Graziella Sciutti - operatic soprano

Vivacious performer who became a successful director

Graziella Sciutti became an opera star in the 1950s

The operatic soprano Graziella Sciutti, a singer known for a vivacious stage presence and engaging personality who excelled in the work of Mozart, Puccini and Verdi, was born on this day in 1927 in Turin.

The daughter of an organist and pianist, she grew up in a bilingual household, speaking both Italian and her mother’s native tongue, French. Her early childhood was spent in Geneva in Switzerland before the family moved to Rome, so that she could attend the Accademia di Santa Cecilia, which is one of the world’s oldest and most prestigious musical institutions.

Sciutti wanted to play the piano like her father but it became clear she had a notable voice and she caught the eye as a soloist when she was still a student.

She was asked at the last moment to appear in a performance of Bach’s St Matthew Passion, conducted by Herbert von Karajan, the up-and-coming Austrian who would become one of the greatest conductors in the world.  It was a daunting prospect, forced on her at short notice after another singer became ill, but she rose to the challenge and won accolades as a result. 

It led her to be spotted by Gabriel Dussurget, founder and leading light of the Festival at Aix-en-Provence Festival, who had enough confidence in his new discovery to cast her in 1951 in the one-woman opera, Menotti's The Telephone, a role regarded as a test for a young, immature singer.

Sciutti's vivacious character made her
a popular performer in Italy and beyond

Her ambition at that stage was to be a concert singer and she was unsure at first whether she could master the dramatics of opera, yet she was to return to Aix many times. It was there, in fact, that she began to acquire her association with the heroines of Mozart, singing Susanna in Le Nozze di Figaro (The Marriage of Figaro), Despina in Così Fan Tutte and Zerlina in Don Giovanni with distinction.  

In 1954, she made her debut at the Glyndebourne Festival in England, playing Rosina in Rossini's Il Barbiere di Siviglia (The Barber of Seville). In subsequent years she enchanted audiences as Nannetta in Verdi's Falstaff and again visited the Mozart roles of Susanna and Despina.

Sciutti undertook the role of Carolina in Cimarosa's Il Matrimonio Segreto (The Secret Marriage) in the inaugural performances of the Piccola Scala, the small theatre in Milan that adjoined the famous Teatro allaScala, in 1955.  At one stage she was nicknamed ‘the Callas of the Piccola Scala’.

Some critics felt her voice to be too thin for her to be seen as one of the great sopranos but she had the technique to project to all corners of the theatre and, for all her early doubts, she had the acting skills to make up for any shortcomings in her voice. Pretty and petite in comparison with many singers, the innocence, perkiness and coquetry demanded of many of her roles seemed to come naturally.

Her debut at the Royal Opera House at Covent Garden followed in 1956. In 1961 she appeared on stage in America for the first time at the San Francisco Opera, going on to make her debut at the Metropolitan Opera in New York soon afterwards.

Sciutti excelled in the arias of Mozart, Bellini and others

At the Vienna State Opera she sang many of her best roles, including Nannetta in a staging of Falstaff conducted by Leonard Bernstein and directed by Luchino Visconti.

Sciutti was a regular at the Salzburg Festival for 20 years, her Mozart interpretations always in demand. Her final appearance there came in 1972 as Norina in Donizetti's Don Pasquale, conducted by Riccardo Muti.

Her voice proved enduring enough to appear at Glyndebourne even at the age of 50 as Elle in Poulenc's La Voix Humaine. This was a production she also directed, paving the way for a new career.

She directed Figaro and L'Elisir d'Amore for Canadian Opera and in 1983 her production of Puccini’s La Bohème at the Juilliard School won praise.  A year later she directed at the Met for the first time. Her 1995 staging of La Bohème at the New York City Opera won her an Emmy Award after it was broadcast on live television.

Always eager to pass on her knowledge to opera students and would-be performers, she taught at both the Royal College of Music in London and the Lyric Centre in Chicago.

She married an American singer, Robert Wahoske, in 1955, but they divorced in 1960.  She died in Geneva in 2001, a few days before what would have been her 74^th birthday, and was survived by her daughter, Susanna.

The historic headquarters of the Accademia
was in central Rome, near Piazza di Spagna

Travel tip:

Rome’s Accademia Nazionale di Santa Cecilia is one of the oldest musical institutions in the world, founded by a papal bull (public decree) issued by Pope Sixtus V in 1585. Saint Cecilia is the patron saint of music. Its historical headquarters was in Via Vittoria, not far from Piazza di Spagna, but since 2003 it has been headquartered in Viale Pietro de Coubertin at the Renzo Piano-designed Parco della Musica in Rome. It has had a permanent symphony orchestra and choir since 1895. Alumni include Beniamino Gigli, Sergei Rachmaninoff, Ennio Morricone and Cecilia Bartoli.

An audience at the Piccola Scala in 1978

Travel tip:

The Piccola Scala, next to Teatro alla Scala, the opera house in Milan considered to be one of the world’s great opera venues, was opened in 1955 as a theatre dedicated to ancient works that were suited to a fairly intimate setting.  It had room for no more than 600 people. As well as Cimarosa's Matrimonio Segreto, early productions included works by Handel and Monteverdi. Later it staged operas by contemporary composers, including Nino Rota, who was better known for his film music but actually wrote the score for 11 operas.  Sadly, the theatre closed in 1985 after the capacity was reduced to 350 because of new regulations, too small to make it economically viable.

