Nicola Porpora – composer and teacher

Tutor of celebrated opera singers died in poverty

Nicola Porpora - a painting by an unknown artist

Nicola Porpora, who composed more than 60 operas and was a brilliant singing teacher in Italy, died on this day in 1768 in Naples.

Among his many pupils were poet and librettist Pietro Metastasio, composers Johann Adolph Hasse and Joseph Haydn and the celebrated castrati, Farinelli (Carlo Broschi) and Caffarelli (Gaetano Majorano).

Porpora’s most important teaching post was in Venice at the Ospedale degli Incurabili, where there was a music school for girls, in which he taught between 1726 and 1733.

He then went to London as chief composer to the Opera of the Nobility, a company that had been formed in opposition to Royal composer George Frideric Handel’s opera company.

The composer had been born Nicola Antonio Giacinto Porpora in 1686 in Naples.

He graduated from the music conservatory, Poveri di Gesù Cristo, and his first opera, Agrippina, was a success at the Neapolitan court in 1708. His second opera, Berenice, was performed in Rome.

To support himself financially while composing, Porpora worked as maestro di cappella for aristocratic patrons and also taught singing.

The castrato singer Farinelli was one of Porpora's
most successful pupils

Between 1715 and 1721 he trained Farinelli, Caffarelli, Salimbeni and many other famous singers.

Among the operas he wrote in London were Polifemo, Davide e Betsabea and Ifgenia in Aulide, in which he included parts for his brilliant pupil, Farinelli.

He returned to Italy when the opera company closed and wrote several comic operas while teaching in both Venice and Naples.

He went to live in Dresden, where he was a chapelmaster, and spent time in Vienna, where he taught the young Haydn to compose. Haydn later said he had profited greatly from Porpora’s tuition in singing, composing and the Italian language.

On his return to Naples, a revised version of Porpora’s opera Il Trionfo di Camilla was staged, but it failed.

The composer’s last years were spent living in poverty in the city and when he died, on March 3, 1768, he was so poor the expenses of his funeral had to be paid for by a subscription concert.

By contrast, his former pupils Farinelli and Caffarelli were living in luxury on the fortunes they had earned as a result of the excellent teaching they had received from Porpora.

As well as his operas, Porpora composed oratorios, masses, motets and instrumental works. Two of operas, Orlando and Arianno in Nasso, one mass and his Venetian Vespers have been recorded.

Travel tip:

The Music Conservatory, Poveri di Gesù Cristo, where Porpora studied, was founded in Naples in 1589 by Marcello Fossataro, a Franciscan monk. It was next to the Church of Santa Maria a Colonna on Via dei Tribunale but in 1743 it was converted into a church seminary. Via dei Tribunali is one of the main thoroughfares in the heart of the centro storico in Naples. The Church of Santa Maria della Colonna is close to the corner of Via San Gregorio Armeno, where craftsmen still carve shepherds and other figures for presepe, the traditional Neapolitan nativity scenes.

Naples hotels from Hotels.com

The former Ospedale degli Incurabili can be found on
Fondamenta Zattere adjacent to the Giudecca Canal

Travel tip:

The former Ospedale degli Incurabili (hospital for incurables), where Porpora taught music in Venice, is a magnificent 16th century building, now the seat of the Venice Academy of Fine Arts. In 1527 a shelter for abandoned children was added to the hospital and the girls who had musical talent were taught to be singers.

More reading:

The short life of 'opera buffa' genius Giovanni Battista Pergolesi

How Jacopo Peri composed music history's first opera

When Teatro alla Scala opened its doors for the first time

Also on this day:

1585: Palladio's Teatro Olimpico stages its first performance

(Picture credit: Ospedale degli Incurabili by Abxbay via Wikimedia Commons)

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Vittorio Pozzo - double World Cup winner

Manager led Azzurri to victory in 1934 and 1938

Vittorio Pozzo is Italy's most
successful manager

Vittorio Pozzo, the most successful manager in the history of Italy's national football team, was born on this day in 1886 in Turin.

Under Pozzo's guidance, the Azzurri won the FIFA World Cups of 1934 and 1938 as well as the Olympic football tournament in 1936. He also led them to the Central European International Cup, the forerunner of the European championships, in 1931 and 1935. No other coach in football history has won the World Cup twice.

Pozzo managed some outstanding players, such as Internazionale's Giuseppe Meazza and the Juventus defender Pietro Rava, but his reputation was tarnished by the success of his team coinciding with the Fascist regime's tight grip on power. Italy's success on the football field was exploited ruthlessly as a propaganda vehicle.

While not a Fascist himself, Pozzo upset many opponents of Mussolini across Europe at the 1938 World Cup in France when his players gave the so-called 'Roman' salute - the extended right-arm salute adopted by the Fascists - during the playing of the Italian anthem.

At Italy's opening match against Norway, the salute was greeted with boos and hisses, generated by Italian supporters in the crowd who had fled their home country to escape Fascism.  Some of the Italian players dropped their arms but Pozzo ordered them to resume the salute, which further antagonised the crowd.

