Showing posts with label Pope Julius II. Show all posts
Showing posts with label Pope Julius II. Show all posts

10 July 2023

Ludovico Chigi – Grand Master of the Sovereign Military Order of Malta

Roman with many titles had powerful ancestors

Ludovico Chigi, pictured in his ceremonial uniform
Ludovico Chigi, pictured in
his ceremonial uniform
Ludovico Chigi Albani della Rovere was born on this day in 1866 in Ariccia, a town in the Alban Hills to the southeast of Rome.

Chigi was the son of Imperial Prince Mario Chigi della Rovere-Albani and his wife, Princess Antoinette zu Sayn-Wittgenstein-Sayn. His father’s family, the Chigi, was one of the most prominent noble Roman families and they were descended from the rich and powerful banker, Agostino Chigi.

Another of their ancestors was Pope Alexander VII, who in the 17th century had conferred upon his nephew, Agostino Chigi, the hereditary princedoms of Farnese and Campagnano and the dukedoms of Ariccia and Formello. Chigi made his money in Siena but moved to Rome, taking his vast wealth with him, and he lent considerable sums of money to his uncle, the Pope.

For all the descendants of the Chigi male line, Pope Alexander VII had procured the title of Imperial Prince and Princess from the Holy Roman Emperor, Leopold I.

Agostino Chigi had also helped Pope Julius II financially and had been made treasury and notary of the Apostolic Camera. Julius II had authorised the Chigi family to augment their name and arms with his own, Della Rovere, and he had become their relative through lines of descent from his illegitimate daughter, Felice della Rovere.

Ludovico married Donna Anna Aldobrandini, the daughter of Pietro, Prince Aldobrandini, in 1893. They had two children, Prince Sigismondo and Princess Laura Maria Caterina.

In 1914, Ludovico succeeded his father and became eighth Prince of Farnese and Campagnano and inherited many other titles.

He was responsible for three papal conclaves and became an honorary member of the Pontifical Academy of Sciences.

Agostino Chigi, the banker who founded the Chigi dynasty
Agostino Chigi, the banker who
founded the Chigi dynasty
In 1931, Ludovico was elected Grand Master of the Sovereign Military Order of Malta. Both of his parents had been members of the Order.

The Sovereign Military Hospitaller Order of Saint John of Jerusalem of Rhodes and of Malta, to give it its full name, is a Roman Catholic organisation based in Rome with about 13,000 members worldwide. 

It was founded in 1048 by merchants from Amalfi, who were in Jerusalem as a monastic order and ran a hospital to tend to Christian pilgrims in the Holy Land.

At the height of its power, the Order was also tasked by Rome with the additional military function of defending Christians from the local Muslim population.

The Knights of St. John were just one of the Christian military orders founded during this period.

When the Sultan of Egypt retook Jerusalem in 1291, the Knights of St. John went into exile, settling in Rhodes 20 years later. In 1523, they were forced from Rhodes by the Sultan’s forces and settled in Malta, which they ruled until they were dislodged by Napoleon’s army in 1798. 

It is for that reason that the organisation began to be known as the Order of Malta or Knights of Malta.

After the defeat by the French, the Order then settled in Rome in the mid-19th century, where it remains to this day.

The Knights have had no military function since leaving Malta and have since sponsored medical missions in more than 120 countries. Under Ludovico’s leadership during World War II, the Order conducted hospital and charity work on a large scale.

In 1947, Ludovico was appointed president of an international committee to oversee the rebuilding of the Abbey of Monte Cassino.

Ludovico died in 1951 in Rome at the age of 85.  

Gian Lorenzo Bernini's Collegiata di Santa Maria Assunta is a feature of the town of Ariccia
Gian Lorenzo Bernini's Collegiata di Santa Maria
Assunta is a feature of the town of Ariccia
Travel tip:

Ariccia, where Ludovico was born, is one of the Castelli Romani towns, situated in the Parco Regionale dei Castelli Romani. Some 25km (15.5 miles) from Rome, Ariccia has become famous for its porchetta, which is cooked slowly with wild fennel. The Sagra della Porchetta festival takes place every year during the first weekend of September, when the town celebrates with music, dancing, stalls and exhibitions. This festival began in 1950 and is one of the most traditional festivals in the Lazio region, which helps to promote porchetta to other parts of Italy and the world.  As part of the Castelli Romani, the town is also known for its wine production. Ariccia's main church, the Collegiata di Santa Maria Assunta, completed in 1664, was designed by Gian Lorenzo Bernini.

The Chigi family's legacy in Rome includes the
Palazzo Chigi, the prime minister's official residence 
Travel tip:

The 16th-century Palazzo Chigi, which overlooks the Via del Corso in Rome, was completed by Carlo Maderno in 1580 for the Aldobrandini family. It was in the ownership of the Chigi family from 1659 until the 19th century. After a period as the residence of the Austro-Hungarian Ambassador to Italy, it was bought by the Italian state in 1916. It was used first as the residence of the Minister for Colonial Affairs and later the Minister of Foreign Affairs before, in 1961, becoming the official meeting place of the Council of Ministers, whose president is the head of the Italian government - the prime minister - and can now use the palace as his official residence.