More reading:

How mezzo-soprano Cecilia Bartoli has helped revive lesser-known composers

Giacomo Puccini - musical genius who assumed Verdi's mantle as Italy's greatest

Maestro Muti shows no signs of slowing down

Also on this day:

1598: The birth of astronomer Giovanni Riccioli

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Domenico Dragonetti - musician

Venetian was best double bass player in Europe

Domenico Dragonetti: a lithograph from the
New York City Public Library collection

The composer and musician Domenico Dragonetti  - Europe's finest double bass virtuoso - was born on this day in 1763 in Venice.

Apart from the fame his talent brought him, Dragonetti is remembered as the musician who opened the eyes of Ludwig van Beethoven and other composers to the potential of the double bass.

They met in Vienna in 1799 and experts believe it was Dragonetti’s influence that led Beethoven to include passages for double bass in his Fifth Symphony.

From 1794 onwards until his death in 1846 at the age of 83, Dragonetti lived in London but it was in Venice that he established his reputation.

The son of a barber who was also a musician, Domenico Carlo Maria Dragonetti taught himself to play the guitar and the double bass as a child using his father’s instruments.  It was not long before word of his precocious ability spread and he was sent to the Ducal Palace of San Marco for tuition from Michele Berini, who was widely respected as the best double bass player in Venice.

Berini declared after only 11 lessons that there was nothing more he could teach the young Dragonetti, who at the age of just 13 was appointed principal player in opera buffa, the comic opera genre that was becoming popular in Venice, possibly at Teatro San Moisé, Teatro San Cassiano or Teatro San Samuele.  A year later, he was made principal double bass player in the mainstream, serious opera at Teatro San Benedetto.

Dragonetti with his three-
stringed da Salò double bass

In 1787 he was accepted for the orchestra at the Chapel of San Marco, who valued him so highly they twice increased his annual salary to stop him going to Russia, where the Tsar was keen to recruit him.  Such was his dexterity with the instrument he was given solo pieces to perform, which was highly unusual.

An example of Dragonett's ability to exploit the potential of the instrument came when he was staying at the Monastery of St Giustina in Padua, where he produced a sound that woke the monks in the middle of the night, thinking it was thunder.

In 1794, the Chapel of San Marco agreed that he could accept an invitation to play at the King’s Theatre in London and gave him paid leave for a year.  In the event, he settled in England and never returned for more than brief visits.

He made his debut at the King’s Theatre in December 1794 and within only a few months had become famous. He was able to provide for his extended family in Venice with his earnings, but also invested in art and purchased musical instruments previously owned by Stradivari, Maggini, and Montagnana, which he would later bequeath to members of the orchestra.

He became a prominent figure in the musical events of the English capital, performing at the concerts of the Philharmonic Society of London.  Prominent figures in London society, such as the Prince Consort and the Duke of Leinster, would invite him to play in private concerts. He and his close friend, the cellist Robert Lindley, found themselves in demand across Europe and embarked on many tours.

A bust of Gasparo da Salò, in Salò on the
shores of Lake Garda

In 1795, on a visit to London, the Austrian composer Joseph Haydn met Dragonetti and they became friends. In turn, Haydn invited Dragonetti to Vienna, where he was introduced to Beethoven. He also became acquainted with Paganini, Spohr, Hummel, Liszt and Rossini. He collaborated with many composers but also wrote several pieces for double bass in his own right.

Dragonetti was unusually tall for an Italian of his era and blessed with formidable strength and stamina, which was one factor that helped him get so much out of the instrument, playing parts that many double bass players would have thought impossible.

His favoured instrument was a massive, three-stringed bass made by the renowned luthier Gasparo da Salò, which he kept all of his life, turning down a number of offers, including one of 20,000 lire.  There are different stories as to how he acquired the instrument. One says he was given it by the Benedictine nuns of St Peter's monastery in Vicenza, where Dragonetti lived while he was paying in the Grand Opera. Another says it was bought from the monks of St Peter's by the Chapel of San Marco and given to Dragonetti as an enticement to stay.

The bow with which he played, which evolved during his career to suit his physical size and style of playing, became known as the Dragonetti bow.

He died at his lodgings in Leicester Square in central London in April 1846. He was buried initially in the vaults of the Roman Catholic Chapel of St Mary, Moorfields. In 1889 his remains were moved to the Roman Catholic cemetery at Wembley.

The Teatro San Benedetto in its heydey

Travel tip:

None of the Venice theatres – the San Moisé,  the San Cassiano or the San Samuele – in which Dragonetti might have played in opera buffa exists today. The San Benedetto closed in the early 20th century and was remodelled as a cinema.  Renamed Teatro Rossini in 1868 in honour of the composer Gioachino Rossini, it reopened as the Cinema Rossini in 1937. Nowadays, the building, in Salizzada de la Chiesa o del Teatro, which is between Teatro la Fenice and the Grand Canal in the San Marco district, holds a multi-screen cinema.


Travel tip:

Dragonetti’s prized da Salò double bass is said to have been stored in a room in Venice for 150 years after his death, where it inevitably fell into disrepair. However, the Venice authorities had the good sense to hire the modern-day luthier Sergio Scaramelli to restore the 400-year-old instrument in 2007 and it is now on display in the museum inside the Basilica di San Marco.