Pozzo holds aloft the Jules Rimet Trophy surrounded by
the Italian team after their 1934 triumph on home soil

Afterwards, Pozzo said he insisted on the salute only out of respect for protocol, claiming that neither he nor his players had given consideration to political issues.  He explained that he gave the order to resume the salute because he did not want his players to be cowed by intimidation, fearing their confidence would suffer.

Nonetheless, the incident cast a shadow over the remainder of his career and some commentators feel the appreciation of his achievements was diminished as a result.

Pozzo was born in Turin, where family had moved from the small town of Ponderano in the province of Biella, some 75km (47 miles) north-west of the city in the foothills of the Alps.

He attended the Liceo Cavour, where he studied the classics and languages.  He became proficient in English, French and German, in which he expanded his knowledge by studying in England, France and Switzerland.

At the same time, Pozzo took the opportunity to immerse himself in football, for which he had a passion.  While in Manchester, he became friends with two prominent players, the Manchester United half-back, Charlie Roberts, and the Derby County forward, Steve Bloomer.

The 1934 World Cup final took place in the Stadio Nazionale
del PNF - the national stadium of the Fascist party

In Switzerland he played as a professional, spending the 1905-06 season with Grasshoppers of Zurich, and on returning to Italy was one of the founding members of FC Torino.  He retired as a player in 1911 but stayed at the club as technical director, while simultaneously pursuing a business career as a manager with the tyre manufacturer Pirelli.

He became involved with the national team for the first time in 1912, when an Italian team - the first in a competitive event - went to the Olympics in Stockholm, but he resigned after defeat to Finland in the first round.  He returned to Pirelli before joining the Alpini - the mountain warfare corps of the Italian army - at the outbreak of the First World War.

He was handed the reins of the national team for a second time in 1921.  He stepped down again in 1924 following a quarter-final defeat to Switzerland at the Olympics in Paris, although his decision was influenced by the need to care for his wife, who was terminally ill.

Appointed as national team coach for a third time in 1929, he had almost immediate success, winning the Central European International Cup, defeating Hungary 5-0 in the final.

Giuseppe Meazza of Internazionale was
one of Pozzo's key players

The key to Pozzo's winning formula was his clever use of tactics. Most teams still favoured the so-called Cambridge Pyramid formation, consisting of five forwards, three half-backs and just two out-and-out defenders.  Teams were top-heavy with attacking players because the basic philosophy of the game was simply to score more goals than the opposition, with little attention paid to defending.

Pozzo saw things differently.  His military experiences had taught him that even when on the attack it was an unwise general who would leave his base undefended.  Under what he called simply Il Metodo - the Method - he tweaked the 2-3-5 formation, retaining the centre forward and the wingers but pulling the two inside forwards back into midfield, where the half-backs served a dual purpose, supporting the attacking players but dropping back to defend when the opposing team was in possession.

A pragmatist who was always more concerned with winning than entertaining the crowd with expansive football, he was never afraid to leave a player out if his abilities did not suit his tactics. Twice he dropped the team captain, leaving out Adolfo Baloncieri, the Torino star who was country's highest scoring midfield player, in 1930 and, on the eve of 1934 finals, of which Italy were hosts, the Juventus defender Umberto Caligaris.

Thus Pozzo, who became known as il Vecchio Maestro - the Old Master - achieved unprecedented and - so far - unrepeated success.

Pozzo's 2-3-2-3 formation was revolutionary
in terms of football tactics

He continued as national manager until the London Olympics of 1948, his last match ending in a 5-3 defeat to Denmark in the quarter-finals. His Azzurri record was 64 wins, 17 draws and 16 defeats.

After declaring his career in management was over, he became a journalist with the Turin newspaper La Stampa, for whom he reported the 1950 World Cup finals.

He returned to his roots in Ponderano on retirement and died there in 1968 at the age of 82, a few months after watching Italy win the 1968 European championships.

Even after his death, some Italians felt his two World Cup wins were devalued by the association with Mussolini's regime. In the 1990s, he was posthumously exonerated, at least in part, when evidence came to light that he had secretly fought with the Italian anti-Fascist resistance during the Second World War.

Biella's Romanesque baptistry in Piazza Duomo

Travel tip:

The village of Ponderano sits just outside Biella, an attractive town in the sub-Alpine area of northern Piedmont. Biella is famed for Menabrea beer, for its production of wool and cashmere products and as a centre for hiking and mountain biking holidays.  The Fila sportswear company was founded in Biella in 1911. The town's historic centre is notable for a Romanesque baptistry and the Renaissance church and convent of San Sebastian.  Ponderano has staged an annual youth football tournament, one of the most prestigious in Italy, in Pozzo's honour every year since his death.