Also on this day:

138: The death of the Roman emperor, Hadrian

1510: The death of Caterina Cornaro, Queen of Cyprus

1954: The death of Mafia chieftain Calogero Vizzini


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11 April 2023

Donato Bramante - architect and painter

Father of High Renaissance style left outstanding legacy

Bramante made his mark in Rome in the 16th century
Bramante made his mark in
Rome in the 16th century
The architect and painter Donato Bramante, credited with introducing High Renaissance architecture to Rome, died on this day in 1514 in Rome, probably aged around 70.

Bramante, who was also a perspectivist painter, worked in Milan before moving to Rome, where he produced the original designs for St Peter’s Basilica and built several buildings and structures considered to be masterpieces of early 16th century architecture.

These include the Tempietto di San Pietro in Montorio on the summit of the Janiculum Hill, the Chiostro di Santa Maria della Pace near Piazza Navona, the Cortile del Belvedere and Scala del Bramante in the Vatican and the Palazzo della Cancelleria, located between Campo de' Fiori and Corso Vittorio Emanuele II.

Bramante was born Donato di Pascuccio d'Antonio in around 1444 to a well-to-do farming family in Fermignano, a town in what is now the Marche region, a few kilometres south of Urbino. He was also known as Bramante Lazzari. 

Little is known of his early life, although it is possible he worked on the construction site of Federico da Montefeltro's Palazzo Ducale in Urbino, having trained under its architect, Luciano Laurana.

He moved to Milan in 1476 and the first work definitively attributed to him was in Bergamo, 50km (31 miles) or so to the northeast, where he painted murals, notably on the facade of the Palazzo del Podestà in 1477. His mastery of perspective is thought to have been influenced by Piero della Francesca, his contemporary.

In Milan, Ludovico Sforza appointed Bramante his court architect on the recommendation of his brother, Cardinal Ascanio Sforza. His work there included the a rectory and cloisters of the Basilica of Sant'Ambrogio, which featured his characteristic use of arches, and alterations to the church of Santa Maria Delle Grazie - famously the home of Leonardo da Vinci’s fresco The Last Supper - where he added a cloister, a rectory and a dome surrounded by columns. 

Bramante's original design for the dome of St Peter's Basilica
Bramante's original design for the
dome of St Peter's Basilica
In 1499, however, Bramante’s time in Milan came to an abrupt end in 1499, when Ludovico Sforza was driven out by an invading French army. Bramante moved to Rome.

There, he immersed himself in the study of the architecture of ancient Rome, which would influence the style that became known as High Renaissance.

He became known to Giuliano della Rovere, the Cardinal who was the future Pope Julius II, his biggest patron. It was Julius who commissioned Bramante to build a new St Peter's, replacing the basilica erected by Constantine in the fourth century, which he envisaged would be the greatest Christian church ever constructed. 

There was a competition organised, which Bramante won with a design based on an enormous Greek-cross structure topped by a central dome inspired by that of the huge circular Roman temple, the Pantheon. However when Pope Julius died in 1513, his successor replaced Bramante with Giuliano da Sangallo and Fra Giocondo, and the commission then passed to Raphael in 1514, a few months after Bramante’s own death. It was not until 1547 that Michelangelo took over as chief architect, making substantial changes to Bramante's original plan.

St Peter’s Basilica apart, Julius II employed Bramante on many more projects, including whole complexes of buildings, fountains and street layouts as the pontiff set about a programme of urban regeneration. 

Among these, his Cortile del Belvedere - Belvedere Courtyard - a long, rectangular courtyard connecting the Vatican Palace with the Villa Belvedere in a series of terraces, linked by stairs, influenced the design of courtyards across Europe.

The Tempietto di San Pietro is considered a Bramante masterpiece
The Tempietto di San Pietro is
considered a Bramante masterpiece
His Scala del Bramante, meanwhile, though described as a staircase, was in fact a ramp, an innovative double-helix spiral connecting the Vatican's Belvedere Palace to the outside world of Rome. Lined with granite Doric columns and featuring a herringbone paving pattern, it was designed to allow Julius II to enter his private residence while still in his carriage.  

Two of Bramante’s most acclaimed masterpieces, those that earned him the description of Father of the High Renaissance, were the cloister at Santa Maria della Pace, commissioned by Cardinal Oliviero Carafa around 1500, with a magnificent upper gallery characterised by alternating Corinthian pilasters and columns, and the Tempietto di San Pietro, commissioned by Ferdinand and Isabella of Spain, a circular temple composed of slender Tuscan columns, modelled after the ancient Roman Theatre of Marcellus.

An extrovert character who wrote poetry and music, Bramante was a close friend of Raphael, in whose fresco The School of Athens he depicts Bramante as the mathematician, Euclid.




The town of Fermignano can be found  a few kilometres south of Urbino
The town of Fermignano can be found 
a few kilometres south of Urbino
Travel tip:

Fermignano, Bramante’s birthplace, has a history that dates back to Roman times, when it was the location for the defeat of Hannibal’s Carthaginian army, led by his brother, Hasdrubal, in 207BC.  Significant buildings include the Delle Milizie tower and a Roman bridge over the Metauro river. A former paper mill located in Via Santa Veneranda used to be rented out by the Montefeltro family. The church of San Giacomo  in Compostela is an important historical monument with 14th and 15th century frescoes. A contemporary art gallery in the town is named after Bramante.