Let TripAdvisor advise on Venice hotels

More reading:

Giovanni Battista Pergoloesi - genius of opera buffa

The beautiful music of Antonio Vivaldi

La Fenice opera house destroyed by fire

Also on this day:

1794: The birth of opera singer Gianni Battista Rubini

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Lorenzo Da Ponte - writer and impresario

Colourful life of Mozart's librettist

Lorenzo da Ponte, as depicted in a 19th
century engraving by Michele Pekenino

The librettist Lorenzo Da Ponte, who could be described on two counts as a figure of considerable significance in the story of opera, was born on this day in 1749 in Ceneda - since renamed Vittorio Veneto - about 42km (26 miles) north of Treviso in the Veneto region.

Da Ponte wrote the words for 28 operas by 11 composers, including three of Mozart's greatest successes, Don Giovanni, The Marriage of Figaro and Così fan tutte.

He also opened New York City's first opera house in 1833 at the age of 84 and is credited with introducing the United States both to Mozart and Gioachino Rossini.

To say Da Ponte led a colourful life would be putting it mildly.

He was born Emanuele Conegliano at a time when Ceneda was a strongly Jewish community. His mother, Rachele, died when he was only five and at the age of 14 he was baptised as a Catholic along with his father, who wanted to marry a Catholic girl but could do so only if he converted.

In accordance with tradition, Emanuele took the name of the priest who baptised him, in his case the Bishop of Ceneda, Lorenzo Da Ponte.

Through the Bishop's influence, Emanuele and his two brothers were enrolled in the seminary of Ceneda and Lorenzo was ultimately ordained as a priest.  By then he had begun writing poetry.  One of his earliest pieces - curiously, given his calling - was entitled An Ode to Wine.

The front page of a programme for the
presentation of the Marriage of Figaro

He moved to Venice in 1773 to be the priest of the church of San Luca, although his lifestyle was hardly befitting of a man of the cloth.  He fell into the company of members of minor Venetian nobility who were penniless but whom convention forbade to work and were therefore obliged to turn to gambling and debauchery to make a living.

Although he was a Catholic priest, Da Ponte took a mistress, who bore him two children but manipulated him into parting with money, largely to support her gambling-addicted brother. Ultimately Da Ponte was charged with 'public concubinage' and 'abduction of a respectable woman' and it was alleged in court that he had been living in a brothel. He was found guilty and banished from Venice for 15 years.

He fled to Gorizia, nowadays a town on the border of Italy and Slovenia but then part of Austria, where he lived as a writer. In time his friend Caterino Mazzolà, the poet of the Saxon court, invited him to Dresden, where he was given a letter of introduction to the composer Antonio Salieri.

With Salieri's help, Da Ponte obtained the post of librettist to the Italian Theatre in Vienna.  As court poet and librettist, Da Ponte collaborated with Mozart, Salieri and Vicente Martín y Soler. As well as writing, between 1786 and 1790, the libretti in Italian for the three aforementioned Mozart operas, he enjoyed commercial success with Soler's Una cosa rara.

His fortunes changed with the death of the Austrian Emperor Joseph II in 1790, after which he was dismissed from the Imperial Service. Unable to return to Venice, he set off for Paris but on learning of the worsening political situation in France, and the arrest of the king and queen, he rerouted to London, accompanied by a new companion, Nancy Grahl, with whom he eventually had four children.

St Patrick's Cathedral in Mulberry Street in
Manhattan attracted thousands to the funeral

In London, he was briefly a grocer and then an Italian teacher before in 1803 becoming librettist at the King's Theatre. Financial stability eluded him, however, and in 1805, after a number of theatrical and publishing ventures failed, the threat of bankruptcy persuaded him to uproot again, this time to the United States, where Nancy and other members of his family had relocated a year earlier.

After arriving in Philadelphia, Da Ponte went first to Sunbury, Pennsylvania, where again he ran a grocery store and gave Italian lessons. He moved to New York to open a bookstore, at the same time taking an unpaid appointment as the first professor of Italian literature at Columbia College.

Determined to spread the Italian culture in the United States, he collaborated in 1825 with the Spanish baritone and entrepreneur Manuel García to stage the first performance in New York of Mozart's Don Giovanni. He also introduced the United States to Rossini's music.

In 1828, at the age of 79, Da Ponte became a naturalised US citizen and five years later founded the New York Opera Company. He was no more adept at business than he had ever been, however, and the company had to be disbanded after two seasons and the theatre sold to pay the company's debts.

Twice, in 1839 and 1841, the theatre was destroyed by fire, yet from the ashes rose the New York Academy of Music and the New York Metropolitan Opera.

Da Ponte died in New York in 1838 and it was a measure of the affection he had accrued that his funeral at the city's historic St. Patrick's Cathedral on Mulberry Street in the area known as Little Italy attracted thousands of mourners. There is a memorial to him in Calvary Cemetery in Queens, although it is thought he was actually buried at a church in lower Manhattan.

Travel tip:

In 1866, soon after the Veneto was annexed by the Kingdom of Italy, the towns of Ceneda and Serravalle were joined into one city named after the King of Italy, Vittorio Emanuele.  During the First World War, Vittorio was the site of the last battle between Italy and Austria-Hungary, won by Italian troops. The suffix "Veneto" was added to the city's name in 1923 as a commemoration of the victory and many Italian cities now have a Via Vittorio Veneto, the most famous of which became the centre of Rome's 'Dolce Vita' culture in the 1950s.

