Michele Casadei Massari - chef and restaurateur

American dream from small beginnings

Michele Casadei Massari began his New York
business with a coffee kiosk in Union Square

The chef and businessman Michele Casadei Massari, who is the owner and founder of the Piccolo Cafe and the Lucciola restaurant in New York City, was born on this day in 1975 in Riccione, on the Adriatic coast of Emilia-Romagna.

Massari had planned to become a doctor but abandoned his studies in order to pursue his dream of cooking in his own restaurant.

After working as general manager and executive chef of a restaurant at a holiday resort in Sardinia, Massari and an old school friend decided to go it alone and chose to start a business in New York.

They began by selling coffee from a kiosk on Union Square in Manhattan before graduating to a cafe selling traditional Italian food as well as salads, panini and egg dishes.

Massari and his partner opened their first Piccolo Cafe in Third Avenue, a couple of blocks from Union Square in 2010. Now they have four branches of Piccolo Cafe and a restaurant, Lucciola, that specialises in the cuisine of Bologna and Emilia-Romagna.

The Piccolo Cafe in West 40th Street is one of four
opened by Massari and his partners

Only six years old when he saw the inside of a restaurant kitchen for the first time, Massari acquired his love of cooking from his grandfather, ‘Nonno Gigi’, a chef who had acquired an inventive flair during the Second World War, when ingredients were often scarce.

His education included foraging in the countryside around the family home and learning how even the simplest ingredients, properly prepared, could be turned into tasty and nutritious dishes.

He says he inherited his salesmanship skills from his mother, who had been a door-to-door saleswoman in the 1970s, persuading would-be clients to buy machines for heating hair curlers.

While studying at college, Massari worked in restaurants in Bologna but soon realised he was much more interested in food that becoming a doctor. He and school friend Alberto Ghezzi decided to move to Sardinia, where Alberto managed the restaurant while he worked in the kitchen. Soon they were joined by another friend from Bologna, chef Gianluca Capozzi.

The three still work together today, having teamed up again when Massari, craving a chance to ‘do something different’, came up with his idea of going to New York, even though he had only a few thousand euros to start a business.

Michele also has a dedicated
Bolognese restaurant in New York

To obtain a special visa for businesses and investors, he had to present a business plan. His coffee kiosk idea was rejected initially because he had no water supply but once he had solved that problem he was accepted.

The kiosk took off quickly, selling 70,000 cups of coffee alone in the first 30 days. They had been there little more than four weeks when a customer told them about an empty business premises on Third Street that would be ideal for opening a cafe.

Six months later, with the Piccolo Cafe booming, another client urged them to look at an empty premises opposite the New York Times building on West 40th Street. That became the second branch. Two more Piccolos have opened since, one on Madison Avenue, another not far from Central Park in the Upper West Side, which is where Lucciola is located.

Michele also runs the BiograFilm Food Academy and manages food and beverage operations for the film festival of the same name that takes place in Bologna each year

Trendy tree-lined Via Ceccarini in Riccione

Travel tip:

Riccione, where Massari was born, is sometimes called the ‘green pearl of the Adriatic’ on account of the elegant, tree-lined boulevards that carry echoes of the town’s tradition as a resort that was a cut above its brasher neighbours. These days, it is no less thronged in the high summer months than its big brother Rimini but the Via Ceccarini, with its elegant boutiques, attractive cafés and trendy night spots, is still one of the most famous streets on the whole Adriatic Riviera. Other attractions are the Museo del Territorio, with exhibits reflecting thousands of years of evolutionary history in the area, and the Castello degli Agolanti, once owned by the most powerful local family, now an exhibition and conference venue.

One corner of Bologna's central Piazza Maggiore

Travel tip:

Bologna, which Massari considers to be his home town, boasts what is probably the best maintained and preserved medieval centre in the whole of Italy, a testament in many ways to one of the country’s least corrupt local administrations. The city was for a long time the stronghold of the Italian Communist Party and street names such as Via Stalingrado and Via Lenin say much about the political heroes of some of its former municipal leaders. Yet despite being the cradle of progressive socialism, the city retains one of the best standards of living in Italy and a policy of ‘active preservation’ established in the 1970s, whereby old houses in the city centre were renovated for public housing rather than being demolished, has helped the city maintain its character.