The rectangular Cortile del Belvedere, designed by Bramante, can be found in the Vatican City
The rectangular Cortile del Belvedere, designed by
Bramante, can be found in the Vatican City
Travel tip:

The Vatican City, which contains some of Bramante’s most significant work, occupies an area of 44 hectares (110 acres) within the city of Rome and has approximately 1,000 citizens. Since 1929, it has enjoyed the status of the smallest sovereign state in the world by both area and population. It came into existence when an agreement was signed between the Kingdom of Italy and the Holy See to recognise the Vatican as an independent state. The treaty - known as the Lateran Treaty - settled what had been a long-running dispute regarding the power of the Popes as rulers of civil territory within a united Italy.  The treaty was named after the Lateran Palace where the agreement was signed and although the signatory for the Italian government was the Fascist dictator Benito Mussolini, succeeding democratic governments have all upheld the treaty.


Also on this day:

1512: The Battle of Ravenna

1890: The birth of dictator’s wife Rachele Mussolini

1987: The death of writer and Auschwitz survivor Primo Levi


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20 February 2019

Francesco Maria II della Rovere - the last Duke of Urbino

Last male in famous family line


Francesco II della Rovere, as depicted by the Italian painter Federico Barocci in 1572 (Uffizi Gallery)
Francesco Maria II della Rovere, as depicted by Italian
painter Federico Barocci in 1572 (Uffizi Gallery)
Francesco Maria II della Rovere, the last holder of the title Duke of Urbino and the last surviving male from a famous noble family, was born on this day in 1549 in Pesaro in Le Marche.

Descended from the 15th century Pope Sixtus IV, Francesco Maria II’s only male heir, Federico Ubaldo della Rovere, died without fathering a son, which meant the Duchy reverted to Francesco Maria II, who in turn was convinced he should give it to Pope Urban VIII, of the Barberini family.

Federico’s daughter, Vittoria della Rovere, had been convinced she would be made Duchess of Urbino but had to be content with the Duchies of Rovere and Montefeltro, as well as an art collection that became the property of Florence after she had married Ferdinando II de’ Medici.

Pope Sixtus IV, best known for building the Sistine Chapel in the Apostolic Palace, the official papal residence in Vatican City, had come from a poor family in Savona in Liguria, but once elected pope became wealthy and powerful and set about ensuring that his personal prosperity was used to the betterment of his family.

He soon made his nephews Giuliano della Rovere (the future Pope Julius II) and Pietro Riario both cardinals and bishops, while appointing four other nephews as cardinals.

Vittoria della Rovere, granddaughter of Francesco Maria II, was the last to carry the family name
Vittoria della Rovere, granddaughter of Francesco
Maria II, was the last to carry the family name 
He made Giovanni Della Rovere - Giuliano’s brother - prefect of Rome, and arranged for him to marry into the da Montefeltro family, dukes of Urbino.

Guidobaldo da Montefeltro adopted Francesco Maria I della Rovere, his sister's child and nephew of Pope Julius II, and named him as heir of the Duchy of Urbino in 1504.

Francesco Maria I inherited the duchy in 1508 thereby starting the line of Rovere Dukes of Urbino. Francesco Maria II della Rovere was his grandson after the third Rovere to hold the title.

As a young man, Francesco Maria II was raised at the court of Philip II of Spain. He would have married a Spanish girl but his father, Guidobaldo II della Rovere, forbade it and demanded he return to Urbino.

Instead, he married Lucrezia d'Este, a daughter of Ercole II d'Este and became Duke of Urbino in 1574, when his father died.

Francesco Maria II inherited considerable debts, however, and was forced to sell the Duchy of Sora and the family’s historic seat in Arce in Lazio.

The Ducal Palace at Pesaro, where Francesco Maria II was born
The Ducal Palace at Pesaro, where
Francesco Maria II was born
His marriage to Lucrezia  remained childless, which was bad news because without an heir his family's would lapse on his death and his entire estate would be acquired, by default, by the Papal States.

It was fortunate, then, that the death of Lucrezia in 1599 allowed him to marry his teenage cousin, Livia della Rovere, who had a male child, Federico Ubaldo, in 1605. He became Duke of Urbino on being married in 1621 but died only two years later, from epilepsy, leaving only a daughter, the aforementioned Vittoria Della Rovere.

The aging Francesco Maria II took up the title of Duke again, but as there was no more hopes of there being a male heir he arranged for his Duchy to be annexed to the Papal States after his death in 1631.

Vittoria inherited the Duke's art collection but after marrying into the Medici family and had it transferred to Florence to the Uffizi Gallery and the Palazzo Pitti, where it remains today.

The Fortezza del Priamar was built by the Genoese to protect the city of Savona in the 16th century
The Fortezza del Priamar was built by the Genoese to
protect the city of Savona in the 16th century
Travel tip:

The third largest city in Liguria after Genoa and La Spezia, Savona, where the Della Rovere family originated, used to be one of the biggest centres of the Italian iron industry, the iron-works and foundries providing materials for shipbuilding and railways among other things. It also has a busy port but as well as industrial areas the city has a charming medieval centre containing architectural gems such as the baroque Cattedrale di Nostra Signora Assunta - behind which is Italy’s other Sistine Chapel, like the Rome version erected by Pope Sixtus IV - and the Fortezza del Priamar, built by the Genoese in 1542 after their conquest of the city and later used a prison. It was there in 1830 that the revolutionary Giuseppe Mazzini was imprisoned. There is a Palazzo Della Rovere built by Cardinal Giulio della Rovere and designed by Giuliano da Sangallo.