Hotels in Venice from Expedia

The Chiesa di San Luca in Venice

Travel tip:

The Chiesa di San Luca in Venice, where Da Ponte was priest, can be found next to the Rio de San Luca canal in the San Marco district. It has a simple facade but inside can be found frescoes by Sebastiano Santi, and altarpieces by Paolo Veronese and Palma il Giovane. 

Hotels in Venice from Hotels.com


More reading:

Antonio Scotti - the Neapolitan Baritone who spent 35 years at the Met

How Tito Gobbi found global fame

La Traviata - the world's favourite opera



Also on this day:

1872: The death of revolutionary patriot Giuseppe Mazzini

1900: The birth of architectural sculptor Corrado Parnucci

Selected books:

Memoirs Of Lorenzo Da Ponte (New York Review Books Classics)

Lorenzo Da Ponte: The Extraordinary Adventures of the Man Behind Mozart, by Rodney Bolt 

(Picture credits: St Patrick's Cathedral by Jim.henderson; Chiesa di San Luca by Godromil; via Wikimedia Commons)


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Valentino Rossi - motorcycle world champion

Rider from Urbino among his sport's all-time greats

Valentino Rossi is still chasing his 10th world
championship title at the age of 38

Valentino Rossi, the motorcycle racer whose seven 500cc or MotoGP world titles have established him as one of the sport's all-time greats, was born on this day in 1979 in Urbino.

Only his fellow Italian, Giacomo Agostini, the eight-times world champion, has more 500cc or MotoGP titles than Rossi, whose total of 88 race victories in the premier classification is the most by any rider.

Across all engine sizes, he has been a world champion nine times, behind only Agostini (15) and Spain's Ángel Nieto, who specialised in 50cc and 125cc classes.  Britain's Mike Hailwood and Italy's 1950s star Carlo Ubbiali also won nine world titles each.

Still competing at the highest level even at 38 years old, Rossi has not won the world title since 2009 but he has been runner-up for the last three seasons and will attempt to reclaim the crown from Spain's Marc Márquez when the 2017 season begins next month.

The two riders represent the dominant manufacturers in MotoGP, Marquez riding for Honda and Rossi, for whom this will be his 18th season in the class, for their Japanese rivals Yamaha.

Valentino Rossi in action on the Yamaha YXR-M1
on which he won the 2005 MotoGP world title

Rossi came from a motorcycling family, his father Graziano having competed on the grand prix circuit himself between 1977 and 1982. He won three races in the 250cc category in 1979, when he finished third in the overall classification.

When Valentino was still a child, the family moved to Tavullia, a small town between Urbino and Pesaro, on the Adriatic coast

Graziano's career was ended by an accident and Valentino's mother, Stefania, concerned for her son's safety, encouraged him to race on four wheels rather than two and his first love was karting.

However, after trying out in mini-motos it quickly became clear where his talent would take him after he was regional champion in 1992 at the age of 13.

The next few years saw him quickly rise through the ranks of road racing. After winning the Italian 125cc championship in 1995, when he also finished third in the 125cc European championship, he was given a ride in the world championship the following year.

Rossi (centre) in action on his way to winning
the 2009 MotoGP world title

By 1997 he was world champion, the youngest in history in the 125cc class, storming to 11 race victories for Aprilia.  Moving up to 250cc class, it took Rossi only two seasons to conquer the world at that level too, winning the title in 1999, again for Aprilia.

The pattern continued when he joined forces with Honda in the 500cc class. Runner-up in his first season, he again won the world title at just the second attempt, in 2001 becoming the final 500cc world champion before the launch of MotoGP in 2002.

By then without doubt the best rider on the planet, Rossi proceeded to win the first four MotoGP world titles, making history after his second win for Honda in 2003 by retaining the crown after his switch to Yamaha in 2004, the first rider in the history of the sport to win back-to-back premier class races for different manufacturers.

By winning nine out of 16 races, he gave Yamaha their first title for 12 years, fully justifying their decision to break the bank in order to get their man, signing him up on two-year contract reportedly worth $12 million. The money was too much for Honda and ended the romantic notion that Rossi might join the Italian team, Ducati.

Rossi dominated the 2005 season as well, this time winning 11 races and helping Yamaha celebrate their 50th anniversary by winning the manufacturers' and team titles.

Rossi signing autographs during the 2015 season

In 2011, Rossi did eventually satisfy the Italian fans by joining Ducati, by which time he had two more world titles under his belt in the 500cc/MotoGP class, bringing his total to seven. But his two seasons with the Bologna-based team were barren ones, yielding not one race victory and only three finishes on the podium.

He returned to Yamaha for the 2012 season and though he has yet to clinch the 10th world title he craves, his three runner-up positions suggest he is still very much a contender.

Rossi, who tested for the Ferrari Formula One team in 2006 before deciding he would stick with two wheels, is one of the world's highest paid sportsmen.  Fiercely protective of his private life, Rossi lived for a time in Milan before moving to London, where the high concentration of wealthy celebrities enabled him to live without quite the same level of attention as at home.

Nowadays, he is back in Italy, living in a secluded property not far from his family.  Although he has had a number of relationships, he remains single, the one constant love of his life being the Internazionale football team.

Awarded an honorary degree by the University of Urbino in 2005, he is said to enjoy his nickname on the circuit of il Dottore - the Doctor.

