Francesca Cuzzoni - operatic soprano

Diva who came to blows with rival on stage

Francesca Cuzzoni, depicted in an 18th century engraving
by the English artist James Caldwall

Francesca Cuzzoni, an 18th century star whose fiery temper earned her a reputation as one of opera’s great divas, was born on this day in 1696 in Parma.

Described rather unkindly by one opera historian of the era as “short and squat, with a doughy face” she was nonetheless possessed of a beautiful soprano voice, which became her passport to stardom.

However, she was also notoriously temperamental and jealous of rival singers, as was illustrated by several incidents that took place while she was in the employment of George Frideric Handel, the German composer who spent much of his working life in London.

Already established as one of the finest sopranos in Europe, Cuzzoni was hired by Handel in 1722.

Handel at that time was Master of the Orchestra at the Royal Academy of Music, the company set up by a group of English aristocrats to stage Baroque opera, partly for their own entertainment but also as a commercial enterprise.  One of his responsibilities was to engage the soloists for the company’s productions.

He ran into immediate trouble with Cuzzoni, who was due to make her debut in Handel’s own Italian language opera Ottone at the King’s Theatre in Haymarket.  On discovering that her part had been written originally with another singer in mind, one whose services the composer had been unable to secure, she is reputed to have refused to perform, coming into line only when Handel allegedly picked her up by the waist and threatened to throw her out of a window.

Cuzzoni (right) and Faustina Bordoni (left) were fierce
rivals notoriously involved in an on-stage fight

In the event, her interpretation of the role was hailed as a triumph and she soon became a star, her performances winning her an army of fans and enabling her to demand a handsome salary of £2,000 a season, which in today’s money would be the equivalent of about £250,000.

Opera’s popularity soared, despite the company jacking up ticket prices eightfold, and Handel was instructed to recruit more stars to satisfy demand.

Cuzzoni, though, was said to be furious, particularly when she learned that one of the new arrivals was Faustina Bordoni, a Venetian soprano who was much more attractive than she and who had been a rival in Italy.

Fanned by the press, their rivalry extended to the stalls and boxes, where opera-goers raucously supported their favourite and sometimes openly booed the other singer. Matters came to a head when they were cast to appear alongside one another in a performance of Giovanni Bononcini’s opera Astianatte.

Despite the presence in the audience of the Princess of Wales, rival factions took turns to jeer and catcall whenever one or the other began to sing and when the two singers appeared on the stage together a fight broke out in the stalls.

On stage, Cuzzoni is alleged to have turned on Bordoni, sparking an exchange of insults. Soon they were said to have begun pulling at each other’s hair and tearing pieces from their costumes. After they were separated, the performance was abandoned.

George Frideric Handel engaged Cuzzoni
to sing with the Royal Academy of Music

In fact, the remainder of the season was cancelled and Cuzzoni was told to leave, only to be reinstated following the direct intervention of the King. An uneasy truth allowed the next season to go ahead but the company wanted rid of Cuzzoni. Eventually it was decided that Bordoni would be offered more money, at which Cuzzoni resigned in a fit of pique and left first for Vienna and then Italy.

She returned to London in 1734, this time at the invitation of a rival company to Handel’s, although she did not make the same impact, her thunder stolen to an extent by the presence in the company of the superstar castrato, Farinelli.

Nonetheless, Cuzzoni continued to prosper until the 1740s, when the quality of her voice began to decline and her extravagant lifestyle found her increasingly in debt. At one point she was arrested in London over a debt of £30 and released from prison after the Prince of Wales paid her bail.

After a final concert in 1751, which was prefaced by a rather sad appeal for support published in her name by the General Advertiser, she returned to Italy for a final time.  She is said to have then eked out a living of sorts by making buttons. She died in virtual poverty in Bologna in 1778.

The Palazzo di Riserva in Parma, where Cuzzoni is
thought to have made her opera debut in 1714

Travel tip:

Cuzzoni, whose father was a professsional violinist,  made her stage debut in Parma in 1714, probably at the Teatro Ducale inside the Palazzo di Riserva, a neoclassical palace in what is now the Strada Giuseppe Garibaldi.  The theatre was replaced in the 19th century by the Nuovo Teatro Ducale, which was built on the site of a former monastery next to the Ducal Palace. Subsequently renamed the Teatro Regio di Parma, the house grew in prominence thanks to the fame of Giuseppe Verdi, who was born in nearby Busseto, and is nowadays regarded as one of Italy’s great opera houses, less well known but on a par with La Scala in Milan and La Fenice in Venice.

