Claudio Monteverdi – composer

Baroque musician who gave us the first real opera

Bernardo Strozzi's 1630 portrait of Monteverdi

The composer and musician Claudio Monteverdi was baptised on this day in 1567 in Cremona in Lombardy.

Children were baptised soon after their birth in the 16th century so it is possible Monteverdi was born on 15 May or just before.

He was to become the most important developer of a new genre, the opera, and bring a more modern touch to church music.

Monteverdi studied under the maestro di cappella at the cathedral in Cremona and published several books of religious and secular music while still in his teens.

He managed to secure a position as a viola player at Vincenzo Gonzaga’s court in Mantua where he came into contact with some of the top musicians of the time. He went on to become master of music there in 1601
.
It was his first opera, L’Orfeo, written for the Gonzaga court, that really established him as a composer.

In the early 17th century, the intermedio, the music played between the acts of a play, was evolving into the form of a complete musical drama, or opera. Monteverdi’s L’Orfeo was the first fully developed example of this and is the earliest opera still being regularly staged.

It had its first performance in 1607 in Mantua. Two letters, both dated 23 February, 1607, refer to the opera due to be performed the next day in the Ducal Palace as part of the annual carnival in Mantua in Lombardy.

The frontispiece from Monteverdi's
score of L'Orfeo, performed in 1607

In one of them a palace official writes: ‘… it should be most unusual as all the actors are to sing their parts.’

Francesco Gonzaga, the brother of the Duke, wrote in a letter dated 1 March, 1607 that the performance had been to the ‘great satisfaction of all who heard it.’

L’Orfeo, or La favola d’Orfeo as it is sometimes called, is based on the Greek legend of Orpheus. It tells the story of the hero’s descent to Hades and his unsuccessful attempt to bring his dead bride, Eurydice, back to the living world.

The libretto had been written by Alessandro Striggio and the singers were accompanied by an orchestra of about 40 musical instruments.

It was staged again in Mantua and then possibly in other towns in Italy before the score was published by Monteverdi in 1609. There is evidence that the opera was also performed in Salzburg, Geneva and Paris from 1614 onwards.

But after Monteverdi’s death in 1643 the opera was forgotten until a 19th century revival led to other performances.

While it is recognised that L'Orfeo is not the first opera, it is the earliest opera that is still regularly performed in theatres today and it established the basic form that European opera was to take for the next 300 years.

A performance in Paris in 1911 gave L’Orfeo particular prominence and it has since been regularly included in the repertoire of opera houses.

Nowadays, Monteverdi is acknowledged as the first great opera composer.

The Duomo in Cremona, where
Monteverdi studied music

Travel tip:

Cremona’s Duomo, where Monteverdi studied music, is an important example of Romanesque architecture dating from the 12th century. The facade with its large rose window was probably added in the 13th century. Linked to the cathedral by a loggia, is the Torrazzo, the tallest bell tower in Italy and the third largest in the world, standing at 112.7 metres. Work began on the Torrazzo in the eighth century and the spire was completed in 1309. 


Travel tip:

Mantua is an atmospheric old city, to the south east of Milan, famous for its Renaissance Palazzo Ducale, the seat of the Gonzaga family, which has a famous room, Camera degli Sposi, decorated with frescoes by Andrea Mantegna.  It is not known for certain, but the premiere of L’Orfeo may have taken place in the Galleria dei Fiumi, which has the dimensions to accommodate a stage and orchestra and space for a small audience.


More reading:

The story of Monteverdi's L'Orfeo

Luca Marenzio, the madrigal writer who influenced Monteverdi

How court musician Jacopo Peri wrote the first 'opera'

Also on this day:

1902: The birth of band leader Pippo Barzizza

1936: The birth of actress and opera singer Anna Maria Alberghetti





Home

Marco Zanuso - architect and designer

Innovative ideas put Italy at the forefront of contemporary style

Marco Zanuso

Marco Zanuso, the architect and industrial designer whose innovative ideas helped revolutionize furniture and appliance design in Italy after the Second World War, was born in Milan on this day in 1916. 