UPDATE: Some 28 years since his first competitive rides, Rossi finally retired from the pursuit of glory on two wheels at the end of the 2021 MotoGP season. He now races sports cars in the GT World Challenge series, in which he notched his first victory at Misano on the Adriatic coast of Italy in 2023, driving a BMW M4 GT3. In his personal life, he became a father in 2022 when his partner, Francesca Sofia Novello, gave birth to their daughter, Giulietta.

The ducal palace in Urbino

Travel tip:

Urbino, a relatively small hill town in Le Marche, is an important place in the cultural history of Italy. Enclosed within defensive walls, it has been granted UNESCO World Heritage status for representing 'a pinnacle of Renaissance art and architecture,' The principal tourist site is the palace built there by the military leader Duke Federico da Montefeltro, who maintained a court in Urbino in the 15th century. The palace houses the National Gallery of Le Marche.  From Piazza della Repubblica at the centre of Urbino, the Via Vittorio Veneto leads to the Ducal Palace, while in the opposite direction, the Via Raffaello leads past the house where the great Renaissance painter and architect Raphael was born.

Hotels in Urbino by Booking.com

The Teatro Rossini in Pesaro, the
birthplace of the opera composer

Travel tip:

Pesaro is a thriving holiday resort with many of the characteristics of seaside towns on the Adriatic coast, boasting a long, sandy beach lined with innumerable hotels. It is popular with Italian visitors in particular, with foreign tourists more likely to chose Rimini, 40km (25 miles) up the coast. Pesaro also has a significant cultural tradition, mainly due to it being the birthplace of the great opera composer, Gioachino Rossini, whose memory is honoured with an opera festival staged in August every year.

Stay in Pesaro with Booking.com

More reading:

How Giacomo Agostini won 122 races and 15 world titles

Marco Simoncelli - a great talent snuffed out in tragic accident

How Bruno Ruffo became Italy's first world motorcycle champion

Also on this day:

1740: The birth of printer and publisher Giambattista Bodoni

1907: The death of poet Giosuè Carducci

1918: The birth of designer Achille Castiglioni

1935: The birth of Morricone's wordless vocalist Edda dell'Orso

1970: The birth of footballer Angelo Peruzzi

(Picture credits: Main Rossi picture by Hanson K Joseph; 2005 Yamaha by ozzzie; 2009 action by Robert Scoble; Rossi signing by Uppsalo; ducal palace by Il conte di Luna; Teatro Rossini by Accurimbono; all via Wikimedia Commons)

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Giuseppina Strepponi – soprano

Death of the woman who inspired Donizetti and Verdi

Giuseppina Strepponi in a portrait that can
be seen at the museum at Teatro alla Scala

Opera singer Giuseppina Strepponi died on this day in 1897 at the village of Sant’Agata in the province of Piacenza in Emilia-Romagna.

She was the second wife of the composer Giuseppe Verdi and is often credited with helping him achieve his first successes, having starred in several of his early operas.

Strepponi was born Clelia Maria Josepha Strepponi in Lodi, a little over 40km south-east of Milan, in 1815.

Her father was the organist at Monza Cathedral and also a composer and he gave her piano lessons when she was very young. At the age of 15 she was enrolled at the Milan Conservatory and she won first prize for singing in her final year.

Strepponi made her professional debut in 1834 at the Teatro Orfeo in Taranto and enjoyed her first success the following spring in Trieste, singing the title role in Rossini’s Matilde di Shabran. She quickly became a celebrity, singing Donizetti, Bellini and Rossini roles all over Italy to great acclaim.

A portrait of Giuseppe Verdi in 1839, the
year of his first opera, Oberto 

She made her debut at Teatro alla Scala in Milan in 1839 as Leonora in the first production of Giuseppe Verdi’s first opera, Oberto.  Her strong performance was one of the main reasons the opera was received so well.

Despite suffering illnesses, Strepponi continued to be a popular singer in the early 1840s. She sang the title role in Donizetti’s Adelia in 1841, which he had written specifically for her. In 1842 she received acclaim for her performance of Abigaille in the world premiere of Verdi’s Nabucco at La Scala.

By 1844 she was beginning to experience vocal problems and she had a disastrous season in Palermo in 1845 when she was booed by the audience.

Most of her performances after that were in Verdi operas and she retired from the stage in February 1846 at the age of 31.

Her voice had been damaged by overwork during a career in which she had several affairs and carried on working through at least three known pregnancies.

It was only after she retired and moved to Paris to become a singing teacher that what had been a professional relationship with Verdi blossomed into something more. A widower whose first wife, Margherita, had died young, Verdi visited her there and they began a romance.

The couple returned to Italy in 1849 and began living together in Busseto, Verdi’s home town. She was shunned in the town and at church because they were not married and so the couple moved to a house in the nearby village of Sant’Agata, which is today known as Villa Verdi.

Strepponi helped Verdi’s work by translating for him and supplying comments and criticism while he was composing.

The Villa Verdi, where Strepponi and Verdi lived for
almost half a century before her death in 1897

They were finally married in 1859 and lived together happily until Strepponi became bedridden through arthritis. She was 82 when she died from pneumonia on November 14, 1897, and was initially buried in Milan.

Verdi had left instructions in his will that he wanted to be buried next to her, but after his death he was buried in another cemetery in Milan.