Parma's pink marble Baptistery is one of
many attractive buildings in the city

Travel tip:

A university city in the Emilia-Romagna region, with a population of almost 200,000, Parma is famous for Grana Parmigiana (Parmesan) cheese and Prosciutto di Parma ham, as well as a wealth of Romanesque architecture, including a cathedral containing acclaimed frescoes by Antonio da Correggio, and a pink marble Baptistery next door. More works by Correggio - and by Canaletto - are displayed at the Galleria Nazionale inside Palazzo della Pilotta.

More reading:

Why Farinelli, the 18th century castrato, was music's first superstar

How Francesco Gemianini, a Tuscan violinist, came to accompany Handel in playing for the English court

Pietro Metastasio, the most celebrated librettist of the 18th century

Also on this day:

1725: The birth of 18th century playboy Giacomo Casanova

1959: The birth of Olympic marathon champion Gelindo Borodin


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Alberto Zaccheroni - football coach

First Italian coach to lead a foreign nation to success

Alberto Zaccheroni achieved success at many
levels in Italian football

The football coach Alberto Zaccheroni, who won the Serie A title with AC Milan and steered the Japan national team to success in the Asia Cup, was born on this day in 1953 in Meldola, a town in Emilia-Romagna.

In a long coaching career, Zaccheroni has taken charge of 13 teams in Italy, a club side in China and two international teams, Japan and the United Arab Emirates.

In common with many coaches in Italy, Zaccheroni began at semi-professional level and worked his way up through the professional leagues.  Before winning the Scudetto with Milan in 1999, he had twice won titles at Serie D (fourth tier) level and twice in Serie C.

Zaccheroni played as a fullback, with the youth team at Bologna and the Serie D team Cesenatico in Emilia-Romagna, but his career was hampered by a lung disease he contracted at the age of 17, which meant he could not train or play for two years.

He quit playing in his mid-20s and began to coach Cesenatico’s youth teams.  His coaching talents began to attract attention when, in two consecutive seasons, he was asked to take over on the bench for Cesenatico’s first team following the sacking of the head coach and on each occasion saved them from relegation.

This brought him a head coach’s position in his own right at Riccione, near Rimini, where he won promotion to Serie C2, and then at Baracca Lugo, the team near Ravenna that takes its name from Francesco Baracca, the First World War flying ace who was born in the town.

The German striker Oliver Bierhoff served
Zaccheroni at Udinese and AC Milan

He achieved promotion in consecutive seasons with Baracca Lugo, taking them into Serie C2 and then C1, before continuing his rapid rise with Venezia, where he won the Serie C1 play-off to take the club of La Serenissima into Serie B for the first time in 24 years.

After Venezia, Zaccheroni spent a season with Bologna before taking up his first post outside northern Italy at Cosenza in Calabria, where he had a remarkable Serie B season, taking over a team that had began the campaign with a nine-point penalty yet not only avoided relegation but at one point were in contention for promotion to Serie A.

As a result, he landed his first Serie A post with Udinese, where he became known as the father of 3-4-3, the tactical formation he favoured and which became the stock system for other coaches, such as Antonio Conte, who employed it with great success at Juventus and Chelsea at club level, and with the Italian national team.

Bringing together an Italian (Paolo Poggi), a German (Oliver Bierhoff) and a Brazilian (Marcio Amoroso) in his forward line, Zaccheroni steered Udinese to 10th place, fifth and third in consecutive seasons.  The fifth place in 1997 meant the Friulian club qualified for the UEFA Cup for the first time in its history.

This opened the door to even bigger challenges, this time with AC Milan, one of the giants of Italian football.  Zaccheroni was successful immediately, delivering the club’s 16th Scudetto in their centenary season, with his former Lazio star Oliver Bierhoff the leading goalscorer.

