Showing posts with label Francesco Rosi. Show all posts
Showing posts with label Francesco Rosi. Show all posts

9 April 2017

Gian Maria Volonté – actor

Brilliant talent who played ‘spaghetti western’ parts for fun


Volonté in his role as the police chief in Elio Petri's Investigation of a Citizen Above Suspicion (1970)
Volonté in his role as the police chief in Elio Petri's
Investigation of a Citizen Above Suspicion (1970)
Gian Maria Volonté, recognised as one of the finest character actors Italy has produced, was born on this day in 1933 in Milan.

Trained at the Silvio D’Amico National Academy of the Dramatic Arts in Rome, Volonté became famous outside Italy for playing the villain to Clint Eastwood’s hero in two movies in Sergio Leone’s western trilogy that were part of a genre dubbed the ‘spaghetti westerns’.

However, he insisted he accepted the chance to appear in A Fistful of Dollars (1964) – in which he appeared under the pseudonym John Wells - and For a Few Dollars More (1964) simply to earn some money and did not regard the parts of Ramon and El Indio as serious.

In Italy, it was for the much heavier roles given to him by respected directors such as Elio Petri and Francesco Rosi that he won huge critical acclaim.

A person known for a tempestuous private life, he was very strong playing complex and neurotic characters, while his left-wing political leanings attracted him to roles in which he had to portray individuals from real life.

He was a particular favourite of Rosi, the neo-realist director who directed in him in five movies, including the acclaimed The Mattei Affair (1972), in which he played an oil company executive whose death in a plane crash in Sicily aroused suspicion, and Lucky Luciano (1973), in which he portrayed the Sicilian-American Mafia boss controversially released from a 30-year prison sentence in the United States in return for helping the Allies with the 1943 invasion of Sicily.

Volonte played the writer Carlo Levi in Francesco Rosi's 1979 film Christ Stopped at Eboli
Volonté played the writer Carlo Levi in Francesco Rosi's
1979 film Christ Stopped at Eboli
Rosi also cast him as the Jewish-Italian anti-Fascist writer Carlo Levi in Christ Stopped at Eboli (1979)

Other famous roles included that of a television journalist in Swiss director Claude Goretta's Death of Mario Ricci (1983), which won him the him the Golden Palm at the Cannes International Film Festival.

Volonte also played the Italian-born anarchist Nicola Sacco in Sacco and Vanzetti, the 1971 film by Giuliano Montaldo, a courageous Sicilian judge in Fascist Italy in Gianni Amelio's 1990 movie Open Doors, which was chosen as European film of the year at Cannes, and played the Christian Democrat leader and former prime minister Aldo Moro, whose kidnapping and murder in 1978 at the hands of Red Brigade terrorists shook Italy, in Giuseppe Ferrara’s Il caso Moro (1986).

His films under Petri’s direction included  We Still Kill the Old Way (1967), which won the Grand Prix du Scenario at the Cannes Film Festival, and  Investigation of a Citizen Above Suspicion (1970), for which Volonte won one of his three Nastro d'Argento (Silver Ribbon) awards - the most prestigious acting award in Italy, and which won an Oscar for best foreign-language film.

The part of the kidnapped former prime minister Aldo Moro was played by Volonté in Giuseppe Ferrara's Il caso Moro
The part of the kidnapped former prime minister Aldo Moro
was played by Volonté in Giuseppe Ferrara's Il caso Moro
Volonté’s politics seemed to be rooted in his upbringing. Although born in Milan, he was brought up in Turin. His father, Mario, was a Fascist militiaman who was arrested for allegedly arranging the murder of some partisans. He died while awaiting trial, leaving his family facing poverty. Volonté hated the Fascists from that point onwards.

He left school at 14 to find work so that he could support his mother.  One of the jobs he took was with a travelling theatre company, initially as a wardrobe assistant and secretary, but eventually developing a desire to act, and being granted parts.

It was the realisation that he had some talent as an actor that persuaded him to move to Rome and enrol at the Silvio D’Amico Academy.  After graduating in 1957, he worked in the theatre and television, appearing in adaptations of Dostoyevski's Idiot, Chekhov's Uncle Vanya and Vittorio Alfieri's Saul.