However, so they could be together once again, on February 26, 1901 their bodies were both transferred to be buried in the oratory at the Casa di Riposo, a retirement home for musicians Verdi had created. At the ceremony, Arturo Toscanini directed a choir singing the famous Va, pensiero chorus from Nabucco.

Travel tip:

Villa Verdi, where Strepponi died, is a house Verdi owned from 1848 till his death in 1901 in the village of Sant’Agata in the province of Piacenza. He extended the original house and developed the park around the house, planting many exotic trees. Today visitors can view some of the rooms, including Strepponi’s room, with its original bed, where she died in 1897.

Hotels in Busseto by venere.com

The Basilica Cattedrale della Vergine Assunta
dominates Lodi's Piazza della Vittoria 

Travel tip:

Lodi, the birthplace of Strepponi, is a city in Lombardy, to the south-east of Milan. The town’s main square, Piazza della Vittoria, has porticoes on all four sides and is listed by the Italian Touring Club among the most beautiful squares in Italy. In 1796, in his first major battle, the young Napoleon Bonaparte defeated the Austrians in the Battle of Lodi.

Hotels in Lodi by venere.com

More reading:

The death of Giuseppe Verdi - how Italy mourned his loss

Gaetano Donizetti: the greatest composer of lyrical 
opera

How opera brought fame and wealth to Gioachino Rossini

Also on this day:

1812: The birth of Aleardo Aleardi, the poet who was an important figure in the Risorgimento movement



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Ruggero Raimondi - opera star

Singer overcame shyness to become a great bass-baritone

Ruggero Raimondi 

The bass-baritone singer Ruggero Raimondi, who would become famous for his performances in the operas of Verdi, Rossini, Puccini and Mozart, was born on this day in Bologna in 1941.

Blessed with a mature voice at an early age, he was soon encouraged to pursue a career in opera and enrolled at the Giuseppe Verdi Conservatory in Milan at the age of only 16, later continuing his studies in Rome at the Accademia di Santa Cecilia.

He won a national competition for young singers in Spoleto and made his debut in the same Umbrian city in 1964 in the role of Colline in Giacomo Puccini's La bohème in 1964. Soon afterwards, he appeared in the leading role of Procida in Verdi’s I vespri siciliani at the Rome Opera House.

Raimondi was also studying accountancy, wary that his ambitions in opera might not materialise.  But then came an audition at La Fenice opera house in Venice, after which Raimondi was offered a five-year contract.

Naturally shy, he struggled with the acting element to operas but was able to conquer his inhibitions with the help of acting lessons and work with a vocal coach who taught him interpretation.

Raimondi added acting skills to his singing 

His reputation grew rapidly and within a short span of years he had performed at many of the world's leading opera venues. He made his debut at Teatro alla Scala in Milan in 1968 as Timur in Puccini’s Turandot and sang what would become one of his most popular roles as Mozart's Don Giovanni at the Glyndebourne Festival the following year.

Debuts followed at the Metropolitan Opera in New York (1970), the Royal Opera House in Covent Garden (1972), the Paris Opera (1975) and the Salzburg Festival (1980).

His earlier nerves a thing of the past, Raimondi developed a commanding presence on stage that was noted by film-makers and on-screen roles in Don Giovanni, Bizet’s Carmen and Puccini's Tosca came his way.

His career thrived in the 1980s and 90s, when his many triumphs included playing the notorious chief of police Baron Scarpia in a production of Puccini's Tosca that was performed as a series of live television broadcasts from the very settings in Rome described in the libretto and at the intended times of day.

The cast -- which also included Placido Domingo and Catherine Malfitano -- therefore assembled for Act One at the Church of Sant' Andrea della Valle at noon and for Act Two at the Farnese Palace as the sun set on the first day of the production, reconvening for the concluding Act Three at Castel Sant' Angelo at dawn the next day.

More recently, in 2011, Raimondi sang Pagano in Verdi’s I Lombardi alla prima crociata in an another unusual production, a concert staged on the rooftop of Milan Cathedral to celebrate the 150th anniversary of Italian Unification.

Married since 1987 to Isabel Maier, whom he met in Bilbao in Spain, Raimondi has four sons. Nowadays, he is an opera director and coaches opera students at the Bologna Conservatory.

Travel tip:

Bologna, the seventh largest city in Italy, is the historic capital of the Emilia-Romagna region, in northern Italy. Its hub is the Piazza Maggiore, a large square lined where with colonnades, notable for the 13th century Palazzo d'Accursio, which used to serve as Bologna's City Hall, the 16th century Fountain of Neptune and the 15th century Basilica di San Petronio.  Bologna is also famous for its porticoes, of which there are 38km (24 miles) in the historic centre.

La Rocca Albornoziana occupies a commanding position
overlooking the Umbrian town of Spoleto

Travel tip:

The historic and beautiful Umbrian hill town of Spoleto, home to the Instituzione Teatro Lirico Sperimentale at which Raimondi won a national competition for young singers, has an impressive 12th century cathedral among a number of interesting buildings and, standing on a hilltop overlooking the town, the imposing 14th century fortress, La Rocca Albornoziana.  Spoleto is famous, too, as the venue for the annual celebration of the performing arts, the Festival dei Due Mondi, which includes concerts in the Piazza del Duomo and performances in the Roman theatre and a number of churches.