Stay in Savona with Booking.com

The resort city of Pesaro has a long stretch of sandy  beach that is free for public use
The resort city of Pesaro has a long stretch of sandy
 beach that is free for public use
Travel tip:

Pesaro, where Francesco Maria II was born, is a coastal city and resort in Le Marche about 35km (22 miles) from Urbino. It has a 15th century Ducal Palace, commissioned by Alessandro Sforza. The city has become well known for being the home of the opera composer Gioachino Rossini, who was born there in 1792. There is a Rossini Opera Festival every summer and Pesaro is home to the Conservatorio Statale di Musica Gioachino Rossini, which was founded from a legacy left by the composer. Look out also for the Rocca Costanza, a massive castle built by Costanzo I Sforza. Of the 17th century Mura Roveresche - the Della Rovere Walls - demolished in the early 20th century, only the Porta del Ponte and Porta Rimini gates remain.


1778: The death of Laura Bassi, physics professor who broke new ground for female academics

1816: Rossini's opera The Barber of Seville premieres in Rome

1993: The death of car marker Ferruccio Lamborghini

(Picture credits: Ducal Palace by Italtrucker; Savona fortress by Diani Stefano; Pesaro beach by Whiskerdisco; all via Wikimedia Commons)

6 January 2019

Baldassare Verazzi - painter

Piedmontese artist famous for image of uprising in Milan


Verazzi's Episodio delle Cinque Giornate
 (Combattimento a Palazzo Litta)
The painter Baldassare Verazzi, whose most famous work depicts a scene from the anti-Austrian uprising known as The Five Days of Milan, was born on this day in 1819 in Caprezzo, a tiny village in Piedmont, 120km (75 miles) from Turin in the hills above Lake Maggiore.

Something of a revolutionary in that he was an active supporter of the Risorgimento, it is supposed that he was in Milan in 1848 when citizens rose up against the ruling forces of the Austrian Empire, which controlled much of northern Italy.

The Cinque Giornate di Milano, in March of that year, comprised five days of street fighting that eventually resulted in the Austrian garrison being expelled from the city, marking the start of the First Italian War of Independence.

Verazzi’s painting, which is today on display at the Museum of the Risorgimento in the Castello Sforza in Milan, is entitled Episodio delle Cinque Giornate (Combattimento a Palazzo Litta), and shows three figures sheltering behind a barricade while another aims a rifle over the barricade, presumably in the direction of Austrian troops.

Born into a family of humble origins, Verazzi studied at the Brera Academy in Milan from 1833 to 1842 under the guidance of the Venetian painter Francesco Hayez. He participated in numerous art exhibitions in Milan and Turin.

In 1851 he won the prestigious Canonica Prize with The Parable of the Samaritan and in 1854 the Mylius Prize with his portrait of Raphael, which was presented to Pope Julius II.

Verazzi's Portrait of a Gentleman and Girls, in the National Museum of Fine Arts in Buenos Aires
Verazzi's Portrait of a Gentleman and Girls, in the
National Museum of Fine Arts in Buenos Aires
He became sought after for his frescoes, depicting historical scenes, such as his work on the dome of the enclosed annex to the Fatebenesorelle Hospital in Milan.

Although he had no shortage of work in Lombardy and Piedmont - his paintings can be found in many churches across the two regions - Verazzi took the bold decision in 1856 to move to South America.

Settling first in Buenos Aires, he became known for his historical and allegorical compositions, and for portraits, as well as the decorations at the Teatro Colón.

In Buenos Aires an intense rivalry developed between him and another Italian painter, Ignazio Manzoni, while he also had a dispute with General Justo José de Urquiza, an influential politician and military leader, which led him to move on to Montevideo in Uruguay, where he became a sought-after portraitist and decorated the frescoes of the Rotonda of the city cemetery.

Between Argentina, Uruguay and Brazil, he spent 12 fruitful years of his artistic career in South America, where he became one of the most appreciated and well-known painters.

He returned to Italy in 1868 but decided not to reopen his former studio in Milan in favour of taking up residence again in Caprezzo, although he ultimately decided that the wealth he had accumulated in South America deserved something grander.

Eventually, he took a fancy to the small town of Lesa, on the shores of Lake Maggiore and a favourite of the novelist Alessandro Manzoni.

He bought a extensive property in the hamlet of Villa Lesa, where he spent the last 16 years of his life, 1870 to 1886, and where his son Serafino, who also became a noted painter, was born in 1875.

The town of Lesa on the shores of Lake Maggiore, which was once the home of novelist Alessandro Manzoni
The town of Lesa on the shores of Lake Maggiore, which
was once the home of novelist Alessandro Manzoni
Travel tip:

Lesa is a pretty town on the shores of Lake Maggiore, halfway between Stresa and Arona, known for its calm atmosphere and beautiful views. The town and surrounding area is notable for its many extravagant villas and palaces, with gardens and distinctive architecture, a legacy of its one-time popularity with noble families. It remains a sought-after area for the wealthy, such as the businessman and former prime minister Silvio Berlusconi, who owns the Villa Campari, built by Gaspare Campari, inventor of the famous aperitif liqueur.  On the lakeshore are the ruins of a castle that once guarded the town.