Piazza San Carlo is a typically elegant square
in the beautiful city centre of Turin

Travel tip:

Turin made its name as Italy’s manufacturing powerhouse, spearheaded by the car giant Fiat, although the city itself has elegant echoes of Paris in the tree-lined boulevards put in place during its time as capital of the Kingdom of Savoy. However, the city's economy suffered badly in the face of global competition in the 1980s, when more than 100,000 workers lost their jobs. Modern Turin is doing its best to regenerate. Former industrial sites such as Parco Dora, once a factory district where Fiat, Michelin and carpet manufacturer Paracchi were big employers, have been transformed into public leisure venues with modern facilities for sport and the infrastructure to host major open-air concerts.

Search Tripadvisor for hotels in Turin

More reading:

Giuseppe Meazza - Italy's first superstar

How Marcello Lippi led Italy to 2006 World Cup glory

Paolo Rossi's hat-trick in World Cup classic

Also on this day:

1603: The birth of the Sicilian painter Pietro Novelli

1939: Pius XII elected wartime pope

(Picture credit: Baptistry by Alessandro Vecchi via Wikimedia Commons)


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Cesare Danova - movie actor

Acclaim came late for Bergamo-born star

Cesare Danova 

The actor Cesare Danova, who appeared in more than 300 films and TV shows over the course of a 45-year career, was born Cesare Deitinger on this day in 1926 in the Lombardy city of Bergamo. 

The son of an Austrian father and an Italian mother, he adopted Danova as his professional name after meeting the film producer, Dino De Laurentiis, in Rome.

De Laurentiis gave him a screen test and was so impressed he immediately cast Danova in the 1947 movie The Captain's Daughter, playing alongside Amedeo Nazzari and Vittorio Gassman.

So began a career that was to see Danova star opposite Elizabeth Taylor and Richard Burton in Joseph L Mankiewicz's 1963 hit Cleopatra, opposite Elvis Presley and Ann-Margaret in Viva Las Vegas (1964), alongside Robert De Niro and Harvey Keitel in Martin Scorsese's cult movie Mean Streets (1973) and as part of a star-studded cast in National Lampoon's Animal House (1978).

Danova made his big screen debut in 1947 in the film
The Captain's Daughter, starring  Irasema Dilián

In his later years, Danova became a familiar figure on TV screens in America, making appearances in almost all the popular drama series of the 1980s, including Charlie's Angels, Murder, She Wrote, Falcon Crest, Hart to Hart and Mission: Impossible.

He never retired.  Indeed, he had appeared in an episode of In the Heat of the Night shortly before he died in 1992 of a heart attack, aged 66.

Danova was an individual blessed with a wide range of talents. He spoke five languages, was a licensed pilot and a self-taught painter.

Standing 6ft 4ins (1.93m) tall, he was also an accomplished athlete, winning a fencing championship at the age of 15 and playing for the Italian national rugby team at 17. He was a low-handicap golfer, a respectable tennis player, an amateur swimming champion, an expert horseman and polo player, and a master archer.

Danova (left) with Harvey Keitel and Martin Scorsese on the
set of the 1973 cult movie Mean Streets

He might have made a career in professional sport but his parents wanted him to become a doctor.  While studying at Rome University, he became interested in acting, but was determined not to disappoint his parents and pushed himself so hard in his academic work he suffered a nervous breakdown.

It was while he was recuperating that a friend introduced him to De Laurentiis, by then an up-and-coming producer, whose gamble on giving this unknown a part in a prestigious title paid off, launching Danova as a kind of Italian Errol Flynn, cast as the dashing lead in about 20 Italian action-romance movies.

Danova moved to the United States in the 1950s. he had been spotted by MGM when appearing in the German-backed 1955 movie Don Giovanni and signed a long-term contract with the studio in June 1956.

He was touted as a possible Ben-Hur amid stories that director William Wyler had lured him from Europe specifically to be groomed for the lead role in what was a carefully planned epic production. He was talked about as a glamour boy to fill the shoes of Rudolph Valentino.

The original movie poster from
Martin Scorsese's Mean Streets

Danova spoke no English when he arrived in the United States but spent six months learning the language and it seemed certain he would land the role. However, just as filming was about to begin in March 1957, Wyler decided he did not want an actor with an accent and instead chose Charlton Heston. Danova was stunned, believing the role would have made him an international star. Indeed, it won Heston an Oscar for best actor.

Clearly, luck was not always Danova's friend.  When he was given his second chance to break through as a major star, he was cast in Cleopatra as one of a trio of lovers vying for the attention of the glamorous ruler of Egypt alongside Rex Harrison's Julius Caesar and Richard Burton's Marc Antony. He filmed a number of love scenes with Elizabeth Taylor. But after a real-life romance between Taylor and Burton made headlines, the producers decided they needed to exploit the Burton-Taylor chemistry and most of Danova's scenes ended up on the cutting room floor.

Thereafter, the stellar hit he craved never really came about, although he would win acclaim in the 70s as the Mafia Don Giovanni Cappa in Mean Streets, Scorsese's brilliant story about life among the small-time hoods in New York, and as corrupt mayor Carmine DePasto in Animal House. 

