Il Risorgimento in Asiago
Travel tip:

Asiago, where Mario Rigoni Stern was born and died, is in the province of Vicenza in the Veneto, halfway between Vicenza to the south and Trento, the capital of Trentino-Alto-Adige, to the west. It is now a major ski resort and famous for producing Asiago cheese.

Travel tip:

The town of Vicenza, where The Sergeant in the snow was filmed, is about 60km (37 miles) to the west of Venice. Known as ‘the city of Palladio’, it was listed as a UNESCO World Heritage Site in 1994. You can see Palladio’s Teatro Olimpico in the centre of town and visit the elegant villas he designed in the surrounding area. His most famous villa, known as La Rotonda, is just outside the town.