Zaccheroni took charge of the Japan
national team in 2011

Only then did Zaccheroni’s almost continuous record of success come to a halt. He could not replicate his domestic success in the Champions League and when Milan finished sixth in 2000-01, his third season in charge, and therefore qualified only for a UEFA Cup place, he was dismissed by president Silvio Berlusconi.

Faced with much higher demands, he subsequently spent only one season at Lazio, qualifying for the UEFA Cup, and one season with Internazionale, where he finished fourth and thereby clinched a Champions League place, but on each occasion he was replaced as head coach with Roberto Mancini.  

From Inter, Zaccheroni went to Torino and then Juventus, again without success, before the chance arose to take charge of the Japan national team in 2011.

Despite language problems - Zaccheroni struggled to learn any Japanese and had to communicate with his players either via an interpreter or, as one of his players later explained, with only gestures when no interpreter was available - he led the Japan to the Asia Cup in his first season in charge, the first Italian coach to be successful with an international team other than Italy.

Subsequently, Zaccheroni’s Japan won the East Asia Cup in 2013 and qualified for the 2014 World Cup finals in Brazil.

He left after the 2014 World Cup, when Japan finished bottom of their group. Following an unsuccessful stint in the up-and-coming Chinese professional league as coach of of Beijing Guoan, Zaccheroni accepted his second international posting as head coach of the United Arab Emirates, with whom he reached the final of the Gulf Nations Cup in January this year.

The castle at Zaccheroni's home town of Meldola

Travel tip:

Zaccheroni’s home town of Meldola, situated some 14km (9 miles) south of Forli in the foothills of the Apennines, with a population of just over 10,000, was once notable for the production of silk.  The site of a large Roman aqueduct, now submerged, it has a well-preserved medieval castle. The Rocca della Caminate fortress was a former holiday home of the Fascist leader Benito Mussolini.

The canal-port at Cesenatico was built to designs
by Leonardo da Vinci

Travel tip:

The Adriatic resort of Cesenatico, where Zaccheroni began his coaching career, is 16km (10 miles) from the city of Cesena, on the stretch of coast between Rimini and Ravenna, has a number of distinctions, including an 118-metre office and apartment building that was once the tallest building in Italy and a port and canal built from designs commissioned of Leonardo da Vinci. It also has a handsome, Liberty-style Grand Hotel and a museum dedicated to the former cycling champion Marco Pantani.

More reading:

Massimiliano Allegri, the former Milan coach who broke records at Juventus

Roberto Mancini - the Italian who led Manchester City to their first title for 44 years

Why Milan great Franco Baresi was called the player of the century

Also on this day:

April Fools' Day - Italian style

1946: The birth of former AC Milan and Italy coach Arrigo Sacchi


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Franco Bonvicini – comic book artist

Comic artist became famous for satirising the Nazis

Bonvi's Sturmtruppen was a hit in countries
beyond Italy as well as at home

Franco Bonvicini, who signed his comic strips Bonvi, was born on this day in 1941 in either Parma or Modena in Emilia-Romagna.

The correct birthplace is unknown. According to the artist, his mother registered him in both places to obtain double the usual amount of food stamps for rations.

After a brief spell working in advertising, Bonvi made his debut in the comic strip world for the Rome newspaper Paese Sera with his creation Sturmtruppen in 1968.

This series satirising the German army was a big hit and was published in various periodicals over the years. It was also translated for publication in other countries.

Although left-wing and a pacifist, Bonvi was fascinated by war and built up immense knowledge about Nazi Germany’s uniforms, weapons and equipment, which he depicted faithfully in his illustrations. The cartoons satirised military life and the Nazis themselves, providing him with an endless source of comic and surreal situations.

Bonvi's characters first appeared in
1968 in the Paese Sera newspaper

Bonvi also created the character Nick Carter, a comic detective, who later featured in a play, two films and a number of television cartoons.

In the 1980s, Bonvi became a member of Bologna City Council and founded a publishing house and monthly magazine in the city.

He was killed in 1995 in Bologna when he was struck by a car while crossing a road on his way to the television studios. He was due to appear on a show hosted by DJ and TV personality Red Ronnie and it was believed he intended to appeal for financial assistance for a friend, a Bolognese cartoonist, who was unable to work because he was dying of cancer.