Married twice, Danova had two sons, Marco and Fabrizio, by his first wife, Pamela.

The Palazzo della Ragione in Bergamo's Piazza Vecchia

Travel tip:

Most visitors to the Lombardy city of Bergamo, where Danova was born, want to spend some time in Piazza Vecchia, the beautiful square at the heart of the Città Alta, the historic city that stands on a hill above Bergamo's more modern metropolis. Features of the square are the 12th century Palazzo della Ragione, which has a beautiful covered staircase to one side, the tall bell tower known as il Campanone, the 14th century Palazzo del Podesta Veneto (the Palace of the Mayor of Venice), which is now part of the University of Bergamo, the white marble Biblioteca Civica, the fountain decorated with white marble lions, which was donated to the city in 1780 by former mayor Alvise Contarini, and the statue of Torquato Tasso, one of the greatest Italian renaissance poets, who was the son of a Bergamo nobleman.

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The church of Sant'Ivo alla Sapienza

Travel tip:

The University of Rome - often referred to as the Sapienza University of Rome or simply La Sapienza, meaning 'knowledge' - was founded in 1303 by Pope Boniface VIII, as a place for  ecclesiastical studies over which he could exert greater control than the already established universities of Bologna and Padua. The first pontifical university, it expanded in the 15th century to include schools of Law, Medicine, Philosophy and Theology. Money raised from a new tax on wine enabled the University to buy a palace, which later housed the Sant'Ivo alla Sapienza church. The University was closed during the sack of Rome in 1527 but reopened by Pope Paul III in 1534. In 1870, La Sapienza ceased to be the papal university and as the university of the capital of Italy became recognised as the country's most prestigious seat of learning. A new modern campus was built in 1935 under the guidance of the architect Marcello Piacentini. 


More reading:

Dino De Laurentiis, the former pasta salesman who helped sell Italian cinema to the world

How Amedeo Nazzari was touted as Italy's Errol Flynn

Why Rossano Brazzi gave up a legal career to go to Hollywood

Also on this day:

1773: The death of architect Luigi Vanvitelli, who built the Royal Palace at Caserta

1869: The birth of sculptor Pietro Canonica

1930: The birth of cycling champion Gastone Nencini

Selected books:

The History of Italian Cinema: A Guide To Italian Film From Its Origins To The Twenty-First Century, by Gian Piero Brunetta

A History of Italian Cinema, by Peter Bondanella and Federico Pacchioni

(Picture credit: Church of Sant'Ivo alla Sapienza by Fb78 via Wikimedia Commons)

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Karl Zuegg - jam and juice maker

Businessman turned family farm into international company

Karl Zuegg

Karl Zuegg, the businessman who turned his family's fruit-farming expertise into one of Italy's major producers of jams and juices, was born on this day in 1915 in Lana, a town in what is now the autonomous province of Bolzano in Trentino-Alto Adige.

His grandparents, Maria and Ernst August Zuech - they changed their name to Zuegg in 1903 - had been cultivating fruit on their farm since 1860, when Lana was part of South Tyrol in what was then Austria-Hungary.  They traded at local markets and began exporting.

Zuegg and the company's other major brand names, Skipper and Fruttaviva, are among the most recognisable in the fruit products market in Italy and it is largely through Karl's hard work and enterprise.

He was managing director of the company from 1940 to 1986, during which time Zuegg became the first drinks manufacturer in Italy to make use of the ground-breaking Tetrapak packaging invented in Sweden, which allowed drinks to be sold in lightweight cardboard cartons rather than traditional glass bottles.

The family business had begun to experiment with jams in 1917 when austerity measures in Italy were biting hard and there was a need to preserve food.  Rather than throw away overripe apples, the family turned them into jam.

The Zuegg logo is well known in Italian grocery stores

Their methods were successful with other fruits too and Zuegg jams went into mass production in 1923, achieving immediate success.

But it was not until Karl joined the board of the company in 1937 that the business began to expand on a large scale.

Under Karl's leadership, the Zuegg brand grew, with bigger production facilities and innovative technology. The company developed new products such as the Fruttino snack bar, a solid stick of quince jam enriched with vitamins that became a staple of children's school lunches throughout Italy.

The first Zuegg fruit juices arrived in 1954, with bottles of pear, peach and apricot juice soon becoming familiar items on the shelves of Italian grocery stores.

Fruit cultivation is an important part of Lana's economy

In the early 1960s, Zuegg intoduced the Fruttaviva jams, the first to be produced without the use of preservatives and dyes, and two years later, after opening a new plant in Verona - now the company's headquarters - became a supplier of fruit products for use in yogurt, pastries and ice cream.

It was in 1979, as Karl continually looked for innovations that would help grow the business further, that the company signed a deal for the Swedish company Tetrapak to supply its revolutionary cartons for Zuegg products.

Tetrapak's unique method, combining paper, polyethylene and aluminium, produced a lightweight packaging that not only kept fluids from leaking outwards. It also prevented bacteria from entering the product and, through the aluminium layer, protected the contents from deteriorating through exposure to light.

