Enea Bossi - aviation pioneer

Claimed first pedal-powered flight in 1936

Enea Bossi emigrated to the United
 States after the First World War

Enea Bossi, the aviator credited - albeit disputedly - with building the world's first human-powered aeroplane, was born on this day in 1888 in Milan.

It was claimed that in 1936 Bossi's Pedaliante aircraft flew for approximately 300 feet (91.4m) under pedal power alone.

Piloted by Emilio Casco, a robustly built major in the Italian army and an experienced cyclist, the Pedaliante - or pedal glider - is said to have taken off and covered the distance while remaining a few feet off the ground, although in the absence of independent verification it is not counted as the first authenticated human-powered flight, which did not take place until 1961 in Southampton, England.

The following year, as Bossi attempted to win a competition in Italy offering a prize of 100,000 lire for a successful human-powered flight, Casco succeeded in completing the required 1km (0.62 miles) distance at a height of 30 feet (9m) off the ground.

The Pedaliante, which had been built by the Italian glider manufacturer Vittorio Bonomi, was disqualified, however, on account of having used a catapault launch to achieve its altitude. Bossi, in fact, was ineligible for the prize because he had taken American citizenship after emigrating shortly after the First World War, and the competition was open only to Italians.

Bossi was an aeronautical pioneer throughout his career.

Bossi's Pedaliante plane was powered by pedalling

He created the first Italian-designed aircraft, the first landing gear braking system and the Italian Navy's first seaplane. After moving to the United States, he built a seaplane for the New York City Police Department, the first to be deployed by the force. Later he designed the first aircraft made from stainless steel.

Bossi graduated from the Instituto Tecnico in Lodi, not far from Milan, in 1907, specialising in physics and mathematics. He had already become fascinated with flight after the Wright brothers’ Flyer became the first heavier-than-air machine to be airborne in December 1903.

He became only the second person in Italy to have a pilot's licence and, with the financial support of a far-sighted father who did not share the general scepticism about flying, set about designing a glider that could carry a petrol-driven engine.

Modelled on the Wrights' Flyer, the design won a silver medal at the first international aviation meeting in Reims, France, in 1908 and the plane was built in Bossi’s own factory the following year.

Bossi, his son Charles and the Higgins helicopter

In December 1909 it made its first successful flight. The same year, Bossi developed his braking system and the Italian Navy’s first seaplane.

The possibility of going to the United States came about after he began working as the Italian representative of Curtiss Aeroplane and Motor Company – based in Buffalo, New York - for whom he secured rights for the production of the Curtiss Model F by the Zari brothers, at their workshop in Bovisia, near Milan. The first of these was demonstrated to the Italian Navy on Lake Como in September, 1914.

During the First World War, Bossi served as both a bomber pilot and a flight instructor for the Italian Navy. The economic and social difficulties in Italy that followed the war persuaded him to move permanently to the United States in 1918.

Living first in New York and later in Montclair, New Jersey and Philadelphia, he was granted US citizenship in 1925.  He married Flora Kelher, a Swiss-German girl who was living in Connecticut, and they had two sons, Charles and Enea Junior.

Bossi at his desk in the United States in the 1930s

In the US, he worked on aviation fuel systems before, in 1928, he founded the American Aeronautical Corporation, based in Port Washington, New York, to build Savoia Marchetti seaplanes under licence and a considerable number of these were purchased by the police department of New York City.

In around 1930 Bossi moved to the EG Budd Manufacturing Company, where he built the first stainless steel aircraft, an amphibious biplane now preserved at the Franklin Institute in Philadelphia.

After his time back in Italy in pursuit of the human-powered flight prize, he returned to the US, where he built a helicopter prototype for Higgins Industries of New Orleans.

After retirement, he moved to with his family to Dayton, Ohio, where he died in January, 1963.

The Church of Sant'Ambrogio on Piazza Gramsci in Cinisello

Travel tip:

The first flight of the Pedaliante took place at an airfield juts outside Cinisello, nowadays a town of around 75,000 inhabitants called Cinisello-Balsamo.  It falls within the Milan metropolitan area, between Sesto San Giovanni and Monza, about 10km north-west of the city centre.  It is a pleasant town of which the Piazza Gramsci is the central square, overlooked by the 17th century church of Sant'Ambrogio.  Cinisello's Villa Ghirlanda Silva Cipelletti owned one of the first landscaped gardens in Italy. It now houses the Museum of Contemporary Photography.

The Piazza della Vittoria in Lodi

Travel tip:

Lodi, the city in Lombardy that was the scene of the first battle between the troops of the young Napoleon Bonaparte and the Austrians, retains a mostly Medieval layout, starting from the remains of the Visconti Castle, built by the ruling Visconti family alongside the city walls in 1370. The Piazza della Vittoria, ringed with colonnades and overlooked by the cathedral and the Palazzo Comunale, is the focal point.  Nearby, the churches of San Francesco and Sant’Agnese are worth a look, as id the 13th century church of San Lorenzo.