(Black and white photo of  Raimondi by Menerbes CC BY-SA 3.0)
(Photo of La Rocca Albornoziana by Lahiri Cappello CC By 2.0)

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Tullio Serafin – opera conductor

Toscanini’s successor furthered the career of Callas

Tullio Serafin

The man who helped Maria Callas develop her singing talent, musician and conductor Tullio Serafin, was born on this day in 1878 in Rottanova near Cavarzere in the Veneto, on the Adige river just south of the Venetian Lagoon.

Serafin studied music in Milan and went on to play the viola in the orchestra at Teatro alla Scala under the baton of Arturo Toscanini.

He was later appointed assistant conductor and then took over as musical director at the theatre when Toscanini left to go to New York.

Serafin conducted at La Scala between 1909 and 1914, from 1917 to 1918 and then returned briefly at the end of the Second World War.

He became a conductor at the Metropolitan Opera in New York in 1924 and stayed with them for ten years before returning to Italy to become artistic director at the Teatro Reale in Rome.

During his career he helped the development of many singers, including Rosa Ponselle, Magda Olivero and Joan Sutherland.

Serafin’s most notable success was with Maria Callas, with whom he collaborated on many recordings. He is credited with helping the American-born singer achieve a major breakthrough in 1949 when he persuaded her to take over from the leading belcanto soprano Margeritha Carosio at the opening night of Bellini's I Puritani at La Fenice in Venice after Carosio was forced to withdraw through illness.

Callas protested that she was inadequately prepared but her performance received rave reviews, giving her the confidence to expand her repertoire.  Thereafter, success followed success.

The conductor was also responsible for reviving 19th century operas by Bellini, Rossini and Donizetti and establishing them in the 20th century repertoire.

Serafin died in 1968 in Rome at the age of 89.

The bell tower of the Duomo and the
Palazzo Barbiani in Cavarzere

Travel tip:

Rottanova, where Serafin was born, is a small hamlet on the outskirts of Cavarzere, a comune situated about 35km south of Venice in the Veneto. Cavarzere dates back to before Roman times when it was a military outpost. It later became a refuge for people escaping from the barbarians after the fall of the Roman Empire.

Travel tip:

Teatro alla Scala, where Serafin conducted for so many years, is in Piazza della Scala in the centre of Milan across the road from the Galleria Vittorio Emanuele II. La Scala has a fascinating museum that displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli, just off Piazza della Scala. It is open every day except the Italian Bank Holidays and a few days when it is closed in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30pm.

HomeHome.30 to 5.30 pm.

La Scala - opera and ballet theatre

First night at the world’s most famous opera house

La Scala opera house is located in the heart of Milan

Milan’s Teatro alla Scala was officially inaugurated on this day in 1778.

Known to Italians simply as La Scala, the theatre has become the leading opera house in the world and many famous artists have appeared there.

A fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A group of 90 wealthy patrons, the owners of private boxes in the theatre, wrote to Archduke Ferdinand of Austria-Este asking that a new theatre be built.

The new theatre was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. The church was deconsecrated and demolished to make way for the theatre. 

With the cost of the project met by the 90 patrons, who paid in advance for boxes, the new theatre was designed by neoclassical architect Giuseppe Piermarini and at the official opening on 3 August 1778, Antonio Salieri’s opera L’Europa Riconosciuta was premiered.

As with most theatres at the time, the main floor had no seats, with audience members standing to watch the performances. This had the effect of making the theatre a meeting place, but also a venue for business dealings, and sometimes the noise generated by the traders would bring complaints from genuine opera-lovers that their enjoyment was impaired.

Oil lamps illuminate the venue at first. Mindful of the fire hazard this posed, the theatre managers always made sure that there were hundreds of buckets of water to hand in rooms adjoining the auditorium.

The world’s finest singers have appeared at La Scala during the past 200 years and the theatre has hosted the premieres of operas by Rossini, Donizetti, Verdi and Puccini.

La Scala’s original 18th century structure was renovated in 1907 and, after bomb damage during the Second World War, it had to be rebuilt and was reopened in 1946, the occasion marked with a concert conducted by Arturo Toscanini, who was twice La Scala's principal conductor, with a soprano solo by Renata Tebaldi.

The beautiful Galleria Vittorio Emanuele II

Travel tip:

Teatro alla Scala is in Piazza della Scala in the centre of Milan across the road from the Galleria Vittorio Emanuele II, an elegant arcade lined with cafes, shops and restaurants which was built to link Piazza della Scala with Piazza del Duomo, Milan’s cathedral square.

Travel tip:

La Scala has a fascinating museum that displays costumes and memorabilia from the history of opera. The entrance is in Largo Ghiringhelli, just off Piazza della Scala. It is open every day except the Italian Bank Holidays and a few days when it is closed in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

(Photo of Galleria by Emily Chochkova CC BY-SA 3.0)

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Mario Del Monaco – tenor

Singer became famous for his interpretations of Otello

Mario Del Monaco, dressed for his most famous
role as Otello in Verdi's opera of the same name

Opera singer Mario Del Monaco, who was renowned for the amazing power of his voice, was born on this day in 1915 in Florence.

His family were musical and as a child he studied the violin but he developed a passion for singing as well.

He studied at the Rossini Conservatory in Pesaro, where he first met and sang with the soprano Renata Tebaldi, who was to partner him regularly later in his career.

Del Monaco made a big impact with his debut performance as Lieutenant Pinkerton in Puccini’s Madam Butterfly in Milan in 1940.

