Lorenzo Perosi - priest and composer

Puccini contemporary chose sacred music over opera

Lorenzo Perosi forsook opera in
 favour of religious music

Don Lorenzo Perosi, a brilliant composer of sacred music who was musical director of the Sistine Chapel at the Vatican for almost half a century, was born on this day in 1872 in the city of Tortona in Piedmont.

A devoutly religious man who was ordained as a priest at the age of 22, Perosi was a contemporary of Giacomo Puccini and Pietro Mascagni, both of whom he counted as close friends, but was the only member of the so-called Giovane Scuola of late 19th century and early 20th century composers who did not write opera.

Instead, he concentrated entirely on church music and was particularly noted for his large-scale oratorios, for which he enjoyed international fame.

Unlike Puccini and Mascagni, or others from the Giovane Scuola such as Ruggero Leoncavallo, Umberto Giordano and Francesco Cilea, Perosi's work has not endured enough for him to be well known today.

Yet at his peak, which music scholars consider to be the period between his appointment as Maestro of the Choir of St Mark's in Venice in 1894 and a serious mental breakdown suffered in 1907, he was hugely admired by his fellows in the Giovane Scuola and beyond.

Perosi with Arturo Toscanini before the
premiere of his work Mosè in Milan 

Arturo Toscanini conducted his work Mosè on the occasion of its premiere at La Scala in Milan in November 1901, his French admirers included Claude Debussy and Jules Massenet and many of the great opera singers on his day were keen to perform in his works, including Enrico Caruso, Mario Sammarco, Carlo Tagliabue and Beniamino Gigli.

Puccini is quoted as saying that "there is more music in Perosi's head than mine and Mascagni's put together".

Perosi is credited with reviving the oratorio as a musical genre. His grand productions for chorus, soloists, and orchestra based on Latin texts were noted for their bringing together of Renaissance harmony, Gregorian chant, and the flamboyant melodies and orchestrations characteristic of the Giovane Scuola. 

Perosi was one of 12 children born into a pious Catholic family in Tortona, only half of whom survived infancy.  His own birth was said to have been difficult and music historians believe it was probably the cause of the mental health problems he suffered in adulthood.

His father, Giuseppe, was choir director at the cathedral in Tortona and his talent for music was shared with his brothers Carlo, who also became a priest, and Marziano, who would later be musical director at the Duomo of Milan.

Listen to the choir of the church of the Beata Vergine in Mandria, near Padua

Lorenzo enrolled at Milan Conservatory, where he began his association with Puccini and Mascagni, after which he took his first professional post as organist at the Abbey of Montecassino.  He spent a year studying in Germany under Franz Xaver Haberl, where he learnt Renaissance polyphony, but declined a permanent teaching position in Germany in favour of a position nearer home as director of sacred music at the Duomo in Imola.

The bust of Lorenzo Perosi in the
gardens at the Pincio in Rome

From Imola he went to Solesmes Abbey, a Benedictine Monastery in France to study under the Gregorianists Dom André Mocquereau and Dom Joseph Pothier.

The appointment at St Mark's in Venice came in 1894 and brought Perosi under the influence of Cardinal Giuseppe Sarto, the Patriarch of Venice who would go on to be elected as Pope Pius X.  It was Sarto who ordained Perosi to the priesthood but just as importantly encouraged his music and was influential in his appointment in Rome.

Perosi's mental health problems began to manifest themselves in 1906, when doctors felt he was suffering from nervous exhaustion as a consequence of the hours he spent writing music in addition to his duties as a priest.

They became so severe following the deaths of both his parents within the space of a few years that at one stage his brother, Carlo, was nominated legal guardian as some doctors deemed him incurable. In time, however, his condition improved and he returned to a normal life.

He added to an already enormous body of work and the popes Pius XI and Pius XII waived the rules regarding mandatory retirement and retained him as 'maestro perpetuo' into his 80s. By the time his health deteriorated irreversibly he had served under five popes.  He died in Rome in October 1956.

The Duomo of Tortona, where Lorenzo Perosi is
buried along with his brother, Carlo

Travel tip:

Tortona is an elegant small city of around 27,000 inhabitants in the eastern part of Piedmont, roughly halfway between Milan and the Ligurian coast at Genoa.  It sits on the right bank of the Scrivia river between the plain of Marengo and the foothills of the Ligurian Apennines.  Lorenzo Perosi, along with his brother, Carlo, is buried at the Duomo, where his father was the choir director.  The Duomo has a 19th century neoclassical facade but the building itself dates back to the 16th century.


Travel tip:

The Sistine Chapel choir is one of the oldest religious choirs in the world, consisting today of 20 adult professional singers and 30 unpaid boy choristers.   Its reputation today owes much to Lorenzo Perosi, who raised its artistic level to a level as high as any it had known during his time as Maestro di Cappella and supported Pope Pius X in outlawing the use of boys whose voices were preserved by the barbaric practice of castration. Pius declared that only "whole men" should be allowed to be choristers or priests, and the last of the castrati were in time eased out of the choir.  A bust of Perosi can be found in the gardens on Pincian Hill - the Pincio - in Rome.

More reading:

How Giovanni Gabrieli helped popularity of Venetian Baroque

What made Puccini one of the greatest of opera composers

The genius of Venice's musical priest, Antonio Vivaldi

Also on this day:

1401: Birth of the great Renaissance artist Massacio

(Picture credits: bust by Lalupa; Tortona Duomo by Vincenzo da Tortona; both via Wikimedia Commons)


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Giuseppina Strepponi – soprano

Death of the woman who inspired Donizetti and Verdi

Giuseppina Strepponi in a portrait that can
be seen at the museum at Teatro alla Scala

Opera singer Giuseppina Strepponi died on this day in 1897 at the village of Sant’Agata in the province of Piacenza in Emilia-Romagna.

She was the second wife of the composer Giuseppe Verdi and is often credited with helping him achieve his first successes, having starred in several of his early operas.

Strepponi was born Clelia Maria Josepha Strepponi in Lodi, a little over 40km south-east of Milan, in 1815.

Her father was the organist at Monza Cathedral and also a composer and he gave her piano lessons when she was very young. At the age of 15 she was enrolled at the Milan Conservatory and she won first prize for singing in her final year.

Strepponi made her professional debut in 1834 at the Teatro Orfeo in Taranto and enjoyed her first success the following spring in Trieste, singing the title role in Rossini’s Matilde di Shabran. She quickly became a celebrity, singing Donizetti, Bellini and Rossini roles all over Italy to great acclaim.

A portrait of Giuseppe Verdi in 1839, the
year of his first opera, Oberto 

She made her debut at Teatro alla Scala in Milan in 1839 as Leonora in the first production of Giuseppe Verdi’s first opera, Oberto.  Her strong performance was one of the main reasons the opera was received so well.

Despite suffering illnesses, Strepponi continued to be a popular singer in the early 1840s. She sang the title role in Donizetti’s Adelia in 1841, which he had written specifically for her. In 1842 she received acclaim for her performance of Abigaille in the world premiere of Verdi’s Nabucco at La Scala.

By 1844 she was beginning to experience vocal problems and she had a disastrous season in Palermo in 1845 when she was booed by the audience.

Most of her performances after that were in Verdi operas and she retired from the stage in February 1846 at the age of 31.

Her voice had been damaged by overwork during a career in which she had several affairs and carried on working through at least three known pregnancies.

It was only after she retired and moved to Paris to become a singing teacher that what had been a professional relationship with Verdi blossomed into something more. A widower whose first wife, Margherita, had died young, Verdi visited her there and they began a romance.

The couple returned to Italy in 1849 and began living together in Busseto, Verdi’s home town. She was shunned in the town and at church because they were not married and so the couple moved to a house in the nearby village of Sant’Agata, which is today known as Villa Verdi.

Strepponi helped Verdi’s work by translating for him and supplying comments and criticism while he was composing.

The Villa Verdi, where Strepponi and Verdi lived for
almost half a century before her death in 1897

They were finally married in 1859 and lived together happily until Strepponi became bedridden through arthritis. She was 82 when she died from pneumonia on November 14, 1897, and was initially buried in Milan.

Verdi had left instructions in his will that he wanted to be buried next to her, but after his death he was buried in another cemetery in Milan.

However, so they could be together once again, on February 26, 1901 their bodies were both transferred to be buried in the oratory at the Casa di Riposo, a retirement home for musicians Verdi had created. At the ceremony, Arturo Toscanini directed a choir singing the famous Va, pensiero chorus from Nabucco.

Travel tip:

Villa Verdi, where Strepponi died, is a house Verdi owned from 1848 till his death in 1901 in the village of Sant’Agata in the province of Piacenza. He extended the original house and developed the park around the house, planting many exotic trees. Today visitors can view some of the rooms, including Strepponi’s room, with its original bed, where she died in 1897.

Hotels in Busseto by venere.com

The Basilica Cattedrale della Vergine Assunta
dominates Lodi's Piazza della Vittoria 

Travel tip:

Lodi, the birthplace of Strepponi, is a city in Lombardy, to the south-east of Milan. The town’s main square, Piazza della Vittoria, has porticoes on all four sides and is listed by the Italian Touring Club among the most beautiful squares in Italy. In 1796, in his first major battle, the young Napoleon Bonaparte defeated the Austrians in the Battle of Lodi.

Hotels in Lodi by venere.com

More reading:

The death of Giuseppe Verdi - how Italy mourned his loss

Gaetano Donizetti: the greatest composer of lyrical 
opera

How opera brought fame and wealth to Gioachino Rossini

Also on this day:

1812: The birth of Aleardo Aleardi, the poet who was an important figure in the Risorgimento movement



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Tito Gobbi – baritone

Singer found fame on both stage and screen

Tito Gobbi, pictured in 1955

Opera singer Tito Gobbi was born on this day in 1913 in Bassano del Grappa in the Veneto region.

He had a career that lasted 44 years and sang more than 100 different operatic roles on stages all over the world.

Gobbi also sang in 25 films and towards the end of his career directed opera productions throughout Europe and America.

His singing talent was discovered by a family friend while he was studying law at the University of Padua, who suggested that he studied singing instead. As a result, Gobbi moved to Rome in 1932 to study under the tenor, Giulio Crimi.

At his first audition he was accompanied at the piano by Tilde De Rensis, the daughter of musicologist Raphael De Rensis. She was later to become Gobbi’s wife.

Gobbi made his debut in 1935 in Gubbio, singing the role of Count Rodolfo in Vincenzo Bellini’s La sonnambula, and then went to work for a season at La Scala in Milan as an understudy, which gained him valuable experience.

He made his first appearance on stage there as the Herald in Ildebrando Pizzetti’s Orseolo.

Listen to Tito Gobbi singing Di provenza il mar il suol from Verdi's La Traviata

In 1942 he sang the role of Belcore in Donizetti’s L’elisir d’amore at La Scala, conducted by Tullio Serafin.

Gobbi was guided by Serafin in preparing roles, which was to be invaluable later in his career when he was cast as Scarpia, Rigoletto and Simon Boccanegra.

The movie poster for the Italian version
of the British film The Glass Mountain

He began working in films as early as 1938 when he appeared in Cilea’s L’arlesiana with Licia Albanese.

After the Second World War, Gobbi’s international career took off and he sang at the Royal Opera House in Covent Garden, the Lyric Opera in Chicago and the San Francisco Opera house.

He made his debut at The Metropolitan Opera in New York as Scarpia in Tosca.

His screen appearances continued and he starred with Anna Magnani in a contemporary drama released in 1946, Avanti a lui tremava tutta Roma (Before Him All Rome Trembled), a story which sees a group of opera singers appearing in a production of Tosca in Rome in 1944 simultaneously taking part in Italian resistance actions against the Germans.

Gobbi's performance in 1949 in the British film, The Glass Mountain, which was set in wartime Italy, made him known to a much wider audience. The theme music, Legend of the Glass Mountain, which became a contemporary hit, was by the Italian composer Nino Rota.

Tito Gobbi pictured in London in 1973

In the 1960s, Gobbi began directing, staging Verdi’s Simon Boccanegra at both Covent Garden and in Chicago.

He directed Otello in California, Chicago and Thessalonika in Greece and Gianni Schicchi by Puccini in Florence, at the Edinburgh Festival, and in Chicago, Zurich and Monaco.

Gobbi estimated that he had sung the part of Scarpia in Puccini’s Tosca nearly a thousand times.

He sang it in Franco Zeffirelli’s production of the opera at Covent Garden in 1964, when Maria Callas sang the title role and Act Two was broadcast live on British television.

Gobbi and Callas had previously sung Tosca together in a 1953 recording of the Opera in Milan, when Giuseppe di Stefano sang Cavaradossi. That recording, which has been reissued on CD, is considered the finest recording of a complete opera ever made.

In retirement the singer wrote two books, Tito Gobbi: My Life  and Tito Gobbi on his World of Italian Opera. After retiring in 1979, Gobbi died in Rome in 1984 at the age of 70.

Palladio's Ponte degli Alpini in Bassano del Grappa

Travel Tip:

Bassano del Grappa, where Tito Gobbi was born, is an historic town at the foot of Monte Grappa in the Vicenza province of the Veneto, famous for inventing grappa, a spirit made from the grape skins and stalks left over from wine production, which is popular with Italians as an after dinner drink to aid digestion. A famous sight is the Ponte degli Alpini, a bridge designed by Andrea Palladio. The painter Jacopo Bassano was born in Bassano del Grappa and took his name from the town.

Travel tip:

Gubbio, where Tito Gobbi made his opera debut, is a town in the province of Perugia in Umbria, with some fine medieval architecture in the narrow streets in the centre. Gubbio is well-known for its annual foot race, Corsa dei Ceri, held on 15 May. Three teams, devoted to Sant’Ubaldo, San Giorgio and Sant’Antonio, run through the town and up the mountain carrying a statue of their saint mounted on a tall wooden stand. A similar event is held each year in Jessup, Pensylvania, when residents race statues of the three saints through the streets.

More reading:

Luciano Pavarotti - king of the high 'Cs'

How Tullio Serafin helped Maria Callas achieve her potential

Nino Rota - film music composer who wrote The Godfather soundtrack

(Photo of  Tito Gobbi in London by Allan Warren CC-BY SA 3.0)
(Photo of Bassano del Grappa by Zyance CC BY-SA 3.0)


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Pierina Legnani - ballerina

Italian dancer who conquered St Petersburg

Pierina Legnani photographed in St
 Petersburg in around 1895

The ballerina Pierina Legnani, considered by many ballet historians to be one of the greatest dancers in history, was born on this day in 1863 in Milan.

Legnani's legacy was the 32-turn fouetté en tournant in which the dancer essentially spins on the point of one foot for 32 revolutions while maintaining perfect balance.

No ballerina had completed 32 turns before Legnani, who is said to have tried it out at the Alhambra Theatre in London before introducing the move to the wider world in 1893 on her debut at the Imperial Ballet in St Petersburg in Russia, where she was performing in the title role of Cinderella.

It came in the final act on the night of the premiere and her perfection of technique and execution caused a sensation, with many critics hailing her as the supreme ballerina of her generation.

Her feat set a new standard for future ballerinas as a yardstick of strength and technique. A sequence of 32 fouetté turns was later choreographed into the Black Swan solo in Act Three of Swan Lake, of which it continues to be a feature.

Jealous rivals criticised Legnani for what they saw as showing off, taking an audacious gamble that could have backfired horribly, both to her embarrassment and that of the Imperial Ballet. The truth was that many feared that were they challenged to match her they would fall short.

Yet it paid off and Marius Petipa, the French dancer and choreographer who was Premier Maître de Ballet at the Mariinsky Theatre, was so impressed with Legnani's technical brilliance, not to mention her bravery, the he gave her the title of prima ballerina assoluta, the first ballerina to be bestowed with such recognition.

Legnani in the Cinderella role that
would make her famous

The title was created by Petipa to signify that in his opinion Legnani, who had been prima ballerina at Teatro alla Scala in Milan, was the best of the best.  The suffix assoluta has been given to only 11 other female dancers since.

It was the making of Legnani's career.  She proved to be Petipa's greatest muse and almost every new ballet he mounted throughout his remaining years with the Imperial Ballet featured Legnani in the principal rôle.

Legnani began dancing at the age of seven and after passing auditions was accepted as a pupil at La Scala under the instruction of Caterina Beretta.  When she was old enough and proficient enough to perform on stage as part of the corps de ballet she was paid just one lira per night.

This rose to 40, 60 and then 80 lira per month.  Her professional career took off when she was named prima ballerina in a production of Salandra, by Giovanni Casati, at the Alhambra in London.

Having understudied for Maria Giuri, Legnani became prima ballerina at La Scala in 1892, the same year in which she was invited to St Petersburg.  She would enjoy eight highly successful years working with Petipa, deciding to leave only because she tired of the rivalries that developed between dancers.

A picture of ballet being performed at La Scala in about 1893

She spent the remainder of her career performing largely in Europe, principally in London, Paris and Milan, before retiring to her villa on the shores of Lake Como, maintaining a connection with ballet as a member of the examining board at La Scala.  She died in 1930, aged 67, and is buried at the cemetery in the village of Pognana Lario.

Travel tip:

The La Scala Theatre Ballet  - Corpo di ballo del Teatro alla Scala - is the resident classical ballet company at La Scala in Milan.  One of the oldest and most renowned ballet companies in the world, it predates the theatre, but was officially founded at the inauguration of La Scala in 1778.  Its history can be traced back to Renaissance courts of Italy, notably in the Sforza family’s palace in Milan.

The Villa Carlotta with its wonderful views towards
the Bellagio peninsula

Travel tip: 

Lake Como is one of the deepest lakes in Europe, with an average depth of 154m (500ft) but plunging to 425m (1,400ft) at its deepest point, more than 200m (650ft) below sea level.  Surrounded by mountains, some of which are topped with snow almost all year round, the lake offers outstanding views in all directions.  It has been a haunt of the wealthy since Roman times, when villas began to be built on the shores.

Celebrities who have or have had homes on Lake Como include Madonna, George Clooney, Gianni Versace, Ronaldinho, Sylvester Stallone and Richard Branson.

More reading:

Fanny Cerrito - Neapolitan favourite who was darling of ballet's Romantic era

La Scala is born - first night at the world's most famous opera house

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La Scala - opera and ballet theatre

First night at the world’s most famous opera house

La Scala opera house is located in the heart of Milan

Milan’s Teatro alla Scala was officially inaugurated on this day in 1778.

Known to Italians simply as La Scala, the theatre has become the leading opera house in the world and many famous artists have appeared there.

A fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A group of 90 wealthy patrons, the owners of private boxes in the theatre, wrote to Archduke Ferdinand of Austria-Este asking that a new theatre be built.

The new theatre was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. The church was deconsecrated and demolished to make way for the theatre. 

With the cost of the project met by the 90 patrons, who paid in advance for boxes, the new theatre was designed by neoclassical architect Giuseppe Piermarini and at the official opening on 3 August 1778, Antonio Salieri’s opera L’Europa Riconosciuta was premiered.

As with most theatres at the time, the main floor had no seats, with audience members standing to watch the performances. This had the effect of making the theatre a meeting place, but also a venue for business dealings, and sometimes the noise generated by the traders would bring complaints from genuine opera-lovers that their enjoyment was impaired.

Oil lamps illuminate the venue at first. Mindful of the fire hazard this posed, the theatre managers always made sure that there were hundreds of buckets of water to hand in rooms adjoining the auditorium.

The world’s finest singers have appeared at La Scala during the past 200 years and the theatre has hosted the premieres of operas by Rossini, Donizetti, Verdi and Puccini.

La Scala’s original 18th century structure was renovated in 1907 and, after bomb damage during the Second World War, it had to be rebuilt and was reopened in 1946, the occasion marked with a concert conducted by Arturo Toscanini, who was twice La Scala's principal conductor, with a soprano solo by Renata Tebaldi.

The beautiful Galleria Vittorio Emanuele II

Travel tip:

Teatro alla Scala is in Piazza della Scala in the centre of Milan across the road from the Galleria Vittorio Emanuele II, an elegant arcade lined with cafes, shops and restaurants which was built to link Piazza della Scala with Piazza del Duomo, Milan’s cathedral square.

Travel tip:

La Scala has a fascinating museum that displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli, just off Piazza della Scala. It is open every day except the Italian Bank Holidays and a few days when it is closed in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

(Photo of Galleria by Emily Chochkova CC BY-SA 3.0)

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Renata Tebaldi – opera singer

Performer with a beautiful lirico soprano voice

Renata Tebaldi pictured in 1961

Opera singer Renata Tebaldi was born on this day in 1922 in Pesaro.

Said by the conductor Arturo Toscanini to possess ‘the voice of an angel’, Tebaldi had a long stage career and made numerous recordings.

Her parents had separated before her birth and she grew up in the home of her maternal grandparents in Langhirano in the province of Parma in Emilia-Romagna.

Tebaldi was stricken with polio at the age of three but later became interested in music and sang in the church choir. She was sent to have piano lessons but the teacher decided she should study singing instead and arranged for her to attend the conservatory in Parma. She later transferred to Liceo Musicale Rossini in Pesaro.

Tebaldi made her stage debut in 1944, while Italy was still at war, in Arrigo Boito’s Mefistofele at the Teatro Sociale in Rovigo but her beautiful voice first began to attract attention in 1946 when she appeared as Desdemona in Giuseppe Verdi’s Otello in Trieste.

She auditioned for Toscanini who was immediately impressed by her and she made her debut at Teatro alla Scala in 1946 singing in a concert to mark the reopening of the theatre after the Second World War.

Mario Del Monaco was famous for his
portrayal of Giuseppe Verdi's Otello

The following year, she played her first operatic role - Eva in Wagner’s Die Meistersinger von Nürnberg - at the same opera house.

Toscanini encouraged her to learn to sing the part of Aida and to rehearse in his own studio.

She made her debut in the role at La Scala in 1950 alongside Mario Del Monaco, which helped launch her international career.

In 1950 Maria Callas was taken on at La Scala as a substitute Aida when Tebaldi was indisposed.

There were rumours of rivalry between them for the rest of their careers although Tebaldi considered herself to be a lyric soprano and Callas considered herself to be a dramatic coloratura soprano.

Nonetheless, partly for the sake of peace, Tebaldi decided to spend a lot of time in the United States. She made her debut at the Metropolitan Opera in New York in 1955, where she sang regularly until her last appearance in 1973, signing off as she had begun with a performance as Desdemona in Otello.

She retired from singing completely in 1976 and died at the age of 82 at her home in San Marino.

A small museum dedicated to Tebaldi has been opened in the stables of the Villa Pallavicino in Busseto - Verdi's home town - which is also the home of the National Giuseppe Verdi Museum. Among the exhibits are many costumes and mementoes from her personal life, including letters from John F Kennedy and Rudy Giuliani, the former Mayor of New York.

The Teatro Lirico Giuseppe Verdi in Trieste, where
Renata Tebaldi enjoyed her first success

Travel tip:

Teatro Lirico Giuseppe Verdi in Trieste, where Tebaldi had her first big stage success, was built to replace a smaller theatre and inaugurated as Teatro Nuovo in 1801. It was the site of the premiere of Verdi’s opera Il Corsaro in 1848 featuring soprano Giuseppina Strepponi, who Verdi later married. Within hours of Verdi’s death in 1901 the theatre had been renamed in honour of the composer.

The Castle of Torrechiara towers above the town
of Langhirano, near the city of Parma

Travel tip:

Langhirano, Renata Tebaldi’s home town, is situated about about 90km (56 miles) west of Bologna and about 20km (12 miles) south of Parma in Emilia-Romagna. It is known for the big 15th century Castle of Torrechiara, perched on high ground overlooking a valley, where a music festival dedicated to Renata Tebaldi is held each summer. Although Tebaldi died in San Marino, she was buried at Langhirano Cemetery.

More reading:

Chance opportunity that turned cellist Toscanini into a conductor

Arrigo Boito - the composer who fought under Garibaldi

What made Mario Del Monaco one of the great Otellos

Also on this day:

1690: The birth of virtuoso violinist Francesco Maria Veracini

1891: The birth of Corradino d'Ascanio, designer of the Vespa scooter

(Picture credits: Renata Tebaldi by Umberto Borsò; Castle of Torrechiara by Fabio Macor via Creative Commons)


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Carlo Tagliabue – opera singer

Powerful performer remembered for his Don Carlo

A leading Italian baritone in the middle of the last century, Carlo Tagliabue was born on this day in 1898 in Mariano Comense near Como in Lombardy.

Carlo Tagliabue

He particularly excelled in Verdi roles at the height of his career and continued to perform on stage and make recordings when he was well into his fifties.

After studying in Milan, Tagliabue made his debut on stage at a theatre in Lodi in 1922 singing Amonasro, King of Ethiopia, in Aida.