More reading:

From Rome to the North Pole - the historic airship journey from Ciampino airport

Aeronautical genius famed for helicopters and the Vespa scooter

How aviation made Camillo Castiglioni the richest man in Europe

Also on this day:

1939: The birth of Terence Hill, Venetian actor with an English name

(Picture credits: Lodi piazza by Gabriele Zuffetti via Wikimedia Commons)

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Fra Bartolommeo - Renaissance great

Friar rated equal of Michelangelo, Raphael and Leonardo

Bartolommeo's God the Father with SS
Catherine of Siena and Mary Magdalene
can be seen at Villa Guinigi in Lucca

Fra Bartolommeo, the Renaissance artist recognised as one of the greatest religious painters, was born on this day in 1472 in Savignano di Vaiano, in Tuscany.

Also known as Baccio della Porta, a nickname he acquired because when he lived in Florence his lodgings were near what is now the Porta Romana, Bartolommeo created works that chart the development of artistic styles and fashion in Florence, from the earthly realism of the 15th century to the grandeur of High Renaissance in the 16th century.

His most famous works include Annunciation, Vision of St Bernard, Madonna and Child with Saints, the Holy Family, the Mystic Marriage of St Catherine, God the Father with SS Catherine of Siena and Mary Magdalene and Madonna della Misericordia.

Bartolommeo always prepared for any painting by making sketches, more than 1,000 in total over the years he was active.  Around 500 of them were discovered at the convent of St Catherine of Siena in Florence in 1722, where nuns were unaware of their significance.

Vision of St Bernard with SS Benedict and John the
Evangelist, housed in the Uffizi Gallery in Florence

He is also remembered for his striking profile portrait of Fra Girolamo Savonarola, the fanatical priest under whose influence he came in the 1490s.  He came to believe the message that Savonarola preached, that much of the art and literature of the Renaissance was sinful and that the sole purpose of painting should be to illustrate the lessons of the bible.

Consequently, he threw many of his own early paintings, particularly those which contained nudity or other sensual images, on Savonarola's famous bonfires.  When Savonarola was arrested, hung and burned at the stake in 1498, Bartolommeo gave up painting and entered the friary of San Domenico in Prato as a novice.

He entered the convent of San Marco in Florence in 1500 and was persuaded to return to painting in 1504 when his superior asked him to do so for the benefit of the order, who sold artworks to raise money.  He became head of the monastery workshop, a position occupied some 50 years earlier by another great Renaissance artist, Fra Angelico.

Before taking orders, Bartolommeo, the son of a mule driver, had been an apprentice in the Florence workshop of Cosimo Rosselli.  He set up a studio with another Florentine painter, Mariotto Albertinelli and soon came to be considered one of the greatest talents of his generation, his works standing comparison with those of Michelangelo, Raphael and Leonardo da Vinci.

Fra Bartolommeo's portrait of Fra Girolamo
Savonarola is in the San Marco museum

Savonarola's influence changed the direction of Bartolommeo's career. If he had not entered Holy Orders, it is likely he would have become an even more famous name.  Where Raphael and Michelangelo went to Rome to work at the Vatican, he stayed behind in Florence.

After resuming his career he nonetheless made an indelible mark on the history of art.  Following the completion of his Vision of St. Bernard in 1507 for a chapel in the Badia Fiorentina, he befriended Raphael when the younger artist visited Florence and they were said to have influenced each other.  When Bartolommeo eventually did travel to Rome in 1513, Raphael completed two unfinished pictures in Florence.

In the meantime, Bartolommeo had spent time in Venice, where he painted a Holy Father, St. Mary Magdalene and St. Catherine of Siena for the Dominicans of San Pietro Martire in Murano. As the Dominicans failed to pay for the work, he took it back to Lucca, where it can be seen now.

Also in Lucca, he painted an altarpiece Madonna and Child with Saints for the local cathedral and was then commissioned to paint an altarpiece for the Sala del Consiglio of Florence, now in the Museum of San Marco.

In Rome, he painted a Peter and Paul, now in the Pinacoteca Vaticana, returning to Florence to execute his St. Mark Evangelist for the Palazzo Pitti in Florence and the frescoes in the Dominican convent of Pian di Mugnone, near Fiesole, just outside Florence. His last work is fresco of Noli me tangere also in Pian di Mugnone.

Fra Bartolommeo died in 1517 at the age of 44. The painter and art historian Giorgio Vasari recorded that he suffered a “violent fever” after “having eaten some figs.” But it is thought more likely that he died of malaria.