More reading:

How daytime TV made chef Simone Rugiati famous

Much-loved celebrity chef and restaurateur Antonio Carluccio

Gennaro Contaldo's passion for the cooking of Amalfi

Also on this day:

1824: The British aristocrat and travel writer Lady Blessington arrives in Naples

1976: The birth of celebrity chef Gino D'Acampo


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Corrado Parnucci – architectural sculptor

Prolific artist whose work adorns cities of Michigan

Corrado Parnucci moved to New York
with his father at the age of just four 

The architectural sculptor Corrado Giuseppe Parnucci, who left his artistic mark on more than 600 buildings in Detroit and other cities in the US state of Michigan, was born on this day in 1900 in Buti, a Tuscan village about 15km (9 miles) east of Pisa.

Taken to live in America at the age of four, Parnucci – generally known as Joe – settled in Detroit after accepting some work there in 1924.

Among the Detroit landmarks with architectural embellishments by Parnucci are the Buhl Building, The Players, the Guardian Building, the David Stott Building, the Detroit Masonic Temple, the Detroit Historical Museum and the Wilson Theater.  Most of those buildings went up during the 1920s as the city’s skyline underwent huge change.

Parnucci also sculpted work for buildings in most other major Michigan cities, including Grand Rapids, Ann Arbor and Flint, and accepted numerous commissions from private individuals.

One of his masterpieces is the moulded plaster ceiling in the dining room of Meadowbrook Hall, the Tudor revival mansion built for Matilda Dodge, ex-wife of Dodge Motors co-founder John F Dodge. He also worked on the home of Edsel Ford, the son of Ford founder Henry.

The entrance to the Guardian Building in Detroit,
flanked by Parnucci carvings either side

Although Parnucci worked in a wide range of styles, from Romanesque to Aztec, he was particularly known as a pioneer of Greco Deco, which combined Greek and Roman traditions with the then highly-fashionable Art Deco.

Born into a family of 13 children, he emigrated to New York with his father. For reasons not known, he was the only one of the family who accompanied his father, who found work as a grocer yet had to place his son in the care of a Catholic orphanage until the rest of the family were able to join them 18 months later, taking a house in MacDougall Street in the Greenwich Village area of Manhattan, just south of Washington Square

Nonetheless, Corrado grew up a bright boy and showed an aptitude for art at school, which brought him to the attention of Gertrude Vanderbilt Whitney, a society heiress who went on to found the Whitney Museum of American Art, and who had a philanthropic interest in New York slum kids.

It was with her help that he attended sculpture classes and later obtained a scholarship to an arts institute in New York.

On leaving college, Parducci was apprenticed to architectural sculptor Ulysses Ricci.

The cathedral of St Peter in Marquette

In 1924 Parducci travelled to Detroit to work for Albert Kahn, the foremost American industrial architect of his time. Parducci planned to stay for only a few months before returning to New York.

However, Detroit was enjoying a boom time as the automotive industry blossomed and he soon realised the opportunity to make a good living was something he could not turn down. After a short time, having set up his own studio, he decided he would stay.

When the Depression brought commercial building projects to a standstill, Parducci diversified into sculpting for churches, which became a major focus of his work.  His projects included a basilica in Royal Oak, Michigan, cathedrals in Marquette and Detroit and the Shrine of the Holy Innocents at the Queen of Heaven Cemetery in Chicago.

Parducci died in Detroit in 1981, having worked at his studios until a few days before his death.

The main square in Parnucci's home town of Buti

Travel tip:

Buti, a town of Roman origin on the eastern slopes of Monte Pisano, is home to about 5,500 people.  It is notable for the Villa Medicea, built by the Medici family in the 16^th century, for the fortress of Castel Tonini that stands guard over the town, and the nearby fortified village, Castel di Nocco, which were among eight fortifications that once stood in the area, a throwback to the days when the town was a prize to be captured in the long-running battle for supremacy waged by Lucca, Pisa and Florence.

Palazzo della Carovana in Pisa's Piazza dei Cavalieri

Travel tip:

Many visitors to Pisa do not venture beyond the Campo dei Miracoli, home of the Leaning Tower, the handsome Romanesque cathedral and the equally impressive baptistry. But there is much more to the city, where a large student population ensures a vibrant cafe and bar scene. There are also many Romanesque buildings, Gothic churches and Renaissance piazzas, among them Piazza dei Cavalieri, which is notable for the Palazzo della Carovana, built by Giorgio Vasari in 1564.


