Showing posts with label Charles V. Show all posts
Showing posts with label Charles V. Show all posts

19 November 2020

Pope Clement VII

Calamitous papacy of a vacillating Medici

Pope Clement VII, captured by Sebastiano del Piombo, complete with beard
Pope Clement VII, captured by Sebastiano
del Piombo, complete with beard
Giulio di Giuliano de’ Medici, remembered as the unfortunate Pope who was imprisoned in Castel Sant’Angelo in Rome, was elected on this day in 1523 as Pope Clement VII.

Clement VII also went down in history for refusing to allow the King of England, Henry VIII, to annul his marriage to Catherine of Aragon, causing England to break away from the Catholic Church forever.

One month before Giulio de Medici’s birth, his father was murdered in Florence Cathedral in what is referred to as the Pazzi conspiracy. His mother is believed to have been Fioretta Gorini, the daughter of a university professor, and Giulio was born illegitimately in May 1478 in Florence.

Giulio spent the first seven years of his life living with his godfather, the architect Antonio da Sangallo, the Elder. Then Lorenzo the Magnificent took over, raising him as one of his own sons, alongside Giovanni, the future Pope Leo X, Piero and Giuliano. Young Giulio received a humanist education at Palazzo Medici and became an accomplished musician. He studied canon law at the University of Pisa and accompanied his cousin, Giovanni, to the conclave of 1492 when Rodrigo Borgia was elected Pope Alexander VI.

Titian's portrait of the Holy Roman Emperor, Charles V
Titian's portrait of the Holy Roman
Emperor, Charles V
After Giovanni became Pope Leo X, Giulio was named Archbishop of Florence. A papal dispensation declared his birth legitimate and he was made a Cardinal. Giulio also governed Florence between 1519 and 1523 after the death of Lorenzo II de’ Medici.

Following the death of Pope Leo X in 1521, Cardinal Giulio was expected to succeed him, but the College of Cardinals elected Pope Adrian VI, who was from the Netherlands.

Cardinal Giulio was influential throughout Adrian’s 20-month reign, splitting his time between Palazzo Medici in Florence and Palazzo della Cancelleria in Rome.

After Adrian’s death in 1523, Giulio finally succeeded in being elected Pope Clement VII in the conclave of 19 November.

During his reign there were many political, military and religious struggles that were to have far-reaching consequences for Christianity.

The protestant reformation was spreading, the Catholic Church was nearing bankruptcy and foreign armies were invading Italy. Clement VII started out by trying to unite Christendom and liberate Italy from foreign occupation.

Europe’s two most important rulers, the Holy Roman Emperor Charles V and King Francis I of France, both demanded that Clement VII should choose to take their side.

Michelangelo's extraordinary Last Judgement,
commissioned by Clement VII just before he died
After Clement VII made the serious error of signing a treaty with Francis I of France, Charles V sent his army into Italy, which led to the violent and damaging Sack of Rome.

Clement VII escaped through a covered passageway to Castel Sant Angelo, where he remained imprisoned for six months before he was able to escape in disguise and take shelter in Orvieto and Viterbo. While imprisoned, he had grown a full beard, which he kept for the rest of his life, setting a fashion that the next 25 popes who came after him were to follow.

After Clement VII returned to Rome, he agreed to crown Charles V as Holy Roman Emperor in Bologna. This was to be the last time a Holy Roman Emperor was crowned by a Pope.

When King Henry VIII asked Clement VII to annul his marriage to Catherine of Aragon, Clement refused because Catherine was the aunt of Charles V, who he daren’t offend. His refusal led to England becoming a protestant country.

A few days before his death in 1534, Clement VII, who had been a great patron of the arts, commissioned Michelangelo to paint the Last Judgment on a wall in the Sistine Chapel.

Clement VII died in September 1534, aged 56. His body was interred in St Peter’s Basilica and later transferred to a tomb in the Choir of Santa Maria sopra Minerva in Rome.

Castel Sant'Angelo on the banks of the Tiber, illuminated at night
Castel Sant'Angelo on the banks of the Tiber,
illuminated at night
Travel tip:

Castel Sant’Angelo was originally built as a mausoleum for the Roman Emperor Hadrian and his family on the right bank of the Tiber between 134 and 139 AD. There is a legend that the Archangel Michael appeared on top of the mausoleum, sheathing his sword as a sign of the end of the plague of 590, which is how the castle acquired its present name. Pope Nicolas III commissioned a covered fortified corridor, the Passetto, to link it to the Vatican and Pope Clement VII was able to use it to escape from the Vatican during the siege of Rome by Charles V’s troops in 1527. Castel Sant’Angelo was used as the setting for the third act of Giacomo Puccini’s 1900 opera Tosca, during which the heroine leaps to her death from the ramparts.

The church of Santa Maria sopra Minerva,  where Pope Clement VII is buried
The church of Santa Maria sopra Minerva, 
where Pope Clement VII is buried
Travel tip:

The Church of Santa Maria sopra Minerva, which houses Clement VII’s tomb, is on the opposite side of the Tiber from the Vatican in Piazza della Minerva off Via Minerva, south east of the Pantheon.  It is the only Gothic church in Rome. The first Christian church on the site was built directly above, (sopra), a temple dedicated to the goddess Minerva. The present structure was built in 1280 by the Dominicans. The tombs of both Leo X and Clement VII are in the church, both designed by the Renaissance sculptor Baccio Bandinelli in 1541.