A plate of Parma's famous prosciutto

Travel tip:

Franco Bonvicini could have been born in either Parma or Modena, cities that are about 60 km apart in Emilia-Romagna. Parma is famous for producing Prosciutto di Parma, a type of cured ham, and Parmigiano Reggiano, a hard cheese. Modena for Cotechino Modena, a type of sausage, and aceto balsamico di Modena, a high quality balsamic vinegar made from grape must.

Bologna's best food shops can be found in the Quadrilatero

Travel tip:

Bologna, where Franco Bonvicini lived in later life, is known by Italians as La Grassa, the fat one, because of its rich culinary traditions. It is the home of the world’s most famous pasta dish, tagliatelle Bolognese, long strips of pasta served with a rich meat sauce. The best traditional food shops in the city can be found in the area known as the Quadrilatero, which is bordered by Piazza Maggiore, Via Rizzoli, Via Castiglione and Via Farini.

More reading:

How Benito Jacovitti became Italy's favourite cartoonist

Hugo Pratt, the Rimini-born creator of comic book character Corto Maltese

How comic actor Sergio Tòfano invented comic cartoon favourite Signor Bonaventura

Also on this day:

1425: The birth of Bianca Maria Visconti, the Milanese Duchess who led her army into battle

1675: The birth of intellectual leader Pope Benedict XIV


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Fortunato Depero - artist

Futurist who designed iconic Campari bottle

Fortunato Depero's 1932 Campari Soda
bottle is still in production today

The Futurist painter, sculptor and graphic artist Fortunato Depero, who left a famous mark on Italian culture by designing the conical bottle in which Campari Soda is still sold today, was born on this day in 1892 in the Trentino region.

Depero had a wide breadth of artistic talent, which encompassed painting, sculpture, architecture and graphic design.

He designed magazine covers for the New Yorker, Vogue and Vanity Fair among others, created stage sets and costumes for the theatre, made sculptures and paintings and some consider his masterpiece to be the trade fair pavilion he designed for the 1927 Monza Biennale Internazionale delle Arti Decorative, which had giant block letters for walls.

Yet it is the distinctive Campari bottle that has endured longest of all his creations, which went into production in 1932 as the manufacturers of the famous aperitif broke new ground by deciding to sell a ready-made drink of Campari blended with soda water.

It was the first pre-mixed drink anyone had sold commercially and Depero, who was already working with the Milan-based company on a series of advertising posters and stylish black-and-white newspaper ads, was tasked with creating a unique miniature bottle in which the new product would be packaged.

Depero became an important designer
in the advertising world

The conical shape, a little like an upturned glass, made it stand out on the shelves and at a time when the modern and unconventional was considered chic was perfect in helping establish Campari Soda as the sophisticated pre-dinner drink of choice among Italy’s style-setters.

The shape, timelessly modern, has not changed fundamentally in 88 years since and has become an icon of Italian design.

Depero was born either in the village of Fondo or its neighbour Malosco, about 40-50km (25-31 miles) north of Trento, and went to college a little further south in Rovereto, between Trento and Verona. He was apprenticed in a marble workshop, having been turned down in his efforts to obtain a place at the Academy of Fine Arts in Vienna.

He first became aware of the Futurist movement on a trip to Florence in 1913 and when his mother died the following year he decided to move to Rome, where he met fellow Futurist Giacomo Balla. Together they produced an extraordinary text entitled Ricostruzione futurista dell’universo (Futurist Reconstruction of the Universe), a manifesto that reflected the core values of the movement, which rejected everything ancient and classical and aimed to free Italy from what was perceived as a stifling obsession with the past.

The establishment tended to dismiss Futurists as cranks, because they admired the speed and technological advancement of cars and aeroplanes and the new industrial cities, all of which they saw as demonstrating the triumph of humanity over nature through invention, and wanted to depict those things in their art.

Il Motociclista (the Motorcyclist) is an example of Depero's art

Yet in many ways, Depero and Balla and talented Futurist painters such as Carlo Carrà and Umberto Boccioni, who embraced a parallel obsession with nationalistic revolution and the overthrow of the hierarchical class system, foresaw how the 20th century would unfold, from the evolution of technology to the explosion of violence and the spread of mass communication.