More reading:

Giuseppe Moretti, the sculptor whose statue of Vulcan stands guard over Birmingham, Alabama

Ernesto Basile, the pioneer of Stile Liberty

Renzo Piano, the architect behind the Pomidou Centre and the Shard

Also on this day:

1749: The birth of Lorenzo Da Ponte, Mozart's colourful librettist

1872: The death of Risorgimento hero Giuseppe Mazzini

(Picture credits: Guardian Building by Carptrash; Cathedral of St Peter by Bobak; square in Buti by Sailko; Palazzo della Carovano by Archeologo; via Wikimedia Commons)

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Frankie Yale - gang boss

Mobster who employed a young Al Capone

Frankie Yale's police mugshot

The gang boss who gave Al Capone one of his first jobs was born in this day in 1893 in Longobucco in Calabria.

Francesco Ioele, who would later become known as Frankie Yale, moved to the United States in around 1900, his family settling into the lower Manhattan area of New York City.

Growing up, Ioele was befriended by another southern Italian immigrant, John Torrio, who introduced him to the Five Points Gang, which was one of the most dominant street gangs in New York in the early part of the 20^th century.

In time, Ioele graduated from petty street crime and violent gang fights to racketeering, changing his name to Yale to make him sound more American and taking control of the ice delivery trade in Brooklyn.

With the profits Yale opened a waterfront bar on Coney Island, which was called the Harvard Inn. It was there that he took on a young Capone as a bouncer and in a fight there that Capone acquired the facial scars that would stay with him for life.

Capone worked for Yale for two years until Torrio, by then based in Chicago, recruited him to his organisation, and Capone moved to the city with which his criminal activities would become associated.

Al Capone worked for Yale in the bar
he opened on Coney Island

Yale’s operations in Brooklyn flourished, his empire extending to extortion, prostitution and protection rackets as well as controlling legitimate businesses such as restaurant supply, creating monopolies by seeing off the competition through violence and coercion.  When prohibition was introduced, Yale became one of Brooklyn’s biggest bootleggers.

His front was a funeral home in 14^th avenue, which enabled him to describe himself in official paperwork as a funeral director by profession.   He kept his neighbourhood onside by regularly performing acts of philanthropic generosity to help out people who had fallen on hard times through no fault of their own.

A snappy dresser who favoured expensive suits and diamond jewellery, he was a family man who married twice and fathered three daughters.

Ultimately, though, his power made him a target and as other Italian Mafia groups moved into New York, increasing competition for territory, wars between rival crime families became a regular occurrence and moves were made to take Yale off the scene.

Yale survived two attempts on his life between 1921 and 1923 yet emerged from both with his power increased.  He continued to work with Torrio and the increasingly powerful Capone, travelling to Chicago himself with two associates to carry out a murder on their behalf, for which he was arrested but released without charge when police were unable to disprove Yale’s alibi.

44th Street in Brooklyn as it looks today

Yet when Yale finally met his demise on July 1, 1928, shot to death at the wheel of his Lincoln coupe on 44^th Street, Brooklyn, the trail led back to Capone.

The Chicago mob boss had sent a spy to New York to try to discover who was behind the hijacking of trucks that were meant to be ferrying supplies of imported Canadian whisky illegally obtained by Yale, and the word that came back was that it was Yale himself.

A trap was set for Yale that involved him driving alone from his club in Brooklyn to his home. It was not long before a Buick sedan carrying four men ranged alongside his Lincoln and despite his attempts to shake them off in a high-speed chase Yale was eventually caught and the men opened fire. One of them carried a Thompson submachine gun, the first time such a weapon had been used in a New York gangland shooting, and Yale was killed instantly.

Despite the allegations surrounding his death, Yale was given one of the most lavish mob funerals New York had seen or would see in subsequent years, with thousands of Brooklyn people lining the route of the procession.  There were 38 cars to carry the flowers alone and 250 for the mourners, who saw his $15,000 silver casket lowered into the ground at the Holy Cross Cemetery.

