Galileo demonstrates potential of telescope

Scientist unveiled new instrument to Doge of Venice

How the Milanese artist Giuseppe Bertini imagined the
scene as Galileo demonstrated his telescope to the Doge

The scientist and inventor Galileo Galilei demonstrated the wonders of the telescope to an audience of Venetian lawmakers on this day in 1609.

The 90th Doge, Leonardo Donato, and other members of the Venetian senate accompanied Galileo to the top of the campanile of St Mark’s Basilica, where each took it in turn to look through the instrument.

The meeting had been arranged by Galileo’s friend, Paolo Sarpi, who was a scientist, lawyer and statesman employed by the Venetian government. The two were both professors at the University of Padua.

Galileo, whose knowledge of the universe led him to be called the ‘father of observational astronomy’, was for many years wrongly credited with the invention of the telescope when in fact the first to apply for a patent for the device was a Dutch eyeglass maker named Hans Lippershey.

However, Galileo’s work using uncertain details of Lippershey’s design certainly took the idea to a different level.

Like Galileo, Paolo Sarpi was a professor
at the University of Padua

Whereas Lippershey’s device magnified objects by about three times, Galileo eventually produced a telescope with a magnification factor of 30.

The one he demonstrated on August 25, 1609, is thought to have had a factor of about eight or nine.

Galileo was the first to realise the potential of the telescope for astronomical study.

He was able to make out mountains and craters on the moon, as well as a ribbon of diffuse light arching across the sky — the Milky Way.  Galileo also discovered the rings of Saturn, sunspots and four of Jupiter's moons.

It was his findings on Jupiter’s moons in January 1610 that would lead him indirectly into trouble with the Roman Inquisition over his belief in heliocentrism, the concept that the sun and not the Earth was the centre of the solar system, as had been theorised by the Polish scientist Nicolaus Copernicus in the previous century.

In observing the three objects in proximity to the planet Jupiter that he had originally thought to be distant stars, he noticed that their position relative to the planet changed in a way that would have been inexplicable if they had really been fixed stars.

One day he noticed that one of them had disappeared altogether only to reappear later and within a few days had concluded that they were orbiting Jupiter. When, later in the year, he discovered that the planet Venus had ‘phases’ similar to the earth’s Moon, when differences in appearance suggested different positions in the sky, he began to subscribe firmly to the Copernican theory.

This flew in the face of a major part of Roman Catholic belief, based on the Aristotelian principle that all heavenly bodies orbited the Earth.

In time, Galileo was found guilty of heresy and forced to recant his views under threat of torture. He would have spend the last years of his life in prison had the court not shown some clemency and commuted his sentence to house arrest.

The campanile of St Mark's is a famous landmark
in Venice, towering over the basilica

Travel tip:

The Campanile of St Mark’s has become one of the symbols of Venice, instantly recognisable as part of the landscape of St Mark’s Square - Piazza San Marco - standing away from the basilica itself. Constructed in the ninth century, one of its first uses was a watchtower or lighthouse. Over the centuries it has been restored and added to several times, often following regular lightning strikes.  It assumed its definitive shape in the 16th century with restorations made to repair damage caused by the earthquake of March 1511, when the belfry, attic and spire were added. The whole structure collapsed in 1902, a few days after a large crack appeared in the north wall, it is thought because of erosion of the foundations after almost 1,000 years, but was rebuilt over the following 10 years.

Travel tip:

Galileo lived under house arrest was Villa Gioella, a house he rented a couple of miles from the from the centre of Florence in the Arcetri hills.  In Galileo’s time it was a farmhouse, surrounded by many acres of land. The area is also home to the Arcetri Observatory, which was opened in 1872 after astronomers at La Specola Observatory, not far from the Pitti Palace, decided that pollution from artificial light was making clear images impossible.

More reading:

The father of modern science

Galileo Galilei convicted of heresy

How Niccolò Zucchi discovered the 'belts' around Jupiter

Also on this day:

The Feast Day of Saint Patricia of Naples

79AD: Vesuvius erupts


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Peppino De Filippo - comedian, actor and playwright

Talented Neapolitan who lived in shadow of his brother

Peppino de Filippo enjoyed a successful
career on stage and screen

The playwright and comic actor Peppino De Filippo was born Giuseppe De Filippo on this day in 1903 in Naples.