Also on this day:

1877: The birth of Venice Film Festival founder Giuseppe Volpi

1893: The birth of boxer Giuseppe Curreri, aka Johnny Dundee

1907: The birth of Olympic champion Luigi Beccali

1926: The birth of neo-fascist politician Pino Rauti


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30 November 2018

Andrea Doria – Admiral

Military commander with outstanding tactical talent


Andrea Doria's portrait was painted by Sebastiano del Piombo in around 1526
Andrea Doria's portrait was painted by
Sebastiano del Piombo in around 1526
Andrea Doria, the most important naval leader of his time, was born on this day in 1466 in Oneglia in Liguria.

Because of his successes on both land and sea he was able to free Genoa from domination by foreign powers and reorganise its government to be more stable and effective.

Doria was part of an ancient aristocratic family but he was orphaned while still young and grew up to become a condottiero, or soldier of fortune.

He served Pope Innocent VIII, King Ferdinand I and his son Alfonso II of Naples, and other Italian princes.

Between 1503 and 1506 he helped his uncle, Domenico, crush the Corsican revolt against the rule of Genoa.

Attracted to the sea, Doria fitted out eight galleys and patrolled the Mediterranean, fighting the Ottoman Turks and Barbary pirates, adding to his wealth and reputation along the way.

He then entered the service of Francis I of France who was fighting the Emperor Charles V in Italy and helped him capture Genoa.

A medal bearing the image of Andrea Doria, who continued to sail in his '80s
A medal bearing the image of Andrea
Doria, who continued to sail in his '80s
But after becoming disillusioned with French policies in Genoa, Doria transferred his support to Charles V and helped him drive the French out of Genoa.

Charles made him grand admiral of the imperial fleet and gave him the title of Prince of Melfi.

As the new ruler of Genoa, Doria imposed a government made up of the city’s main aristocratic families. His reformed constitution for the city was to last until 1797.

He also continued to command naval expeditions against the Turks and helped Charles V extend his domination of the Italian peninsula.

In 1547 a rival family started to plot against Doria and they eventually murdered his nephew, Giannetino, but the conspirators were quickly defeated and severely punished by Doria.

The house where Andrea Doria was born, overlooking the port in Oneglia on the Ligurian coast
The house where Andrea Doria was born, overlooking
the port in Oneglia on the Ligurian coast
At the age of 84, Doria was still regularly sailing against the Barbary pirates and he went to fight against the French when they seized Corsica, which was under the control of Genoa at the time Doria finally retired in 1555 and passed his command to his great nephew, Giovanni Andrea Doria.

Doria died in 1560 in Genoa at the age of 93 and left his estate to Giovanni Andrea.  The family of Doria-Pamphili-Landi is descended from the famous Admiral and bears his title, Prince of Melfi.

Several Italian and US ships have been named after Andrea Doria.  An Italian passenger ship, the SS Andrea Doria, sank off the coast of Massachusetts after colliding with another ship in 1956, causing the deaths of 46 people.

A football club named after him - the Società Ginnastica Andrea Doria, founded in 1895 - was a forerunner of one of Genoa's two major teams, Sampdoria, which was formed in 1946 after a merger of SG Andrea Doria with another club, Sampierdarenese.

The port city of Genoa, once ruled over by Andrea Doria, has a proud history as a maritime power
The port city of Genoa has a proud
 history as a maritime power
Travel tip:

Genoa, which was once ruled over by Doria, is the capital city of Liguria and the sixth largest city in Italy. It has earned the nickname of La Superba because of its proud history as a major port. Part of the old town was inscribed on the World Heritage List in 2006 because of the wealth of beautiful 16th century palaces there.





Oneglia is part of the larger port of Imperia in Liguria
Oneglia is part of the larger port of Imperia in Liguria
Travel tip:

Oneglia, where Doria was born, was a town on the Ligurian coast that had been purchased by the Doria family in the 13th century. It was joined to Porto Maurizio in 1923 by Mussolini  to form the comune of Imperia. The area has become well known for cultivating flowers and olives and there is a Museum of the Olive in the part of the city that used to be Oneglia.



More reading:

When Genoa's ships routed the fleet of Pisa

How architect Renzo Piano gave new life to the port of his home town of Genoa

The founding of Genoa Cricket and Football Club

Also on this day:

1485: The birth of writer and stateswoman Veronica Gambara

1954: The birth of Godfather actress Simonetta Stefanelli

1954: The death of tenor Beniamino Gigli


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30 August 2018

Emanuele Filiberto – Duke of Savoy

Ruler who made Turin the capital of Savoy


A  portrait of Emanuele Filiberto, Duke of  Savoy, by an unknown artist
A  portrait of Emanuele Filiberto, Duke of
Savoy, by an unknown artist
Emanuele Filiberto of Savoy, who was nicknamed testa di ferro (iron head) because of his military prowess, died on this day in 1580 in Turin.

After becoming Duke of Savoy he recovered most of the lands his father Charles III had lost to France and Spain and he restored economic stability to Savoy.