The movement was ultimately tarnished by its association with Fascism, with which they initially shared similar goals in terms of wishing to build a strong, egalitarian, productive, youthful and modern Italy.  Once the link existed, it was difficult to break and after Mussolini’s regime was defeated there were many Futurists who found themselves shunned.

Depero himself found Italy an uncomfortable place after the Second World War and decided to return to New York, where he had spent a couple of years in the late 1920s, working on magazines and in the theatre and even building a house.  During his second stay, which lasted until the early 1950s, he published an English version of an earlier autobiography, entitled So I Think, So I Paint.

Depero returned to Italy and lived out his final days in Rovereto, where he died in 1960 from complications of diabetes.  A large collection of his work can be seen at the Museum of Modern and Contemporary Art of Trento and Rovereto.

Rovereto's Campana dei Caduti sounds
100 times at nightfall each day

Travel tip:

The picturesque small city of Rovereto, east of Riva del Garda, is notable not only for the aforementioned art museum but for a 14th century castle, which contains the Italian War Museum, and for the Maria Dolens (Mary Grieving) bell, also known as the Campana dei Caduti (the Bell of the Fallen) and the Bell of Peace. The second largest swinging bell in the world, it was originally the idea of a local priest, Father Antonio Rossaro, to honour the fallen of all wars and to invoke peace and brotherhood. Cast in 1924, since 1965 it has been located on Miravale Hill outside the town and sounds 100 times at nightfall each evening.

The beautiful Piazza Duomo in Trento

Travel tip:

The city of Trento is considered to have arguably the best quality of life in Italy, based on climate, surroundings and employment opportunities. With a population of 117,000, it is situated in an Alpine valley on the Adige river between the northern tip of Lake Garda and the border city of Bolzano, about 115km (71 miles) north of Verona. It was controlled by the Austrians almost continuously from the 14th century until the First World War.  In the 16th century, it hosted the Council of Trent, the ecumenical council of the Catholic Church that gave rise to the resurgence of the church following Protestant Reformation.

More reading:

The explosive art of leading Futurist painter Carlo Carrà

Luigi Russolo and the strange phenomenon of 'noise music'

Painter whose work depicted Fascist repression

Also on this day:

1282: The revolt that became known as the Sicilian Vespers

1905: The birth of Modernist architect Ignazio Gardella


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Francesco Faà di Bruno - advocate for poor

Entered priesthood after appeal to pope

Francesco maintained his faith
through difficult times in Italy

The blessed Francesco Faà di Bruno, a talented academic from a wealthy family who devoted much energy to helping the poor, disadvantaged and elderly, was born on this day in 1825 near Alessandria in Piedmont.

He was a supporter of Italian unification and indeed was wounded in the cause as a commissioned lieutenant in the Piedmontese Army during the First Italian War of Independence. Yet he could not accept the anti-Catholic sentiments of many of the movement’s leaders.

At the age of 51 he became a priest, although only after the intervention of Pope Pius IX, who stepped in to overrule the Archbishop of Turin, who had rejected Francesco’s credentials on the grounds that he was too old.

He was beatified 100 years after his death by Pope John Paul II.

Francesco was the youngest of 12 children born to Lady Carolina Sappa de' Milanesi of her husband, Luigi, a wealthy landowner whose various titles included Marquis of Bruno, Count of Carentino, Lord of Fontanile, and Patrizio of Alessandria.

His family were of a strong Catholic faith and encouraged a concern for the poor among all their children. Two of his sisters became nuns and one of his brothers built the church of St Peter in Hatton Garden for Italian immigrants living in London.

Francesco was wounded at the Battle
of Novara in 1849

Francesco, whose mother died when he was nine years old, was educated at home until he was 11 and entered the Royal Military Academy of Turin in 1840. One of the skills he developed was topography, which he used to draw up battlefield maps.