Influenced by the Rationalist movement that emerged in the 1920s, he was one of the pioneers of the Modern movement, which brought contemporary styling to mass-produced consumer products.  His use of sculptured shapes, bright colours, and modern synthetic materials helped make Italy a leader in furniture fashion.

Italy had for many years been something of a trendsetter in interior design but during the post-War years, with the fall of Fascism and the rise of Socialism, there was a sense of liberation among Italian creative talents.

With the recovery of the Italian economy there was a substantial growth in industrial production and mass-produced furniture. By the 1960s and 1970s, Italian interior design reached its pinnacle of stylishness.

Zanuso was at the forefront, producing designs that used tubular steel, acrylics, latex foam, fibreglass, foam rubber, and injection-moulded plastics.

His first major successes came for Pirelli, the tyre makers, who in 1948 opened a new division, Arflex, to design seating using foam rubber upholstery. They commissioned Zanuso to produce their first designs and his distinctively shaped "Lady" armchair won first prize at the 1951 Milan Triennale.

A folding radio cube designed by Marco Zanuso and
Richard Sapper for Brionvega

In 1957, Zanuso entered into a partnership with German designer Richard Sapper. 

They convinced consumers that plastic could be a viable material for furniture in the home with a brightly coloured, stackable child's chair. Their moulded metal "Lambda" kitchen chair became a worldwide bestseller.

In 1959, Zanuso and Sapper were hired as consultants to Brionvega, an Italian company trying to produce stylish electronics that would challenge those being made in Japan and Germany. They designed a series of  radios and televisions that became stylistic icons. Their portable "Doney 14" was the first completely transistorised television.

They also designed a folding "Grillo" telephone for Siemens in 1966, one of the first telephones to put the dial and the earpiece on the same unit.

Zanuso turned his ideas and versatility to other household items, including a bright red fan, bright yellow kitchen scales, a knife sharpener and a streamlined sewing machine.

Several of his award-winning product designs eventually became part of a permanent collection of the Museum of Modern Art in New York City.

As an architect, Zanuso also designed housing, factories and offices, not only in Italy but in South America and South Africa.

He designed the Olivetti factory buildings in Buenos Aires in 1954, which featured external air conditioning, another Olivetti building in São Paulo, the Necchi sewing machine company's office building in Pavia in Italy and IBM factory buildings in Milan.

As a member of the city planning commission in Milan, his projects included the renovation of the Teatro Fossati and the construction of the Teatro Strehler, a new venue for the Piccolo Teatro della Città di Milano.

The fifth of six sons of an orthopaedic doctor, he trained in architecture at the Milan Polytechnic university and after military service in the Italian Navy he opened his own design office in 1945 and edited the influential design magazines Domus and Casabella.

He taught architecture and design at the Milan Polytechnic from the 1960s, and served twice as president of the Italian Association of Industrial Design.  He continued working into his late 70s, designing a cutlery set for Alessi in 1995.

He died in Milan in 2001, aged 85.  His son, Marco Zanuso Jnr, one of four children, followed him into architecture and design.

Zanuso's Piccolo Teatro Strehler in Milan

Travel tip:

The Piccolo Teatro della Città di Milano, founded in 1947, was Italy's first permanent repertory company. It has three venues, the Teatro Grassi, in Via Rovello, between Sforza Castle and the Piazza del Duomo, the Teatro Studio and the Teatro Strehler.  The company puts on around 30 performances per year, while the venues host cultural events, including festivals, films, concerts, conferences and conventions.

Travel tip:

The Medieval city of Pavia, once the most important town in northern Italy, has many fine churches, including a cathedral boasting one of the largest domes in Italy and the beautiful Romanesque Basilica di San Michele.  The Visconti Castle, surrounded by a large moat, houses the Civic Museum. Another notable attraction is the covered bridge across the Ticino River, a reproduction of a 13th-century bridge destroyed during the Second World War.

(Photo of Zanuso radio by Andrea Pavanello CC BY-SA 3.0)
(Photo of Piccolo Teatro Strehler by Dispe CC BY-SA 3.0)

Home

The first Giro d'Italia

Tour of Italy cycle race ran from Milan to Naples and back

An exhausted Luigi Ganna after
his 1909 Giro d'Italia triumph

A field of 127 riders left Milan on this day in 1909 as Italy's famous cycle race, the Giro d'Italia, was staged for the first time.

Those who lasted the course returned to Milan 13 days later having covered a distance of 2,447.9 kilometres (1,521 miles) along a route around Italy that took them through Bologna, Chieti, Naples, Rome, Florence, Genoa and Turin.

The winner was Luigi Ganna, an Italian cyclist from Lombardy who had finished fifth in the Tour de France in 1908 and won the Milan-San Remo race earlier in 1909.  Only 49 riders finished.  Second and third places were also filled by Italian riders, with Carlo Galetti finishing ahead of Giovanni Rossignoli.

The race was run in eight stages with two to three rest days between each stage. It was a challenge to the riders' stamina. The stages were almost twice as long as those that make up the Giro today, with an average distance of more than 300 km (190 miles). The modern Giro covers a greater distance in total at 3,481.8 km (2,163.5 miles).

Thankfully, the route was primarily flat, although it did contain a few major ascents, particularly on the third leg between Chieti in Abruzzo and Naples, which took the race across the Apennines. The sixth stage, from Florence to Genoa, and the seventh, from Genoa to Turin, were also classified as mountainous.

Ganna led the overall standings after the second stage but was behind Galetti when the race reached Naples.  However, after he won the Naples-Rome leg he regained the overall lead and held it for the remainder of the race, winning two more stages.  Rossignoli won two of the three mountain stages.

Map showing the route followed by the first
Giro d'Italia in 1909

Galetti could count himself unlucky not to have finished at the top of the standings.  With a crowd of 30,000 turning out to see the participants return to Milan, an escort of mounted police was organised to clear a path for a sprint finish into the Arena Civica.  Just as the sprint was beginning, a police horse fell, causing several riders to crash and allowing Dario Beni, who had also won the opening stage, to pass Galetti, pushing him back into second place.

Ganna finished third but only after the race directors took pity on him after he suffered two punctured tyres, stopping the race to allow him to catch up.  The final points margin was so small that had Galetti won the final stage and Ganna finished only a couple of places further back, then Galetti would have been champion.

In the event, Galetti won by an 18-point margin in 1910 and defended his crown successfully the following year.

The Giro had been the idea of the sports newspaper, La Gazzetta dello Sport, who saw an opportunity to boost their sales by giving Italy its own version of the Tour de France, which had proved hugely popular after its launch in 1903.  The paper raised 25,000 lira to stage the event and provide prize money and the starting line was outside its headquarters in Piazzale Loreto, the square that would 26 years later acquire notoriety as the place where the body of the slain dictator Mussolini was put on public display.

The popularity of the race grew rapidly and it has been staged every year since the 1909 contest, with interruptions only because of the world wars.

The controversies that have cast a shadow over cycling's recent past with the use of performance enhancing drugs were unknown in those early days, although cheating reared its ugly head in the very first Giro.  Three riders were disqualified before the start of the third stage when it was discovered they had taken a train for part of the Bologna-Chieti leg, while the French rider, Louis Trousselier, the 1905 Tour de France winner, had his chances scuppered outside Rome when spectators threw tacks into the road just as he was about to pass.

The main grandstand at Milan's historic Arena Civica

Travel tip:

The Arena Civica, which can be found in the Parco Sempione behind the Castello Sforzesco, is one of Milan's main examples of neoclassical architecture, an elliptical amphitheatre commissioned by Napoleon Bonaparte soon after he became King of Italy in 1805. At one time the home of the Milan football club Internazionale, it is known nowadays as the Arena Gianni Brera and is a venue for international athletics, also hosting rugby union as well as Milan's third football team, Brera Calcio FC.

Travel tip:

Chieti is amongst the most ancient of Italian cities, reputedly founded in 1181BC by the Homeric Greek hero Achilles and named Theate in honour of his mother, Thetis. The city is notable for the Gothic Cathedral of San Giustino, which has a Romanesque crypt dated at 1069 but is mainly of later construction, having been rebuilt a number of times, usually because of earthquake damage.  The main part of the cathedral is in early 18th century Baroque style.  Situated about 20 kilometres inland from Pescara, the city consists of Chieti Alta, the higher part and the historic centre, and the more modern Chieti Scalo.

More reading:

Italy's first football championship


(Photo of Giro d'Italia map by Cruccone CC BY-SA 3.0)
(Photo of Arena Civica by Sergio d'Afflitto CC BY-SA 3.0)

Home

Cosimo II de' Medici - patron of Galileo

Grand Duke of Tuscany maintained family tradition

Cosimo II de' Medici

Born on this day in Florence in 1590, Cosimo II de' Medici, who was Grand Duke of Tuscany from 1609 until his premature death in 1621, was largely a figurehead ruler during his 12-year reign, delegating administrative powers to his ministers.

His health was never good and he died from tuberculosis aged only 30 yet made his mark by maintaining the Medici family tradition for patronage by supporting the astronomer and physicist Galileo Galilei.

Galileo, from Pisa, had been Cosimo's childhood tutor during the time that he was Professor of Mathematics at the University of Padua.

From the beginnings of the Medici dynasty, with Cosimo the Elder's rise to power in 1434, the family supported the arts and humanities, turning Florence into what became known as the cradle of the Renaissance.

Cosimo the Elder gave his patronage to artists such as Ghiberti, Brunelleschi, Donatello and Fra Angelico.  His grandson, Lorenzo the Magnificent, supported the work of such Renaissance masters as Botticelli, Leonardo da Vinci and Michelangelo.

Galileo, who also had the patronage of Cosimo's eldest son and heir, Ferdinando II de' Medici, dedicated his treatise Sidereus Nuncius, an account of his telescopic discoveries, to Cosimo. Additionally, Galileo christened the moons of Jupiter the 'Medicean stars'.

Cosimo II was the elder son of Ferdinando I de' Medici, the third Grand Duke of Tuscany, and Christina of Lorraine. Ferdinando arranged for him to marry Archduchess Maria Maddalena of Austria, daughter of Archduke Charles II, in 1608. Together they had eight children, among whom was Cosimo's eventual successor, Ferdinando II, an Archduchess of Inner Austria, a Duchess of Parma and two cardinals.

After he died at the family home at the Palazzo Pitti in Florence, in 1621, the power of Florence and Tuscany began a slow decline.  When the last Medici grand duke, Gian Gastone, died without a male heir in 1737, the family dynasty died with him.

The facade of the Palazzo Pitti in Florence, former
family home of the Medici dynasty

Travel tip:

The Palazzo Pitti, known in English as the Pitti Palace, is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. It was originally the home of Luca Pitti, a Florentine banker, and was bought by the Medici family in 1549, after which it became the chief residence of the ruling families of the Grand Duchy of Tuscany. It is now the largest museum complex in Florence, housing eight museums and galleries.

Travel tip:

The Museo Galileo in Florence is in Piazza dei Giudici close to the Uffizi Gallery. It houses one of the biggest collections of scientific instruments in the world in Palazzo Castellani, an 11th century building.

More reading: 

Galileo Galilei, the founder of modern science

Grand designs of Cosimo I

Medici patronage behind invention of piano

Home