Emanuele Filiberto was born in 1528 in Chambery, now part of France. He grew up to become a skilled soldier and served in the army of the emperor Charles V, who was the brother-in-law of his mother, Beatrice of Portugal, during his war against Francis I of France. He distinguished himself by capturing Hesdin in northern France in July 1553.

When he succeeded his father a month later he began the reacquisition of his lands.

His brilliant victory over the French at Saint Quentin in northern France in 1557 on the side of the Spanish helped to consolidate his power in Savoy.

Emanuele Filiberto, as portrayed by the Italian painter Giorgio Soleri
Emanuele Filiberto, as portrayed by the
Italian painter Giorgio Soleri
The peace of Cateau-Cambresis in 1559 ended the wars between Charles V and the French Kings and restored part of the Duchy of Savoy back to Emanuele Filiberto on the understanding that he would marry Margaret of France, the sister of King Henry II. They had one child, Charles Emmanuel I of Savoy, who succeeded him as duke.

Emanuele Filiberto took advantage of the political struggles between the European powers to slowly increase his domain.

The city of Turin was part of the territory he recovered from the French and he moved Savoy’s capital from Chambery to Turin in 1562, fortifying and enlarging the city. He also substituted Italian for Latin as the official language of Savoy.

Just before his death in the city at the age of 52 he was arranging for Savoy to acquire the Marquisate of Saluzzo.

Emanuele Filiberto was buried in the Chapel of the Holy Shroud in Turin Cathedral.

Turin's duomo - the Cattedrale di San Giovanni Battista
Turin's duomo - the Cattedrale di San Giovanni Battista
Travel tip:

Turin Cathedral, or the Cattedrale di San Giovanni Battista as the Duomo is known in Italian, was built between 1491 and 1498 on the site of an old Roman theatre. Emanuele Filiberto is one of the members of the House of Savoy buried there, while others are buried in the Basilica di Superga on the outskirts of the city.

Emanuele Filiberto brought the Shroud of Turin (above) to Turin from Chambery in France
Emanuele Filiberto brought the Shroud of Turin (above)
to Turin from Chambery in France
Travel tip:

It is fitting that Emanuele Filiberto is buried in the Chapel of the Holy Shroud as he was responsible for having the Shroud brought from Chambery in France to the Duomo in Turin in 1578 and it has remained there ever since.  A project for the enlargement of the Duomo in order to create a more luxurious home for the Shroud was begun in 1649 by Bernardino Quadri and completed by Guarino Guarini.  In 2002 the Shroud was restored so that the reverse side of the cloth could be photographed for the first time. In 2013 high definition images of the Shroud were put out on the internet and on television. These could be magnified on computers to show details not visible to the naked eye.  Pope Francis urged people to contemplate the Shroud with awe but he stopped short of asserting its authenticity.

More reading:

The Duke of Savoy responsible for a notorious massacre

Why Savoy duke Victor Amadeus I may have been poisoned

Iolanda of Savoy - the banished princess

Also on this day:

1585: The death of composer Andrea Gabrieli

1860: The birth of New York crime fighter Joe Petrosino


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17 May 2018

Federico II Gonzaga – Duke of Mantua

Ruler received a valuable education at the papal court


Federico Gonzaga, aged about 10, painted by Francesco Francia
Federico Gonzaga, aged about 10, painted
by Francesco Francia
Federico Gonzaga, who became the ruler of Mantua and Montferrat, was born on this day in 1500 in Mantua.

He spent his childhood living as a political hostage, first at the court of Pope Julius II in Rome and then at the court of Francis I of France.

It wasn’t perhaps an ideal start in life, but historians believe the political, social and cultural education he received in the company of popes, cardinals, and kings helped shape him as a future ruler.

Federico was the son of Francesco II Gonzaga and Isabella d’Este. His godfather was Cesare Borgia, Machiavelli’s model for the ideal Renaissance Prince.

His father, Francesco, was captured by the Venetians during battle and held hostage for several months. While he was absent, his wife, Isabella, ruled Mantua.

Francesco managed to secure his own release only by agreeing to send his son, Federico, to be a hostage at the papal court.

After the death of Pope Julius II in 1513, Federico was sent to the court of the new King of France, Francis I, where he became a favourite, as he had interests in common with the King.

Titian's 1525 portrait of Federico as an adult can be seen at the Prado museum in Madrid
Titian's 1525 portrait of Federico as an adult
can be seen at the Prado museum in Madrid
After the death of his father in 1519, Federico returned to rule Mantua and established Isabella Boschetti as his mistress there.

He was later created Duke of Mantua by the Emperor Charles V and did not intervene when the Imperial Troops passed through his territory in 1527 on their way to lay siege to Rome.

He married Margaret of Montferrat in 1531 and when the last male heir to Montferrat died, Federico became Marquess of Montferrat, a title his descendants held until the 18th century.

He commissioned Palazzo Te to be built as a summer palace just outside Mantua.

Federico had long suffered from syphilis and died of the disease in 1540.

His son, Francesco, briefly held the title of Duke of Mantua before dying while still a teenager. His second son, Guglielmo, became Duke of Mantua and Marquess of Montferrat and carried on the line.