He was wounded during the Battle of Novara in 1849, where the Piedmontese were defeated by the Austrians. Afterwards, Victor Emmanuel, who had been his commander in the battle and succeeded his father, Charles Albert, as King of Sardinia, invited Francesco to become tutor to his two young sons but was forced to withdraw the offer because his supporters, including the revolutionary leader Giuseppe Garibaldi and the future prime minister of Italy, Count Camillo Benso di Cavour, were opposed to the influence of Catholics in education and put him under pressure to make a secular appointment.

Francesco then sought his release from the army and moved to Paris to study mathematics and astronomy at the Sorbonne, where his tutors included Augustin Cauchy and Urbain Le Verrier, who jointly discovered the planet Neptune.

Returning to Italy, he was appointed Professor of Mathematics at the University of Turin and at the same time began to devote increasing amounts of his time and money to helping the poor and disadvantaged. Despite it being a difficult time for the Catholic Church, he worked closely with the priest Giovanni Bosco, who set up a church grammar school, and also founded a society to promote Sunday observance and protect workers forced to work on Sundays.

The huge number of initiatives Francesco took up began with providing food for the poor during the icy cold Turin winters. Later he founded the Society of Saint Zita for maids and domestic servants, later expanding it to include unmarried mothers.

Pope John Paul II beatified Francesco
in 1988, 100 years after his death

He helped establish hospitals and boarding houses for the elderly, poor and disabled and, profoundly moved by the death of his brother Emilio in 1866 in the Third Italian War of Independence, he oversaw the construction of the church of Nostra Signora del Suffragio in Turin, completed in 1869 and dedicated to the memory of Italian soldiers who had lost their lives in the struggle for the unification of Italy.

Wishing to broaden and deepen his commitment to the poor, Francis studied for the priesthood, although his bid to be ordained was at first blocked by the Archbishop of Turin on the basis that he was too old. Traditionally, men began their preparation for Holy Orders in their teens.

However, after appealing directly to Pope Pius IX, he was ordained at the age of 51. As a priest, he continued to work on behalf of the disadvantaged and among his achievements was to create a refuge for prostitutes.

Remarkably, he still had the energy to pursue academic activities, contributing many articles to mathematics periodicals, designing several scientific instruments, writing a book about Catholic beliefs aimed at non-Catholics, and even composing a number of sacred melodies.

He died suddenly in Turin in 1888, two days before what would have been his 63rd birthday, from an intestinal infection.

Travel tip:

The village of Bruno in Piedmont is situated just over 20km (12 miles) southwest of Alessandria and a similar distance southeast of Asti. Formerly the seat of Francesco Faà di Bruno’s family, it falls within the area of Piedmont best known for the production of Nizza wine, a DOCG red made from the Barbera grape.

The church's bell tower is the
fifth tallest building in Turin

Travel tip:

The neo-Romanesque church of Nostra Signora del Suffragio e Santa Zita, the church that Francesco built in part to honour the Italians killed in the struggle for independence, is located in the San Donato district of Turin. It is notable for its bell tower, which at 83 metres is the fifth tallest structure in the city, after the Mole Antonelliana, the Intesa SanPaolo skyscraper, the Lingotto skyscraper and the Littoria Tower. Adjoining the church is a museum dedicated to the life of the priest.

More reading:

The death of unification leader Giuseppe Garibaldi

Giuseppe Mazzini - hero of the Risorgimento

The inspirational figure of Giovanni (John) Bosco

Also on this day:

1888: The birth of Enea Bossi, disputed creator of the world's first human-powered aeroplane

1939: The birth of Don Matteo actor Terence Hill


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Anselmo Colzani - opera star

Baritone who had 16 seasons at the New York Met

Anselmo Colzani in his signature role,
Scarpia in Puccini's Tosca

Anselmo Colzani, an operatic baritone who was a fixture at the Metropolitan Opera in New York in the 1960s and 1970s, as well as La Scala in his home country, was born on this day in 1918 in Budrio, a town not far from Bologna.

His stage career continued until 1980, when he made his final stage appearance in one of his signature roles as Scarpia in Giacomo Puccini’s Tosca.

Although his repertoire was much wider, his reputation became strongly associated with the works of Puccini and Giuseppe Verdi, with Jack Rance in Puccini's Fanciulla del West and the title role of Verdi's Falstaff, as well a Amonasro in Aida and Iago in Otello among his most famous roles.