He went on to sing in Richard Wagner’s Tristan und Isolde, when it was performed in Italian at theatres in Genoa, Turin , Milan , Rome and Naples.

He later became known for his performances in Verdi operas, particularly La forza del destino, Rigoletto, La traviata, Nabucco and Otello and he was consistently praised for the power of his voice.

Tagliabue is also remembered for creating the role of Basilio in the world premiere of Respighi’s La fiamma in 1934.

Listen to Carlo Tagliabue sing Di provenza il mar from Verdi's La Traviata

He went on to sing in Buenos Aires, New York, San Francisco and London but his final performance was in 1955 on the stage of La Scala in Milan as Don Carlo in La forza del destino, singing alongside Maria Callas playing Donna Leonora.

Tagliabue retired to teach in 1958 and died at the age of 80 in Monza in 1978.

More opera -- Giacomo Puccini, born 22 December, 1858.

More music -- Death of violin maker Antonio Stradivari, 18 December, 1737

Travel tip:

The Villa Olmo in Como
Photo: Geobia (CC BY-SA 3.0)

Como, to the north of Mariano Comense, the small town where Tagliabue was born, is right on the edge of Lake Como and a popular tourist destination with palaces, museums, parks and theatres to visit. There is an 18th century house, the Villa Olmo, which is set in magnificent grounds are open to the public and there is a 13th century town hall, known as the Broletto, striped in pink, white and grey, with a pretty balcony that was used for addressing the people.


Travel tip:

Lodi, where Tagliabue made his stage debut, is an historic city south east of Milan that was ruled by the Visconti family in the 15th century. There are still remains of the castle they built there but one of the main attractions is the Church of the Beata Vergine Incoronata, near Piazza della Vittoria, Lodi’s main square, which is considered to be one of the most beautiful Renaissance buildings in Lombardy.

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Giacomo Puccini – opera composer

Musical genius who took the baton from Verdi

Giacomo Puccini, one of the greatest composers of Italian opera, was born on this day in 1858 in Lucca in Tuscany.

Giacomo Puccini, pictured in
New York in 1908

He had his first success with his opera, Manon Lescaut, just after the premiere of Verdi’s last opera, Falstaff. Manon Lescaut was a triumph with both the public and the critics, and he was hailed as a worthy successor to Verdi.

.

Puccini was born into a musical family who encouraged him to study music as a child while he was growing up in Lucca.

He moved to Milan to continue his studies at the Milan Conservatory, where he was able to study under the guidance of the composer, Amilcare Ponchielli.

He wrote an orchestral piece that impressed Ponchielli and his other teachers when it was first performed at a student concert. Ponchielli then suggested that Puccini’s next work might be an opera.

Watch Andrea Bocelli sing Puccini's Nessun Dorma in London in 2012

Puccini’s first attempt at opera was successful enough for it to be purchased by a firm of music publishers and after some revisions it was performed at La Scala in Milan.

But when his next opera, Edgar, was first performed at La Scala it was not so well received.

After some revisions it was performed again in Lucca where it was more popular.

But his next opera, Manon Lescaut, was a triumph when it was first performed in Turin in 1893.

His next three operas, La Boheme, Tosca and Madam Butterfly, were also big successes and are still regularly performed today.

His final opera, Turandot, was still not completed when he died, but Puccini was able to leave the world with the amazing aria, Nessun Dorma.

Puccini died in Brussels in 1924 after unsuccessful treatment for throat cancer. When news of his death reached Rome during a performance of La Boheme, the opera was immediately stopped and the orchestra played Chopin’s Funeral March to the saddened audience.

Puccini’s body was buried inside a mausoleum built after his death in his villa at Torre del Lago in Tuscany.

More opera -- Domenico Cimarosa, father of comic opera, born 17 December, 1749

Travel tip:

You can still visit Puccini’s birthplace in Corte San Lorenzo in Lucca . The house is now a museum containing many of the composer’s furniture, personal items and letters. For more information visit www.fondazionegiacomopuccini.it 

The statue of Giacomo Puccini at Torre del Lago,
where he made his home
Photo: Sailko (CC BY-SA 3.0)

Travel tip:

Puccini restored a house at Torre del Lago to live in after he became successful. He is buried along with members of his family in a mausoleum built at the house. For more information visit www.giacomopuccini.it

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