The village of Longobucco nestles in a remote valley
near the Sila national park in Calabria

Travel tip:

Longobucco, where Yale was born, is a typical Calabrian village hidden away in a remote valley on the edge of the Sila national park. The valley forms a section of a pass through the Sila massif, which carries a road linking the provincial capital of Cosenza with the coastal towns on the southwestern shore of the Gulf of Taranto, the sea which fills the arch of Italy’s ‘boot’. The town was once a stronghold for brigands, who would ambush travellers, steal their valuables and sometimes kidnap travellers who looked well-heeled enough to command a ransom.

The Corso Telesio in the medieval heart of Cosenza

Travel tip:

According to the Lonely Planet travel guide, the Calabrian city of Cosenza “epitomises the unkempt charm of southern Italy”. Like many Italian cities, it has a modern part and a distinct historic part.  In Cosenza’s case, that history can be traced back to the third century, when there was a settlement called Consentia, the capital of the Brutti tribe. Over subsequent years, the area was captured the Visigoths, the Lombards, the Saracens, the Normans and the Spanish, who resisted the French in the early part of the 19^th century, before the Risorgimento and unification saw it become part of the new Italy.  At the heart of the medieval old city, with its network of steep, narrow streets, is a cathedral originally built in the 11^th century and modified many times subsequently.  Its 19^th century neo-Gothic façade changed its character but parts of the original structure have been retained.

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Johnny Dundee – world champion boxer

Sicilian changed his name to sound non-Italian

The boxer Johnny Dundee, who was a child when his family emigrated to the United States, was born in Sciacca, a town on the southwest coast of Sicily, on this day in 1893.

Johnny Dundee contested more than
330 professional bouts

Dundee, regarded by many boxing historians as the first of the great Italian-American fighters, had more than 330 fights in a 22-year career in the ring.

At the peak of his career, in the 1920s, Dundee won both the world featherweight and world junior-lightweight titles.

Dundee’s real name is thought to have been Giuseppe Curreri, although some boxing records have his second name as Carrora.  The large numbers of Italian immigrants arriving in New York at around the turn of the 20^th century, few of whom spoke any English, sometimes overwhelmed officers at the city’s processing station on Ellis Island and mistakes in recording details were common.

There are variations, too, in accounts of how old Giuseppe was when his family uprooted him from his childhood home, with some saying he was just five but others suggesting he was nine.

What seems not in dispute is that his family joined other Italian families in the Lower East Side of Manhattan, a tough area of overcrowded slums where gang warfare was rife and young men such as Giuseppe needed to learn quickly how to look after themselves.

It was as a street kid that Giuseppe was noticed by the boxing promoter Scotty Monteith, who would scour the working class neighbourhoods looking for potential fighters.  He noted that, though smaller and younger than many gang members, Giuseppe would rarely be on the losing side in a scrap.

A young Dundee pictured early in his career

He approached the youngster and asked if he would be interested in taking his fighting talent into the ring.  Naturally, given how little money his family had, he jumped at the chance – even though he was told at the outset he would have to change his name, at least when he was in the ring.

Racial stereotyping and prejudices were rife in New York at that time. Italians, particularly Sicilians, were regarded with suspicion, with many other ethnicities believing them to be dishonest and cowardly.

Most of the professional fighters were from Irish stock and Monteith knew he would find it hard to sell tickets to watch an Italian.  The story goes that he proposed he called himself ‘Johnny’ because it was a popular name in the Irish community and ‘Dundee’ because that was the Scottish town from which his own family originated.

The name change earned him a nickname – ‘the Scotch Wop’ – that would be unthinkable in today’s politically correct times.

As Dundee he won his first fight and went on to enjoy a career that brought him almost 200 wins, including 17 by knock-out, despite the general view that he lacked punching power.  He suffered only two knock-outs himself in his whole career.

Dundee was renowned for his quick
feet and skilful glovework

Apart from his quick feet and canniness in the ring, Dundee’s other great quality was his patience.  His first attempt at a world title, against the world featherweight champion Johnny Kilbane, came in his 87^th fight and ended in a draw.

He then had to wait eight more years, until fight number 265 in November 1921, for another opportunity.  This time, he was successful as opponent George ‘KO’ Chaney was disqualified, and Dundee was crowned world junior lightweight champion.

The following year the boxing board of New York recognised him as the world featherweight champion, when he beat Danny Frush by knockout.

Dundee successfully defended his junior lightweight crown three times in all and though he lost in to Jack Bernstein in 1923 he regained in a rematch with the same fighter later in the year.  Also in 1923, he unified the featherweight title by defeating Eugene Criqui.