Colzani’s association with the Met began in March 1960 after he was approached by Rudolf Bing, the opera house’s general manager, following the sudden death of Leonard Warren onstage during a performance of La Forza del Destino.

A few weeks later, Colzani took over Warren's role in Verdi's Simon Boccanegra. It was not only the first time he had sung at the Met, but the first time he had sung the role, which he had to learn it in a matter of days.

Yet so impressive was he that he returned to the Met for the next 16 seasons, making 272 appearances either in New York or on tour. A measure of the stature he achieved there in a short space of time was that he was the baritone chosen for the title role in the first performance of Franco Zeffirelli’s acclaimed production of Falstaff in 1964, conducted by Leonard Bernstein.

Colzani with the soprano Renata Tebaldi, with
whom he starred many times

Brought up in a musical family, Colzani joined the Italian Army before beginning to study singing formally, signing up as an 18-year-old in 1936. His service required him to fight in the Second World War. Thankfully he survived and in 1945 began attending the Bologna Conservatory under the tutelage of Corrado Zambelli.

He made his debut at the Teatro Comunale in Bologna in 1947 in the small role of the Herald in Wagner's Lohengrin. Also in the cast and making her house debut was the  soprano Renata Tebaldi, with whom he would later be reunited in New York.

Colzani made his bow at Teatro alla Scala in Milan, in 1952, as the murderous Alfio in Pietro Mascagni’s Cavalleria rusticana, and he continued to sing there until 1970, his last appearance being also as Alfio.

He was soon in demand throughout Italy for the dramatic baritone roles of Verdi in particular, becoming a major draw  in Naples, Verona and in Rome, where he enjoyed several seasons at the Baths of Caracalla.

He made his United States debut at the San Francisco Opera in 1956, but it was at the Met that he established an enduring foothold, appearing there with many of the major stars of the day, including Maria Callas, Franco Corelli and Carlo Bergonzi.

Colzani's last Met performance was as Michonnet in Adriana Lecouvreur, by Francesco Cilea, in 1978. He continued singing until 1980, when he gave his final performance in Tosca, reprising the Scarpia role in which he most frequently appeared during his years at the Met.

Married twice - his first wife died young - Colzani died in 2006, a few days before what would have been his 88th birthday. He was survived by his second wife, Ada, and his two children, Bianca and Miriam.

One of the towers that formed part of
Budrio's medieval 

Travel tip:

Colzani’s home town, Budrio, is 15km (9 miles) east of Bologna. A former Roman settlement, it is notable for the remains of the four corner towers of a castle rebuilt in the 14th century, inside which the original village was contained. Each year, the town stages an international opera competition in Colzani’s memory.

Travel tip:

Bologna has a tradition of presenting opera that goes back to the early 17th century. The Teatro Comunale, where Colzani made his debut, came into being in 1763 as the Nuovo Teatro Pubblico, designed by Antonio Galli Bibiena, who won a competition to design a new theatre for the city after another one, Teatro Mavezzi, had been destroyed by fire.  Arturo Toscanini, who went on to be musical director at La Scala, the Met and the New York Philharmonic, conducted there many times in the early part of his career.

More reading:

Why Renata Tebaldi was said to have the 'voice of an angel'

How Arturo Toscanini became a conductor by chance

Tito Gobbi - the baritone who enjoyed a movie career

Also on this day:

1472: The birth of the great Renaissance painter Fra Bartolommeo

1925: The birth of legendary film producer Alberto Grimaldi


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Luca Zaia - politician

Popular president of Veneto tipped as future PM

The politician Luca Zaia has been president of the
 Veneto region since 2010

The politician Luca Zaia, who was spoken of as a possible candidate to be Italy’s prime minister following the recent elections, was born on this day in 1968 in Conegliano, in the Veneto.

Zaia, who has been president of the Veneto region for almost eight years, only in the last few days received an approval rating of 56 per cent in a poll to find the most popular regional governor, the highest rating of any of Italy’s regional presidents.

A member of the Lega party, formerly Lega Nord (Northern League), he was suggested by some commentators as a dark horse for the position of President of the Council of Ministers - the official title of Italy’s prime minister - after the March 1 poll produced no overall winner.