The Cascata del Toce waterfall is one of the attractions of the province of Verbano-Cusio-Ossola in Piedmont
The Cascata del Toce waterfall is one of the attractions
of the province of Verbano-Cusio-Ossola in Piedmont
Travel tip:

Caprezzo is part of the province of Verbano-Cusio-Ossola, an area of unspoiled nature that encompasses many beautiful valleys such as Val d’Ossola, through which flows the Toce River and the dramatic Cascata del Toce waterfall. The area includes the picturesque Lake Mergozzo, the northern bank of Lake Orta and the town of Omegna, which in the early part of the 20th century was famous for the production of small domestic appliances, including the first coffee makers and pressure cookers. The province includes the western bank of Lake Maggiore that hosts renowned resorts of Cannobio, Cannero Riviera, Verbania, Baveno and Stresa, as well as the Borromean Islands, lying in the middle of Lake Maggiore, including the Baroque palace and gardens of Isola Bella.

More reading:

What happened in the Five Days of Milan

Why Alessandro Manzoni is considered to have written the greatest novel in Italian history

Garibaldi and the Expedition of the Thousand

Also on this day:

Befana - the Italian tradition on January 6

1907: Educationalist Maria Montessori opens her first school

1938: The birth of Italy's biggest-selling recording artist Adriano Celentano


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1 November 2017

Sistine Chapel ceiling revealed

All Saints’ Day chosen to show off Michelangelo’s work


The Creation of Adam, centrepiece of Michelangelo's Sistine Chapel ceiling, is among the most famous images in the world
The Creation of Adam, centrepiece of Michelangelo's Sistine
Chapel ceiling, is among the most famous images in the world 
Michelangelo’s ceiling frescoes in the Sistine Chapel were unveiled for public viewing for the first time on this day in 1512.

The date of All Saints’ Day was chosen by Pope Julius II, who had commissioned Michelangelo, because he felt it appropriate to show off the frescoes on a significant festival in the Catholic Church year.

The frescoes, the central nine panels of which depict stories from the Book of Genesis, has become one of the most famous works of art in the world, the image of The Creation of Adam rivalled only perhaps by Leonardo da Vinci’s Mona Lisa for iconic status.

Yet Michelangelo was reluctant initially to take on the project, which was first mooted in 1506 as part of a general programme of rebuilding of St Peter’s Basilica being undertaken by Julius II, who felt that the Sistine Chapel, which had restored by his uncle, Pope Sixtus IV, ought to have a ceiling that carried more meaningful decoration than the gold stars on a blue background of his uncle’s design.

The ceiling in all its glory
The ceiling in all its glory
Michelangelo, only 31 or 32 at the time, regarded himself as a sculptor rather than a painter. Already famous for his Pietà in St Peter’s Basilica and for his David in Florence, he was busy working on Julius II’s marble tomb, which would include a third great sculptured figure, that of Moses. 

When Julius became distracted by a war against the French, Michelangelo took the opportunity to make himself scarce, taking refuge away from Rome in the hope that the pope would somehow forget his ideas for the chapel and allow him to continue uninterrupted on the tomb.

However, in 1508 Julius summoned Michelangelo to begin work on the ceiling as discussed.  Feeling he had little choice, he signed the contract, although only on condition that he had a free hand over the content of his frescoes, rather than follow the pope’s idea for depictions of the Twelve Apostles, which Michelangelo felt lacked imagination.

For four years, Michelangelo and his assistants were engaged on the project, working from a unique system of platforms, balanced on a wooden scaffold and attached to the walls by brackets.  Contrary to the idea that was suggested in a movie made about his life in which Charlton Heston took the part of the artist, Michelangelo did not paint lying on his back but standing up, although craning his neck to paint above his head took its toll on his physical health.

He felt the damage to his spine turned him into an old man prematurely and that he had paid a high price but the end result was an extraordinary work, including more than 300 figures in a story in which he set out to depict the Creation, the Fall of Man, the promise of salvation through the prophets and the geneology of Christ.

The Fall and Expulsion from the Garden of Eden - another section of Michelangelo's ceiling fresco
The Fall and Expulsion from the Garden of Eden - another
section of Michelangelo's ceiling frescoes
The famous Creation of Adam, in which the index finger of God’s outstretched right arm is almost touching the left index finger of a languid, reclining Adam, is generally thought to depict Genesis 1:27, which contains the words: “God created man in His own image, in the image of God He created him.”

The picture shows a totally naked Adam and portrays God, who is clothed, as a muscular figure with human form, with long, white hair and a white beard.  It was the first time a painter had represented God as such a dynamic figure; in other works, God was often depicted as a hand reaching down through clouds.

The other interesting feature is that behind God and the figures surrounding him is what looks like a swirling cloak that forms an anatomically accurate outline of the human brain, although others have hypothesised that it is meant to represent a human uterus and the scarf hanging from the cloak an umbilical cord, supporting the theory that the picture symbolises birth.

