Paolo Taviani - film director

Half of a successful partnership with brother Vittorio

Paolo Taviani has been active in Italian
cinema for more than 60 years 

The film director Paolo Taviani, the younger of the two Taviani brothers, whose work together won great acclaim and brought them considerable success in the 1970s and 80s in particular, was born on this day in 1931 in San Miniato, Tuscany.

With his brother Vittorio, who was two years his senior and died in April of this year, he wrote and directed more than 20 films.

Among their triumphs were Padre Padrone (1977), which won the Palme d’Or and the International Federation of Film Critics (FIPRESCI) prize at the Cannes Film Festival, La notte di San Lorenzo (The Night of the Shooting Stars, 1982), which won the Grand Prix du Jury at Cannes, and Caesar Must Die (2012), which won the Golden Bear at the Berlin International Film Festival.

The brothers famously would work in partnership, directing alternate scenes, one seldom criticising the other, if ever. The actor Marcello Mastroianni, who starred in their 1974 drama Allonsanfàn, is said to have addressed the brothers as “Paolovittorio.”

They were both born and raised in San Miniato by liberal, anti-Fascist parents who introduced them to art and culture. Their father Ermanno, a lawyer, would take them to watch opera as a reward for getting good grades at school.

Paolo Taviani (right) with his brother Vittorio. They
worked as a partnership until the latter's death in 2018

After the Second World War, in which San Miniato suffered badly at the hands of the occupying Germans, they both attended university in Pisa, where Paolo studied liberal arts and Vittorio read law.

While there, they saw Roberto Rossellini’s neorealist picture Paisan, about the Allied liberation of Italy. Its portrayal of what they described as their “own tragedy” had such a profound effect on them that they vowed to be making their own films within a decade.

Indeed, their first work, a short documentary film made in 1954 entitled San Miniato, July 1944, produced with the help of one of neorealism’s most famous scriptwriters, Cesare Zavattini, was the true story of a massacre carried out by the Nazis inside the town’s cathedral in revenge for the death of a German soldier.

They worked with the Dutch director Joris Ivens on another documentary, L'Italia non è un paese povero (Italy is Not a Poor Country), before teaming up with Valentino Orsini on two feature films, Un uomo da bruciare (A Man for Burning, 1962) and I fuorilegge del matrimonio (Outlaws of Love, 1963).

Padre Padrone (1977) was one of the
brothers' most successful films

Their first film in their own right was I sovversivi (The Subversives, 1967), a story of four members of the Italian Communist Party which anticipated the unrest of 1968. They hired Gian Maria Volontè, who had starred in Un uomo da bruciare, for the lead role in Sotto il segno dello scorpione (Under the Sign of Scorpio, 1969), which had the critics comparing their work with Bertolt Brecht, Pier Paolo Pasolini and Jean-Luc Godard.

They won praise for their literary adaptations, including in San Michele aveva un gallo (St Michael Had a Rooster, 1972), adapted from Tolstoy’s Divine and Human, and also Kaos (1984) and Tu ridi (You Laugh, 1998), both based on stories by Luigi Pirandello. 

After Padre Padrone, their career reached another big moment with La notte di San Lorenzo, a wartime drama based in part on their own early lives and drawing on their own documentary, set in 1944 in a Tuscan village poised to be snatched away from the Germans by approaching US troops.

Some of their later work was less well received by they scored another major success with Caesar Must Die, an unorthodox adaptation of Julius Caesar shot inside Rebibbia prison in Rome and performed by hardened lifers, many of them former mafia and Camorra hitmen. The film won the Golden Bear at Berlin in 2012 and was selected as the Italian entry for Best Foreign Language Film at the 85th Academy Awards, although it did not make the final.

Their last work as a partnership, Una questione privata (Rainbow: A Private Affair, 2017), won an Italian Golden Globes as Best Actor for Luca Marinelli.

Still active in Italian cinema, Paolo Taviani presented a lifetime achievement award to his fellow director Martin Scorsese - at 75 some 11 years his junior - at the Rome Film Festival last month.

Crowds at San Miniato's white truffle
festival, guarded by the Tower of Federico 

Travel tip:

San Miniato, where Taviani was born, is a charming town perched on a hill halfway between Florence and Pisa. Both cities fought to control it for two centuries. With a picturesque medieval centre built around the Fortress of Federico II and views over the Arno valley, it attracts visitors all year round but one of its busiest times is November, when the annual white truffle festival fills the streets with parades, concerts and artisan vendors. The Diocesan Museum, next to the cathedral, contains works by Filippo Lippi, Jacopo Chimenti, Neri di Bicci, Fra Bartolomeo, Frederico Cardi (known as Cigoli) and Verrocchio.  The church of San Domenico has terracotta works by Luca della Robbia, a fresco attributed to Masolino da Panicale and a burial monument sculpted by Donatello.

The Scuola Normale Superiore in Pisa

Travel tip:

Pisa, once a major maritime power, is now a university city renowned for its art and architectural treasures and with a 10.5km (7 miles) circuit of 12th century walls. The Campo dei Miracoli, formerly known as Piazza del Duomo, located at the northwestern end of the city, contains the cathedral (Duomo), baptistery and famously the tilting campanile known as the Leaning Tower of Pisa, all built in black and white marble between the 11th and 14th centuries. The Scuola Normale Superiore is one of three universities in Pisa, the others being the University of Pisa and the Scuola Superiore Sant’Anna.

More reading:

Roberto Rossellini - the father of neorealism

Marcello Mastroianni - the star who immortalised the Trevi Fountain

How actress Laura Betti became Pier Paolo Pasolini's muse

Also on this day:

1830: The death of Francis I of the Two Sicilies

1936: The birth of acress Virna Lisi

1982: The birth of golfer Francesco Molinari


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Mario Monicelli - film director

Life’s work put him among greats of commedia all’italiana

Mario Monicelli directed his first film in 1949, which also
marked the start of his successful relationship with Totò

Mario Monicelli, the director who became known as ‘the father of commedia all’italiana’ and was nominated for an Oscar six times, was born on this day in 1915 in Viareggio.

He made more than 70 films, working into his 90s.  He helped advance the careers of actors such as Vittorio Gassman, Marcello Mastroianni and Claudia Cardinale, and forged successful associations with the great comic actors Totò and Alberto Sordi.

Commedia all’italiana was notable for combining the traditional elements of comedy with social commentary, often addressing some of the most controversial issues of the times and making fun of any organisation, the Catholic Church in particular, perceived to have an earnest sense of self-importance.

The genre’s stories were often heavily laced with sadness and Monicelli’s work won praise for his particular sensitivity to the miseries and joys of Italian life and the foibles of ordinary Italians. He claimed the lack of a happy ending actually defined Italian humour and that themes drawn from poverty, hunger, misery, old age, sickness, and death were the ones that most appealed to the Italian love of tragi-comedy.

Monicelli continued to direct films
into his 90s

He was part of a golden generation of Italian directors including Luchino Visconti, Pier Paolo Pasolini, Bernardo Bertolucci, Dino Risi and Luigi Comencini, and many of his films were hailed as masterpieces, including the caper comedy I soliti ignoti (1958), which was packaged for American audiences as Big Deal on Madonna Street, the satire La grande guerra (The Great War, 1959), which won him Venice's Golden Lion award, and the bitter-sweet drama I compagni (The Comrades, 1963), also known as The Organizer.

Monicelli was the son of a noted journalist, Tommaso Monicelli, and had two older brothers, one a writer and translator, the other a journalist. He attended the universities of Pisa and Milan, where he studied literature and philosophy, and after graduation became became a film critic and amateur film-maker. At the age of just 20 he made a feature-length film, I ragazzi della via Paal, which won an amateur prize at the Venice Film Festival  in 1935.

He spent 12 years as scriptwriter and assistant director, collaborating on some of the most celebrated Italian films of the 1940s, including Giuseppe De Santis’s Riso Amaro (Bitter Rice, 1949).

Monicelli’s debut as a director came in a collaboration with Steno (real name Stefanio Vanzina) on Totò cerca casa (Totò looks for a house, 1949), the first of several popular films the pair made starring Totò over the next four years, including Guardie e Ladri (Cops and Robbers, 1951) and Totò e i Re di Roma (1952). 

Totò cerca casa was typical of the genre, a farce set against the background of Italy’s desperate housing shortage. Guardie e Ladri caused controversy because it was about the friendship between a thief and a policeman, two men from similar backgrounds sharing similar problems, a concept considered so revolutionary that Monicelli had to appear personally before the sensors before it could be released.

Alberto Sordi (left) and Vittorio Gassman in a scene
from the tragic Italian movie La grande guerra

Totò e Carolina (1955), which depicted a young suicidal girl being helped by Communists, was actually banned for a year and a half, and was ultimately granted a certificate only after Monicelli had made 34 cuts.

I soliti ignoti, sometimes called Italian cinema's first true Commedia all'Italiana film, was his first hit. Starring Totò, it gave early comedy roles to Mastroianni, Gassman and Cardinale. Despite the lack of a happy ending, it was a success both in the United Kingdom, where it was titled Persons Unknown, and in the US, where it was also turned into a Broadway musical.

Next came Monicelli’s bravest and possibly most controversial film, the funny but poignant La grande guerra, a scathing satire of the First World War with Sordi and Gassman as peasants thrust into the bewildering world of battle, which opponents claimed would defile the memory of the 600,000 Italians who died in the conflict but once released was seen as a triumph, a film that at last dared to say that so many men, poor men who were badly dressed, badly fed, ignorant and illiterate, had gone to fight a war that had little to do with them and was ultimately pointless.  The film won the Golden Lion award at Venice, and, like I soliti ignoti, was nominated for an Oscar as best foreign film.

Totò (left) and Aldo Fabrizi in a scene from Guardie
e Ladri. They worked together in numerous films. 

I Compagni brought his second Oscar nomination and in 1968 came a third, for La Ragazza con la pistola (Girl with the Gun), which starred Monica Vitti as a girl who travels from Sicily to London intending to murder her unfaithful lover.

Amici miei (My Dear Friends, 1975), a tale of ageing friends who play jokes on one another to camouflage the realities of disillusionment, loneliness and failure, proved one of his greatest hits, breaking records in Italy and France. The following year he won his final Oscar nomination, for another Mastroianni hit, Casanova '70. 

His last feature film was Le rose del deserto (Rose of the Desert, 2006), the story of a group of soldiers in Libya during the Second World War, which he directed at the age of 91. Yet he had still not finished working, in 2008 directing a documentary entitled Monti, about his adopted neighbourhood in Rome.

A lifetime supporter of left-wing parties, he remained politically active until late in life, in 2009 calling on students to protest against the government's proposals to cut the culture budget. He described Italy's then prime minister Silvio Berlusconi as “a philistine” and "a modern tyrant".

Monicelli’s father, Tommaso, had committed suicide and when he was diagnosed with terminal prostate cancer in 2010, he decided he would end his life the same way, dramatically jumping from a window on the fifth floor of the San Giovanni Addolorata Hospital in Rome.

Italy's President Giorgio Napolitano said Monicelli would be "remembered by millions of Italians for the way he moved them, for how he made them laugh, and reflect."

Viareggio's Grand Hotel is a throwback to its heydey

Travel tip:

Viareggio, the seaside resort in Tuscany in which Monicelli was born, has an air of faded grandeur, its seafront notable for the Art Nouveau architecture that reminds visitors of the town's heyday in the 1920s and '30s. Thanks to its wide, sandy beaches, however, the resort remains hugely popular, especially with Italians. In addition, it boasts a colourful Carnevale, featuring a wonderful parade of elaborate and often outrageous floats, that is second only to the Venice carnival among Italy’s Mardi Gras celebrations.

Via dei Serpenti, looking towards the Colosseum

Travel tip:

One of Rome's oldest and most charming residential neighbourhoods, Monti retains a bohemian flavour with chic cafes and street food and alternative fashion shops. Occupying the area between the Quirinal Hill and the Colosseum, in Roman times the area was home to craftsmen but also to prostitutes and good-for-nothings and was hidden from the more refined areas of the city by a large wall. Nowadays, it is popular with architects, screenwriters and other creative types as one of Rome’s most fashionable central areas.  Monicelli’s former home in Via dei Serpenti is marked with a plaque.

Also on this day:

1945: The birth of business tycoon and former Inter chairman Massimo Moratti

1974: The birth of top-selling singer-songwriter Laura Pausini


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Silvana Mangano - actress

Star who married the producer Dino De Laurentiis

Silvana Mangano worked as a model before
breaking into the film industry

The actress Silvana Mangano, who was decried as a mere sex symbol and later hailed as a fine character actress during a quite restricted career, was born on this day in 1930 in Rome.

She found fame through Giuseppe De Santis’s neorealist film Bitter Rice, in which she played a female worker in the rice fields in the Po Valley who becomes involved with a petty criminal Walter, played by Vittorio Gassman.

Mangano’s character was a sensual, lustful young woman and the actress, a former beauty queen, carried it off so well she was hailed by one critic as “Ingrid Bergmann with a Latin disposition” and likened also to the American glamour queen Rita Hayworth.

She went on to work with many of Italy's leading directors, including Alberto Lattuada, Vittorio De Sica, Pier Paolo Pasolini and Luchino Visconti, but she made only 30 films, in part because she preferred to spend time with her family but also because Dino De Laurentiis, the producer of Bitter Rice who soon became her husband, controlled her career.

It is said that she was offered the important part of Maddalena in Federico Fellini’s La Dolce Vita but that De Laurentiis prevented her from taking it, the role instead going to the French actress Anouk Aimée.

The daughter of a Sicilian railway worker and his English wife, Ivy Webb, who was from Croydon, Mangano grew up in difficult circumstances in wartime Rome.  After the conflict was over her family lived effectively in poverty but she was determined to make something of herself and paid for seven years of dance lessons by earning money as a model.

Mangano's character in the 1951 film Anna was a dancer who
gives up nightclubs to take holy orders

Beauty pageants were an established route into the growing film industry.  Mangano won the Miss Rome competition in 1946 and entered Miss Italia the following year, against an extraordinary field that included Lucia Bosé, Gina Lollobrigida, Eleonora Rossi Drago and Gianna Maria Canale, all of whom would become stars.

Mangano did not win but attracted attention.  She had a brief affair with Marcello Mastroianni, then an upcoming actor, and had a number of small parts, in Italy and in France.

Bitter Rice provided her with her big break in 1949, although with a certain irony she was almost rejected by De Santis as too glamorous after she turned up for the audition dressed to kill and heavily made up.  It was only after bumping into De Santis later on the Via Veneto, having removed her make-up, which she seldom wore off screen anyway, and with her hair wet from the rain, that she won the part.

After Bitter Rice, it took a long time for Mangano to shake off he image as sex symbol but between the 50s and the 70s she gradually acquired a reputation for delivering solid acting performance in strong character roles.

Mangano's breakthrough came in the
neorealist movie Bitter Rice 

Her notable successes included Lattuada’s Anna (1951), in which she played a dancer who abandons the nightlife to become a nun, and the The Gold of Naples (1954), directed by Vittorio De Sica, in which she took the part of a prostitute, Teresa.

Later she played opposite Vittorio Gassman again in Robert Rossen’s Mambo (1955), portrayed a bourgeois mother in Pasolini’s Theorem (1968) and was the mother of Tadzio in Visconti’s Death in Venice (1971).

She won several Italian film industry awards, including three David di Donatellos, two Silver Ribbons and one Nastro d’Argento (Gold Ribbon) for best actress in Death in Venice.

Mangano and De Laurentiis married in 1949 and the couple had four children: Veronica, Raffaella, Francesca, and Federico. Raffaella went on to to be a film producer herself. Federico died in an plane crash in 1981.

Veronica’s daughter, Giada De Laurentiis, who moved to California after her parents divorced, became the host of Everyday Italian and Giada at Home on the Food Network TV channel, as well as the founder of GDL Foods and the owner of two restaurants in Las Vegas,

Mangano and Dino De Laurantiis separated in 1983, at around the same time Mangano began to suffer from ill health.  Afflicted by insomnia and bouts of depression, she was discovered to have a tumour close to her stomach, between her lungs.

She left Italy to live in Spain.  A year after her divorce from De Laurentiis she underwent surgery in Madrid in December 1989 but was left in a coma and died two weeks later, the cause of death recorded as lung cancer,

Streets in the Vallerano neighbourhood are named after
actors, actresses and writers

Travel tip:

Mangano has a road named after her in the Vallerano neighbourhood of suburban Rome, about 16km (10 miles) south of the centre of the city in the direction of the Pontine marshes and adjoining an area of nature reserves. The area is primarily residential, its broad streets named after performing artists Italian and foreign, including many movie stars, as well as journalists and publishers.

The Villa Oplontis at Torre Annunziata

Travel tip:

Mangano’s husband, Dino De Laurentiis, was born in Torre Annunziata, a former small city now absorbed into the greater Naples metropolitan area. Close to Mount Vesuvius, it was destroyed in the eruption of 79 AD and was rebuilt over the ruins. Its name derives from a watch tower - torre - built to warn people of imminent Saracen raids and a chapel consecrated to the Annunziata (Virgin Mary). It became a centre for pasta production in the early 19th century. The Villa Poppaea, also known as Villa Oplontis, believed to be owned by Nero, was discovered about 10 metres below ground level just outside the town and is now a UNESCO World Heritage Site.

More reading:

How Dino De Laurentiis made Italian cinema famous

The genius of Federico Fellini

Luchino Visconti, the aristocrat of Italian cinema

Also on this day:

753BC: The birth of Rome

1574: The death of Cosimo I de' Medici

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Giovanni Arpino – writer and novelist

Stories inspired classic Italian films

Giovanni Arpino had a distinguished career as both
a sports writer and a novelist

The writer Giovanni Arpino, whose novels lay behind the Italian movie classics Divorce, Italian Style and Profumo di donna – later remade in the United States as Scent of a Woman – was born on this day in 1927 in the Croatian city of Pula, then part of Italy.

His parents did not originate from Pula, which is near the tip of the Istrian peninsula about 120km (75 miles) south of Trieste. His father, Tomaso, was a Neapolitan, while his mother, Maddalena, hailed from Piedmont, but his father’s career in the Italian Army meant the family were rarely settled for long in one place.

In fact, they remained in Pula only a couple of months. As Giovanni was growing up, they lived in Novi Ligure, near Alessandria, in Saluzzo, south of Turin, and in Piacenza in Emilia-Romagna. His father imposed a strict regime on Giovanni and his two brothers, who were required to spend a lot of their time studying.

In fact, Giovanni was separated from his family for a while during the Second World War, when his mother returned to the Piedmontese town of Bra, not far from Saluzzo in the province of Cuneo, to deal with the estate of her father, who passed away in 1940. He left the family a villa on the hill overlooking the Sanctuary of the Madonna dei Fiori, on the outskirts of the town.  Giovanni remained at school in Piacenza.

After the armistice of 1943, his father left the military and they settled in Bra, where he attended high school before enrolling in the faculty of law at the University of Turin.  He later switched to literature, completing a thesis on the Russian poet, Sergei Yesenin.

Arpino died prematurely in 1987 after a
year-long battle with cancer

Arpino spent several periods of his life working in journalism, including a stint writing about football, for which he had a massive enthusiasm. Gianni Brera, the celebrated football writer, had brought his literary style to the sports pages a few years earlier and Arpino was encouraged to do the same.

His time working for La Stampa, the Turin daily newspaper, enabled him to travel to the 1978 World Cup finals in Argentina, from which his reports attracted a substantial following. 

It was as a novelist, however, that he truly made his mark. He wrote in a dry and sardonic style to which readers responded well.

His first novel, Sei stato felice, Giovanni (You’ve been happy, Giovanni), was published by Einaudi in 1952. At around the same time, having completed his own military service – compulsory rather than voluntary – he began courting his future wife, Caterina, whose parents owned the Caffe Garibaldi in Bra.

They married in 1953 and moved to Turin, where he began to work in the sales department of the Einaudi publishing house and at the same time wrote a column for the Rome newspaper Il Mondo about provincial life.

His first big break came when his fourth novel, Un delitto d’onore (An Honour Killing), published in 1962, formed the basis for the hit movie Divorzia all’Italiana – Divorce, Italian Style – a satirical comedy directed by Pietro Germi and starring Marcello Mastroianno.

Vittorio Gassman (left) and Alessandro Momo in a scene
from Dino Risi's film Profumo di donna

Two years later, his sixth novel, L’Ombra delle colline (The Shadow of the Hills), about the apprehensions and delusions of a young man who, as a child, had witnessed partisans fighting for their country towards the end of the Second World War, won the Strega Prize – the Premio Strega – which is Italy’s most prestigious literary award.

The film industry gave him another massive sales boost in 1969 when his novel Il buio e il miele – The Darkness and the Honey – was turned into the film Profumo di donna, directed by Dino Risi and starring Vittorio Gassman, both of whom received David di Donatello awards.

Another version of the film was made in 2012, when Martin Brest directed Al Pacino in Scent of a Woman, in which Pacino’s performance as Frank Slade, a retired Lieutenant Colonel who had lost his sight in an accident with a hand grenade, won him an academy award for best actor.

Arpino, whose enjoyment telling stories to his son, Tommaso, led him to write for children as well as for his established adult readership, developed cancer in his late 50s, which ultimately led to his early death in 1987 at the age of just 60.

Piazza dei Caduti in Bra with the Bernini church of
Sant'Andrea Apostolo on the left

Travel tip:

The town of Bra in Piedmont, situated some 50km (31 miles) southeast of Turin, is renowned as the birthplace of the Slow Food movement, founded by Carlo Petrini in 1989 to prevent the disappearance of local food cultures and traditions. Every two years, Slow Food organizes the cheese festival in Bra, with artisanal cheese makers invited from across the world.  There are a number of attractive churches in the town, including the beautiful Chiesa di Sant’Andrea Apostolo, just off the main Piazza dei Caduti, which was built to a design by the sculptor and architect Gian Lorenzo Bernini, famous for the impact his designs made in the city of Rome in the 18^th century.

The Castiglia, historic residence of the Marchesi di Saluzzo

Travel tip:

The Piedmontese town of Saluzzo, about 30km (19 miles) west of Bra on the edge of the southern part of the Alpine arc, is notable for a beautifully preserved 15^th century historic centre characterised by a network of cobbled streets and steep passages by which to explore a number of fine palaces and churches, including the 15^th century cathedral built in the Lombard-Gothic style.  At the summit of the town is the Castiglia, built in the 13^th century by the Marquis Tommaso I and renovated in 1492 by Ludovico II of Saluzzo, at the time when the town was a powerful city-state.

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Alessandra Mussolini – politician

Controversial granddaughter of Fascist dictator

Alessandra  Mussolini is an Italian MEP

The MEP Alessandra Mussolini, niece of actress Sophia Loren and granddaughter of Italy’s former Fascist dictator Benito Mussolini, was born on this day in 1962 in Rome.

Formerly an actress and model, Mussolini entered politics in the early 1990s as a member of the neofascist Movimento Sociale Italiano, which had its roots in the Italian Social Republic, the German puppet state led by her grandfather from September 1943 until his death in April 1945.

Her views have changed in more recent years and she has become known for embracing modern issues including abortion, artificial insemination, gay rights and civil unions from a progressive standpoint that has more in common with left-wing feminism.

She has left behind her association with the far right and serves on the European Parliament as representative for Central Italy under a centre-right Forza Italia ticket.

However, she is not without some admiration for the policies of her grandfather.  Only recently she caused consternation when asked her opinion on what to do about an escalating Mafia war in the Roman seaside resort of Ostia by claiming that “granddad would have sorted this out in two or three months.”

Mussolini in her days as an
 aspiring young actress

The daughter of Benito Mussolini’s fourth son Romano, a jazz pianist who married Sophia Loren’s younger sister, Anna Maria Villani Scicolone, also an actress, she was taken under Loren’s wing as a child and was only 14 years old when she appeared with her aunt (in the role of her daughter) and Marcello Mastroianni in Ettore Scola’s award-winning movie Una giornata particolare (A Special Day).

After studying at the American Overseas School and then Sapienza University in Rome, where she graduated in 1986 and then obtained a Master’s in medicine and surgery, Alessandra returned to the cinema, winning acclaim for her role in another Loren hit, Sabato, domenica e lunedi (Saturday, Sunday and Monday), directed by Lina Wertmüller.

Somewhat ironically, given her ancestry, she had a part in the American-made film The Assisi Underground, which focussed on the efforts of a Franciscan priest to rescue Jews from the Nazis

She also recorded an album of romantic pop songs, albeit released only in Japan, and twice posed for Playboy magazine shoots.

She was elected to the Italian parliament in 1992 for a Naples constituency as a member of MSI, which would later evolve into the Allianza Nationale.  The following year she ran for Mayor of Naples, although she was beaten by the former communist, Antonio Bassolino.

Alessandra has inherited some of her
grandfather's talent for passionate speeches

At the time she did not shy from associations with her grandfather’s politics.  At an MSI rally in Rome in 1992, during which supporters defied party instructions not to wear blackshirts and give Fascist salutes, she stood on a balcony at the Palazzo Venezia, from which the self-proclaimed Duce had delivered many speeches, and shouted “Grazia, Nonno!” (Thanks, Granddad!) as supporters marched past.

Later, she quit the Allianza Nationale after its leader, Gianfranco Fini, in an attempt to move the party away from its perceived position at the far right, made a visit to Israel in which he apologised for Italy’s role as an Axis Power in the Second World War and described Fascism as part of the “absolute evil” that brought about the Holocaust, although she conceded that the world should “beg the forgiveness of Israel” for what had happened.

When she then formed the Social Action party and organised a coalition named Social Alternative, it was expected she would continue to propagate a far-right ideology, so it came as a surprise that she chose to campaign on progressive policies usually associated with the left.

After the Italian general election of April 2008, Mussolini served as a member of the Italian parliament within Silvio Berlusconi's alliance of right wing parties, The People of Freedom.

In the election in February 2013, she was elected to the Senate for The People of Freedom, which was rebranded in November 2013 as Berlusconi relaunched Forza Italia, which had brought him huge success in the mid-1990s and early 2000s, including an unprecedented nine years as prime minister, the longest-serving Italian leader since Benito Mussolini.

In the 2014 European Parliament election, Alessandra Mussolini was elected for Forza Italia, a position she still holds.

The Palazzo Venezia looks out over the Piazza Venezia
and the Via del Plebiscito

Travel tip:

The Palazzo Venezia, formerly known as the Palace of St. Mark, is a palace in central Rome, just north of the Capitoline Hill. Originally a modest medieval house intended as the residence of the cardinals appointed to the church of San Marco, in 1469 it became a residential papal palace. In 1564, Pope Pius IV, to curry favour with the Republic of Venice, gave the mansion to the Venetian embassy to Rome on condition that part of the building would remain a residence for the cardinals. Today, the palace, which faces Piazza Venezia and Via del Plebiscito, houses a museum. Its association with Benito Mussolini, who had an office in the palace, led to the balcony from which he made his speeches remaining covered up for many years amid fears it would become a place of pilgrimage for Fascist sympathisers, but it has recently been renovated and opened to the public.

Roman ruins at Ostia Antica

Travel tip:

The seaside resort of Ostia lies 30km (19 miles) to the southwest of the centre of Rome, yet is part of the Rome metropolitan area and thus the only part of the city on the Tyrrhenian Sea.  Situated just across the Tiber river from Fiumicino, home of Rome’s largest international airport, it adjoins the remains of the ancient Roman city of Ostia Antica. Many Romans spend the summer holidays in the modern town, swelling a population of about 85,000.

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Marcello Mastroianni – actor

Film star who immortalised the Trevi Fountain

Marcello Mastroianni was an star of
Italian cinema for more than 45 years

Marcello Vincenzo Domenico Mastroianni, who grew up to star in some of the most iconic Italian films of the 20th century, was born on this day in 1924 in Fontana Liri, in the province of Frosinone in Lazio.

He was the son of Ida Irolle and Ottone Mastroianni, who ran a carpentry shop. His uncle, Umberto Mastroianni, was a sculptor.

At the age of 14, Marcello Mastroianni made his screen debut as an extra in a 1939 film called Marionette.

His career was interrupted by the Second World War, during which he was interned in a German prison camp until he managed to escape and go into hiding in Venice.

He made several minor film appearances after the war until he landed his first big role in Atto d’accusa, directed by Giacomo Gentilomo, in 1951.

Ten years later, Mastroianni had become an international celebrity, having starred in Federico Fellini’s La dolce vita opposite Anita Ekberg. He played a disillusioned tabloid journalist who spends his days and nights exploring Rome’s high society. The film is most famous for the scene in which Ekberg's character, Sylvia, wades into the Trevi Fountain.

Mastroianni followed this with a starring role in Fellini’s 8½  - Otto e mezzo - in which he played a film director who suffers from creative block while making a movie.

Mastroianni's famous Trevi Fountain scene with Anita
Ekberg in Federico Fellini's La dolce vita

He was nominated for the Academy Award for Best Actor three times, for Pietro Germi's Divorce, Italian-style, Ettore Scola's A Special Day and Dark Eyes, directed by Nikita Mikhalkov. He is one of only three actors to have twice been awarded the Best Actor award at the Cannes film festival.

A Special Day was one of 11 films in which he starred opposite Sophia Loren, his on-screen partnership with whom was a feature of Italian cinema in the 1960s and ‘70s.

Mastroianni married Flora Carabella in 1950 and they had a daughter, Barbara. After they separated, he had a relationship with the actress Faye Dunaway. He later lived with French actress Catherine Deneuve and they had a daughter, Chiara Mastroianni.

Mastroianni in Divorce, Italian-style

He was rumoured to have had affairs with other actresses until, in 1976, he became involved with Anna Maria Tato, an author and film maker.

Mastroianni died from pancreatic cancer in 1996 at the age of 72. Both of his daughters, as well as Deneuve and Tato, were at his bedside.

The Trevi Fountain was turned off and draped in black as a tribute to him.

Travel tip:

Fontana Liri, where Marcello Mastroianni was born, is a small village in the Apennines, about 90km (56 miles) southeast of Rome and about 15km (9 miles) east of Frosinone. It falls within the remote hilly part of Lazio known as the Ciociaria, which is south of Rome and north of Naples and is named after the ciocie, sandals, traditionally worn by local people.

The Trevi Fountain is the largest Baroque fountain in Rome

Travel tip:

The Trevi Fountain in Rome, where Marcello Mastroianni paddled with Anita Ekberg in La dolce vita, was symbolically turned off and draped in black as a tribute to the actor after he died. The fountain was officially opened by Pope Clement XIII in 1762. Standing at more than 26m (85 feet) high and 49m (161 feet) wide, it is the largest Baroque fountain in Rome and probably the most famous fountain in the world. It was designed by a Roman architect, Nicola Salvi, but he died when it was only half finished. Made from Travertine stone quarried in Tivoli near Rome, the fountain was completed by Giuseppe Pannini, with Oceanus (god of all water), designed by Pietro Bracci, set in the central niche. Coins are traditionally thrown into the fountain by visitors, using the right hand over the left shoulder. It is estimated about 3000 euros are thrown into the fountain each day, money which is used to subsidise a supermarket for the poor in Rome.

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Sophia Loren – actress

Glamorous star one of just three Italian Oscar winners

Sophia Loren, aged 19 in this picture, captivated
audiences from the start of her career

The actress Sophia Loren, who came to be regarded as one of the world’s most beautiful women and is the most famous name in Italian cinema history, was born on this day in 1934 in Rome.

In a career spanning more than 60 years, Loren appeared in almost 90 films made for the big screen and several others for television.  Although she was often picked for her looks and box-office appeal, she proved her acting talent by winning an Oscar for her role in Vittorio De Sica’s gritty 1960 drama Two Women, released in Italy as La Ciociara.

In doing so she became one of only three Italians to win the Academy Award for Best Actor or Actress and the first of either sex to win the award for an Italian-language film. She followed Anna Magnani, who had won in 1955 for The Rose Tattoo, as the second Italian Oscar winner.

Loren stayed away from the awards ceremony in 1961 on the grounds that the suspense of waiting to learn whether she had won was something she would rather suffer in private but she was there in person to accept an honorary Oscar in 1991, recognising her career achievements.

She also attended the 1993 Oscars to present an honorary award to the director Federico Fellini, and the 1999 ceremony to present the Academy Award for Best Actor to her compatriot Roberto Benigni, the first Italian male to win the award, for Life is Beautiful.

Loren, aged 52, photographed by the English
photographer Allan Warren in Los Angeles

Loren was born Sofia Costanza Brigida Villani Scicolone at the Clinica Regina Margherita in Rome. Her father, Riccardo Scicolone, was a construction engineer of distant noble descent and her mother, Romilda Villani, a piano teacher.

Scicolone was already married, however, and ultimately abandoned Villani, who left Rome with Sofia and her younger sister, Maria, to live with their grandmother in Pozzuoli, a port town just outside Naples, which is why Loren came to think of herself as Neapolitan rather than Roman.

Growing up in Pozzuoli in wartime was dangerous, the port coming under frequent attack from Allied bombers.  After Sofia was wounded by shrapnel while running to a shelter, the family moved to a safer location with relatives in Naples.

After the war, they returned to Pozzuoli, where Villani’s mother opened a bar, in which Romilda played the piano and her daughters waited on tables.  The bar became popular with America servicemen in particular.

It was after reaching the final of the Miss Italia beauty pageant in 1950 that Loren was encouraged to take acting lessons by Carlo Ponti, a film producer who was one of the judges.

Loren won an Oscar for her role in the
1960 film Two Women

She and Ponti would later marry, despite there being 22 years between them, remaining together from 1957 until his death in 2007 at the age of 94.

Although Ponti obtained a divorce from his wife, Giuliana, in Mexico so that he could marry Loren, the divorce was not recognised in Italy and the marriage had to be annulled so Ponti would not face arrest for bigamy.

They married again in 1966, but only after Giuliana had agreed that all three should become citizens of France so that she and Ponti could be divorced in the French courts, allowing Loren to marry her ex-husband in a civil ceremony.

Loren began her acting career as Sofia Lazzaro, changing her screen name to Sophia Loren in 1952. Her breakthrough role came in De Sica’s 1954 anthology The Gold of Naples, filmed as a series of episodes from Neapolitan life.

In the same year she filmed the first of 11 movies in which she starred with Marcello Mastroianni, the best known of which were the romantic comedy-dramas Yesterday, Today and Tomorrow (1963) and Marriage, Italian Style (1964), both directed by De Sica, and Robert Altman’s Prêt-à-Porter (1994).

Loren enjoyed a successful career in the United States, too, signing a contract with Paramount Studios and appearing in a series of Hollywood films opposite such major stars as Cary Grant (Houseboat, 1968), Clark Gable (It Started in Naples, 1960), Frank Sinatra (The Pride and the Passion, 1957, also with Grant), Alan Ladd (Boy on a Dolphin, 1957), William Holden (The Key, 1958), and Paul Newman (Lady L, 1965).

Loren and Marcello Mastroianni starred
together in 11 films

Because she was 1.75m (5ft 9ins) tall – even taller with heels and her hair stacked up – some actors were reluctant to star opposite her. In fact, so that she did not appear to tower over the notably small Alan Ladd in Boy on a Dolphin she filmed some scenes standing in a trench.

Loren had a brief affair with Cary Grant while filming The Pride and the Passion but ultimately rejected him in favour of Ponti. Later she resisted the advances of Peter Sellars, who starred with her in The Millionairess (1960) and recorded a single, Goodness Gracious Me, with her that reached number four in the UK charts.

Among her numerous awards were five Golden Globes, eight Bambi Awards and 10 David di Donatellos – Italy’s own ‘Oscars’ – six as best actress.

Her success with Two Women, which won her eight awards, including a BAFTA, a David di Donatello, a Nastro d’Argento and a Cannes Film Festival award, came after she rejected her original casting and insisted on playing the older of the two women of the title – the mother – after it was assumed she would take the role of the more glamorous daughter.

She and Ponti had two children – Carlo Jr, now an orchestra conductor, and Eduardo, a film director – after Loren suffered two miscarriages, which prompted doctors to order her to spend almost her entire subsequent pregnancies resting in bed.  They have four grandchildren.

Chosen by Empire magazine at number 25 in a list of the 100 Sexiest Stars in film history, Loren posed in lingerie for the 2007 Pirelli Calendar at the age of 72.  Asked how she had kept her voluptuous figure, she famously remarked: "Everything you see, I owe to spaghetti."

The tree-lined Viale Regina Margherita in
the area of Rome where Loren was born

Travel tip:

Viale Regina Margherita, the area in which Loren was born in the charity ward of a hospital, is a long boulevard in the Rome suburbs to the northeast of the city centre, linking the neighborhoods of Trieste, Salario and Nomentano. It ends at Piazza Sassari, near the Polyclinic Umberto I and Sapienza University.  The boulevard has many pretty buildings and villas built in the period between 1910 and 1917, designed mainly by Pio Piacentini and his son, Marcello.

Travel tip:

Once one of the busiest ports on the Mediterranean, much bigger in its heyday than neighbouring Naples, Pozzuoli is less important now but remains a centre for commercial shipping, fishing and tourism with a population of around 80,000 people.  The relics of an enormous Roman amphitheatre attract many visitors – it was supposedly the arena in which the patron saint of Naples, San Gennaro, survived being thrown to the lions – as does nearby Solfatara, the shallow crater of a dormant volcano characterised by numerous fumaroles and bubbling mud pools.

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Daniela Rocca – actress

Tragic beauty shunned after breakdown

Daniela Rocca broke into films after winning a beauty
contest in her native Sicily at the age of 15

The actress Daniela Rocca, who starred in the hit big-screen comedy Divorce, Italian Style, was born on this day in 1937 in Sicily.

The movie, in which she starred opposite Marcello Mastroianni, won an Academy Award for its writers and acclaim for former beauty queen Rocca, who revealed a notable acting talent.

Yet this zenith in her short career would in some ways also prove to be its nadir after she fell in love with the director, Pietro Germi.

The relationship she hoped for did not materialise and she subsequently suffered a mental breakdown, which had damaging consequences for her career and her life.

Born in Acireale, a coastal city in eastern Sicily in the shadow of the Mount Etna volcano, Rocca came from poor, working class roots but her looks became a passport to a new life. She entered and won the Miss Catania beauty contest before she was 16.

Divorce, Italian Style broke new ground
in Italian cinema

She subsequently entered Miss Italia, and although she did not win her looks made an impression on the movie talent scouts who took a close interest in such events, on the lookout for potential starlets.

Rocca’s acting debut came in 1957 in the French director Maurice Cloche’s film Marchand de Filles and after a series of roles as the glamorous love interest in various melodramas she began to acquire box office appeal.

Germi saw her in 1961 in Rome 1585, which was also known as I Masnadieri – the Mercenaries – the last film to be made by the veteran Italian director Mario Bonnard, by which time Rocca was popular enough with audiences to share top billing with Antonio Cifariello, an established star of romantic comedies and adventure movies.

The part Germi offered her in Divorce, Italian Style was a little different, however.

Although from a middle-class background in Liguria, Germi’s films were often realistic social dramas, usually with a Sicilian setting. He tackled serious subjects and though Divorzia all’Italiana was to be a comedy, his aim was to denounce what he saw as the absurdity of a society that would not allow a man to divorce his wife but would look leniently on him if he killed her in a so-called crime of passion, to protect his ‘honour’.

He chose Rocca to play Rosalia, the wife of Mastroianni’s character, an impoverished Sicilian nobleman called Ferdinando Cefalù, who wants to be free of the devoted but rather dowdy Rosalia so that he can marry his much younger and prettier cousin, Angela.

Rocca had enjoyed some success taking glamorous roles in
adventure movies before Germi's film showcased her acting 

The plot sees Cefalù concoct a scheme to push Rosalia into having an affair, so that he could discover her infidelity and kill her in a fit of impassioned rage at the stain on his honour.  Of course, his plan goes comically wrong.

Given her history of playing glamorous female leads, Rocca seemed an unusual choice to play a frumpy, oppressive housewife yet she gave a impressive performance, dressing in unflattering clothes and allowing make-up to give her a moustachioed top lip, allowing Angela (Stefania Sandrelli) to outshine her at every turn.

Divorce, Italian Style was ground-breaking in that it used comedy as a genre that allowed film directors to tackle controversial topics that would otherwise have been taboo in Italy. Other directors followed suit, producing movies that allowed Italians to laugh at themselves and which in some ways broke the ice surrounding difficult social problems that needed debate and resolution.

The movie won the Academy Award for Best Writing, Story and Screenplay. Mastroianni was nominated for Best Actor in a Leading Role and many critics considered Rocca to be worthy of similar acclaim.  

It should have been the springboard to her recognition as a serious actress. Instead, it virtually ended her career.

Pietro Germi, pictured with Claudia Cardinale, had been
a successful actor before turning to directing

During the making of the film, despite their age difference – at 48, he was twice her age – she developed an infatuation with Germi. When it became clear to Rocca that his feelings about her did not match hers for him she tried to kill herself.

As a result, other directors quickly became reluctant to cast her, fearful that her mental state was too fragile. Offers of parts became few and far between and soon ceased altogether.  She fell into a state of severe depression and, after cutting her wrists in what was seen as another suicide attempt, was admitted to a mental institution in Palermo.

She remained there for several years, finally allowed to go home in 1975.  Later she said she felt abandoned by former colleagues and misunderstood by doctors, claiming they mistook a simple nervous breakdown for insanity.

The experience aged Rocca prematurely and she died from heart failure at the age of just 57, having moved into a retirement home in Milo, near Catania - although she did leave something of a creative legacy.

Remarkably, while living in the home, she wrote and had published three novels, a book on psychoanalysis and a volume of poetry.

Acireale's Piazza del Duomo is illuminated at night

Travel tip:

Daniela Rocca came from a working class neighbourhood but Acireale is a city with a wealth of culture and many beautiful buildings, some with clear Muslim influences dating back to the Arabic conquest of Sicily in the ninth century, after which the Muslim forces remained in charge until the Normans took control in the 11^th century. At the centre of the city is the beautiful Piazza del Duomo, where can be found not only the cathedral, dedicated to Maria Santissima Annunziata, but also the Basilica of Saints Peter and Paul and the Town Hall.  The Zalantea art gallery showcases many local painters from the 17^th to the 20^th centuries.

The mighty Mount Etna, smoke emerging from its snow-
capped peak, dominates eastern Sicily

Travel tip:

Looming over Acireale and all the other communities, large and small, in the eastern part of Sicily, Mount Etna is one of the most active volcanoes in the world and by far the tallest of the three active volcanoes in Italy, at 3,329 metres (10,922 feet) some two and a half times the height of Vesuvius.  Across the whole of Europe and North Africa, only Mount Teide in Tenerife is taller.  Eruptions occur regularly and often last for long periods. One, starting on July 6, 2009, lasted 417 days, the longest since the 473-day affair between 1991 and 1993, and events lasting anything from three weeks to six months happen with relative frequency.  Despite its volatility, tourists can still take excursions to the summit. It is advisable to wear warm clothing, however. Visitors who board the cable cars in 25-30 degree summer temperatures are often surprised to it decidedly chilly at the top. 

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