He was soon recognised as one of the most promising of the new generation of actors and his movie debut followed in 1960.

Volonté made no apologies for his political leanings.  A member of the Italian Communist Party, he was arrested in 1971 during a demonstration by workers striking for higher wages and better working conditions and helped his friend and fellow Communist Oreste Scalzone to flee the country after he was sentenced to 16 years in jail on charges of terrorism Volonté believed were false.

He stood as a candidate for the Democratic Party of the Left in the 1992 general election.

Married twice, Volonté had a child, Giovanna, with the actress Carla Divina, his partner for 10 years, before spending the last years of his life with another actress, Angelica Ippolito, with whom he lived in Velletri, a town in the Colli Albani (Alban Hills), just south of Rome.

He died in 1994 of a heart attack while filming on location in Greece and was laid to rest at a small cemetery on the Sardinian island, Isola della Maddalena.

The Silvio D'Amico academy, where Volonté trained, is in Via Vincenzo Bellini in Rome's Municipio II district
The Silvio D'Amico academy, where Volonté trained, is in
Via Vincenzo Bellini in Rome's Municipio II district
Travel tip:

Rome’s National Academy of the Dramatic Arts was founded in 1936 by the writer and critic Silvio D’Amico, whose name was attached to the academy after his death. After occupying a number of premises, the academy settled in a building on Via Vincenzo Bellini in the Municipio II district, just beyond the Borghese Gardens and about 10 minutes’ drive from the centre of the city.

Hotels in Rome from Hotels.com

Velletri's Porta Napoletana formed part of the city walls
Velletri's Porta Napoletana formed part of the city walls
Travel tip:

Velletri is traditionally a walled city. Its original walls were demolished by the Romans in 338 BC but rebuilt in the Middle Ages, giving the town the appearance of a huge castle.  The walls had six gates, the best preserved of which is Porta Napoletana, built in 1511 and which is now home to a branch of the Italian Sommelier Association.


More reading:

How neo-realism and documentary style put Francesco Rosi among greats of Italian cinema

Sergio Leone - from 'spaghetti westerns' to gangster epic Once Upon a Time in America

The tragedy of Aldo Moro

Also on this day:

1454: The Treaty of Lodi ends fighting between rival northern states

1948: The birth of veteran pop singer Patty Pravo


(Picture credits: Porta Napoletana by Deblu68 via Wikimedia Commons)


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8 January 2017

Leonardo Sciascia – writer

Books mercilessly expose Italian politics and role of the Mafia



The writer and politician Leonardo Sciascia, pictured in 1980
The writer and politician Leonardo Sciascia,
pictured in 1980
Leonardo Sciascia, novelist, playwright and politician, was born on this day in 1921 in Racalmuto in Sicily.

Many of his novels looked at Sicilian life and how the Mafia operates as part of society, and some have since been made into films.

He also wrote a book analysing the kidnapping and assassination of Aldo Moro, the prominent Christian Democrat politician and former prime minister.

Sciascia was part of an investigation into Moro’s kidnapping and criticised Giulio Andreotti, the prime minister at the time, for his lack of action and for failing to deal with Brigate Rosse, the Red Brigades.

When Sciascia was a teenager his family moved to Caltanissetta in Sicily, where he studied writing and literature.

He married Maria Andronico, a local school teacher, in 1944 and he himself held teaching positions for the early part of his career, retiring to write full time in 1968.  In 1954 he published an autobiographical novel inspired by his experiences as an elementary school teacher.

A statue of Leonardo Sciascia, cast in bronze,  on Via Garibaldi in his home town, Racalmuto
A statue of Leonardo Sciascia, cast in bronze,
 on Via Garibaldi in his home town, Racalmuto
In 1948 his brother committed suicide, which was to have a profound effect on Sciascia’s life.

His first work was a collection of poems satirising fascism, which was published in 1950. A few years later he was awarded the Premio Pirandello for his essay, Pirandello e il pirandellismo.  In 1957, his book Gli zii di Sicilia - The Uncles of Sicily - included his views about the influence of the United States and communism in the world, and about the 19th century unification of Italy.