Michelangelo is said to have wanted more time to perfect the work but, under some pressure from Julius II, he revealed it on November 1, 1512 to general acclaim, before returning to work on Julius’s tomb, which can nowadays be found in the church of San Pietro in Vincoli.

Today, the ceiling of the Sistine Chapel, situated within the Apostolic Palace, which is the official residence of the popes, is visited by some five million people each year at a rate of about 25,000 every day.

The chapel is a significant building in the Vatican in that it is the place in which the cardinals meet in papal conclave to elect a new pope. For a while, because of the grime and dirt that had collected on its surface, the detail of the frescoes were almost invisible.  But, between 1980 and 1999, teams of experts successfully removed the soot deposits left behind by burning candles and restored the colours to their original vividness (although some critics said the colours were too bright).

Michelangelo is said to have been paid 3,000 ducats for his work on the project, the equivalent of about $78,000, or €67,000 today.

The rather plain exterior of the Cistine Chapel, deep within the Vatican complex
The rather plain exterior of the Cistine Chapel, deep
within the Vatican complex
Travel tip:

The Sistine Chapel is in the Apostolic Palace, where the Pope lives, in Vatican City. The chapel takes its name from Pope Sixtus IV, the uncle of Pope Julius II, who had it restored during his papacy. Michelangelo’s contribution also includes The Last Judgment, which is painted on the altar wall of the chapel and was not finished until 25 years after he completed work on the ceiling. The work was controversial for its depiction of nudity, some of which the Council of Trent, the ecumenical council that took place in Trento between 1545 and 1563, declared to be obscene and ordered Mannerist painted Daniele da Volterra to cover up.

Michelangelo's Moses, part of the tomb of Pope Julius II
Michelangelo's Moses, part of the tomb
of Pope Julius II
Travel tip:

The church of San Pietro in Vincoli, situated less than 1km from the Colosseum, is a minor basilica originally built during the fifth century to house the relics of the chains that bound St Peter when he was in prison in Jerusalem.  The church contains the mausoleum of Pope Julius II, made up by Michelangelo’s striking statue of Moses, which was completed by 1515 after 10 years. The mausoleum today is dimly lit until one of the visitors makes a donation and it lights up.













3 August 2017

Imperia Cognati - courtesan

Prostitute who became a celebrity


Raphael's Galatea in his frescoes at the Villa Farnesina in Rome is thought to be Imperia
Raphael's Galatea in his frescoes at the Villa
Farnesina in Rome is thought to be Imperia
Imperia Cognati, who acquired celebrity status in Rome in the early 16th century as a courtesan to a number of rich and powerful figures, was born on this day in 1486.

Courtesans were originally the female companions of courtiers of the papal court, whose duties required them to be educated and familiar with etiquette, so that they could participate in the formalities of court life and take part in polite conversation.

In time, however, in some cases their companionship became of a more intimate nature and they became the mistresses of their courtiers, who in the papal court were clerics nor permitted to marry.

It was common, too, for courtesans to be the companions of several clients simultaneously.  They were in effect a new class of prostitute, refined and educated enough to hold their own in polite society.

Imperia Cognati acquired her elevated status mainly through being the chosen companion of Agostino Chigi, a Sienese banker closely associated with Pope Alexander VI and others and a patron of the Renaissance.  At one time he was thought to be the richest banker in the world.

He lavished Imperia – as she was usually known – to the extent that she could afford to keep both a palace in Rome and a country villa.

The statue named Imperia at Konstanz is said to have been  inspired by Balzac's fictional portrayal of a courtesan
The statue named Imperia at Konstanz is said to have been
 inspired by Balzac's fictional portrayal of a courtesan
Chigi remained her main client but she took others, maintaining her status – and income – by being very selective over the men with whom she would consort.  Her exclusive list included Angelo di Bufalo, who was another banker, Angelo Colocci, a papal secretary under Leo X, Tommaso Inghirami, a papal librarian, and the painter Raphael, of whom Chigi was a sponsor.

Imperia posed as a model for Raphael on a number of occasions.  It is thought that the nymph Galatea in the frescoes Raphael painted for the Villa Farnesina in Rome, built by Chigi, is actually Imperia.

Imperia’s background is not entirely clear. Some sources suggest she hailed from Ferrara but the consensus is that she was born in Rome, the daughter of a prostitute, Diana di Pietro Cognati, and raised in Via Alessandrina in the district of Borgo.

It was speculated that her father was Paris de Grassis, who would later serve as master of ceremonies under Pope Julius II, which may explain how she acquired an education, and why she at times referred to herself as Imperia de Paris.

She gave birth to a daughter, named Lucrezia, at the age of 17, of whom the father was assumed to be Chigi.

The artist Raphael was among Imperia's  lovers at the time she posed for him
The artist Raphael was among Imperia's
lovers at the time she posed for him
Imperia died in 1512, at the age of just 26, apparently from poisoning, thought to be self-administered.

Various theories have been put forward as to what might have prompted her to take her own life. One is that she was distraught that Angelo di Bufalo, supposedly her true love, decided to end their relationship, another is that she felt pushed out when Chigi took a new, younger mistress. 

Whatever the reason, she was given a stately funeral in Rome, fit for a noblewoman rather than a prostitute, paid for by Agostino Chigi.  She was buried at the church of San Gregorio Magno al Celio in Rome, although the monument erected in her name has not survived.