The Palazzo Ducale was the seat of the Gonzaga family
The Palazzo Ducale was the seat of the Gonzaga family
Travel tip:

Mantua is an atmospheric old city in Lombardy, to the southeast of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707. The Camera degli Sposi is decorated with frescoes by Andrea Mantegna, depicting the life of Ludovico III Gonzaga and his family, who ruled Mantua for 34 years in the 15th century. The beautiful backgrounds of imaginary cities and ruins reflect Mantegna’s love of classical architecture.

The Palazzo Te was designed for Federico as a summer residence just outside the walls of Mantua
The Palazzo Te was designed for Federico as a summer
residence just outside the walls of Mantua
Travel tip:

Palazzo Te, designed for Federico as a summer residence, is a fine example of the Mannerist school of architecture and is the masterpiece of the architect Giulio Romano. The name for the palace came about because the location chosen had been the site of the Gonzaga family stables at Isola del Te on the edge of the marshes just outside Mantua’s city walls. After the building was completed a team of plasterers, carvers and painters worked on the interior for ten years until all the rooms were decorated with beautiful frescoes.

Also on this day:

1510: The death of Renaissance artist Sandro Botticelli

1963: The birth of motorcycle world champion Luca Cadalora

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23 March 2018

Lorenzino de’ Medici - assassin

Mystery over motive for killing cousin


Alphonse Mucha's  1896 lithograph of Lorenzino
Alphonse Mucha's
1896 lithograph
of Lorenzino
Lorenzino de’ Medici, who became famous for the assassination of his cousin, the Florentine ruler Alessandro de’ Medici, was born on this day in 1514 in Florence.

The killing took place on the evening of January 6, 1537.  The two young men - Alessandro was just four years older - were ostensibly friends and Lorenzino was easily able to lure Alessandro to his apartments in Florence on the promise of a night of passion with a woman who had agreed to meet him there.

Lorenzino, sometimes known as Lorenzaccio, left him alone, promising to return with the woman in question, at which point Alessandro dismissed his entourage and waited in the apartments.  When Lorenzino did return, however, it was not with a female companion but with his servant, Piero, and the two attacked Alessandro with swords and daggers. Although a struggle ensued, they killed him.

The motive has been debated for centuries. One theory was that it was an act of revenge following a legal controversy the previous year, when Alessandro sided against Lorenzino in a dispute over the inheritance of his great, great grandfather, Pierfrancesco the Elder. Civilities were maintained at the time, yet Lorenzino was disadvantaged financially.

Another is that Lorenzino, as a junior member of the family compared with his cousin, wanted to make his mark in history by any means possible. Murdering Alessandro, who had been installed as Duke of Florence by the Medici pope Clement VII, and thus extinguishing the main branch of the Medici family (descended from Cosimo the Elder, the founder of the dynasty), would give him immortality, albeit of a dark kind, in the family history.

His own explanation, which he set out in a remarkable defence of his crime, entitled Apology, which he wrote within days of Alessandro’s death, was that he committed the crime out of a love of liberty, ridding Florence of a leader generally acknowledged as a tyrant.

The murder of Alessandro by Lorenzino,
as imagined in an 1863 engraving
There were suggestions that Lorenzino wanted to see a revival of the Republic of Florence, which had been disestablished with Alessandro’s appointment, following an 11-month siege.  This theory seemed to be supported by Lorenzino fleeing Florence first to Bologna, where he met Silvestro Aldobrandini, a republican exile, and then on to Venice, where he was welcomed by another exile, the wealthy banker Filippo Strozzi.

His supporters hailed him as a latterday Brutus, who had slain Julius Caesar in the name of liberating Rome, but whatever the truth of the story, Lorenzino was to spend the rest of his life effectively on the run, constantly looking over his shoulder at who might be plotting to avenge his cousin’s death.

In the event, there was no re-establishment of the Florentine Republic. Alessandro’s father-in-law, the Holy Roman Emperor Charles V, appointed 17-year-old Cosimo I de’ Medici, from the so-called cadet line of the family, as Duke of Florence, which effectively meant Lorenzino could never return.

For the next few years he moved between Venice, Mirandola in the Duchy of Modena, Constantinople and France.  While he was in Constantinople, Strozzi was taken prisoner after his forces were beaten by the army of Cosimo I and he died in 1538.

While in France, where he enjoyed the hospitality of many Florentine exiles, Lorenzino acted as a go-between for the French king, Francis I, in trying to organise Florentine exiles to mount a new military attack on Cosimo I.

Titian's portrait of Holy Roman Emperor Charles V
Titian's portrait of Holy Roman
Emperor Charles V
He returned to Venice in 1544, by which time the city was crawling with spies working on behalf of the Emperor and of the Medici family. Lorenzino was sheltered by the papal legate Giovanni Della Casa, but as more and more exiled Florentines left for France, fearful for their lives if they stayed in Venice, he became increasingly isolated.

The inevitable happened on February 26, 1548, when Lorenzino was murdered. Two mercenary assassins were responsible, but the identity of who hired them has been disputed by historians over the centuries.  A early theory that the disgraced former Medici secretary Giovanni Francesco Lottini was responsible was eventually discounted, to be replaced by an acceptance that Cosimo I ordered the murder directly to avenge the death of his predecessor.

More recent research has established that the trail actually went back to Charles V himself, who was grief-stricken by the death of Alessandro, his daughter Margaret’s husband, and without the knowledge of Cosimo I instructed Juan Hurtado de Mendoza, his ambassador in Venice, to see that Lorenzino paid the ultimate price.

The Villa del Trebbio, the Medici villa in the Mugello area
The Villa del Trebbio, the Medici villa in the Mugello area
Travel tip:

In the early part of his life, Lorenzino lived in the Villa del Trebbio, near San Piero a Sieve in the Mugello area, about 30km (19 miles) north of Florence, the area from which the Medici family originated. The villa had belonged to Giovanni di Bicci de' Medici, the founder of the Medici bank, and was remodelled by his son, Cosimo de' Medici (Cosimo the Elder), whose architect, Michelozzo, restyled it as a fortified castle.


Palazzo Strozzi in Via de' Tornabuoni, the  high fashion centre of Florence
Palazzo Strozzi in Via de' Tornabuoni, the
high fashion centre of Florence
Travel tip:

The Strozzi family, who were great rivals of the Medici family in Florence in the late 15th century, left their mark on the city in the shape of the Palazzo Strozzi, which can be found right in the heart of the city in Via de’ Tornabuoni, where all the high fashion stores are now clustered (the Gucci shop is directly opposite). Many buildings were demolished to create a big enough space for the palace, a towering three-storey structure with a facade of rusticated stone, which was started in 1489 on the instructions of Filippo Strozzi the Elder, who died two years later long before it was finished. On completion, it was confiscated by the Medicis, who did not return it to the Strozzi family for 30 years.

More reading:

Cosimo de' Medici - the banker who founded the Medici dynasty

The despotic reign of Alessandro's successor, Cosimo I

How the forces of Charles V sacked Rome

Also on this day:

1919: Benito Mussolini and the founding of the Italian Fascists

1922: The birth of Commedia all'Italiana star Ugo Tognazzi


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30 November 2017

Veronica Gambara – writer and stateswoman

Politically astute poet wrote an ode to Emperor Charles V


Veronica Gambara, as portrayed by Antonio Allegri, known as Il Correggio
Veronica Gambara, as portrayed by Antonio
Allegri, known as Il Correggio
Veronica Gambara, a lyric poet who ruled the state of Correggio for 32 years, was born on this day in 1485 in Pralboino in the province of Brescia.

Under her rule, the court of Correggio became an important literary salon visited by many writers and artists.

Gambara signed a treaty with the Holy Roman Emperor, Charles V, which guaranteed Correggio would not be besieged and in her political poems she expressed Italy as an entity centuries before unification.

Gambara came from an accomplished family, one of the seven children of Count Gianfrancesco da Gambara and Alda Pio da Carpi.

The humanist poets Ginevre and Isotta Noarola were her great aunts and Emilia Pia, the principal female interlocutor of Baldassare Castiglione’s Il Cortegiano, was her aunt.

Gambara studied Latin, Greek, philosophy and theology and by the age of 17 had begun corresponding with the poet, Pietro Bembo, who later became her mentor when she sent him her poetry to read.

When Gambara was 24 she married her cousin, Giberto, Count of Correggio, a widower aged 50, and they had two sons, Ippolito and Girolamo. After her husband’s death in 1518, Gambara took charge of the state, which included managing Correggio’s condottieri. She also supervised the education of her two sons and her stepdaughter, Costanza.

Pietro Bembo was an influence on Gambara's poetry
Pietro Bembo was an influence on
Gambara's poetry
With Gambara at its head, the court of Correggio was visited by important figures such as Pietro Bembo, Gian Giorgio Trissino, Marcantonio Flaminio, Ludovico Ariosto and Titian.

Although Gambara’s poems were not published during her lifetime they were circulated in manuscript form. About 80 of her poems and 50 of her letters are still in existence.

She composed poems on political issues, devotional poems and love poems dedicated to her husband. She also corresponded with the poet Bernardo Tasso and Emperor Charles V.

After allying Correggio with the Holy Roman Empire, Gambara personally received the Emperor in Correggio in 1530, when she composed an ode to him in Latin. They signed a treaty together guaranteeing Correggio’s safety. This was broken in 1538 when the Count of Mirandola and Concordia launched an attack on Correggio but Gambara organised a successful defence and saw to it that Charles V paid for improved fortifications.

Gambara died in June 1550. A complete English translation of her poems was published in 2014.

The 18th century Palazzo Gambara in Pralboino
The 18th century Palazzo Gambara in Pralboino
Travel tip:

Pralboino, where Veronica Gambara was born, is a village in the province of Brescia in Lombardy. It is about 35 kilometres to the south of the city of Brescia. The 18th century Palazzo Gambara was built on the site of a previous 13th century castle, where the poet lived until her marriage to the Count of Correggio.


The Corso Giuseppe Mazzini in Correggio
The Corso Giuseppe Mazzini in Correggio
Travel tip:

Correggio, which was ruled by Veronica Gambara between 1518 and 1550, is a town in the Emilia-Romagna region. The Renaissance painter Antonio Allegri, who was known as Il Correggio, was born there in 1489. One of the main sights in Correggio is the elegant Palazzo dei Principi in Corso Cavour. In 1659 Correggio was annexed to the Duchy of Modena. The present Duke of Modena, Prince Lorenz of Belgium, Archduke of Austria-Este, is the current holder of the title of Prince of Correggio.



10 August 2017

Ippolito de' Medici – Lord of Florence

Brief life of a Cardinal, soldier and patron of the arts


Ippolito de' Medici, as portrayed by Titian  between 1532 and 1534, in Hungarian dress
Ippolito de' Medici, as portrayed by Titian
between 1532 and 1534, in Hungarian dress
Ippolito de' Medici, who ruled Florence on behalf of his cousin, Giulio, after he became Pope Clement VII, died on this day in 1535 in Itri in Lazio.

At the age of 24, Ippolito was said to have contracted a fever that turned into malaria, but at the time there were also rumours that he had been poisoned.

There were two possible suspects. The fatal dose could have been administered on behalf of Alessandro de' Medici, whose abuses he was just about to denounce, or on behalf of the new pope, Paul III, who was believed to want Ippolito’s lucrative benefices for his nephews.

Ippolito was born in 1509 in Urbino, the illegitimate son of Giuliano de' Medici. His father died when Ippolito was seven and he came under the protection of his uncle, Pope Leo X. When he died five years later, Ippolito’s cousin, Giulio, who had become Pope Clement VII, sent him to Florence to become a member of the government, destined to rule the city when he was old enough.

Ippolito ruled Florence on his behalf between 1524 and 1527 but then Clement VII chose his illegitimate nephew, Alessandro, to take charge of Florence instead.

He created Ippolito a Cardinal in 1529 and named him archbishop of Avignon, which gave him a considerable income. Although there is no evidence that he was ever ordained as a priest or consecrated as a bishop, Ippolito was named Cardinal Priest of Santa Prassede and then Papal Legate in Perugia.

The ancient castle at Itri in Lazio, where Ippolito died
The ancient castle at Itri in Lazio, where Ippolito died
But Ippolito wanted to be the ruler of Florence rather than a cleric and was to spend the rest of his short life trying to depose his cousin, Alessandro.

In August 1529 Ippolito was one of the three Cardinals who met Emperor Charles V in Genoa to conduct him in state to Bologna for his coronation as Emperor.

In 1530 Clement VII granted Ippolito a half share of the annual papal income from the town and territory of Clusium for his lifetime.

Ippolito was sent to Hungary as Papal Legate in 1532 where he led 8,000 soldiers against the Ottoman Turks.

That same year he was named vice chancellor of the Holy Roman Church, the most lucrative office in the church, and he was transferred to the church of San Lorenzo in Damaso.

Jacopo Pontormo's portrait of Alessandro
Jacopo Pontormo's portrait of Alessandro
After Ippolito’s cousin, Clement VII, died, Cardinal Alessandro Farnese was elected Pope and took the name of Paul III.

Ippolito acted as Florentine ambassador to Emperor Charles V, passing on to him complaints about the administration of Alessandro de' Medici.

When he became ill with a fever and subsequently died on 10 August 1535 he was on his way to north Africa to present his case against Alessandro to the Emperor, who was on a military campaign there. It was rumoured he had either been poisoned by Alessandro de' Medici to prevent him from denouncing him, or by the new pope, Paul III, who wanted his posts in the church for his own nephews.

Ippolito had been a generous patron of the arts, which was acknowledged by Giorgio Vasari in his writing, and he was painted by Titian wearing Hungarian costume in 1533.

He was unsuitable for the church because of his friendship with a Venetian courtesan and his love for Guilia Gonzaga, who was painted by artist Sebastiano del Piombo, who also enjoyed Ippolito’s patronage.

But Ippolito enjoyed the lavish lifestyle his position in the church gave him. Clement VII had reputedly once tried to sack members of his household, which Ippolito had resisted on the grounds that although he probably did not need them, they needed him.

The Church of San Michele Arcangelo in Itri
The Church of San Michele
Arcangelo in Itri
Travel tip:

Itri in Lazio, where Ippolito died en route to Africa, is a small town in the province of Latina. It lies in a valley between the mountains and the sea near the Gulf of Gaeta. It has an ancient castle in the upper part of the town and the local people speak Itrano, a variation of the Naples dialect. The film Two Women, starring Sofia Loren, was filmed in Itri.

Travel tip:

Urbino, where Ippolito was born, is a beautiful city on a steep hill inland from Pesaro in the Marche region. The Ducal Palace, made famous by Castiglione’s The Book of the Courtier, is one of the most important monuments in Italy and is listed as a Unesco World Heritage site.



16 July 2017

Vincenzo Gemito - sculptor

Neapolitan who preserved figures from local street life


Gemito's statue, Il giocatore di carte, so impressed Vittorio  Emanuele II he placed it on permanent display in a museum
Gemito's statue, Il giocatore di carte, so impressed Vittorio
Emanuele II he placed it on permanent display in a museum
Vincenzo Gemito, one of the sculptors responsible for eight statues of former kings that adorn the western façade of the Royal Palace in Naples, was born on this day in 1852.

The statues are in niches along the side of the palace that fronts on to the Piazza del Plebiscito, displayed in chronological order beginning with Roger the Norman, also known as Roger II of Sicily, who ruled in the 12th century, and ends with Vittorio Emanuele II, who was on the throne when his kingdom became part of the united Italy in 1861.

Gemito sculpted the fifth statue in the sequence, that of Charles V, who was the Holy Roman Emperor from 1519 to 1556 and, by virtue of being king of Spain from 1516 to 1556, also the king of Naples.

Born in Naples, Gemito’s first steps in life were difficult ones.  The son of a poor woodcutter, he was taken by his mother the day after his birth to the orphanage attached to the Basilica of Santissima Annunziata Maggiore in the centre of the city and left on the steps.

He was brought up by a family who adopted him after two weeks at the orphanage. It is thought that his adoptive father, an artisan, encouraged him to work with his hands and even before the age of 10 he was working as an apprentice in the studio of Emanuele Caggiano.  He was enrolled into the Naples Academy of Fine Arts when he was 12.

Gemito's Il pescatorello
Gemito's Il pescatorello
Gemito was known for the outstanding realism in his work, as can be seen in his sculpture Il giocatore di carte – the Card Player - which he created when he was only 16, which depicts a boy seated with one leg crossed, the other bent so that the knee is level with his chin, scratching the side of his head with one hand while he contemplates the cards he holds in the other.

It was such an impressive piece of work that after it has been exhibited for the first time in Naples, the King, Vittorio Emanuele II, purchased it and had it placed on permanent display in the Museo di Capodimonte.

Where many other sculptors created romanticised figures or works of fantasy, Gemito was fascinated by what he saw around him, on the streets of Naples, and it was everyday scenes that were his inspiration.  Another brilliant example of his eye for detail, especially for facial expression and natural poses, was Il pescatorello – the Fisherboy – which shows a boy, his fishing rod tucked under his arm, looking down at the fish he has just caught, which he clutches to his chest with both hands.

Gemito moved to Paris in 1877, where he forged a friendship with the French artist Jean-Louis-Ernest Meissonier and created new works in various media, exhibiting in major salons and galleries, and at the Universal Exposition of 1878. It was at the Paris Salon - the official exhibition of the Paris Academy of Fine Arts – that his Fisherboy was unveiled, a work greeted with such acclaim that he won widespread fame, as well as lucrative commissions for portraits.

He remained in Paris for three years before returning to Naples. He settled on the island of Capri for a short time, where he married.

The Royal Palace in Naples, with the eight statues inset in niches along the frontage overlooking Piazza del Plebiscito
The Royal Palace in Naples, with the eight statues inset in
niches along the frontage overlooking Piazza del Plebiscito
Back in Italy, Gemito constructed his own foundry on Via Mergellina in Naples, where he revived a Renaissance process for using wax for bronze casting.

The commission to create a marble statue of Charles V, to be erected as part of the changes made by Umberto I of Savoy to the frontage of the Royal Palace, came in 1888.

It caused Gemito much anxiety. He did not like working with marble and suffered a crisis of confidence, doubting his ability to produce a statue that would meet expectations. He finished the job but became so depressed he suffered a mental breakdown. He became a virtual recluse, living in a one-room apartment and several times being admitted to a mental hospital.

For the next 21 years he produced only drawings and did not resume his sculpting career until 1909. 

In 1911, by which time he had turned to using gold and silver, he created another masterpiece, a severed head of Medusa in partial gilt silver, which again was notable for the realism of expression and the intricacy of detail.

In 1952, Gemito’s life was commemorated in an Italian postage stamp issued to celebrate the 100th anniversary of his birth.

The waterfront at Mergellina, with Vesuvius in the distance
The waterfront at Mergellina, with Vesuvius in the distance
Travel tip:

Mergellina is a coastal area of city of Naples, technically in the district of Chiaia, standing at the foot of Posillipo Hill and facing Castel dell'Ovo.  It was once a fishing village entirely separate from Naples but was incorporated into the Naples metropolitan area in the early 20th century.  Today it has an important tourist harbour for ferries from the islands of Ischia, Capri and Procida and points on the Campania mainland. It is also a popular area for seafood restaurants.

Almost always thronged with tourists, the  bustling Piazzetta is at the heart of Capri town
Almost always thronged with tourists, the
bustling Piazzetta is at the heart of Capri town
Travel tip:

Capri, an island situated off the Sorrentine peninsula on the south side of the Bay of Naples, has been a popular resort since Roman times.  In the 19th and early 20th century, it was a place to which many wealthy intellectuals and authors were drawn. Norman Douglas, Maxim Gorky, Graham Greene and Axel Munthe were among the authors who chose to live there for parts of their careers.  It has been a magnet, too, for figures from the entertainment world. The English singer and actress Gracie Fields spent many years at her villa there; today, the American singer Mariah Carey has a property on the island.  Tourists are drawn to Capri town, the pretty harbour Marina Piccola, the Belvedere of Tragara  - a panoramic promenade lined with villas - the limestone sea stacks known as the Faraglioni, the Blue Grotto and the ruins of Roman villas.


6 May 2017

The Sack of Rome

Mutinous army of Holy Roman Empire laid waste to city


Imperial forces attack Rome
Imperial forces attack Rome
An army loyal to the Holy Roman Emperor, Charles V, laid siege to the city of Rome on this day in 1527, at the start of the Sack of Rome, a significant event in the conflict between Charles and the so-called League of Cognac that had profound implications for Rome’s wealth and power.

Rome at the time was part of the Papal States, who at the behest of Pope Clement VII had joined the League of Cognac – an alliance that included France, Milan, Florence and Venice – in an effort to stop the advance of the Empire, which had its centre of power in the Kingdom of Germany, into the Italian peninsula.

After the Imperial Army had defeated the French at Pavia in the Italian War of 1521-26, it would have been a logical step for Charles to march on Rome but the attack is said to have come about not through any planned strategy but after a mutiny among his troops, many of whom were hired mercenaries, after it became clear there were insufficient funds available to pay them.

Pope Clement VII, depicted by Sebastiano del Piombo in 1531
Pope Clement VII, depicted by Sebastiano
del Piombo in 1531
Aware of the rich treasures they could seize if they stormed Rome and overthrew Clement VII, 34,000 Imperial troops, an army made up of Germans, Spaniards and Italians, demanded that their commander, Charles III, Duke of Bourbon, led them towards Rome.

They left Arezzo in Tuscany on April 20 and, with the army of Florence distracted by an uprising against the Medici, proceeded without too much resistance to the walls of Rome.

The walls were substantial physically but poorly defended. Under the command of Francesco Guicciardini, the city’s garrison numbered only 8,000 men, including the 2,000-strong Swiss Guard.

They had the advantage of artillery around the perimeter of the city but though the Duke of Bourbon was himself shot dead - legend has it by the sculptor Benvenuto Cellini - the ferocity of the Imperial soldiers overwhelmed the defending army, which crumbled rapidly. The invaders swept into the city, killing almost everyone they encountered, armed or otherwise. By sunset, Rome was under their control.

The Pope’s personal protection amounted to 189 of the Swiss Guard, who fought bravely on the steps of St. Peter’s Basilica. All but 42 were killed but they created enough delay to allow Clement VII to escape along a tunnel, the Passetto di Borgo, into the fortress of Castel Sant’Angelo.

There he was besieged as the pillage of the city began. The Protestant Landsknecht – the 14,000 strong German core of the Imperial troops – are said to have harboured a particular hatred for Catholic Rome and its Renaissance treasures. Churches and monasteries, as well as the palaces of prelates and cardinals, were looted and destroyed. The rampaging soldiers would spare lives and properties only in return for ransom payments.

Clement VII escaped to Castel Sant'Angelo along a secret passage while the Swiss Guard fought on the steps of St Peter's
Clement VII escaped to Castel Sant'Angelo along a secret
passage while the Swiss Guard fought on the steps of St Peter's
Meanwhile, on May 8, Cardinal Pompeo Colonna, a personal enemy of Clement VII, entered the city, accompanied by peasants seeking to avenge the devastation to their land by Papal armies.

Clement surrendered in June, agreeing to pay a huge ransom and hand over substantial territory to Charles V, who was said to be shocked by the brutal conduct of his troops but happily accept the advantage he had gained.

The defeat effectively marked the end of the Roman Renaissance, damaging the papacy's prestige.  An estimated 6,000 to 12,000 people were murdered and the population of Rome declined in the years following from 55,000 to 10,000.

The pillaging lasted nine months, ending when there was no one left to ransom and food supplies ran out.  Ironically, many Imperial soldiers themselves died from from diseases caused by the large number of unburied bodies in the city.

Today, in commemoration of the Sack and of the Swiss Guard's bravery in protecting Clement VII, May 6 is the designated day each year for new recruits to the Swiss Guard to be sworn in.

The view across Rome from the Gianicolo hill
The view across Rome from the Gianicolo hill
Travel tip:

The Gianicolo – or Janiculum – is one of the hills outside the walls of ancient Rome from which the 1527 attack was launched. Today it provides one of the best locations to enjoy a scenic view of the centre of the city and its domes and bell towers. The Gianicolo itself is the home of the church of San Pietro in Montorio, built on what was once thought to be the site of St Peter's crucifixion. A small shrine, the Tempietto, designed by Donato Bramante, marks the supposed site of Peter's death. The hill is also the location of The American University of Rome, Pontifical Urban University, and Pontifical North American College. Other notable buildings include the Palazzo Montorio, residence of the Ambassadors of Spain, and the Villa Lante al Gianicolo, designed in 1520 by the Mannerist painter and architect Giulio Romano.

The swearing-in ceremony for the papal Swiss Guard takes place in the courtyard of San Damaso on May 6
The swearing-in ceremony for the papal Swiss Guard
takes place in the courtyard of San Damaso on May 6
Travel tip:

The protection provided to the pope by the Swiss Guard goes back to a 15th century alliance between Pope Sixtus IV and the Swiss Confederacy, which in turn resulted in the Swiss supplying a contingent of 200 mercenaries to be based permanently at the Vatican at the request of  PopeJulius II. The defence of the pontiff in 1527 remains their most significant military action. The loss of the 147 guards killed on the steps of St Peter’s is marked each year with a ceremony in the San Damaso courtyard inside the Apostolic Palace, open to members of the public, at which the year’s input of new recruits to the Guard are sworn in.


More reading:


Francesco Guicciardini - statesman, military leader, historian

How Rome was founded

Preacher Girolamo Savonarola's 'war' on the Renaissance


Also on this day:


1895: The birth of silent movie star Rudolph Valentino