In 1961 he published one of his most famous novels, a mystery, Il giorno della civetta - The Day of the Owl - which demonstrated how the Mafia manage to sustain themselves in a society where there is little or no moral guidance. Two years later he published the historical novel, Il consiglio d’egitto - The Council of Egypt - set in 18th century Palermo.

In 1965 he wrote the play, L’onorevole - The Honourable - denouncing the complicity between the Government and the Mafia.

In 1971 Sciascia wrote a mystery, Il Contesto - The Challenge - a merciless portrayal of Italian politics, which inspired Francesco Rosi’s film, Cadaveri eccellenti, which was also shown under the title Illustrious Corpses.

Leonardo Sciascia's dedication to Racalmuto on a stone overlooking the town, to which he was deeply attached
Leonardo Sciascia's dedication to Racalmuto on a stone
overlooking the town, to which he was deeply attached
Sciascia’s books are based on his own experience of Sicily and show how families are linked with political parties and call in favours that benefit individuals rather than society as a whole.

Nonetheless, throughout his life he remained profoundly attached to the area around his native village.

In 1975 Sciascia was elected to the city council in Palermo as an independent with the Italian Communist Party (PCI) but in 1977 he resigned from the party because of his opposition to dealing with the Christian Democrats.

He was later elected to the Italian and European parliaments with the Radical party.

Sciascia died in 1989 in Palermo at the age of 68.

Travel tip:

Racalmuto, where Leonardo Sciascia was born, is in the province of Agrigento about 90km (56 miles) south-east of Palermo and about 15km (9 miles) north-east of Agrigento. Sciascia wrote a dedication to his home town which is engraved on a stone displayed there, saying he had tried, with his writing, to portray life in the village he loved. There is a lifelike bronze statue of him by the roadside in Via Garibaldi in the centre of the town, which is also home to the Leonardo Sciascia Foundation.

The impressive Teatro Massimo in Palermo
The impressive Teatro Massimo in Palermo
Travel tip:

Palermo, where Sciascia died, is the capital of Sicily and has varied architecture bearing testimony to its rich history. There are Norman, Romanesque, Gothic and Baroque churches and palaces and a magnificent opera house, the largest in Italy, called Teatro Massimo, which was built in Renaissance style and opened in 1897.

More reading:


How prolific playwright Dario Fo sought to expose corruption

Writer Alberto Moravia likened Fascism to a childhood illness

Sicily brought to life in Andrea Camilleri's Montalbano novels

Also on this day:


1337: Death of the brilliant Renaissance artist Giotto




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30 November 2016

Simonetta Stefanelli – actress

Godfather star now designs bags and shoes


Simonetta Stefanelli, in a scene from Dino Risi's 1971 movie, In the Name of the Italian People
Simonetta Stefanelli, in a scene from Dino Risi's 1971
movie, In the Name of the Italian People
Simonetta Stefanelli, the actress and fashion designer, was born on this day in 1954 in Rome.

Stefanelli is perhaps best-known for her performance as Apollonia Vitelli-Corleone in the 1972 film The Godfather directed by Francis Ford Coppola.

She also made several films with her former husband, the actor and director Michele Placido.

The couple had three children together, Michelangelo, Brenno and Violante Placido, who is also an actress.

They divorced in 1994 and Stefanelli and her three children went to live in London for a short time.

Before appearing in The Godfather, Stefanelli had small roles in films guided by some of the top Italian directors, such as Gian Luigi Polidoro, Giulio Petroni, Marco Vicario and Dino Risi.

In 1972 she appeared in a German film for television, Di Sonne angreifen, 'The Sun Attack'.

Then came her role in The Godfather alongside Marlon Brando, Al Pacino, Robert Duvall, James Caan and Diane Keaton.  Her character is the first wife of Pacino's character, Michael Corleone, a local girl Michael marries while in hiding in Sicily, but is then murdered in a bomb attack of which her husband was the intended victim.

Apollonia also featured in the 1977 mini series The Godfather: A Novel for Television.