Apart from her image being preserved in works by Raphael, Imperia is thought to have been the inspiration for Honoré de Balzac’s 1832 story La Belle Impéria, set in the time of the Council of Konstanz, which ended the Western Schism in the Catholic Church, in which a courtesan is given the name Imperia.


The character in Balzac’s novel has been portrayed by the German painter Lovis Corinth in 1925, and also inspired the larger-than-life Imperia statue in the harbour of Konstanz, the town on the lake in Germany of the same name, erected in 1993.

Travel tip:

Via Alessandrina is a street, nowadays closed to vehicles, that runs alongside the Roman ruins of the Italian capital, from the Forum in the direction of the Colosseum, joining up with Via dei Fori Imperiali.

The Villa Farnesina in the Trastevere district in Rome
The Villa Farnesina in the Trastevere district in Rome
Travel tip:

The Villa Farnesina, built by Baldassare Peruzzi for Agostino Chigi, can be found in the Via della Lungara, in the district of Trastevere in Rome. Owned at different times by the Bourbons of Naples and the Spanish Ambassador in Rome, it is today owned by the Italian State and accommodates the Accademia dei Lincei, a renowned Roman academy of sciences.  The main rooms of the villa, including the Loggia, are open to visitors.


11 December 2016

Pope Leo X

Renaissance pope supported art but did not foresee the Reformation


Pope Leo X, with cardinals Giulio de Medici  and Luigi de Rossi, in a portrait by Raphael
Pope Leo X, with cardinals Giulio de' Medici
 and Luigi de Rossi, in a portrait by Raphael
Pope Leo X was born as Giovanni de' Medici, on this day in 1475 in Florence.

The second son of Lorenzo de' Medici - Lorenzo Il Magnifico - who ruled the Florentine Republic, Leo X has gone down in history as one of the leading Renaissance popes, who made Rome a cultural centre during his papacy.

He is also remembered for failing to take the Reformation seriously enough and for excommunicating Martin Luther.

Giovanni was always destined for a religious life and received a good education at his father’s court, where one of his tutors was the philosopher Pico della Mirandolo. Giovanni went on to study theology and canon law at the University of Pisa.

In 1492 he became a member of the Sacred College of Cardinals, but after his father died later that year, he returned to Florence to live with his older brother, Piero.

He was exiled from Florence in 1494 with the rest of his family, accused of betraying the Florentine republic, and spent the next six years travelling throughout northern Europe.

On his return to Italy in 1500 he settled in Rome and on the death of his brother, Piero, he became the head of the Medici family. Giovanni took part in the conclaves in 1503 that elected first Pope Pius III and then Pope Julius II.

Giovanni was named papal legate to Bologna and Romagna in 1511 and supervised the restoring of Medici control over Florence the following year. Although his younger brother, Giuliano, was in charge of the Florentine republic in name, it was really his older brother, Giovanni, the Cardinal, who ruled.

Giovanni was elected Pope on March 11, 1513 and took the title of Leo X.

He was ordained a priest on March 15 and consecrated Bishop of Rome before being crowned Pope.

Having spent his youth at the court of Lorenzo dè Medici, Leo X personified Renaissance ideals. He was lavish with both the church’s money and his own. Under his patronage, Rome became the cultural centre of Europe once again.

St Peter's Basilica in Rome, as seen from the roof of  Castel Sant'Angelo
St Peter's Basilica in Rome, as seen from the roof of
Castel Sant'Angelo
Work was speeded up on the construction of the new St Peter’s Basilica, which had been initiated by Pope Julius II. The holdings of the Vatican Library were increased and the arts flourished during his papacy.

As ruler of the Papal States and head of the Medici family who ruled the Florentine republic, Pope Leo X gave offices and benefits to his family to strengthen still further his position.

In 1517, after an attempt had been made on his life, Leo X named 31 new Cardinals. A former Cardinal was strangled in prison and several other imprisoned and executed after being implicated in the attempted assassination.

The Pope also had to contend with the power of France from the north and Spain to the south in the struggle to control Italy.

To raise additional money for the reconstruction of St Peter’s Basilica, Leo X reaffirmed granting papal indulgences for the remission of sins to those who contributed.

Martin Luther, whom Leo X believed was a heretic
Martin Luther, whom Leo X believed was a heretic
This was challenged by Martin Luther, who circulated his Ninety-Five Theses attacking the practice. Leo X issued a papal bull charging Luther with 41 instances of deviation from the teaching and practice of the church and ordered him to recant within 60 days or be excommunicated. Luther defied the Pope and was excommunicated by him on 3 January 1521.

Leo X believed Luther was a heretic whose teaching would leave some of the faithful astray, but that true religion would triumph.

Leo X died in Rome in December 1521 leaving behind political turmoil in Italy and religious turmoil in northern Europe. He did not take seriously the demand for church reforms that would later grow into the Protestant Reformation.