A highly accomplished performer on stage in serious as well as comedy roles, De Filippo also had a list of film credits numbering almost 100, of which he is best remembered for his screen partnership with the brilliant comic actor Totò.

To an extent, however, he spent his career in the shadow of his older brother, Eduardo De Filippo, who after Luigi Pirandello was regarded as the second great Italian playwright of the 20th century.

The two fell out in the 1940s for reasons that were never made clear, although it later emerged that they had many artistic differences.

They were never reconciled, and though Peppino went on to enjoy a successful career and was widely acclaimed it annoyed him that he was always seen as a minor playwright compared with his brother.

When Peppino published an autobiography in 1977, three years before he died, he called it Una famiglia difficile - A Difficult Family. In the book he described his relationship with his sister, Titina, as one of warmth and affection, but portrays Eduardo as something of a tyrant.

Peppini, second from the right, with his father,
mother, brother and sister in about 1910

The son of Eduardo Scarpetta, one of the most prominent Neapolitan playwrights of the early 20th century, and Luisa De Filippo, he was born in a house on the corner of Via Giovanni Bausan and Via Vittoria Colonna in the Chiaia district of central Naples, about a 20-minute walk from Piazza del Plebiscito and the Royal Palace.

Yet he spent the first five years of his life being cared for by a nanny in Caivano, a small town about 14km (9 miles) northeast of Naples, and returned to his family somewhat reluctantly.

He made his stage debut at the age of six in a play written by his father, learned to play the piano and worked in various theatre companies as he grew up, meeting Totò for the first time in 1920 at the Teatro Nuovo in Naples, in the Spanish Quarter.

Married in 1929 to Adela Carloni, he became a father the following year and soon afterwards joined his brother, Eduardo, and Titina in forming the Compagnia Teatro Umoristico: i De Filippo - the De Filippos’ Humorous Theatre Company.

They were very successful, touring Italy, presenting new comedies to full theatres and enthusiastic reviews.

However, in 1944, after a number of clashes with Eduardo - one story was that Eduardo disapproved of his brother’s relationship with another woman, Lidia Maresca, who later became his second wife  - Peppino left the company.

Peppino de Filippo, right, with Totò, centre, in a scene
from their 1956 movie, La Banda degli Onesti

His own plays were lighter in tone than Eduardo’s and, some critics argued, superior work, yet he never achieved the same recognition for his writing.

On the other hand, he became a highly respected actor known for his versatility. His performances in Harold Pinter’s play The Caretaker and in Molière’s The Miser attracted glowing reviews.

Nonetheless, Peppino’s career tends to be defined by the high profile he achieved in film and on television.

His films with Totò, of which there were 16, though snubbed by the critics, were hugely successful, so much so that the popularity of De Filippo in his own right meant that several movies in which the pair collaborated, such as Totò, Peppino e la malafemmina and Totò, Peppino e le fanatiche, had his name in the title as well as that of his more famous co-star.

He worked with Federico Fellini - in Boccaccio '70, for example - and with Alberto Lattuada and also invented Pappagone, a character for a TV show, who represented a servant employed by himself, a typical character in Neapolitan theatre, whose phrases and jargon became popular sayings.

He married three times in total but had only child, his son Luigi, who maintained the family tradition by becoming an actor, director and playwright, producing and performing in many works by his father and uncle.

De Filippo died in Rome in 1980 and was buried at the Campo Verano cemetery.

The Naples waterfront to the west of the city centre - Chiaia
is the area behind the trees of Villa Comunale 

Travel tip:

Chiaia, where Peppino De Filippo was born, is a neighbourhood bordering the seafront in Naples, roughly between Piazza Vittoria and Mergellina. It has become one of the most affluent districts in the city, with many of the top fashion designers having stores on the main streets. It is the home of a large public park known as the Villa Comunale, flanked by the large palazzi along the Riviera di Chiaia on one side, and the sweeping promenade of the Via Francesco Caracciolo on the other.