Selling drinks in these so-called 'briks' was a novelty in Italy and Karl Zuegg's vision made his company the market leader. Today, of course, such packaging is standard.

The original Zuegg headquarters in Lana

On the back of this success, Zuegg was able to open another Italian production plant at Luogosano, in the province of Avellino in Campania, in 1985.  Three years later, the Skipper line, selling 100 per cent pure fruit juices, was launched.

Today, Zuegg is an international company with six plants - two in Italy, two in Germany, one in France and one in Russia - and employs more than 500 staff.

As part of its campaign to promote healthy living, the company has a long history of sponsorship in sport, which has seen it provide financial backing for competitors in skiing and snowboarding, beach volleyball, basketball and tennis, and for two seasons promoted the brand as a main sponsor of Internazionale football club.

Karl Zuegg, who was made Cavaliere del Lavoro by the Italian government in recognition of his services to industry, died in 2005 in Lana, his home town, at the age of 91.  He is buried at the church of Santa Maria Assunta in Lana di Sotto.

Travel tip:

Lana is a small town and resort in the Adige valley in north-eastern Italy midway between Bolzano and Merano in the area of the Trentino-Alto Adige region also known as South Tyrol. The German influence on the area is so dominant that more than 90 per cent of the town's 12,000 residents speak German as their first language, and less than eight per cent Italian. It is popular with hikers and cyclists in the summer months, with a network of well defined cycle paths.  Lana is also home to the South Tyrol Museum of Fruit, which details the history of fruit cultivation in the area.

Hotels in Lana from Hotels.com

The Roman Porta Borsari in Verona is almost 2,000 years old 

Travel tip:

Verona is famous for the Arena, the Roman amphitheatre that stages open air concerts, and for Casa Giulietta, the house with the balcony said to be the one that featured in Shakespeare's Romeo and Juliet.  But there is more to the city's attractions.  In addition to the Arena, Verona is said to have more Roman ruins than any other Italian city and many are part of the everyday fabric of the city, including the Porta Borsari, with its two large arches and numerous smaller arches above, dating back to the 1st century, which straddles the entrance to Corso Porta Borsari, one of the city's main shopping streets.  There are many squares, including the charming Piazza dei Signori, which is surrounded by several fine buildings, including the Palazzo del Comune, the Palazzo Domus Nova and the Loggia del Consiglio.

More reading:

How Michele Ferrero's hazelnut spread became a worldwide phenomenon

Francesco Cirio and the canning revolution

A hotel empire that started with a single London coffee bar

Also on this day:

1940: The birth of F1 motor racing champion Mario Andretti

1942: The birth of record-breaking goalkeeper Dino Zoff

(Picture credits: Tractor in orchard by böhringer friedrich; Porta Borsari by Didier Descouens via Wikimedia Commons; Zuegg pictures from Zuegg company website)


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Italy's appeal for help with Leaning Tower

Fears of collapse prompted summit of engineers

The tower began to lean within five years
of the start of construction in 1173

The Italian government finally admitted that it needed help to save the Leaning Tower of Pisa from collapsing on this day in 1964.

There had been numerous attempts to arrest the movement of the tower, which had begun to tilt five years after construction began in 1173.

One side of the tower started to sink after engineers added a second floor in 1178, when the mistake of setting a foundation just three metres deep in weak, unstable soil became clear. Construction was halted.  In fact, in part because of a series of military conflicts, it did not resume for 100 years.

Additions were made to the building over the next 100 years, culminating in the completion of the bell chamber in 1372. Nothing more was done until the 19th century, when an ill-considered plan to dig a path around the base in 1838 resulted in a new increase in the tilt.

Ironically, the tower might have been deliberately destroyed in the Second World War when advancing American soldiers were ordered to blow up any tall building that might have been used by German snipers, regardless of its historical importance.  Thankfully, a German withdrawal before the Americans reached Pisa made it unnecessary.

Counterweights helped to stabilise the tower in 1992

By 1964, the top of the 180ft (55m) tower was a staggering 17 feet out of alignment with the base, and studies showed that the tilt was increasing every year.

The Leaning Tower had become one of Italy’s most visited tourist attractions but experts warned it was in serious danger of toppling in an earthquake or storm.

Proposals to save the tower arrived in Pisa from all over the world and a multinational task force of engineers, mathematicians, and historians gathered on the Azores islands to discuss possible ways of stabilising the structure.

Yet it was 44 years before it was announced that the Leaning Tower had stopped moving for the first time in its history.

Cables were also attached to the third
floor during the 1992 attempt 

Stabilisation studies took more than two decades to complete, in which time the tower remained open to the public.  Two attempts to slow the tilt's progress - in 1966 and 1985 - had to be aborted after drilling caused the lean to increase.

The government decided to close the tower in 1990 through concerns for public safety.  Worries about a collapse increased after disaster struck the 236ft (72m) Civic Tower in Pavia in 1989, killing four people and injuring 15 when it suddenly fell to the ground.