Travel tip:

The stunning Renaissance Basilica of St Peter’s in Rome was completed and consecrated in 1626, helped by the funding acquired by Pope Leo X. Believed to be the largest church in the world, Basilica Papale di San Pietro in Vaticano was built to replace the original fourth century Basilica that had been constructed on what was believed to be the burial site of St Peter. Bramante, Michelangelo and Bernini were among the many artistic geniuses who contributed to the design of the church, which is considered to be a masterpiece of Renaissance architecture. Located within Vatican City, the Basilica is approached along Via della Conciliazione and through the vast space of St Peter’s Square. It is believed that St Peter, one of the disciples of Jesus, was executed in Rome on October13, 64 AD during the reign of the Emperor Nero. He was buried close to the place of his martyrdom. The old St Peter’s Basilica was constructed over the burial site 300 years later. Archaeological research under the present day Basilica was carried out during the last century and Pope Pius XII announced the discovery of St Peter’s tomb in 1950.


The Sistine Hall of the Vatican Library
The Sistine Hall of the Vatican Library
Travel tip:

The Vatican Library, inside the Vatican Palace, was built up by Pope Leo X during his papacy. It is one of the oldest libraries in the world but was formally established in 1475, the year Leo X was born. Today it is a research library for history, law, philosophy, science and theology and can be used by anyone who can document their qualifications and research needs. The Vatican Library contains a defence of the seven sacraments of the Catholic Church against Martin Luther, supposedly written, or at least signed by, Henry VIII, King of England. He added a couple of lines to the text in his own hand before presenting the book to Pope Leo X.

More reading:



How Pope Julius II came to commission Michelangelo

The consecration of St Peter's Basilica

Bernini and the fountains of Rome


Also on this day:


1912: The birth of film producer Carlo Ponti

Home



21 February 2016

Death of Pope Julius II

Pope who commissioned Michelangelo for Sistine Chapel


Raphael's portrait of Pope Julius II, which is housed in the National Gallery in London
Raphael's portrait of Pope Julius II, which
is housed in the National Gallery in London
Pope Julius II, who was nicknamed ‘the Warrior Pope’, died on this day in 1513 in Rome.

As well as conducting military campaigns during his papacy he was responsible for the destruction and rebuilding of St Peter’s Basilica and commissioning Michelangelo to paint the ceiling of the Sistine Chapel.

He is also remembered by students of British history as being the Pope who gave Henry VIII dispensation to marry Catherine of Aragon, his brother’s widow.

Born Giuliano della Rovere, he was the nephew of Francesco della Rovere, who became Pope Sixtus IV.

His uncle sent him to be educated by the Franciscans and he was made a Bishop soon after his Uncle became Pope.

He later became Cardinal Priest of San Pietro in Vincoli in Rome and was very influential in the College of Cardinals.

One of his major rivals was Cardinal Rodrigo Borgia, who was elected Pope Alexander VI in 1492. After accusing him of corruption, Della Rovere retreated from Rome until Alexander died in 1503.

He was succeeded by Pope Pius III who died less than a month after becoming Pope and Della Rovere was finally elected as Pope Julius II in November 1503.
Julius II commissioned Michelangelo to paint the ceiling of the Sistine Chapel
Julius II commissioned Michelangelo to paint
the ceiling of the Sistine Chapel

Julius ordered all traces of the Borgias to be removed or covered up and their apartments remained sealed till the 19th century.

He fought to rid the Romagna of the Republic of Venice and freed Perugia and Bologna from the despots that were ruling them.

He also founded the Swiss Guard to provide a constant supply of soldiers to protect the Pope.

Julius joined in the Italian Wars in league with France and Spain to take territory back from Venice but his allies later switched sides and little was gained from his efforts.

Julius II remained Pope for nine years until he died of fever in 1513.

When Henry VIII later asked for his marriage to Catherine of Aragon to be annulled so that he could marry Anne Boleyn, he claimed that Pope Julius II should never have issued the dispensation to allow him to marry his sister in law. But the Pope at the time, Clement VII, refused to annul the marriage so Henry VIII divorced the Catholic Church instead, leading to the English Reformation.

During his time as Pope, Julius II had ordered the old St Peter’s Basilica to be demolished and commissioned the building of the new church that was to replace it. He was also a patron of Bramante, Raphael and Michelangelo.

The remains of Pope Julius II lie with those of his uncle, Pope Sixtus IV, under the floor in St Peter’s Basilica.

The chains said to have bound St Peter are on display in the Church of San Pietro in Vincoli
The chains said to have bound St Peter are on
display in the Church of San Pietro in Vincoli
Travel tip:

The Church of San Pietro in Vincoli, St Peter in Chains, near the Colosseum in Rome, was the church where Julius was Cardinal. The Church is a shrine for the chains that are believed to have bound St Peter during his imprisonment. It is also the home of Michelangelo’s famous statue of Moses, completed in 1515. This was originally intended to be part of a funeral monument for Pope Julius II, but his remains were interred in St Peter’s Basilica instead.


Travel tip:

The Sistine Chapel is in the Apostolic Palace, where the Pope lives, in Vatican City. The chapel takes its name from Pope Sixtus IV, the uncle of Pope Julius II, who had it restored during his papacy. Between 1508 and 1512 Michelangelo painted the ceiling at the request of Pope Julius II. His amazing masterpiece, created by the artist lying on his back, depicts scenes from Genesis in bright colours that are easily visible from the floor and cover more than 400 square metres.


More reading: 

Alexander VI, the scheming Borgia pope

The death of Michelangelo

The precocious genius of Raphael

Also on this day: