Carlo Eduardo Acton – composer and musician

Musical member of the Acton family was born in Naples

Carlo Acton was the nephew of the
former PM of Naples, Sir John Acton

Opera composer Carlo Eduardo Acton, who was part of the distinguished Italian-based branch of the Acton family, was born on this day in 1829 in Naples.

Carlo became a concert pianist and is particularly remembered for composing the opera Una cena in convitto.

His father, Francis Charles Acton, was the youngest son of General Joseph Acton, and he was also the younger brother of Sir John Acton, the sixth Baronet.

Sir John Acton, Carlo’s uncle, had served as Commander of the naval forces of the Grand Duchy of Tuscany and as the Prime Minister of the Kingdom of Naples while the city was under the rule of King Ferdinand IV. He was the son of Edward Acton, an English physician who had settled in France, and he was the great-grandson of Sir Walter Acton, the second Baronet.

Sir John had succeeded to the title and the family estate in Shropshire in 1791 on the death of his second cousin once removed.

Following his distinguished service in the navy of the Grand Duchy of Tuscany, Sir John was invited to Naples by Queen Maria Carolina and he was asked to reorganize the Neapolitan navy.

Sir John Acton served as prime minister
of Naples under the rule of Ferdinand IV

One of Sir John's grandchildren, John Dalberg-Acton (1834-1902), better known as Lord Acton, was an historian, English politician, and writer, also born in Naples. He was Regius Professor of Modern History at Cambridge from 1895 until his death. He edited the first series of the Cambridge Modern History, served as a Liberal Party MP and is remembered for coining the phrase 'power tends to corrupt, and absolute power corrupts absolutely' in a letter to an Anglican bishop.

Sir John’s younger brother, Francis Charles Acton, had married Esther Fagan, the daughter of the Irish painter, Robert Fagan, who had spent most of his career working in Rome and Sicily, but had fled to Naples to live there at a time when Napoleon’s armies were known to have been approaching Rome.

Francis and Esther had three sons, the talented musician Carlo, and his two brothers, Richard, and Edward.

Carlo learnt to play the piano and in addition to writing an opera, he composed sacred music. His most well-known sacred composition is his work, Tantum ergo.  

Carlo died at Portici, a small port to the south of Naples, in 1909, at the age of 89.

The Acton family's connection with Naples continued into the 20th century. Sir Harold Acton (1904-1994), the British writer, scholar, and aesthete who was born and died at Villa La Pietra outside Florence, was the author of an authoritative two-volume history of the kingdom of Naples under the Bourbons: The Bourbons of Naples (1957) and The Last Bourbons of Naples (1961).

The Villa Pignatelli is set in beautiful
gardens in Riviera di Chiaia

Travel tip:

An Acton family landmark worth seeing in Naples is Villa Pignatelli, a house commissioned by Carlo’s cousin, the seventh Baronet, Sir Ferdinand Richard Edward Dalberg-Acton, in 1826, three years before the birth of the composer. The villa is in the Riviera di Chiaia in Naples, which is a long street running along the sea front and the Doric columns along the front of the villa can still be seen from the road. It was designed as a neo-classical residence that would be the centrepiece of a park. The property has changed hands several time since the death of Sir Ferdinand in 1841. It was purchased by Carl Mayer von Rothschild, a member of the German family of financiers. Later, it was used by the Jewish community of Naples for services. It was then sold to the Duke of Monteleon, whose widow, Princess Rosa Fici, left it to the Italian state in her will in 1852. Villa Pignatelli now houses a coach museum and a collection of 18th and 19th century English and French vehicles.

The Royal Palace of Portici was built as a home
for Charles III of Spain, King of Naples and Sicily

Travel tip:

Portici, where Carlo Eduardo Acton died, is a town at the foot of Mount Vesuvius situated on the Bay of Naples, about eight kilometers (five miles) southeast of the city of Naples. The city had been destroyed by the eruption of Vesuvius in 1631, but was later rebuilt. Charles III of Spain, King of Naples and Sicily, built a royal palace in the town between 1738 and 1749. A botanical garden run by the Faculty of Agriculture of the University of Naples is now located there. The garden has an important collection of desert plants, which include specimens from South Africa and Madagascar. The gardens are open to the public from Monday to Friday in the mornings, and can be visited free of charge.

Also on this day:

79: Vesuvius erupts, destroying Pompeii and other cities

665: The death of Saint Patricia of Naples

1509: The birth of Borgia cardinal Ippolito II d'Este

1609: Galileo demonstrates the potential of telescope

1691: The birth of architect Alessandro Galilei 

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Giuseppe ‘del Gesù’ Guarneri – violin maker

Luthier’s surviving instruments are now worth millions

Guarneri made violins in 
18th century Cremona

Bartolomeo Giuseppe ‘del Gesù’ Guarneri, who is regarded as the greatest of the Guarneri family of violin makers, was born on this day in 1698 in Cremona in Lombardy.

He was the son of Giuseppe Giovanni Battista Guarneri and the grandson of Andrea Guarneri, who were both respected violin makers in the city. He learned the craft of violin making in his father’s shop, who in turn had learned from his father, Andrea, who had worked alongside the celebrated violin-maker Antonio Stradivari in the workshop of Niccolò Amati.

Bartolomeo Giuseppe Guarneri became known as Giuseppe ‘del Gesù’ Guarneri because of the religious symbols on the labels he used on the instruments he produced late in his career.

Although Giuseppe ‘del Gesù’ was younger than Stradivari, he became his rival because of the respect and reverence accorded to the violins he produced. These instruments have now become the most coveted of all by violinists and collectors.

Giuseppe ‘del Gesù’ diverged from the family tradition and created instruments in his own style, which were said to have a darker, more robust and sonorous tone than the violins produced by Stradivari.

The violin known
as Il Cannone

Fewer than 200 of the violins he produced have survived and because of their quality they sell for millions of pounds when they come on to the market.  In March this year, a 292-year-old Guarneri violin sold for  $9.44 million (£7.71 million; €8.68 million) at a saleroom in New York, making it the third most expensive instrument to ever be sold at auction.

Guarneri's instruments date from the 1720s, but instruments bearing his ‘del Gesù’ label did not appear until after 1731. His famous ‘King Joseph’ violin was produced in 1737 when he was at the peak of his craftsmanship and his later instruments display the most characteristic qualities of his unique vision.

The violinist Niccolò Paganini was one of the most celebrated players of Guarneri’s instruments. He owned a famous violin known as Il Cannone, the Cannon, which Guarneri had made in 1743, and he played it for most of his career. The name Il Cannone was Paganini's invention, bestowed upon the instrument, which had been a gift to him from an admirer, because of its power and resonance. 

Giuseppe ‘del Gesù’ Guarneri died in Cremona in 1744, at the age of just 46.

In Paganini’s Ghost, a 2009 crime novel by Paul Adam, a fictitious retired Cremonese luthier has to mend Il Cannone for a young virtuoso violinist who is due to play it in the city. He later finds himself caught up in a murder investigation after a scrap of sheet music by Paganini is found in the murder victim’s wallet.

The Piazza del Comune in Cremona is one of 
Italy's best-preserved mediaeval squares

Travel tip:

Cremona is an historic city in Lombardy that claims to be the birthplace of the modern violin, invented in 1566 by Andrea Amati from the viol, or medieval fiddle. The composer Claudio Monteverdi was born in Cremona in 1567 and the composer Amilcare Pochielli was born there in 1834. The bell tower of the Cathedral of Cremona, the Torrazzo di Cremona, which measures 112.54 metres in height is the third tallest brickwork bell tower in the world.  The cathedral overlooks the Piazza del Comune, the city's historic main square, sometimes known as Piazza del Duomo, which is among the best-preserved mediaeval squares in Italy. Next the the cathedral, dedicated to Santa Maria Assunta, is the beautiful octagonal Romanesque baptistry. Opposite are the Palazzo Comunale - the town hall - and the Loggia dei Militi, once a meeting place for important figures from the city and surrounding countryside.

Genoa's Palazzo Doria-Tursi
houses Paganini's Cannone

Travel tip:

Giuseppe ‘del Gesù’s’ famous Cannone violin, which was played by Paganini for most of his career, was donated to Paganini's his home city of Genoa in the violinist’s will and is now on display in the Paganini Rooms in the Palazzo Doria-Tursi in Genoa, part of the Strada Nuova Museums in the city. The violin is used in concerts, when the honour of playing it is bestowed on the winner of the international Paganini prize, a competition for young violinists.The Palazzo Doria-Tursi is in Via Giuseppe Garibaldi in the centre of the city.  The palazzo's large loggias facing the street were added in 1597, when the building was acquired by Giovanni Andrea Doria for his younger son Carlo, Duke of Tursi, giving the palazzo its present name.

Also on this day: 

1862: The birth of adventure novelist Emilio Salgari

1943: The birth of actor Lino Capolicchio

1969: The death of footballer Giuseppe Meazza 

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Claudio Abbado – conductor

The distinguished career of a multi award-winning musician

Claudio Abbado had a long and
successful career in music

The internationally acclaimed orchestra conductor Claudio Abbado was born on this day in 1933 in Milan.

Abbado was musical director at Teatro alla Scala, the opera house in his native city, from 1972 to 1980 and remained affiliated to the theatre until 1986. He was the principal conductor of the Vienna Philharmonic and the London Symphony Orchestra and was appointed director of the Vienna State Opera and the Berlin Philharmonic.

Born into a musical family, Abbado studied the piano with his father, Michelangelo Abbado from being eight years old. His father was a professional violinist and a professor at the Giuseppe Verdi Conservatory in Milan. His mother, Maria Carmela Savagnone, was a pianist and his brother, Marcello, became a concert pianist, a composer, and a teacher.

The Nazis occupied Milan during his childhood and his mother spent time in prison for harbouring a Jewish child. Abbado grew up to have anti-fascist political beliefs.

Abbado studied piano, composition and conducting at the Milan Conservatory. After deciding to be a conductor, he went to study in Vienna, winning the Koussevitsky prize in 1958 and the Metropolitan Prize in 1963. He made his conducting debut in Trieste in 1958 and his conducting debut at La Scala in 1960.

After being engaged by the New York Philharmonic, he began a successful international career. He was principal guest conductor of the Chicago Symphony Orchestra, founder and director of Lucerne Festival Orchestra, founder and director of Mahler Chamber Orchestra, founding Artistic Director of Orchestra Mozart, and music director of European Youth Orchestra

Claudio Abbado made his conducting debut in
Trieste in 1958 at the age of 25

While serving as musical director of La Scala, Abbado was credited with broadening the repertoire of the theatre and lifting standards. He also introduced inexpensive performances for students and working people. Experts praised him for his attention to detail and his robust rhythmic grasp. He was particularly strong on German and Italian 20th century operatic traditions.  

Abbado had a son and daughter from his first marriage, a son from his second marriage, and a son as a result of his four-year relationship with the Russian-born British violinist Viktoria Mullova.

In 2013, Italian President Giorgio Napolitano appointed Abbado to the Italian Senate as a Senator for life.

One of the leading conductors of his generation, Abbado died in Bologna in 2014 at the age of 80. As a tribute to him, La Scala’s orchestra, conducted by Daniel Barenboim, performed the slow movement of Beethoven’s Symphony No 3 to an empty theatre, with the performance relayed to a crowd in the square in front of the opera house and live streamed via La Scala’s website.