In 1992, in an effort to stabilise the Pisa tower at least temporarily, plastic-coated steel tendons were built around the tower up to the second story. A concrete foundation was built around the tower in which counterweights were placed on the north side. The use of these weights lessened the tilt by nearly an inch.

Hovever, three years later the commission overseeing the restoration decided they wanted to replace the counterweights with underground cables, on the grounds that they were unsightly.  But when engineers froze the ground with liquid nitrogen in preparation, there was an alarming increase in the tilt and project was called off.

Amid fears that a collapse might be imminent, the bells in the tower were removed and cables were attached around the third level, anchored to the ground several hundred meters away. Apartments and houses in the path of the tower were vacated for safety.

The baptistry with the cathedral in the background

Finally, in 1999, a solution was found that actually worked, which involved removing 38 cubic metres (1,342 cubic feet) of soil from underneath the raised north side.

The soil was removed at a very slow pace, no more than a gallon or two a day, with a massive cable harness holding the tower in the event of a sudden destabilisation.

At the end of the process, which took more than a year to complete, the tower had been straightened by 45 centimetres (17.7 inches), returning to its position before the path at the base was dug in 1838.  It was never intended to straighten the tower completely.

After expects were satisfied the movement had been arrested,  the tower was reopened to the public in December 2001. It is thought the work will extend the life of the Leaning Tower by 300 years.  An inspection in 2008 confirmed that the tower's movement had stopped.

The Leaning Tower may be the most famous tilting building in the world but it is by no means unique.  There are thought to be around 75 towers around the world that have failed to stand up straight, including another two in Pisa - the campanile - bell towers - of the churches of San Michele degli Scalzi and San Nicola.

Venice has four - the Campanile of San Giorgio dei Greci in Castello, the Campanile of Santo Stefano in San Marco and the Campanile of St Mark's itself, plus the Campanile of San Martino on the island of Burano.

The Palazzo della Carovana in Pisa's Piazza dei Cavalieri

Travel tip:

Many visitors to Pisa confine themselves to the Campo dei Miracoli, of which the Leaning Tower is part, touring the handsome Romanesque cathedral and the equally impressive baptistry and then moving on.  But there is much more to Pisa than the Leaning Tower. The University of Pisa remains one of the most prestigious in Italy, while the student population ensures a vibrant cafe and bar scene. There is also much to see in the way of Romanesque buildings, Gothic churches and Renaissance piazzas. Interesting churches include Santa Maria della Spina, which sits next to the Arno river, while Piazza dei Cavalieri is notable for the Palazzo della Carovana, built by Giorgio Vasari in 1564 as the headquarters for the Knights of St Stephen.

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The leaning tower of the church of San
Giorgio dei Greci in Venice

Travel tip:

The church of San Giorgio dei Greci in the sestiere of Castello was built in the 16th century to be the focal point of the Greek community in Venice.  There had been close ties between Venice and the Byzantine world for centuries but it was not until 1539, after protracted negotiations, that the papacy allowed the construction of the church of San Giorgio. Construction began in 1548, with the Campanile added in 1592.  The church is popular for its peaceful inner courtyard and for the beautiful Greek icons inside.

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More reading:

How the Leaning Tower became an accidental tourist attraction

Galeazzo Alessi's legacy of beautiful churches

Galileo Galilei - 'father of science' born in Pisa

Also on 27 February:

1935: The birth of opera singer Mirella Freni

1950: The birth of fashion designer Franco Moschino

1973: The birth of singer and actress Chiara Iezzi

1978: The birth of dancer Simone Di Pasquale

Selected books:

Top 10 Florence and Tuscany 2019 (DK Eyewitness Travel Guide)

(Picture credits: main tower picture by Softeis; counterweights picture by Rolf Gebhardt; cables by Angelo Cosenza; baptistry by trukdotcom; palazzo della carovana by Paolo Fisicaro; all via Wikimedia Commons)

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Angelo Mangiarotti - architect and designer

Iconic glass church among legacy to city of Milan 

Angelo Mangiarotti, pictured at a conference in 2007

Angelo Mangiarotti, regarded by his peers as one of the greats of modern Italian architecture and design, was born on this day in 1921 in Milan.

Many notable examples of his work in urban design can be found in his home city, including the Repubblica and Venezia underground stations, the iconic glass church of Nostra Signora della Misericordia in the Baranzate suburb and several unique residential properties, including the distinctive Casa a tre cilindri - composed of a trio of cylindrical blocks - in Via Gavirate in the San Siro district of the city.

He also worked extensively in furniture design with major companies such as Vistosi, Fontana Arte, Danese, Artemide, Skipper and the kitchen producer Snaidero.

Inside the glass Chiesa di Nostra Signora della Misericordia

Mangiarotti graduated from the Architecture School of the Politecnico di Milano in 1948. He moved to the United States in 1953 and worked in Chicago as a visiting professor for the Illinois Institute of Technology. While in Illinois, he met internationally renowned architects Frank Lloyd Wright, Walter Gropius, Ludwig Mies van der Rohe and Konrad Wachsmann, all of whom were substantial influences.

He returned to Italy in 1950 and opened his own architectural firm in Milan with fellow architect Bruno Morassutti, a partnership which was active until 1960.

It was with Morasutti and another Milan-based designer and engineer, Aldo Favini, that Mangiarotti collaborated on the Chiesa di Nostra Signora della Misericordia, which signalled a massive change in the design features and construction techniques of Italian churches.

The church, in the Baranzate suburb to the north-west of Milan, was constructed of concrete, steel and glass - chosen as the materials that fuelled the rebirth of Italy after the devastation of the Second World War.

The Case a tre cilindri in the San Siro district of Milan

Mangiarotti's original designs helped create a timeless building that has recently been restored and continues to be an impressive example of modern, progressive design even 60 years after its original construction.

The church is very near the Fiera Milano metro station, which was Mangiarotti's last architectural project before his death in 2012.

Mangiarotti's designs for furniture, lighting, decorative objects, ceramics and glassware remain highly collectible and sell for high prices.  He also created a famous collection of Murano glass Giogali Lighting produced by Vistosi.

His partnership with Rino Snaidero, which began in 1960, helped establish Snaidero's position as a leader in kitchen design.

Mangiarotti designed the Cruscotto kitchen and Sistema lines for Snaidero, both of which were notable for the exceptionally refined materials used.  The Cruscotto design was exhibited at the Museum of Modern Art in New York.

The distinctive Snaidero headquarters building

The relationship between Snaidero and Mangiarotti reached its peak when the architect was given the job of designing the new building to house Snaidero's offices and central headquarters in Majano in the province of Udine, for which he created a mushroom-shaped main building with a fibreglass facade secured to a reinforced concrete structure, supported by four columns.

It had rounded corners and slightly protruding elliptical windows reminiscent of a ship or an aeroplane.

Mangiarotti, who died in 2012 aged 91, passed on his ideas as a lecturer at universities and technical institutes in Venice, Palermo, Florence and Milan in Italy, as well as Lausanne in Switzerland, Hawaii and Adelaide, Australia.   His work won numerous awards.

Travel tip:

The San Siro district of Milan originated as a small settlement in the 19th century in the area now known as Piazzale Lotto. The area developed in the 20th century and has since become a very diverse district, with a mix of green space and congested residential neighbourhoods, combining villas and apartment blocks serving different income groups, and a concentration of sports facilities, most notably the Giuseppe Meazza football stadium, home of AC Milan and Internazionale, the Milanese hippodrome horse racing track and the Palasport di San Siro arena, which is mainly used for basketball and volleyball.

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The Piazza della Libertà in Udine

Travel tip:

Majano, the base of the Snaidero company headquarters that Mangiarotti designed, is a short distance from the city of Udine, an attractive and wealthy provincial city which is the gastronomic capital of Friuli. Udine's most attractive area lies within the medieval centre, which has Venetian, Greek and Roman influences. The main square, Piazza della Libertà, features the town hall, the Loggia del Lionello, built in 1448–1457 in the Venetian-Gothic style, and a clock tower, the Torre dell’Orologio, which is similar to the clock tower in Piazza San Marco - St Mark's Square - in Venice.


More reading:

Ulisse Stacchini, designer of two famous Milan landmarks

How Marco Zanuso's ideas put Italy at the forefront of contemporary design

Unconventional motorway church put Giovanni Michelucci on the map

Also on this day:

1815: Napoleon escapes from Elba

1943: The birth of Oscar-winning set designer Dante Ferretti

Selected books:

Angelo Mangiarotti: The Tectonics of Assembly

(Picture credits: Casa di tre cilindri and Chiesa di Nostra Signora della Misericordia by Arbalete via Wikiemedia Commons)

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Alberto Sordi - actor

Comic genius who appeared in 190 films

Alberto Sordi with Sophia Loren in the 1954 film
Due notti con Cleopatra (Two Nights with Cleopatra)

Alberto Sordi, remembered by lovers of Italian cinema as one of its most outstanding comedy actors, died on this day in 2003 in Rome, the city of his birth.

He was 82 and had suffered a heart attack.  Italy reacted with an outpouring of grief and the decision was taken for his body to lie in state at Rome's town hall, the Campidoglio.

Streams of his fans took the opportunity to file past his coffin and when his funeral took place at the Basilica of San Giovanni in Laterano it was estimated that the crowds outside the church and in nearby streets numbered one million people.

Only the funeral of Pope John Paul II, who died two years later, is thought to have attracted a bigger crowd.

Sordi (right) in a scene from An American in Rome 
(1954) which established him as a comic character actor

Sordi was the Italian voice of Oliver Hardy in the early days of his career, when he worked on the dubbing of the Laurel and Hardy movies.  He made the first of his 190 films in 1937 but it was not until the 1950s that he found international fame.