The Palazzo Pretorio in Prato

Travel tip:

The city of Prato is just half an hour from Florence yet is almost Tuscany's forgotten gem.  It has a commercial heritage founded on the textile industry and its growth in the 19th century earned it the nickname the "Manchester of Tuscany". Prato is the home of the Datini archives, a significant collection of late medieval documents concerning economic and trade history, produced between 1363 and 1410, yet also has many artistic treasures, including frescoes by Filippo Lippi, Paolo Uccello and Agnolo Gaddi inside its Duomo and the external pulpit by Michelozzo and Donatello. The Palazzo Pretorio is a building of great beauty, situated in the pretty Piazza del Comune, and there are the ruins of the castle built for the medieval emperor and King of Sicily Frederick II.

Check TripAdvisor's guide to Prato hotels

The Church of San Marco in Florence

Travel tip:

The San Marco religious complex in Florence comprises a church and a convent. During the 15th century, the convent was home to both the painter Fra Angelico as well as the preacher Savonarola.  The convent was stripped from the Dominicans in 1808, during the Napoleonic Wars, and again in 1866, when it became a possession of the state.  Until recently, it still housed a community of Dominican friars, but is now home to the Museo Nazionale di San Marco, where Fra Bartolommeo's portrait of Savonarola is on display.  Also housed at the convent is a famous collection of manuscripts in a library built by Michelozzo.

More reading:

What made Michelangelo the greatest of all the great artists

The precocious genius of Raphael

Artist and inventor - the extraordinary talents of Leonardo da Vinci

Also on this day:

1925: The birth of 'spaghetti western' producer Alberto Grimaldi

(Picture credits: Palazzo Pretorio by Massimilianogalardi; Church of San Marco by Sailko; both via Wikimedia Commons)

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Alessandro La Marmora - military general

Founder of Italy's famed Bersaglieri corps

A painting, by an unknown artist, that shows General
Alessandro La Marmora, in his Bersaglieri uniform

The general who founded the Italian army's famous Bersaglieri corps was born on this day in 1799 in Turin.

Alessandro Ferrero La Marmora was one of 16 children born to the Marquis Celestino Ferrero della Marmora and his wife Raffaella.  The family had a strong military tradition. Alessandro was one of four of the male children who grew up to serve as generals.

La Marmora was a captain when he came up with the idea for the Bersaglieri in 1836.

He had spent much time in France, England, Bavaria, Saxony, Switzerland, and the Austrian county of Tyrol studying armies and tactics and he approached King Carlo Alberto of Piedmont-Sardinia with the idea of creating a new corps of light infantry.

He envisaged a mobile elite corps similar to the French chasseurs and Austrian jägers, trained to a high physical level and all crack marksmen.  He suggested they should act as scouts, providing screen for the main army, operate as skirmishers and use their sharpshooting skills to weaken the flanks of the enemy during a battle.

From this proposal emerged the Bersaglieri, soldiers who were trained to be bold, carrying out their duties with patriotic fervour despite personal danger.

A painting by Carlo Ademollo from 1880 shows Bersaglieri
 soldiers storming Rome's Porta Pia in 1870

They wore distinctive headgear, both for ceremonial occasions and in action, that sported generally black grouse or capercaillie feathers, which was seen to symbolise their flair and bravery on the battlefield, setting them apart from others.

The other feature of the Bersaglieri was that, on parade, they moved in a fast jog rather than marching.

The feathers were important to morale, reinforcing belief in corps members that they were a force to be reckoned with against any opposing troops.  Battlefield helmets carried about 100 plumes compared with 400 on dress helmets.

The feathers served a practical purpose, too. Worn on the right side of the hat, they helped shade the shooting eye of the soldier as an aid to taking aim.  Also, because adornments to military headgear were normally worn on the left, they had the potential to confuse enemy spotters over the direction in which they were moving.

When, during the First World War, it was decided that feathers would make the Bersaglieri too conspicuous in trench warfare and the corps were ordered to wear plain tin helmets, morale suffered so much that the order had to be reversed.

Bersaglieri in action at the Battle of Novara

The Bersaglieri made their first public appearance at a military parade on July 1, 1836 and so impressed King Carlo Alberto they were immediately integrated as part of the Piedmontese regular army.  The Kingdom of Piedmont-Sardinia was relatively poor and a quick-moving infantry corps with sharpshooting skills helped compensate for their army's lack of numbers.

Led by La Marmora, the Bersaglieri distinguished themselves during the First Italian War of Independence by storming a bridge in the Battle of Goita - in which La Marmora suffered a broken jaw when he was shot in the face - and became famous on September 20, 1870 when they charged through a breach in the walls of Rome at Porta Pia. Their assault led to the capture of the city, completing Italian unification.

Elements served in the expeditionary force sent by the Kingdom of Piedmont-Sardinia to Russia during the Crimean War and during the First World War many Bersaglieri saw service on the front with Austria and in the Middle East. Their valour and bravery was noted.

In the Second World War, although largely disastrous for Mussolini's armies, the Bersaglieri regiments performed so effectively they not only impressed Italy's German allies, particularly during the North African campaign, but also their adversaries on the Allied side.

Today's Bersaglieri regiments are no longer foot soldiers but mechanised units. They have served as peacekeepers in the in Lebanon, Yugoslavia and in the Somali civil wars, and were also active in Operation Iraqi Freedom.

A modern Italian Bersagliere in the
service of Nato

La Marmora had joined the Piedmontese army at the age of 15 in the regiment of the Grenadier Guards and became a second lieutenant. At the age of 22, during the First Italian War of Independence, he fought at the Battle of Novara and was awarded the cross of justice by the Mauritian Order.

In 1849, he was appointed Chief of Staff of the army and inspector of the Bersaglieri. He was in charge of the division stationed in the Ligurian city of Genoa and at the command of his brother Alfonso, the Royal commissioner, who had been sent to quell an anti-monarchy revolt.

In 1852 Alessandro was regular commander of the military division of Genoa and in the same year was promoted by King Vittorio Emanuele II to lieutenant general. He stayed in the Ligurian capital until 1854, when he married Rosa Roccatagliata,

In 1855, at the age of 56, he was lieutenant general in command of the second division of the army corps sent to the Crimea, but died at Balaklava from cholera. A memorial bust was erected outside among the statues and monuments of patriots on the Janiculum Hill in Rome.

Porta Pia and the monument to the Bersaglieri in Rome

Travel tip:

The achievements of the Bersaglieri are commemorated in Rome at the Historical Museum of the Bersaglieri, which was inaugurated by King Victor Emanuel III in June 1904, at the La Marmora barracks in the Trastevere district. From May  1909 it housed the medals won by the Bersaglieri corps.  The museum was moved to the area of Porta Pia in 1921.



Travel tip:

In addition to the bust at the Janiculum Hill in Rome, La Marmora is commemorated in Turin with a statue in bronze in the Giardino La Marmora on Via Cernaia in the centre of the city. The statue, which shows La Marmora in action with his sword drawn, was created in 1867 by the sculptors Giuseppe Cassano and Giuseppe Dini.

More reading:

How the capture of Rome completed Italian unification

Italy's decisive victory of the First World War

The Milanese uprising that drove out the Austrians

Also on this day:

1969: The birth of Gianluigi Lentini, once the world's most expensive footballer



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Elio de Angelis - racing driver

The 'last gentleman racer' of Formula One

Elio de Angelis drove for Lotus for six seasons

The Formula One motor racing driver Elio de Angelis was born on this day in 1958 in Rome.

His record of winning two Grands Prix from 108 career starts in F1 may not look impressive but he was regarded as a talented driver among his peers, holding down a place with Lotus for six consecutive seasons alongside of such talents as Nigel Mansell and Ayrton Senna, both future world champions.

He had his best seasons in 1984 and 1985, which encompassed seven of his nine career podium finishes and in which he finished third and fifth respectively in the drivers' championship standings.

Tragically, he was killed in testing the following year, having left Lotus for Brabham in frustration after perceiving that Senna was being given more favourable treatment.

De Angelis was seen by many in motor racing as "the last of the gentlemen racers."

De Angelis hailed from a wealthy
background in Rome

In contrast to his teammate Mansell, who came from a working class background in the West Midlands of England, De Angelis was born into wealth.

His family was long established in the upper echelons of Roman society.  His father, Giulio, ran a successful construction company and raced powerboats, winning many championships in the 1960s and 1970s. Elio was the oldest of his four children.

This glittering pedigree had its disadvantages.  Elio was known to be on the target list for Red Brigades kidnappers and when he returned to Rome to visit his parents he was whisked from the airport in a bulletproof limousine and could not step out even for a pizza without two bodyguards for company.

On the other hand, he was free to indulge himself in whatever entertainment took his fancy.  He skied and played tennis and showed a talent for both, as he did for the piano, which he learned to concert standard.  Perhaps through his father's genes, he also loved speed.

He started karting when he was 14, finishing second in the World Championship in 1975 and winning the European title in 1976.

By the age of 19 he was driving in Formula Three, winning his first race on only his third start at the Mugello circuit near Florence. He then went on to win the Italian Formula Three Championship in 1977.

In 1978 he raced in Formula Two as well as Formula Three, in which his victory in the prestigious Monaco F3 race. That led to a chance to test for the Shadow F1 team.