Stefanelli with her then-husband Michele Placido in a scene from the 1975 film Scandal in the Family
Stefanelli with her then-husband Michele Placido
in a scene from the 1975 film Scandal in the Family
Stefanelli once explained during an interview that she had refused a career in Hollywood to avoid being typecast and chose instead to continue her career in Italy.

She appeared in Peccati in famiglia ('Scandal in the Family'), an erotic drama in which she starred opposite her husband Michele Placido, and in Francesco Rosi’s Tre Fratelli ('Three Brothers).

She made her final appearance in Michele Placido’s film Le Amiche del cuore, ('Close friends') before ending her acting career in 1992.

Stefanelli continues to live in Rome and now owns a fashion store in the city, Simo Bloom, for which she designs bags and shoes.

Michele Placido, who is now 70, is well-known for playing the role of Corrado Cattani in the TV series La Piovra, which means 'The Octopus' in English, a reference to the many tentacles of the Mafia.

The actress Violante Placido, who is now 40, has many film and television credits to her name and is also a singer and song writer.

The 18th century Temple of Aesculapius is an attraction in the Villa Borghese gardens in Rome
The 18th century Temple of Aesculapius is an attraction
in the Villa Borghese gardens in Rome
Travel tip:

Stefanelli’s shop, Simo Bloom, is in Via Chiana in Rome to the north east of the Villa Borghese and its gardens on the Pincian Hill. The beautiful gardens were developed for Cardinal Scipione Borghese, the nephew of Pope Paul V, starting in 1605. They were bought by the city of Rome and opened to the public in 1903.


Travel tip:

The Godfather's location scenes in Sicily were filmed in the towns of Savoca and Forza d’Agro near Taormina because the town of Corleone was considered too developed to be suitable. In Savoca you can see the church in which Michael and Apollonia (played by Stefanelli) were married and walk the route they took to the Bar Vitelli in the village’s main square where they went to celebrate afterwards in the film.



More reading:

How playing an anti-Mafia police inspector Michele Placido into a TV star

Nino Rota - the brilliant composer behind the music of The Godfather

The wonderful cinema legacy of Francesco Rosi

Also on this day:

1466: The birth of navy commander Andrea Doria

1485: The birth of writer and stateswoman Veronica Gambara

1957: The death of the great tenor Beniamino Gigli


(Picture credits: Simonetta Stefanelli by Cavarrone; Temple of Aesculapius by Jean-Christophe Benoist; via Wikimedia Commons)

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15 November 2016

Francesco Rosi - film director

Documentary style put him among greats of Italian cinema


Francesco Rosi
Francesco Rosi
The film director Francesco Rosi, one of Italy's most influential movie-makers over four decades, was born on this day in 1922 in Naples. 

Rosi, who made his directing debut in 1958 and filmed his last movie in 1997, built on the fashion for neo-realism that dominated Italian cinema in the immediate post-war years and his films were often highly politicised.

Many of his works were almost pieces of investigative journalism, driven by his revulsion at the corruption and inequality he witnessed in the area in which he grew up, and the dubious relationships between local government and figures from the crime world.

His film Hands Over the City, for example, starring Rod Steiger as unscrupulous land developer, sought to show how the landscape of Naples was shaped by greed and political interests.  The film's disclaimer stated that “All characters and events narrated in this film are fictitious, but the social reality that created them is authentic.”

The Mattei Affair, which starred Gian Maria Volonté - himself a political activist - tells the story of Enrico Mattei, a former Italian resistance fighter who rose to be head of ENI, the state-owned oil company, and died in a plane crash in Sicily. Conspiracy theorists linked his death with his attempt, in the middle of the Cold War, to break America's dominance of the Italian market, sign deals with Arab countries and even court Russia as a possible trading partner.

The project took Rosi's team into such dangerous political territory that one of his researchers, the journalist Mauro de Mauro, disappeared. He was never found and it is presumed he was murdered for finding out too much about the case.

Gian Maria Volonté in a scene from The Mattei Affair
Gian Maria Volonté (centre) in a scene from The Mattei Affair
Lucky Luciano, which featured Volonté and Steiger, was another movie filmed in the style of a documentary investigation, this time with its focus on the controversial role of a repatriated Sicilian-American Mafia boss in the Allied liberation of Sicily and the assault on the Italian mainland towards the end of the Second World War.