He became popular with the audience at the Metropolitan Opera in New York in the 1950s, making many appearances in dramatic Verdi roles.

He was one of the four Italian tenors at their peak in the 1950s and 1960s, sharing the limelight with Giuseppe Di Stefano, Carlo Bergonzi and Franco Corelli.

Del Monaco became famous for his interpretation of the title role in Verdi’s Otello, which, it is estimated, he sang hundreds of times.

Listen to the voice of Mario Del Monaco

He started making recordings for HMV in 1948 in Milan and was later partnered by Renata Tebaldi in a series of Verdi and Puccini operas recorded for Decca.

Del Monaco retired from the stage in 1975 and spent his last years living in a villa near Treviso in the Veneto with his wife, Rina, a former singer.

He died in Mestre, near Venice, in 1982 at the age of 67, having been in poor health since sustaining serious injuries in a road accident several years previously.  He was buried in Pesaro, where he grew up.  At his own request, he was laid to rest dressed in his favourite Otello costume.

Giancarlo Del Monaco, one of his two sons, followed him into opera as a director, making his debut in Siracusa in 1964 with a production in which his father starred, and going on to work at some of the world's top opera houses, including La Scala in Milan and the Met.

Travel tip:

Pesaro, where Del Monaco grew up and studied at the Rossini Conservatory, is a beautiful, traditional seaside resort on the Adriatic coast, renowned for its sandy beach. Rossini’s birthplace, at Via Rossini 34, is now a museum dedicated to the composer and there is also a theatre named after him. A Rossini opera festival is held in Pesaro every summer.

The statue of Mario Del Monaco
in Piazza Borsa in Treviso

Travel tip:

Treviso’s municipal theatre in Corso del Popolo was renamed Teatro Comunale Mario Del Monaco after the tenor and operatic costumes he wore are on display there. Close by in Piazza Borsa there is a bronze statue showing him in costume.

More reading:

How Italy mourned the death of Giuseppe Verdi

The genius of Giacomo Puccini

Renata Tebaldi: the voice of an angel



(Photo of Mario Del Monaco as Otello by MDM 1915 CC BY-SA 4.0)

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Cecilia Bartoli – opera singer

Soprano put the spotlight back on ‘forgotten’ composers and singers 

Cecilia Bartoli, who was born in
Rome on this day in 1966

Mezzo-soprano Cecilia Bartoli celebrates her 50th birthday today, having been born on this day in 1966 in Rome.

Bartoli is renowned for her interpretations of the music of Mozart and Rossini and for her performances of music by some of the lesser-known Baroque and 19th century composers.

Her parents were both professional singers and gave her music lessons themselves and her first public performance was at the age of eight when she appeared as the shepherd boy in Tosca.

Bartoli studied at the Conservatorio di Santa Cecilia in Rome and made her professional opera debut in 1987 at the Arena di Verona.

The following year she earned rave reviews for her portrayal of Rosina in Rossini’s The Barber of Seville in Germany and Switzerland.

Bartoli made her debut at La Scala in 1996, followed by the Metropolitan Opera in 1997 and the Royal Opera House in 2001.

She has performed and recorded Baroque music by composers such as Gluck, Vivaldi, Haydn and Salieri.

Cecilia Bartoli takes the applause after a performance
of Rossini's La Cenerentola in Paris

She has sold more than ten million copies of her albums, received numerous gold and platinum certificates and been given many awards and honours.

In 2012 Bartoli became artistic director of the Salzburg Whitsun Festival and her personal programme choices immediately resulted in record ticket sales. She has since sung Cleopatra in Handel’s Giulio Cesare and the title roles in Vincenzo Bellini’s Norma and Rossini’s La Cenerentola there.

The singer has a particular interest in early 19th century music, the age of Romanticism and bel canto, and has developed a fascination with the singer Maria Malibran. She marked the bicentenary of Maria Malibran’s birth in March this year with the release of Maria, a new album devoted to the singer. 

Bartoli lives with her husband, the Swiss baritone Oliver Widmer, on the shores of Lake Zurich in Switzerland and also in Rome.

The entrance to the Conservatorio di Santa
Cecilia in Via dei Greci in Rome

Travel tip:

The Conservatorio di Santa Cecilia, where Cecilia Bartoli was educated, dates back to 1875. It was set up under the auspices of one of the oldest musical institutions in the world, now known as the National Academy of Santa Cecilia, which was established in 1565. The Conservatorio can be found in Via dei Greci, not far from the Spanish Steps in central Rome. The Academy is located at the Parco della Musica in the northern part of Rome in Viale Pietro de Coubertin in the Flaminio district, close to the location of the 1960 Summer Olympic Games.


Travel tip:

Cecilia Bartoli’s debut at La Scala in Milan as Isolier in Le Comte Ory in 1991 helped establish her as one of the world’s leading Rossini singers. The opera house has a fascinating museum displaying costumes and memorabilia from the history of opera that is well worth visiting. The entrance is in Largo Ghiringhelli, just off Piazza della Scala. It is open every day except the Italian Bank Holidays and a few days in December. Opening hours are from 9.00 to 12.30 and 1.30 to 5.30 pm.

More reading:

The amazing talent of opera composer Rossini

The success and sadness of Antonio Vivaldi



(Photo of Conservatorio di Santa Cecilia by Lalupa CC BY-SA 3.0)



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