He appeared in two movies directed by Federico Fellini - The White Sheik and I vitelloni.  In the latter, he played an oafish layabout, something of a simpleton but an effeminate and vulnerable character to whom audiences responded with warmth and affection due to Sordi's interpretation.

It was Sordi's eye for the foibles of quirks of the Italian character that identified him as an actor of considerable talent.  His films often had the simple titles of the Italian stereotypes he was sending up, such as The Seducer, The Bachelor, The Husband, The Widower, The Traffic Cop and The Moralist.

Some were black comedies, some slapstick farces, others more serious dramas. Along with Vittorio Gassman, Ugo Tognazzi and Nino Manfredi, he made up a quartet that has been described as Italy's equivalent of the Ealing comedy school.

Alberto Sordi in the 1962 black comedy Mafioso

Born in Rome in June 1920 in the working class Trastevere district, Sordi came from a musical family. While his mother was a schoolteacher, his father played the tuba in the orchestra at the Rome Opera House.

His father encouraged an interest in music and by the age of 10 Sordi was singing in the Sistine Chapel choir. At 16 he went to Milan to study at drama school but was told he would never be successful unless he shed his thick Roman accent.  In the event, the accent and distinctive voice became part of his popularity.

Back in Rome, he became popular in radio shows and as a music hall act before landing the voice-over part for the Laurel and Hardy films, employing the bogus English accent he had used in a music hall sketch.

Eager for more work in the burgeoning movie industry, he hung around the cafes in Piazza di Spagna, where he befriended Fellini and his fellow director, Vittorio De Sica.  After working as an extra, he landed his first important role was as an air force cadet in Tre Aquilotti (Three Eaglets) in 1941.

Sordi (in the foreground) lounges outside a cafe in I vitelloni

The two Fellini movies brought him to the attention of the movie world as an actor of potential but it was his performance in An American in Rome (1954), directed by Stefano Vanzina - usually known as Steno - that established his brilliance in exaggerating the foibles and idiosyncrasies of his fellow Italians.

Poking fun at Italy's obsession with things American, Sordi played Ferdinand 'Nando' Mericoni, a young Roman who is so in awe of the American lifestyle he tries to make his room look like a Hollywood set, pretends he is from Kansas City and lives out everyday situations as if he were an actor in an American film. He makes up for his inability to speak English by making American vocal sounds.  Sordi would return to the theme years later, in 1968, with an Italian in America, which he directed himself.

In the opinion of the critics, the most accomplished performance of his career was as a middle-class Italian in Mario Monicelli's hard-hitting 1977 film Un Borghese Piccolo Piccolo (A Very Small Petit Bourgeois), who takes vengeance after seeing his child killed in a robbery.

Sordi never married but was the long-time partner of the actress Andreina Pagnani. Later in life, he lived quietly with his dogs and his two sisters in a splendid villa near the Baths of Caracalla, indulging his interests in opera, collecting antiques and supporting his football team, AS Roma.

Over a career that spanned five decades, he won seven David di Donatello awards for best actor - the most won by anyone in that category - and four awards from the Italian National Syndicate of Film Journalists. He also received a Golden Lion for lifetime achievement at the Venice Film Festival in 1995.

Less than a week after his death, the mayor of Rome announced that the gallery of shops opposite the Palazzo Chigi would be renamed Galleria Alberto Sordi in his memory.

The Isola Tiberina adjoins the Trastevere district

Travel tip:

The Trastevere district has evolved from its working class roots into one of Rome's most fashionable neighbourhoods, certainly among young professionals, who are attracted by its pretty cobbled streets and the wealth of inexpensive but chic restaurants.  There are interesting attractions for visitors, too.  Apart from some fine churches, the area boasts the Botanical Garden of Rome, the lovely Isola Tiberina, an island in the middle of the river on which is built an old hospital and a church, and the lively Porta Portese Sunday market.

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Travel tip:

Numbering John Keats, Mary Shelley and Casanova among its fans, the Piazza di Spagna is a beautiful square noted for the famous Spanish Steps leading up to the Trinità dei Monti church. Keats had a house next to the steps on the right looking up from the square. The steps tend to be crowded with tourists during the day but thin out after 10pm, when the square still looks glorious under the street lights. Leading off the square, Via Condotti has become home to Rome’s most exclusive shops, including Prada and Gucci. There are plenty of restaurants and bars around the square, although they can be expensive. However, inexpensive beer, ice creams and roasted chestnuts can be bought from street vendors.


More reading:

Giulietta Masina - Fellini's muse and wife of 50 years

Otto e mezzo - the greatest Fellini movie of them all?

How tough-talking Roman actress Anna Magnani became an Oscar-winning star

Also on this day:

1682: The birth of anatomist Giovanni Battista Morgagni

1707: The birth of Venetian playwright Carlo Goldoni

1873: The birth of the brilliant tenor Enrico Caruso

Selected books:

A History of Italian Cinema, by Peter Bondanella and Federico Pacchioni


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