The Teatro alla Scala in Milan was originally
built almost 250 years ago

Travel tip:

Milan’s Teatro alla Scala, known to Italians simply as La Scala, has become the leading opera house in the world. It opened in 1778 after fire had destroyed the Teatro Regio Ducale, which had previously been the home of opera in Milan. A new theatre for the city was built on the site of the former Church of Santa Maria alla Scala, which is how the theatre got its name. It was designed by neoclassical architect Giuseppe Piermarini. The world’s finest singers have appeared at La Scala during the last 240 years and the theatre has hosted the premieres of operas by Rossini, Donizetti, Verdi, and Puccini. La Scala’s original 18th century structure was renovated in 1907 and, after bomb damage during World War II, it was rebuilt and reopened in 1946.

The Teatro Massimo in Palermo had been dark
for 23 years when it was reopened in 1997

Travel tip:

Palermo’s Teatro Massimo became a symbol of Italy’s fight back against the Mafia when Claudio Abbado conducted the Berlin Philharmonic in a concert there in 1997. The largest opera house in Italy, the Teatro Massimo had been closed for supposedly minor refurbishments in 1974, but with the Mafia controlling local government, no money was made available for the work. However, after the murder of Giovanni Falcone, the city turned against the Mafia and maestro Abbado was invited to conduct there at its grand reopening after the theatre had been dark for 23 years.

Also on this day:

1906: The birth of singer and actor Alberto Rabagliati

1944: British bombers attack San Marino

1968: The birth of footballer Paolo Maldini

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Antonio Sacchini - composer

Masterpiece widely acknowledged only after tragic death

Antonio Sacchini, the son of a cook from
Florence, who learned music in Naples

The composer Antonio Sacchini, whose operas brought him fame in England and France in the second half of the 18th century and found favour with the Queen of France, Marie Antoinette, among others, was born on this day in 1730 in Florence.

His 1785 work Oedipe à Colone, which fell into the opera seria genre as opposed to the more light-hearted opera buffa, in which he also specialised, has best stood the test of time among his works, although it did not achieve popularity until after his death after initially falling victim to the political climate in the French court.

Sacchini came from humble stock. His father, Gaetano, was thought to be a cook, and it was through his work that the family moved to Naples when he was four, Gaetano having been employed by the future Bourbon King of Naples, Don Carlos, then the Duke of Parma and Piacenza.

This provided the opportunity for Sacchini to receive tuition at the Conservatorio di Santa Maria di Loreto, under the supervision of the composer Francesco Durante, where he learned the basics of composition, harmony and counterpoint, also developing impressive skills as a violinist and studying singing.

After Durante’s death in 1755, Sacchini began writing operas, which were performed by the students at the conservatory to great acclaim, leading to commissions from small theatres in Naples and ultimately the prestigious Teatro di San Carlo, where his first opera seria, Andromaca, was premiered in 1761.

The title page of the libretto for
Sacchini's L'olimpiade in 1763

The following year, by now himself teaching at the conservatory, he was given permission to present his work in Venice and the success of subsequent productions in Padua, Florence and Rome persuaded him to leave his teaching post and set up as an independent composer, initially basing himself in Rome.

More success followed. His comic operas for the Teatro Valle expanded his reputation, although in 1768, rather than continue his self-employment, he accepted a permanent post as director of the Conservatorio dell’Ospedaletto in Venice, a famous institution. There, he continued to compose operas and wrote sacred music both for the conservatory and various Venetian churches, while also acquiring a high reputation as a singing teacher. Among his pupils was Nancy Storace, the soprano for whom Mozart would later create the role of Susanna in Le nozze di Figaro.

With the encouragement of Charles Burney, the English music historian, composer and critic, Sacchini moved to London in 1772, taking with him Giuseppe Millico, one of the finest castrati then active on the European stage . In London, where he was based for the next nine years, he enjoyed some of his greatest triumphs and found great favour with British audiences. Burney felt he was the foremost composer of the decade. 

However, though he was well paid, his lifestyle meant that he kept little of what he earned. As his debts escalated, he made enemies and his departure for Paris in 1781 was both to escape debtors’ prison and evade the attention among others of Venanzio Rauzzini, a leading male singer on the London circuit, who claimed that Sacchini had appropriated a number of arias of his composition and claimed them as his own. 

As it happened, Sacchini’s arrival in Paris coincided with the visit of Austrian emperor Joseph II, who was familiar with Sacchini’s works and recommended Sacchini to his sister, Queen Marie Antoinette, for patronage. 

French Queen Marie Antoinette 
was an admirer of Sacchini's work

Less fortuitously, he arrived at a time when the music scene in the French capital had become decidedly political.

Marie Antoinette was known for her liking for foreign composers and handed Sacchini a lucrative contract with the Académie Royale de Musique, otherwise known as the Paris Opéra, to produce three new works. 

This was not well received by the head of the Académie Royale, Denis-Pierre-Jean Papillon de la Ferté, who was opposed to the queen's predilection for foreign music and plotted to delay the premiere of Sacchini’s first French opera, Renaud.

Sacchini also found himself caught up in the rivalry between supporters of the German opera composer Christoph Willibald Gluck and those of his Italian counterpart Niccolò Piccinni, one group seeking to undermine Sacchini's work, the other supporting it, but both inclined to change their view if they thought it might disadvantage the other side.

Marie Antoinette continued to support Sacchini until, under heavy pressure, she broke a promise to make his new French opera Oedipe à Colone (Oedipus at Colonus) the first opera to be performed at the new court theatre in Fontainebleau in 1786, explaining that she had effectively been forced to give that honour instead to a French composer.

Sacchini returned to his home in Paris, distraught. Already sick with gout, he took to his bed, refused to eat, and within three days he was dead, at the age of 56.

Oedipe à Colone is generally acknowledged as Sacchini’s masterpiece, remained in the repertoire of the Paris Opéra through the mid-19th century, enjoyed various revivals in the 20th century and as recently as 2005 was staged by the American company Opera Lafayette. 