An artist's sketch of the Teatro Nuovo in around 1900

Travel tip:

The Teatro Nuovo, where Peppino first met Toto, is located on Via Montecalvario in the Quartieri Spagnoli - Spanish quarter - of Naples, off the Via Toledo, a few steps from Piazza del Plebiscito. The original theatre was an opera house designed by Domenico Antonio Vaccaro completed in 1724. It specialised in the opera buffa genre and saw the world premieres of hundreds of operas in its heyday, including 15 by Cimarosa and seven by Donizetti. The theatre has twice been destroyed by fire, in 1861 and again in 1935.

More reading:

How Eduardo De Filippo captured the spirit of Naples

The brilliance of Luigi Pirandello

The versatility of Alberto Lattuada

Also on this day:

1540: The death of the artist Parmigianino

1902: The birth of Mafia boss Carlo Gambino


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Pino Presti – bass player and composer

Talented musician could sing, play guitar, compose and conduct

Pino Presti has been one of the Italian music scene's
most important figures since the 1960s

Pino Presti, one of the most important personalities in the Italian music business, was born Giuseppe Prestipino Giarritta on this day in 1943 in Milan.

He is a bass guitar player, arranger, composer, conductor and record producer and his work ranges between the different music genres of pop, jazz, funk, latin and dance.

His father, Arturo Prestipino Giarritta, was a well-known violinist and Presti began studying piano and music theory at the age of six.

He taught himself to play the bass guitar and began playing professionally at the age of 17, having developed his own special technique using either the pick or thumb.

Presti was a pioneer of electric bass and was probably the first to play a Fender Jazz Bass in Italy.

His talent for playing the instrument led him to collaborate with the major Italian pop artists of the 1960s, including the famous singer, Mina, who is Italy's all-time top-selling female recording artist. Presti arranged and conducted 86 tracks and composed four songs for her, also sometimes backing her as a singer.

Presti enjoyed a long working relationship
with the major Italian star, Mina

Among the many other artists he worked with were Bobby Solo, Gigliola Cinquetti and Adriano Celentano. 

In 1976 he created and produced for Atlantic Records, the album, Ist Round, which was considered the first funk dance production and one of the most innovative albums of the 1970s in Italy.

In 1977 he signed a contract with RAI2 to be arranger, conductor and composer of original music for the famous TV show, Auditorio A, and he was responsible for conducting a big band of 56 notable musicians.

Presti also collaborated with some of the biggest names on the international music scene such as Shirley Bassey, Wilson Pickett, Stephane Grappelli and Maynard Ferguson.

In 2013 he produced the tribute album Shirley Bunnie-Foy, consisting of 17 tracks performed by jazz vocalist Shirley Bunnie-Foy during her 60-year career.

In 2014 he composed, co-produced and released under the pseudonym Mad of Jazz, the album Deep Colours and in 2016 he composed the music for the advertising campaign of Scavolini, an Italian kitchen and bathroom manufacturer.

Between 1967 and 1985 Presti trained in Shotokan karate under Japanese masters and obtained his 5th degree black belt in Rome in 1987.

Since 2004, he has lived in Nice in the South of France.

The Piccolo Teatro in Milan

Travel tip:

Milan, where Presti was born and lived for many years, has a wealth of theatres with a long tradition of staging different entertainment. Teatro Litta next to Palazzo Litta in Corso Magenta is believed to be the oldest theatre in the city. Teatro Dal Verme in San Giovanni sul Muro opened in 1872 and the Piccolo Teatro in Via Rivoli opened in 1947. Milan’s most famous theatre, Teatro alla Scala, in Piazza della Scala, across the road from Galleria Vittorio Emanuele II,  was first inaugurated in 1778. The theatre has a fascinating museum that displays costumes and memorabilia from its long history. The entrance is in Largo Ghiringhelli, just off Piazza Scala. It is open every day except the Italian Bank Holidays and a few days in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30pm.