Ultimately, his father paid for him to race for Shadow, which was not good for Elio's reputation at the start.  Yet his talent shone through and won his respect.

De Angelis in action for Lotus in 1985

It also led him to being hired by Colin Chapman to drive for Lotus in 1980 and when, in only his second race, the 21-year-old Elio failed narrowly to become the youngest winner of a Formula One race when he finished second to René Arnoux in Brazil it was clear he was a star in the making.

Off the track he was both envied and admired.  He had style in abundance and any resentment of his privileged background was soon overcome by his easy charm.  He was friendly and respectful towards the other drivers but could also join in the jokes.  And such was his natural talent that he could turn up at the last minute for a qualifying session, sometimes so disorganised he might have to borrow a helmet from another driver, yet still set the fastest lap time.

His first victory came in the Austrian Grand Prix in 1982 and he finished ahead of Mansell in the drivers' standings all but the 1983 season, when his car was plagued by mechanical problems.

The 1985 season brought a second Grand Prix victory for De Angelis at San Marino after Alain Prost took the chequered flag first but was subsequently disqualified for an underweight car.  However, the arrival of Senna in place of Mansell, who had gone to Williams, marked a change in fortunes for the Italian.

Senna finished fourth to his fifth in the drivers' championship, despite De Angelis maintaining the consistency he and his car had shown in 1984, and when Lotus appeared to be concentrating their resources and expertise on the Brazilian driver De Angelis began to look elsewhere.

His move to Brabham seemed full of promise, giving him the chance to drive the BT55, a new low-frame chassis car designed to create less drag.  After only four races, however, during testing at the Paul Ricard circuit in France, De Angelis's BT55 lost its rear wing at high speed, catapulted over a barrier and caught fire.

The driver's physical injuries were minor but he was unable to escape from the car unaided. He died just over a day later from the affects of smoke inhalation. The lack of qualified track marshalls on hand, combined with a delay in the arrival of a helicopter to take him to hospital, were said to have contributed to his death.

Monza's Duomo, with its white and green facade

Travel tip:

Formula One motor racing in Italy is about Monza, which has hosted the Italian Grand Prix every year since 1950. The city itself - situated about 15km (9 miles) north of Milan - is underappreciated. It has several notable architectural attractions, including the Gothic Duomo, with its white-and-green banded facade, which contain the Corona Ferrea (Iron Crown), which according to legend features one of the nails from the Crucifixion. The crown is on show in the chapel dedicated to the Lombard queen Theodolinda.  The adjoining Museo e Tesoro del Duomo contains one of the greatest collections of religious art in Europe.

TripAdvisor's lowdown on the best hotels in Monza

The view across Rome from Monte Mario

Travel tip:

There are many ways of enjoying Rome, but to appreciate the city in its full perspective, the Monte Mario natural park offers breathtaking views. Situated to the west of the city, it is the highest point of Rome and it is possible to pick out almost every notable dome and bell tower. The most popular panoramic terrace, called Zodiaco, is near the astronomical observatory.

Hotels in Rome by Booking.com

More reading:

How Michele Alboreto almost ended Italy's long F1 drought

Vittorio Grigolo - the singer who chose opera over F1

Luigi Fagioli - still F1's oldest winning driver

Also on this day:

1898: The birth of fashion designer Guccio Gucci

1941: The birth of racing driver Lella Lombardi


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Francesco I - Grand Duke of Tuscany

Florentine ruler at heart of Medici murder mystery

A portrait of Francesco I by Agnolo di Cosimo,
the Florentine artist better known as Bronzino.

Francesco I, the Medici Grand Duke whose death at the age of 46 became the subject of a murder mystery still unsolved 430 years later, was born on this day in 1541 in Florence.

The second to be given the title Grand Duke of Tuscany, Francesco was the son of Cosimo I de' Medici, the first to hold the title, and Eleonor of Toledo.

Like his father, Francesco was often a despotic leader, but while Cosimo's purpose was to maintain Florence's independence, Francesco's loyalties were not so clear. He taxed his subjects heavily but diverted large sums to the empires of Austria and Spain.

He continued his father's patronage of the arts, supporting artists and building the Medici Theatre as well as founding the Accademia della Crusca and the Uffizi Gallery. He was also interested in chemistry and alchemy and spent many hours in his private laboratory.

It was his personal life that he is remembered for, beginning with an unhappy marriage to Joanna of Austria, youngest daughter of Ferdinand I, Holy Roman Emperor and Anne of Bohemia and Hungary.  Joanna was reportedly homesick for her native Austria, and Francesco was unfaithful from the start. Joanna died in 1578, at the age of 31.