Later, with Illustrious Corpses, Rosi sought to shine light on the dark machinations of what would come to be known as 'The Strategy of Tension' during the 1980s, in which a series of deadly attacks carried out by right-wing extremists with the apparent collusion of the secret services would be blamed on activists on the hard left in order to derail an alliance being proposed between the Christian Democrat Party and the Communist Party.

Among his many awards was a Palme d'Or at the 1972 Cannes Film Festival for The Mattei Affair, a Golden Lion at the 1963 Venice Biennale for Hands Over the City and ten David di Donatello awards from the Academy of Italian Cinema.

In 2012, he was awarded an honorary Golden Lion at the Venice Biennale for lifetime achievement and leaving "an indelible mark on the history of Italian film-making".

Rosi was born in Montecalvario, a neighbourhood of central Naples that includes part of the Spanish Quarter, the Piazza Carità and the bustling Via Toledo.  His father worked in the shipping industry, but also drew satirical cartoons, once earning a reprimand for his insulting depictions of Benito Mussolini and King Vittorio Emmanuel III.

Giorgio Napoletana, a schoolfriend of Francesco Rosi, who would go one to become President of the Republic
Giorgio Napoletana, a schoolfriend of Francesco Rosi,
who would go one to become President of the Republic
Rosi went to college with Giorgio Napolitano, who would later become Italian President, and they would remain lifelong friends.  He studied law but his career took him in a different direction, first as an illustrator of children's books, then as a reporter with Radio Napoli.

The connections he made through the radio station led him into theatre work and film.  After several films as assistant director, learning from Ettore Giannini and Luchino Visconti among others, he made his solo debut in 1958 with La Sfida (The Challenge), an expose of corruption in the retail trade in Naples which quickly made clear Rosi's preoccupation with social justice and the complex labyrinths in Italian society.

His breakthrough in terms of international acclaim came in 1962 with Salvatore Giuliano, a fictional exploration of the life of the Sicilian bandit of the title, his connections with the state and the church, and his role in fighting against communism in Sicily.  Rosi's aim was to use the bandit’s life and death to convey the complexities of post-war Sicilian politics and society in which "resolving the truth was an impossibility."

Salvatore Giuliano won the Silver Bear for Best Director at the Berlin International Film Festival in 1962 and established Rosi as one of the central figures of the post-neorealist phase in Italian cinema, along with Gillo Pontecorvo, Pier Paolo Pasolini, the Taviani brothers, Ettore Scola and Valerio Zurlini.

Rosi’s later movies were accomplished productions but critics felt they lacked the power of his earlier work, although in his adaptation of Christ Stopped at Eboli, Carlo Levi's memoir about his experiences as a doctor exiled in southern Italy for his anti-Fascist views, with Volonté in the title role, came close, winning a BAFTA for Best Foreign Language Film.

After ending his career in film with The Truce, based on holocaust survivor Primo Levi's memoir of returning to Italy after his liberation from Auschwitz, he returned to theatre, notably directing the Neapolitan comedies of Eduardo De Filippo.

He spent his last years living in Rome on Via Gregoriana, near the Spanish Steps.   He died in 2015 aged 92.

The Via Toledo in Naples has a typical flavour of the city
The Via Toledo in Naples has a typical flavour of the city
Travel tip:

Montecal- vario, where Francesco Rosi was born, is said by many visitors to capture the essence of Naples.  Bordered on one side by the Via Toledo, the busy shopping street which links Piazza Dante with Piazza Trieste e Trento, it includes the part of the Spanish Quarter in which can be found the Teatro Nuovo, an historic theatre originally built in 1724 and twice destroyed by fire.  The theatre became famous for comic opera in the 19th century and in the 20th century staged the plays of the great Neapolitian comic dramatist, Eduardo de Filippo.