A 17th century painting of the bustling Piazza del Mercato
in Naples illustrates how the area of the conservatory looked

Travel tip:

The Conservatorio di Santa Maria di Loreto, where Sacchini was a student and later a teacher, was the oldest of the four Naples conservatories that were eventually absorbed into the Conservatory of San Pietro a Majella. It was the fulcrum of the Neapolitan musical school between the 17th and 18th centuries. Built in 1537 during the Spanish expansion of Naples under the viceroy, don Pedro de Toledo, it stood between the present Piazza del Mercato and the Castello di Carmine, close to the main port area of the city. Like the other conservatories, it began life as an orphanage, where orphaned children were not only given food and accommodation but also an education. Music, initially, was one of a number of subjects taught but eventually took prominence as the conservatories became the founders of the Neapolitan school of music between the end of the 17th century and the beginning of the 18th. As a borgo - district - Santa Maria di Loreto ultimately ceased to exist after it was completely destroyed by bombing during the Second World War. The monastery that formed part of the original site was turned into a hospital but was flattened during an air raid in December, 1942.

Travel tip:

Teatro di San Carlo in Naples, which first staged an opera by Sacchini in 1761, can be found in Via San Carlo close to Piazza del Plebiscito, the main square in Naples. The theatre was designed by Giovanni Antonio Medrano for the Bourbon King of Naples, Charles I, and opened in 1737, some 41 years before Teatro alla Scala in Milan and 55 years before La Fenice in Venice. San Carlo is now believed to be one of the oldest, if not the oldest, functioning opera houses in the world. Both Gaetano Donizetti and Gioachino Rossini served as artistic directors at San Carlo and the world premieres of Donizetti’s Lucia di Lammermoor and Rossini’s Mosè were performed there.

Also on this day:

1497: The unsolved murder of Giovanni Borgia, brother of Cesare and Lucrezia

1800: The Battle of Marengo

1837: The death of poet and philosopher Giacomo Leopardi

1968: The death of Salvatore Quasimodo, Nobel Prize-winning poet

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Milva - singer and actress

Popular star of five decades

Milva pictured at the start of her career in
1961, when she made her debut at Sanremo

The singer and actress known as Milva died on this day in 2021 in Milan at the age of 81.

Born Maria Ilva Biolcati in Goro, a fishing village on the Po delta, her popularity was such that she sold more than 80 million records. Her output was extraordinary, running to 126 singles and a staggering 173 albums in a career spanning more than half a century. No Italian artist has recorded so many albums.

For a time she bestrode the pop world, earning the nickname La Pantera di Goro  - The Panther of Goro - as recognition by the Italian media of her status as one of the three best-loved female performers of her generation, alongside Mina - dubbed the Tiger of Cremona - and Iva Zanicchi, who found herself labelled the Eagle of Ligonchio. 

Yet Milva was equally at home with musical theatre and opera and earned plaudits early in career when she sang Édith Piaf's repertoire at the prestigious Olympia theatre in Paris.  She was said to have an uncanny ability to sing almost any kind of music in any language after listening to it just once.

Her versatility enabled her to adapt to new trends in music and prolong her career. She had turned 70 by the time she announced her retirement from performing in 2010, although there was still time for one more album and a single, sung in German, in 2012.

The daughter of a dressmaker and a fisherman, as a child Milva had to work to support her family during tough times economically for Italy in the years after World War Two.

Milva in the 1980s, when she began a
collaboration with Greek composer, Vangelis

In her late teens she moved to Bologna, enrolled for singing and acting lessons and won a singing contest in which she was judged the best out of more than 7,500 entrants.

After recording her first single in 1960 with an Édith Piaf's song Milord, she made her live debut at the Sanremo Music Festival in 1961, finishing third. Over her career, Milva would enter Sanremo 15 times, a record for the number of appearances that she holds jointly with Peppino Di Capri, Toto Cutugno, Al Bano and Anna Oxa, although she never won, finishing second twice and third three times.

She demonstrated her versatility the following year with her performance of the Piaf repertoire in Paris, amazing both the audience and critics in the way she could sing in French with the emotion that Piaf brought to her work.

Nicknamed La Rossa because of her voluminous red hair, Milva’s ‘60s output included popular songs but also an eclectic mix of other material, including collections of Italian songs of the 1920s and ‘30s, revolutionary anthems and tango classics. She also appeared in a number of films and starred in Giorgio Strehler's stage production of Brecht's The Threepenny Opera.

In the ‘70s, when she was similarly prolific, she released albums in German and Japanese as well as Italian, and toured Italy, the USA, Greece, France, Germany, Canada, Russia and Japan. The ‘80s saw her begin a long-running collaboration with Vangelis, the Greek composer of electronic and progressive music, and devote much energy to fund-raising, either through albums or stage performances.

Milva during a performance in 2009,
captivating audiences at the age of 70

One of her most memorable hits was the song Alexander Platz, written by the Italian songwriter Franco Battiato in 1982, which explored love in divided Berlin during the Cold War years, its name inspired by the Berlin square, Alexanderplatz, a popular meeting place.

Perhaps uniquely, for her contribution to the culture of the three respective countries, she was awarded the highest honours from three governments: the Order of Merit of both the Italian and German republics, and the Knighthood of the French Légion d'Honneur.

She began to slow down only at the end of the 2000s, when she concluded that she was unable to reach the high standards she had always set for himself.

Married once, from 1961 to 1969, to the film and TV director Maurizio Corgnati, she was said also to have had romantic relationships with the actor Mario Piave, the lyricist Massimo Gallerani, and another actor Luigi Pistilli. 

She had a daughter, Martina, with whom she was living at the time of her death, which came after a period of illness attributed to a degenerative neurological disease.  After a private funeral, Milva’s body was laid to rest at the cemetery at Blevio, a small lakeside town on Lago di Como where she had a house.