Soon after Joanna's death, Francesco married his Venetian mistress, Bianca Cappello, who had already borne him a son, Antonio. Because of the quick remarriage following Joanna's sudden death, rumours spread that Francesco and Bianca had poisoned her, the atmosphere of suspicion not helped by reports that Francesco's younger brother Pietro had extricated himself from a similarly unhappy marriage by killing his wife.

Bianca Capello, as portrayed by the artist Allori
 Alessandro in a portrait now in the Pitti Palace

Francesco was besotted with Bianca, for whom he built and decorated the Villa di Pratolino in Vaglia, 12km north of Florence on the way to Bologna. But she was not popular among Florentines.

They had no legitimate children, but after the death of Francesco's legitimate son Philip de' Medici, Antonio was proclaimed heir.

The two died 12 hours apart in October, 1587, at the Medici family villa in Poggio a Caiano.  The death certificates stated malaria as the cause, but it has been widely speculated since that the couple was poisoned, possibly by Francesco's brother, Ferdinando, who feared being excluded from the line of succession after Francesco announced Antonio as his heir.

Ferdinando had visited the couple at the villa shortly before they fell ill and when he heard of their plight returned immediately, taking charge of bulletins sent to the Holy See, which allegedly blamed his brother's illness on his poor eating habits and Bianca's on worry about her husband's condition.

Ferdinando also ordered the autopsies on the bodies, which led to the conclusion that malaria was to blame.

It was when the bodies were exhumed, two and a half centuries later in 1857, in order to be reburied in the basement of the Medici Chapel in San Lorenzo that reports of unusually well preserved bodies gave rise to theories that they were poisoned with arsenic, which slows down the putrefaction process.

The bodies were exhumed again in 2005 by a team from the Universities of Florence and Pisa, following which the parasite plasmodium falciparum, which causes malaria, was found in the skeletal remains of Francesco I, bolstering the credibility of the official documents.  Analysis of Francesco's facial hair detected low levels of arsenic, which seemed to rule out chronic exposure to the substance.

The Basilica di San Lorenzo in Florence, to which are
attached the Medici family chapels

When Bianca's remains were found in some broken terracotta jars buried under the crypt in the Church of Santa Maria a Bonistallo, near Francesco's villa, however, testing supported the theory of arsenic poisoning. The same findings were detected in organs from Francesco.

This suggested Francesco and Bianca were given small doses of arsenic for several days until it killed them, the doses too small and administered over a too short period of time to be detected in Francesco's facial hair.  The symptoms, such as fever, stomach-cramps and vomiting, could have been misinterpreted as an infection.

However, Gino Fornaciari, professor of forensic anthropology and director of the Pathology Museum at the University of Pisa, said that it was much more likely that malaria was the cause of death.

Travel tip:

Bunelleschi's Basilica of San Lorenzo in Florence is the site of two Medici Chapels, dating from the 16th and 17th centuries. The Sagrestia Nuova, (New Sacristy), was designed by Michelangelo. The larger Cappella dei Principi, (Chapel of the Princes), though proposed in the 16th century, was not begun until the early 17th century.  The octagonal Cappella dei Principi, commissioned by Ferdinand I and notable for its 59m (194ft) dome, is the distinguishing feature of the Basilica when seen from a distance.

Florence hotels by Booking.com

The beautiful Villa Medici at Poggio a Caiano

Travel tip:

The Villa Medici at Poggio a Caiano is one of the most famous Medici villas, located about 9km (six miles) south of Prato. Today it is a public building comprising the historic apartments where the Medici stayed and a museum. The villa is perhaps the best example of architecture commissioned by Lorenzo the Magnificent, in this case designed by Giuliano da Sangallo in around 1480.

More reading:

Cosimo de' Medici - the banker who founded the Medici dynasty

Gian Gastone - the last Medici to rule Florence

Why Cosimo II gave his support to Galileo

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Luigi Einaudi - politician and winemaker

Composer's grandfather was President of the Republic

Luigi Einaudi was President of the Italian
Republic from 1948 to 1955

The politician, economist, journalist and winemaker Luigi Einaudi was born on this day in 1874 in Carrù, in the province of Cuneo in what is now Piedmont.

Einaudi, who is the grandfather of the musician and composer Ludovico Einaudi and the father of publisher Giulio Einaudi, was elected President of the new Italian Republic between 1948 and 1955, the second person to occupy the post.

He was actively involved with politics from his university days, when he supported socialist movements.  For a decade he edited a socialist magazine but later took a more conservative position.

After being appointed to the Senate of the Kingdom of Italy in 1919, in the days when the upper house of the Italian parliament was a non-elected body, he was one of the signatories in forming the Italian Liberal Party (PLI).

The PLI initially joined forces with the Italian Fascists and it was through their support that Mussolini was able to win the 1924 general election with an absolute majority.

Einaudi had been both a journalist and an academic since graduating in law from Turin University in 1895.