One side of the Sforza Castle in Milan

Travel tip

One of the other main sights in Milan is the impressive Sforza castle, Castello Sforzesco, built in the 15th century by Francesco Sforza, Duke of Milan. After Ludovico Sforza became Duke of Milan in 1494 he commissioned Leonardo da Vinci to fresco several rooms. The castle now houses some of the city’s museums and art galleries. For more information visit www.milanocastello.it

More reading:

How Mina changed the rules for women in 1960s Italy

Adriano Celentano spans the ages of Italian pop music

Gigliola Cinquetti - Italy's first queen of Eurovision

Also on this day:

1945: The birth of 60s singing star Rita Pavone

1974: The death of pioneering psychiatrist Roberto Assagioli


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Luca Marenzio – composer

Madrigal writer influenced Monteverdi

Luca Marenzio is believed to have been a
singer employed by the Gonzaga family

Luca Marenzio, a prolific composer of madrigals during the late Renaissance period, died on this day in 1599 in the garden of the Villa Medici on Monte Pincio in Rome.

Marenzio wrote at least 500 madrigals, some of which are considered to be the most famous examples of the form, and he was an important influence on the composer Claudio Monteverdi.

Born at Coccaglio, a small town near Brescia in 1553, Marenzio was one of seven children belonging to a poor family, but he received some early musical training at Brescia Cathedral where he was a choirboy.

It is believed he went to Mantua with the maestro di cappella from Brescia to serve the Gonzaga family as a singer.

Marenzio was then employed as a singer in Rome by Cardinal Cristoforo Madruzzo and, after the Cardinal’s death, he served at the court of Cardinal Luigi d’Este.

He travelled to Ferrara with Luigi d’Este and took part in the wedding festivities for Vincenzo Gonzaga and Margherita Farnese.

While he was there he wrote two books of madrigals and dedicated them to Alfonso II and Lucrezia d’Este.

Marenzio's first book of madrigals was published in 1580

Marenzio went on to establish an international reputation as a talented composer of madrigals and he was also an expert lutenist. He was much admired in England and his madrigals were printed in N Yonge’s Musica Transalpina, published in 1588, a collection of music that stimulated the composition of English madrigals.

After the death of Luigi d’Este, Marenzio entered the service of Ferdinando I de’ Medici in Florence, where he formed friendships with composers Piero Strozzi and Antonio de Bicci.

On his return to Rome he entered the service of Virginio Orsini, nephew of the Grand Duke of Tuscany, and he lived in the Orsini palace. Another important patron was Cardinal Cinzio Aldobrandini, nephew of the reigning pope, Clement VIII, who assigned him an apartment in the Vatican.

Marenzio then travelled to Poland to be maestro di cappella at the court of Sigismund III Vasa in Warsaw. He wrote and directed sacred music there, which unfortunately has since been lost.

The visit to Poland affected his health and he did not live long after his return to Rome. While his brother was looking after him, he died in the garden at the Villa Medici on August 22, 1599.

Marenzio was buried in the Church of San Lorenzo in Lucina in Rome.

Vineyards near Coccaglio, which is on the edge of the
Franciacorta wine-making area, near Brescia

Travel tip:

Coccaglio, Marenzio’s birthplace, is a town in Lombardy, about 32km (20 miles) west of Brescia and 35km (22 miles) southeast of Bergamo.  The municipality is located in the southern edge of Franciacorta, the area famous for its sparkling wine of the same name, which is known as the Italian answer to Champagne, being produced using the same method as the classic French bubbly, as opposed to the faster fermentation process used in the popular Prosecco.

The Villa Medici has been the home of the
French Academy in Rome since 1803

Travel tip:

The Villa Medici, where Marenzio died, is on the Pincian Hill next to the church of Trinità dei Monti in Rome, at the head of the Spanish Steps. The villa, built in 1554 in the Mannerist style to a design by Bartolomeo Ammanati, has housed the French Academy in Rome since 1803. In ancient times the site of the Villa Medici was part of the gardens of Lucullus. Behind the Villa Medici stretches out the vast park and gardens of the Villa Borghese.

More reading:

The genius of Claudio Monteverdi

Federico II Gonzaga, the ruler of Mantua who spent his childhood as a political hostage

How Eleonora Gonzaga became Holy Roman Empress

Also on this day:

1849: History's first air raid hits Venice

1914: The death of the progressive Bishop Giacomo Radini-Tedeschi

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