Milva's home village of Goro sits on the edge of
the beautiful Po Delta regional park

Travel tip:

Goro, where Maria Ilva Biocati was born, is a fishing village on the edge of the protected Po Delta regional park, situated on the Emilia-Romagna side of the border with Veneto.  The Sacca di Goro, a large lagoon enclosed between the Po di Goro and the Po di Volano rivers, is an ideal habitat for mullet, sea bream, sea bass and for breeding of mussels, oysters and veracious clams, including the rare Golden Oyster of Goro, which is considered a delicacy, The Sagra della Vongola, Goro’s clam festival, takes place during the month of July each year, allowing visitors to enjoy the flavours and traditions of the area.

A story in La Repubblica newspaper about Casa 
Milva's role in the Insula Felix Foundation

Travel tip:

Milva’s home in Milan for 40 years was an apartment in an art nouveau palace in Via Serbelloni, an elegant area of the city between Porta Venezia and the Fashion Quarter. Recently, Milva’s daughter, art critic Martina Corgnati, has established the apartment, at No 9 Via Serbelloni, as the headquarters of the Insula Felix Foundation, which was set up by her late mother in 1984 as a non-profit institution as a place of research, the celebration of culture and for the support of young scholars, also promoting innovative forms of support for people with mental illness or neurological-psychiatric problems. 

Also on this day:

1554: The death of poet Gaspara Stampa

1857: The birth of opera composer Ruggero Leoncavallo

1939: The birth of Mafia boss Stefano Bontade

1964: The birth of leading conductor Gianandrea Noseda

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Lucio Battisti - singer-songwriter

Musician credited with writing ‘the soundtrack of Italian life’

Lucio Battisti, pictured performing at the
 Sanremo Music Festival in 1969

Lucio Battisti, who was one of the most influential figures in Italian pop and rock music in a career spanning four decades, was born on this day in 1943 in Poggio Bustone, a hillside village in the province of Rieti in Lazio, about 100km (62 miles) northeast of Rome.

A songwriter, singer and composer, his work has been described as defining popular music in Italy in the late 1960s and the 1970s in particular, although his popularity continued right up to his death, at the age of just 55, in 1998.

Some music critics and music historians have credited Battisti with writing ‘the soundtrack of our lives’ for several generations of young people, citing songs such as Emozioni (Emotions), Acqua azzurra, acqua chiara (Blue Water, Clear Water), Il mio canto libero (My Free Song) and La canzone del sole (The Song of the Sun) as his most memorable, although there were many more that made their mark.

Of Battisti’s 18 studio albums, 13 reached number one in the Italian charts, while he had at least 10 number one singles, of which his 1971 recording Pensieri e parole (Thoughts and Words) remained in top spot for 14 weeks.

At times during his career, he was spoken of as Italy’s Bob Dylan or Italy’s David Bowie, not for the style of his music as much as the fact that he enjoyed similar status as a cultural icon. Bowie spoke of his admiration for Battisti’s work, as did Bowie’s guitarist, Mick Ronson. The two made a cover version of Il mio canto libero, which Ronson went on to include on his debut solo album, Slaughter on 10th Avenue, under the title Music is Lethal.

Giulio Rapetti, better known as Mogol,
wrote many of Battisti's lyrics

Among other international artists who covered or adapted Battisti’s compositions were the English group Amen Corner, whose 1968 hit (If Paradise Is) Half as Nice was based on Battisti’s Il paradiso della vita.

Much of Battisti’s success stemmed from his partnership with the Italian songwriter Giulio Rapetti, better known by his pen name, Mogol. They worked together for 15 years from the mid ‘60s to the early ‘80s, during which time Mogol’s captivating, emotional lyrics combined with Battisti’s innovative music to take the Italian pop scene by storm.

The son of a customs inspector, Battisti moved with his family to Rome at the age of four, settling in Pigneto, a working class neighbourhood to the southeast of the city centre, just beyond Termini station. Having taught himself the guitar, he began to play with bands in Rome and then Naples as a teenager. 

He enjoyed Naples, where he played with a group called I Mattatori, but did not earn enough to sustain himself and was forced to return to Rome. In the event, this proved fortuitous. Lead guitar with another local band, I Satiri, he found himself playing on the same bill as I Campioni, the support band to the then-famous Italian singer, Tony Dallara, who were in need of a guitarist and offered him the chance to move to Milan and work with them.

Once established in Milan, he was spotted by Christine Leroux, a French-born music producer who worked as a talent scout for the Italian label, Ricordi. It was she that introduced him to Mogol.

Battisti in Milan with his future
wife, Grazia Letizia Veronese

Their output provided hits for major Italian artists such as Mina, Ornella Vanoni and Patty Pravo, before ultimately Battisti’s own, unusually versatile vocals, which displayed at times soft, velvety tones, piercing falsetto moments and the gritty power of rock, became their trademark. Their songs were less dominated by political messages than many popular artists of their era, but young, urban Italians in particular seemed to identify with Mogol’s lyrics as a reflection of their own lives. 

Not long after recording his 1974 album Anima latina (Latin Soul), the collection of songs considered to be Battisti's most complex musical offering, which remained at number one in the Italian charts for 13 weeks, Battisti became something of a recluse, declining to make public appearances or give interviews, declaring his new belief that “an artist should communicate with the public only through his work”.

His partnership with Mogol broke up in 1981, an amicable split stemming from their diversion in styles as Battisti became interested in more experimental, electronic sounds. Nonetheless, his success continued, with three more chart-topping albums, including Don Giovanni (1986), for which the poet Pasquale Panella wrote the lyrics. He also recorded some songs written by his wife, Grazia Letizia Veronese, who he had married in the late 1970s and with whom he had a son, Luca.

When Battisti died on 9 September 1998, aged only 55, the Italian music world was plunged into profound shock. It had become known in late August that he had been hospitalised in Milan, but his family respected his desire for privacy and issued no bulletins on his condition. The cause of his death was never officially confirmed, although it was thought to be the result either of a lymphoma that affected his liver, or a disease of the kidneys.

His passing was marked at a small private funeral in Molteno, the hilltop town in the beautiful Brianza area between Milan and Lake Como where he had lived since the early 1970s. There were just 20 guests, including Mogol, who had for a while occupied a neighbouring villa. 

Pigneto has undergone a revival recently and
now has a thriving cafe culture

Travel tip:

Battisti’s home growing up in Rome, Piazzale Prenestina, is an area dominated by the convergence of multiple rail tracks leading to Roma Termini station and an elevated section of Rome’s orbital motorway, the Grande Raccordo Anulare. It lies at the entrance to Pigneto, an area once largely working class and industrial that has evolved in recent years into a trendy neighbourhood of alternative shops, vintage stores, and diverse bars and restaurants, popular with students. The area was badly bombed during World War II, as a consequence of which it was chosen by the director Roberto Rossellini for location shooting for his neorealist classic, Roma Città Aperta - Rome, Open City. The district was a favourite, too, of another director, Pier Paolo Pasolini. 

A steep staircase leads to Molteno's
Chiesa di San Giorgio

Travel tip:

Battisti’s home in northern Italy - he also kept an apartment in Rome and a villa in Rimini - was in Molteno, a small town about 35km (22 miles) northeast of Milan, about equidistant between the lakes of Como and Lecco in Brianza, an area of natural beauty. The town itself, originally built on the site of a Roman settlement, fans out from Piazza Risorgimento, at the foot of il Ceppo - the summit of the town - from which the parish church of San Giorgio oversees the surrounding area. Battisti’s villa was at Dosso di Coroldo, a hamlet just outside Molteno. Battisti was said to be a frequent diner at Ristorante Riva in Via Roma, where he and Mogol would often meet up with other musicians, many of them famous names in Italy at the time, to enjoy the food and wine and sometimes give impromptu performances.

Also on this day:

1696: The birth of painter and printmaker Giovanni Battista Tiepolo

1827: The death of scientist Alessandro Volta

1834: The birth of soprano Marietta Piccolomini

1922: The birth of film director Pier Paolo Pasolini

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Orazio Vecchi – composer

Late Renaissance church musician wrote madrigal comedies to entertain audiences

Vecchi mixed sacred music with
pieces written for entertainment

Orazio Vecchi, who is regarded as a pioneer of dramatic music because of his innovative madrigal comedies, died on this day in 1605 in the city of Modena, in the Emilia-Romagna region.

His most famous composition, L’Amfiparnaso, was always intended as music for entertainment. It was a set of 15 pieces that were dramatic in nature, although they were not meant for the stage.

Vecchi is known to have been baptised in December 1550 in Modena. He was educated  at a Benedictine monastery and took holy orders.

He knew composers of the Venetian school, such as Giovanni Gabrieli, and he composed himself in the form of sacred music, such as masses and motets, as well as canzonette and madrigals for entertainment.

Vecchi served as maestro di cappella at the cathedral of Salò and as choirmaster at the cathedral of Reggio Emilia. He then became a canon at Correggio, where he was able to compose prolific amounts of music during his time there, before moving back to Modena, where he served as a priest and also had charge of the choir.

A woodcut of an actor delivering the prologue of
Orazio Vecchi's L'Amfiparnaso in Venice in 1597

In 1594 his madrigal comedy, L’Amfiparnaso, was premiered at Modena and it was published in an illustrated edition in 1597. In the same year, Vecchi visited Venice where he published a collection of canzonette. During his life, he published four volumes of sacred music and 13 volumes of canzonette, madrigals and madrigal comedies.

Duke Cesare d’Este appointed Vecchi his maestro di corte at the ducal court in Modena in 1598. The composer was put in charge of music at the court as well as the musical education of the Duke’s children. He accompanied the Duke to Rome and Florence in 1600 and while they were in Florence, Vecchi heard Jacopo Peri’s opera, Euridice. Vecchi died in Modena in 1605.

Vecchi has become renowned for his idea of grouping madrigals together in a new form called the madrigal comedy. This was light, popular, dramatic entertainment, which some regard as one of the precursors to opera. It included music of many types and even used burlesque and dramatic dialogue. There was no scenery and the audience would have been friends of the singers, so it cannot be considered as an early form of opera.

However, the sense of drama and contrast displayed in Vecchi’s work has caused experts to say that he led the way with dramatic music, even though they believe L’Amfiparnaso stands apart from the path that opera was to eventually take.

The Palazzo dei Principi in Corregio, which is
today home to a museum of archaeology and art

Travel tip:

Correggio, where Orazio Vecchi served as a canon and wrote much of his music, is a town in the Emilia-Romagna region. The Renaissance painter Antonio Allegri, who was known as Il Correggio, was born there in 1489. One of the main sights in Correggio is the elegant Palazzo dei Principi in Corso Cavour. In 1659 Correggio was annexed to the Duchy of Modena. The present Duke of Modena, Prince Lorenz of Belgium, Archduke of Austria-Este, is the current holder of the title of Prince of Correggio.

The Ducal Palace in Modena, which was built 
for Francesco I d'Este in the 17th century

Travel tip:

Modena, where Orazio Vecchi was born and died, is a city on the south side of the Po Valley in Emilia-Romagna. It is known for its car industry, as Ferrari, De Tomaso, Lamborghini, Pagani and Maserati have all been located there. The city is also well known for producing balsamic vinegar. Operatic tenor Luciano Pavarotti and soprano Mirella Freni were both born in Modena. One of the main sights in the city is the huge, baroque Ducal Palace, which was begun by Francesco I on the site of a former castle in 1635, after Vecchi’s death. His architect, Luigi Bartolomeo Avanzini, created a home for him that few European princes could match at the time. The palace is now home to the Italian national military academy. 

Also on this day:

1461: The birth of cardinal and art collector Domenico Grimani

1743: The birth of cellist Luigi Boccherini

1953: The birth of actor and director Massimo Troisi

1977: The birth of operatic tenor Vittorio Grigolo

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Ennio Porrino - composer

Premature death robbed Italian music of great talent

Ennio Porrino is seen by some as
one of the greats of Italian opera

The composer Ennio Porrino, best known for his symphonic poem, Sardegna, and his opera, I Shardana, was born on this day in 1910 in Cagliari.

Porrino was critically acclaimed, his operas earning comparisons with the great Giacomo Puccini, although to some his reputation has been tarnished by his association with Benito Mussolini’s Fascist regime. He was only 49 when he died in Rome.

His 1941 opera, Gli Orazi, has been interpreted as a ‘hymn to fascism’ by some critics, while his piece, The March of the Volunteer, was used by Mussolini’s short-lived Italian Social Republic as its anthem.

Little is known of Porrino’s early years. It is thought that his family moved to Rome when he was a small child and most accounts of his life begin with his studies at the Accademia Nazionale di Santa Cecilia, which he attended from the age of 17 and where he graduated in 1932.

He also studied with the composer Ottorino Respighi, who was keen to see his potential realised.  Respighi would be a significant influence on Porrino’s own work.

Porrino was not slow to make an impact in Roman musical circles. In 1931 he won an opera competition organised by the Giornale d'Italia newspaper. Two years later, his overture for orchestra, Tartarin de Tarascon, won the Accademia di Santa Cecilia’s own competition for the 25th anniversary concerts at the Teatro Augusteo, where it premiered under the baton of Bernardino Molinari. 

Porrino studied under the violinist and
composer Ottorino Respighi (above)

Molinari was the conductor in January of the following year when Porrino’s  symphonic poem Sardegna was performed for the first time. A tribute to a homeland Porrino was yet to understand and appreciate, Sardegna was based largely on the nostalgic tales passed to him by his Sardinian mother. The piece was widely appreciated and performed numerous times in Italy and abroad, as well as being included in the Italian music section of the 1935 Hamburg International Festival. 

Like Respighi, who died in 1936, Porrino championed an Italian national music movement faithful to its classical roots. He openly opposed modernist composers such as Alfredo Casella.

However, some academics argue that there was a dark side to Porrino’s enthusiasm for traditional Italian music, citing an article he wrote for an antisemitic journal, La difesa della razza - The Defence of Race - in 1938.

Under the title, La musica nella tradizione della nostra razza - Music in the tradition of our race - Porrino argued that Italian music was a fundamental component of Italian culture and national pride, but that it had been corrupted by internationalism, which was generally recognised as code for Judaism. 

His opposition to Casella, it has been suggested, might have had as much to do with the latter’s opposition to Mussolini’s despised race laws as his music. Casella also happened to be married to a French woman from a Jewish family.

Porrino was also excited by Mussolini’s dream of restoring Rome to its former grandeur as the heart of his Fascist empire and his promotion of what he saw as the masculine, dynamic values of so-called romanità (Roman-ness).

Gli Orazi told the story of the feud between the
Orazi and Curiazi families in 7th century Rome

In was in this context, perhaps, that Porrino wrote Gli Orazi, which is the story of a conflict between the Roman family of Horatius (Orazio) and that of Curiatius (Curiazio), from Alba Longa, just to the south of Rome, when the two cities are at war during the seventh century.

The one-act opera concludes with a victory for the Orazi in this feud and a celebration of Rome’s defeat of Alba in the war.  Porrino collaborated with the librettist Claudio Guastalla on Gli Orazi, as he had in completing Respighi’s unfinished opera, Lucrezia, after Respighi’s death. Guastalla, though he regarded himself unequivocally as Italian, was the son of Jewish parents and his name ultimately disappeared from the credits.

Nonetheless, Gli Orazi was staged with great success at La Scala in Milan in February 1941.  

After the fall of Mussolini and the defeat of the Fascists, the immediate post-war years saw Porrino devote more time to academic work than to composing. He was appointed professor of composition at the Rome Conservatory, and became a full member of both the Accademia di Santa Cecilia and the Luigi Cherubini Academy in Florence.

In 1946 he was appointed substitute librarian in the Library of the Conservatory of San Pietro a Majella in Naples, where he also taught composition.  Later, he became director of the Pierluigi da Palestrina Conservatory of Cagliari, and conducted orchestral and choral performances in Naples and Venice.

Sardinia is dotted with the remains of nuraghe,
conical stone towers as old as the Shardana

He returned to opera composition triumphantly with I Shardana, a 1959 work set among the warrior race that spent much of its time defending Sardinia from foreign invaders during the Bronze Age.

Inspired by what Porrino had learned about his homeland after returning as an adult, the opera is regarded as one of the most important in Italy post 1945 and confirmed Porrino’s reputation, according to some critics, as the greatest Italian musician since Puccini.

It came as a profound shock, then, just a few months after I Shardana’s premiere at Teatro San Carlo in Naples, when it was reported in September 1959 that Porrino had died, following a sudden illness. He had been in Venice only a few days earlier, when his work La bambola malata, described as a pantomime, had been performed at the Venice International Festival of Contemporary Music.  

He left a widow, Malgari, a painter and theatrical designer, and a daughter, Stefania, born in 1957, who became a playwright and stage director in adulthood.

An orchestral performance inside the modern
Accademia Nazionale di Santa Cecilia in Rome

Travel tip:

The Accademia Nazionale di Santa Cecilia, one of the oldest musical institutions in the world, was established in 1565. It was founded in Rome by Pope Sixtus V at the Church of Santa Maria ad Martires, better known as the Pantheon. Over the centuries, many famous composers and musicians have been members, among them opera singers Beniamino Gigli and Cecilia Bartoli. Since 2005 the Academy’s headquarters have been at the Parco della Musica in Rome, which was designed by the architect Renzo Piano, in Viale Pietro de Coubertin in the Flaminio district, close to the location of the 1960 Summer Olympic Games.

A view from the sea similar to that which the
writer D H Lawrence might have experienced

Travel tip:

Cagliari, where Porrino was born, is Sardinia's capital, an industrial centre and one of the largest ports in the Mediterranean. Yet it is also a city of considerable beauty and history, most poetically described by the novelist DH Lawrence when he visited in the 1920s. As he approached from the sea, Lawrence set his eyes on the confusion of domes, palaces and ornamental facades which, he noted, seemed to be piled on top of one another. He compared it to Jerusalem, describing it as 'strange and rather wonderful, not a bit like Italy.’  What he saw was Cagliari’s charming historic centre, known as Castello, inside which the city’s university, cathedral and several museums and palaces - plus many bars and restaurants - are squeezed into a network of narrow alleys.

Also on this day:

1526: The birth of mathematician Rafael Bombelli

1920: The birth of film director Federico Fellini

1950: The birth of magazine editor Franca Sozzani

1987: The birth of motorcycle racer Marco Simoncelli

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La cambiale di matrimonio - opera

Rossini’s first professional work premieres in Venice

The title page of the libretto
for the opera, by Gaetano Rossi

La cambiale di matrimonio - the first opera by Gioachino Rossini to be performed before a paying audience - premiered at the Teatro San Moisè in Venice on this day in 1810.

Although the Pesaro-born composer, who would go on to write 39 operas including Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola (Cinderella), had tried his hand at the genre earlier, La cambiale di matrimonio was the first to be staged in public.

Rossini had written the one-act farce - translated in English as The Bill of Marriage or The Marriage Contract - in the space of just a few days while he was an 18-year-old student at the Liceo Musicale in Bologna.

Based on a play of the same name by Camillo Federici, an 18th century dramatist from Piedmont, La cambiale di matrimonio revolves around the attempts by a London merchant, Tobias Mill, to marry off his daughter, Fanny, to a somewhat mature Canadian businessman by the name of Slook.

Mill makes this arrangement, which is designed primarily for his own financial gain, without knowing that Fanny has a lover, Edward Milfort, whose existence she has kept secret from her father on account of his lowly financial status.

The action takes place in the drawing room of the Mill house, where Edward and Fanny are together at just the moment Slook arrives.

La cambiale di matrimonio had a brief run, lasting just 13 performances, but the presence of a well-regarded mezzo-soprano, Rosa Morandi, in the role of Fanny attracted attention and the two baritones cast as Mill and Crook are said to have played to the gallery as the composer intended.

The young Rossini wrote a series of
farces for the Teatro San Moisè

Rossini himself was pleased enough with one aria, performed by Morandi, that he used it as the basis for a duet between Figaro and Rosina in Il barbiere di Siviglia, which premiered in 1816, by which time the composer was enjoying enormous fame and the wealth that came with it.

The Teatro San Moisè, meanwhile, invited the young Rossini to compose more works along the same lines. He obliged by delivering three more farces, L'inganno felice (The Fortunate Deception), La scala di seta (The Silken Ladder) and Il signor Bruschino.

Active from 1620 to 1818, the Teatro San Moisè, which could be found near the start of the Grand Canal and just a few steps from Piazza San Marco, was a small theatre but an influential one.

Its first opera production was Claudio Monteverdi's L'Arianna in 1640, while in the 18th century the music of the Baroque composers Francesco Gasparini, Antonio Vivaldi and Tomaso Albinoni was frequently performed there. 

When the Neapolitan opera buffa genre arrived in Venice in the 1740s, San Moisè became something of a showcase for the genre, staging works by Baldassare Galuppi, who formed a partnership with the brilliant playwright and librettist, Carlo Goldoni.

The theatre closed in 1818 and was later revived as a puppet theatre and a cinema but the building was demolished in the 20th century.

The church of San Moisè contains works
by Tintoretto and Palma il Giovane

Travel tip:

The church of San Moisè, from which the theatre took its name, can be found just 124m (135 yards) from Piazza San Marco in Campo San Moisè, flanked on one side by the modern, five-star Hotel Bauer and on the other by the Venice stores of Versace and Prada. Built originally in the eighth century, the church’s elaborately decorated Baroque facade was added in the late 17th century to a design by the Padua architect Alessandro Tremignon. The interior is dominated by Heinrich Meyring's huge altarpiece, depicting Moses at Mount Sinai receiving the Tablets. The Old Testament prophets were considered by the Venetians as saints. Also inside are a Washing of the Feet by Tintoretto and a Last Supper by Palma il Giovane.

The Ducal Palace in Pesaro was commissioned
by ruler Alessandro Sforza in the 15th century

Travel tip:

Pesaro, while a major centre for tourism due to its location on the Adriatic coast, is also a former mediaeval city of some standing, ruled by Giovanni Sforza between 1483 and 1510. It had a 15th century Ducal Palace, commissioned by Alessandro Sforza, one of Giovanni’s ancestors, and an imposing castle, the Rocca Costanza, built by Costanza I Sforza, the condottiero who was Alessandro’s son. Today, it is known as the city of music. Each summer, in honour of Gioachino Rossini, born in 1792, it hosts the Rossini Opera Festival, and the town is home to the Conservatorio Statale di Musica Gioachino Rossini, which was founded from a legacy left by the composer.

Also on this day:

1560: The birth of painter Annibale Carracci

1801: The birth of composer Vincenzo Bellini

1908: The birth of politician Giovanni Leone

1918: The Villa Giusti Armistice

1931: The birth of actress Monica Vitti

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