The musician and composer Ludovico Einaudi

He became a professor at Turin University as well as the Polytechnic of Turin and the Bocconi University in Milan. He wrote on economic matters for the Turin daily La Stampa before moving to Corriere della Sera in Milan in 1903.

At first broadly supportive of some elements of Fascist policy, he became distrustful of Mussolini's plans for constitutional reform and when the socialist politician Giacomo Matteotti was murdered in 1924, with suspicion falling on gangsters recruited to Mussolini's secret police, he distanced himself from the Fascists.

In 1925, he was among the signatories of the Manifesto of the Anti-Fascist Intellectuals, written by the writer and philosopher Benedetto Croce. In the same year he resigned from Corriere della Sera after the Fascists removed the editor, Luigi Albertini.  His positions at the Bocconi University and Turin Polytechnic were taken from him but he retained his professorship at Turin University's law school, signing an oath of allegiance to Fascism rather that let the chair be occupied by a Fascist.

In the Senate, he voted against Mussolini's war in Ethiopia in 1935 and against proposed racial laws in 1938.  When Mussolini was deposed and arrested in 1943, he was appointed Rector of Turin University but when the Germans freed the dictator from house arrest and installed him as head of a new Italian Socialist Republic he fled Italy to Switzerland, where he was granted asylum.

Alcide de Gasperi

On his return he was made Governer of the Bank of Italy and became part of Italy's governing National Council prior to the formation of the Republic, in which he served its first prime minister, Alcide de Gasperi, in several ministerial positions, including deputy premier, before his election as President.  He was the first to hold that office to reside at the Palazzo Quirinale.

Einaudi entered the winemaking business in 1897 at the age of 23 when he acquired an 18th century farmhouse called San Giacomo outside Dogliani, his mother's home town, about 10km (six miles) from Carrù, which came with a ruined chapel and about 15 hectares of vines.

The farm began bottling Dolcetto di Dogliani under the label Poderi Einaudi (Einaudi Estates), with Luigi attending the harvest every year, despite his numerous commitments.

Although Luigi died in 1961 at the age of 87, the business remained in the family and now extends across 145 hectares, mainly in Dogliani but with some in Barolo.  The current owner is Matteo Sardagna, Luigi's great grandson and Ludovico's cousin.

The University of Turin now has an Einaudi Campus named in his honour.

Dogliani's church of
Santi Quirico e Paolo

Travel tip:

Dogliani, where there has been a settlement since pre-Roman times, is a town of some 4,500 inhabitants about 60km (37 miles) southeast of Turin. As well as being the home of the red wine Dolcetto di Dogliani, it is famous for the annual tradition of Presepio Vivente, in which around 350 people take part in a living nativity scene in the medieval streets.  The town is also notable for the magnificent parish church of Santi Quirico and Paolo, designed by Giovanni Battista Schellino.

Dogliani hotels by Booking.com

A typical hamlet in the picturesque Langhe area of  Piedmont

Travel tip:

Like Dogliani, the similarly sized Carrù is one of the towns of the Langhe, a picturesque area of hills to the south and east of the Tanaro river famous for wines, cheeses and truffles, in particular the white truffles of Alba.  The wines produced in the region include Barbera, Barbaresco, Barolo, Dolcetto and the Langhe Nebbiolo.  Carrù hosts the Sagra dell'Uva (fair of the grape) each year.  The town's castle, now a bank, is said to be haunted by La dama blu (the blue lady), the wife of one of the counts of Carrù, who was killed by an arrow fired by a murderer who was never caught.

More reading:

Alcide de Gasperi - the prime minister who rebuilt Italy

The distinctive and beautiful music of Ludovico Einaudi

Why Giaocomo Matteotti was called a 'martyr of freedom'

Also on this day:

1926: The birth of actor and writer Dario Fo

(Picture credits: Ludovico Einaudi by Joergens; Church in Dogliani by Luigi.tuby; Langhe hamlet by M^3)


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Ugo Tognazzi - comic actor

Achieved international fame through La Cage aux Folles

Ugo Tognazzi became known for playing
suave bon viveurs in Commedia all'Italiana

Ugo Tognazzi, the actor who achieved international fame in the film La Cage aux Folles, was born on this day in 1922 in Cremona.

Renowned for his wide repertoire in portraying comic characters, Tognazzi made more than 62 films and worked with many of Italy's top directors.

Along with Vittorio Gassman, Alberto Sordi and Nino Manfredi, Tognazzi was regarded as one of the four top stars of Commedia all'Italiana - comedy the Italian way - in the 1960s and 1970s.

In 1981 he won the award for best actor at the Cannes International Film Festival for his role in Bernardo Bertolucci's Tragedia di un Uomo Ridicolo (The Tragedy of a Ridiculous Man).