Before successfully standing to be Veneto’s president in 2010 he had served in national government as Minister of Agriculture under Silvio Berlusconi.

Zaia is popular with voters in the Veneto

At this year’s election, the populist Movimento Cinque Stelle (Five Star Movement) won the biggest proportion of the vote at just over 32 per cent and the Lega achieved its highest share at just under 18 per cent, almost as many as the Democratic Party, and there has been speculation that Cinque Stelle and the Lega were the likeliest to form a working coalition.

The Lega, whose traditional position was to campaign for an independent northern Italy, have been branded far-right because of the anti-immigration and anti-EU rhetoric of some of their leading figures, although the current head of the party, Matteo Salvini, is a former communist and the party’s policies in general position it more on the centre-right.

Although he has spoken out over the issue of illegal immigrants that was a major debating point during the election, Zaia’s biggest priorities are achieving fiscal autonomy for the regions and introducing a flat rate of tax, as well as implementing policies that encourage the employment of young people, among who unemployment in Italy is the highest, up to 60 per cent in some areas in the south.

He has the support of many prominent business leaders in the wealthy Veneto region, including such as Luxottica founder and owner Leonardo Del Vecchio and the Benetton patriarchs, Luciano and Gilberto.

Zaia supported a plebiscite on independence for the Veneto as recently as 2014, comparing Veneto’s status within Italy to that of Crimea within Ukraine.

Zaia (right), pictured with former Italian president Giorgio
Napolitano, has been a member of the Lega since the 1990s

A graduate of the University of Udine, Zaia joined Lega Veneta–Lega Nord in the early 1990s, was first elected to public office in 1993, when he became municipal councillor of Godega di Sant'Urbano, not far from his home town of Conegliano. 

Two years later, he became a provincial councillor, then provincial minister of agriculture for Treviso and, in 1998, provincial president.  In 2002 he was re-elected with a landslide 68.9% of the vote.

In 2005, he was appointed vice-president of Veneto and regional minister of agriculture and tourism, before leaving in 2008 to become federal Minister of Agriculture in Berlusconi’s People of Freedom  federation.  During his term as vice-president, he made headlines when he saved the life of an Albanian man by dragging him from a burning car, in which he had become trapped.

Nominated by Lega Veneta, in March 2010, Zaia was elected President of Veneto in a landslide, winning 60.2% of the vote against 29.1% of his nearest challenger, the Democratic Party’s Giuseppe Bortolussi.  Zaia’s proportion of votes was the highest since direct election was introduced in 1995. He was re-elected in May 2015.

UPDATE: In the 2020 regional election Zaia was re-elected for a third consecutive term with 76.8% of the vote, becoming the most voted regional president in Italian history.

The area of Italy that it was once proposed would
form a breakaway nation of Padania

Travel tip:

Lega Nord’s popularity grew around former leader Umberto Bossi’s symbolic ‘declaration of independence’ for Padania at a rally of supporters in Venice in 1996, yet the ‘country’ of Padania has never existed. It was historically used as a term to describe the area that encompasses Val Padana – the Po Valley.  The Lega Nord tended to define Padania as a broad area of northern Italy consisting of Veneto, Emilia-Romagna, Lombardy, Piedmont and Liguria.

Conegliano's castle stands guard over
the town near Treviso

Travel tip:

Conegliano is a town of almost 35,000 people in the Veneto, about 30km (19 miles) north of Treviso.  The remains of a 10th century castle, once owned by the Bishop of Vittorio Veneto, stands on a hill that dominates the town.  Conegliano is at the centre of a wine-producing region and is famous in particular for Prosecco, the popular sparkling wine made from the glera grape.  As well as Zaia, the town is the birthplace of Renaissance painter Giambattista Cima, film director Pier Paolo Pasolini and the World Cup-winning footballer Alessandro del Piero among others.




More reading:

Beppe Grillo and the rise of Cinque Stelle

Umberto Bossi - the fiery former leader of Lega Nord

Paolo Gentiloni - Italy's outgoing prime minister

Also on this day:

1799: The birth of Alessandro la Marmora, founder of the Italian army's famed Bersaglieri corps

1969: The birth of Gianluigi Lentini, once the world's most expensive footballer


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