Hotels in Napoli by Booking.com

Travel tip:

The Via Gregoriana, where Francesco Rosi spent his last years, is a street almost in the centre of Rome, very close to the tourist hubbub of Piazza di Spagna and the Spanish Steps, yet still retains the air of a peaceful residential thoroughfare, the kind you might expect to find in a well-to-do suburb.  Commissioned by Pope Gregory XIII in 1575, it runs from the church of Trinita dei Monti, which looks down over Piazza di Spagna, towards Via del Tritone and has long been popular with artists and intellectuals.

Rome hotels by Booking.com

More reading:


Ennio Morricone, the film music maestro enters his 89th year

Anna Magnani - Oscar winning star of neo-realist fashion

The legacy of Fellini and La Dolce Vita

Also on this day:


1905: The birth of conductor Annunzio Mantovani


(Picture credits: Francesco Rosi by Georges Biard; Gian Maria Volonté by Pèter; Giorgio Napoletana by Ralf Roletschek; Via Toledo by Inviaggiocommons all via Wikimedia Commons)

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28 March 2016

Alberto Grimaldi - film producer

Spaghetti Western trilogy gave Naples producer his big break


Alberto Grimaldi was born in Naples in 1925
Alberto Grimaldi
Film producer Alberto Grimaldi, who celebrates his 91st birthday today, boasts an extraordinary list of credits that includes Last Tango in Paris, The Canterbury Tales, Man of La Mancha, Fellini's Casanova, 1900, Ginger and Fred and Gangs of New York.

Born in Naples on this day in 1925, Grimaldi trained as a lawyer and it was in that capacity that he initially found work in the cinema industry in the 1950s.

However, he could see the money-making potential in production and in the early 1960s set up his own company, Produzioni Europee Associate (PEA).

His first three productions, cashing in on the popularity in Italy of westerns, enjoyed some success but it was a meeting with Sergio Leone, the Italian director, that earned him his big break.

Leone, whose first venture into the western genre, A Fistful of Dollars, had been an unexpected hit both for him and the young American actor, Clint Eastwood, was busy planning the sequel when a dispute arose with his producers over the cost of the movie.

Grimaldi was listed as a producer of the 2002 movie directed by Martin Scorsese
Movie poster advertising Scorsese's
epic Gangs of New York
As it happened, Grimaldi's first production, The Shadow of Zorro, had been filmed, like A Fistful of Dollars, on location in Spain.  Leone knew of Grimaldi's legal background and initially sought his advice on settling the dispute.  Ultimately, they agreed to collaborate and the Leone classics, For a Few Dollars More and The Good, The Bad, and the Ugly, also starring Eastwood, were PEA productions.

Both were considerable box office hits and established Grimaldi's name, opening many doors.

By the 1970s, Grimaldi was in a position to produce movies by many of Italy's top directors, including Federico Fellini, Bernardo Bertolucci, and Pier Paolo Pasolini, as well as supporting the artistic aspirations of other Italian directors, such as Gillo Pontecorvo, Elio Petri and Francesco Rosi.

He became more selective in his projects in the 1980s, notably turning down the chance to work with Leone again on Once Upon a Time in America. After producing Fellini's comedy drama Ginger and Fred, a 1986 film about two Italian impersonators of the American dance movie legends, Fred Astaire and Ginger Rogers, it was 16 years before his name was attached to the $100 million Martin Scorcese epic, Gangs of New York, which was released in 2002.  By then Grimaldi was aged 77.

Grimaldi was aged 10 in 1935
Via Partenope in 1935
Travel tip:

Grimaldi's home city of Naples has changed little in his lifetime.  The black and white postcard image shows the Via Partenope, bordering the waterfront in the Santa Lucia district of the city, in 1935, when Grimaldi was a 10-year-old boy.  It is scarcely different today, 81 years on.



A view of Naples from Castel Sant'Elmo
Over the rooftops of Naples towards Mergellina and
Posillipo, as seen from Castel Sant'Elmo
Travel tip:

Visitors to Naples who crave a more peaceful side to the city away from the chaos of the Spaccanapoli or the Spanish Quarter should venture north from Piazza del Plebiscito and the Royal Palace on to the long promenade of Via Francesco Caracciolo towards Mergellina and the residential quarter of Posillipo, the traditional home of the more wealthy Neapolitans.



More reading:

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