His work was widely acclaimed in Italy, but it was not until he was cast in the role of homosexual cabaret owner Renato Baldi in the French director Édouard Molinaro's 1979 movie La Cage Aux Folles that he became known outside Italy.   The film became in its time the most successful foreign language film ever released in the United States, with box office receipts of more than $20 million.

A publicity poster from the French film La
Cage aux Folles in which Tognazzi starred

The film spawned two sequels in which Tognazzi reprieved the role of the mincing Baldi, who in the story was the joint owner of a night club in St Tropez that specialised in drag acts.

The son of an insurance agent, Tognazzi left school at 14 to help supplement the family income, taking a job as an accountancy clerk in the Negroni salami factory in his home town.  His father had wanted him to become a musician, his mother a priest.

Although he had made his stage debut as a four-year-old child in a charity show at the Teatro Donizetti in Bergamo, he had no thoughts of an acting career until he began participating in amateur dramatics via Negroni's recreational club.

During his military service with the Navy, he became involved with putting on entertainment for his fellow sailors.  After the Second World War, he moved to Milan in search of opportunities in theatre and found work with a number of companies, but it was after he landed his first film role in 1950, in I cadetti di Guascogna, directed by Mario Mattoli.  that his career began to take off.

The following year he met his fellow comic actor Raimondo Vianello, and their collaboration led them to form a successful comedy duo for the fledgling RAI television network.  Their show Un Due Tre (One Two Three) became famous for its wry satire and was among the first to be censored on Italian television.  It ran from 1954 to 1960.

Ugo Tognazzi as Il Commissario Pepe in Ettore Scola's
1969 film of the same name 

After his first major big screen success in Il Federale (The Fascist), a 1961 film by Luciano Salce, Tognazzi became one of the leading performers of Commedia all'Italiana. 

Excelling as bon vivants, adulterous husbands and other suave individuals, he made many films with the writer-director  Marco Ferreri.  He also worked with Mario Monicelli, Carlo Lizzani, Dino Risi, Pier Paolo Pasolini, Ettore Scola and Pupi Avati among others.

Risi's Marcia su Roma (The March on Rome) brought him praise but it was with Ferreri that he enjoyed sustained success. Together they made films that included Una Storia Moderna: L'Ape Regina (also called The Conjugal Bed) in 1963, La Donna Scimmia (The Ape Woman) in 1964, Marcia Nuziale (Wedding March) in 1966, L'Udienza (The Audience) in 1971 and La Grande Bouffe in 1973.

As well as La Cage Aux Folles, in which he surprised critics by accepting a role so different from his usual range, he appeared before wider film audiences after Roger Vadim cast Tognazzi as Mark Hand, the Catchman, opposite Jane Fonda in Barbarella (1968).

He had children by three women - the Irish dancer Pat O'Hara, with whom he had a son, Ricky, the Norwegian actress Margarete Robsahm, the mother of his second son, Thomas Robsahm, and Franca Bettoia, an actress, with whom he settled in Velletri, near Rome, after their marriage in 1972.  They had a son, Gianmarco, and a daughter, Maria Sole.  All of his children followed him into the movie business.

Tognazzi, a passionate supporter of AC Milan and a lover of food who also put his name to a number of recipe books, died in 1990 after suffering a brain hemorrhage.

The Duomo and Baptistery in the centre of Cremona

Travel tip:

Cremona, well known for its tradition of violin making, is a prosperous city in Lombardy with a wealth of fine medieval architecture, much of it concentrated around the Piazza del Comune, including the cathedral, finished in 1107 and rebuilt in 1190 after suffering damage in an earthquake, which includes impressive frescoes - the Storie di Cristo - by Pordenone.  A chapel inside the Duomo contains what is said to be a thorn from Jesus's crown of thorns.

The Corso della Repubblica in Velletri is typical of the
narrow streets in the town near Rome where Tognazzi died

Travel tip:

Velletri, a town of 50,000 inhabitants, lies just southeast of the Castelli Romani to the south of Rome.  It was once a popular place for Rome's wealthiest to build their country villas.  It suffered considerable damage soon after the Allied landing at Anzio during the Second World War after the advancing army met resistance from German forces in and around the town.  Many monuments were beyond repair, sadly, but the town remains an attractive alternative to staying in the capital and the towns of the Colli Albani are close by, including Castel Gandolfo, the summer residence of the Pope.

More reading:

The comic genius of Alberto Sordi

Cesare Danova - from medical school to Mean Streets

Was Otto e mezzo (8½) Fellini's finest work?

Also on this day:

1919: The founding of Mussolini's Fascist Party

(Picture credits: Cremona cathedral by Jakub Halun; Velletri street by Deblu68; via Wikimedia Commons)




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