Dundee lost both his titles in 1924 yet continued to box for another eight years before retiring in 1932 at the age of 38.  Only two professional fighters in history had contested more bouts and he is widely recognised as among the top five featherweights of all time.

Despite that, he fell on hard times in later life and was grateful for the generosity of his long-time supporter Ed Sullivan, the TV variety show host, whom he had befriended as a cub reporter and at whose wedding he was best man, in coming to his aid when he was almost destitute.

He died in New York in 1965 at the age of 71.

The view from Piazza Scandaliato in Sciacca

Travel tip:

The town of Sciacca, in the province of Agrigento on the southwest coast of Sicily, has a large fishing port and despite the presence of thermal baths is not a notable tourist destination, although it has a rich history going back to the seventh century BC, when the island was under Greek control. Its medieval centre has changed little over the years, with many streets and alleys too narrow for cars.  At the edge of the centre, the broad Piazza Scandaliato offers panoramic views across the harbour.

The well-preserved Temple of Concordia in Agrigento

Travel tip:

Around 62km (40 miles) along the coast southeast of Sciacca, the provincial capital Agrigento, a city of 55,000 inhabitants built on a plateau overlooking the sea, is regularly visited by tourists largely for the ruins of the Greek city Akragas, a UNESCO World Heritage Site generally known as the Valley of the Temples and, at 1,300 hectares, the largest archaeological site in the world.  Situated on a ridge rather than in a valley, the site features a series of temples, the most impressive of which is the Temple of Concordia, one of the largest and best preserved Doric temples in the world, with 13 rows of six columns, each 6m (20ft) high, still virtually intact.

Also on this day:

1877: The birth of Count Giuseppe Volpi, founder of the Venice Film Festival

1907: The birth of Luigi Baccali, Italy's first track gold medallist at the Olympics

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Frances Xavier Cabrini – the first American saint

Missionary who was directed to the US by the Pope

Saint Frances was encouraged by the Pope to go
to the United States to help Italian immigrants

Saint Frances Xavier Cabrini, who founded a religious institute to provide support for impoverished Italian immigrants in the United States, was born on this day in 1850 in Sant’Angelo Lodigiano, in Lombardy.

Frances did such good in her life that she become the first naturalised citizen of the United States to be canonised in 1946.

She had been born into a family of cherry tree farmers, the youngest of 13 children. She was two months premature and remained in delicate health all her life.

After her parents died she applied for admission to the Daughters of the Sacred Heart but was told she was too frail for the life.

She became the headmistress of an orphanage in Codogno, about 30km (19 miles) from her home town, where she drew in other women to live a religious life with her.

She took religious vows in 1877, adding Xavier to her name to honour Francis Xavier, the patron saint of missionary service.

Along with some of the other women who had taken religious vows, she founded the Missionary Sisters of the Sacred Heart of Jesus.

Frances went to seek Pope Leo X’s approval to establish missions in China but he suggested she went to the United States instead, to help the many Italian immigrants who were living in poverty.

The Missionary Sisters of the Sacred Heart of Jesus began
to organise themselves soon after Frances arrived in New York

She arrived in New York in 1889 along with six other sisters and despite encountering difficulties she founded an orphanage there, which is now known as Saint Cabrini Home.

She also founded Columbus Hospital and Italian Hospital, which were merged into the Cabrini Medical Center in the 1980s.

In Chicago, she opened Columbus Extension Hospital in the heart of the city’s Italian community. Her name lives on today in Chicago’s Cabrini Street.

In total she founded 67 institutions in the United States, South America and Europe and became a naturalised US citizen in 1909.

Frances died at the age of 67 at Columbus Hospital in Chicago in 1917 and was interred at Saint Cabrini Home in New York.

But her body was exhumed in 1931 as part of the canonisation process. Her head is now preserved in the chapel of the congregation’s international motherhouse in Rome.

An arm is at a shrine in Chicago and most of her body is at a shrine in New York.

Frances was beatified in 1938 by Pope Pius XI and canonised in 1946 by Pope Pius XII.

Her beatification miracle involved restoring the sight and healing the disfigurements of a one-day-old baby. The same baby attended her canonisation ceremony years later and went on to become a priest.

Her canonisation miracle involved the healing of a terminally ill member of her congregation.

Saint Frances Xavier Cabrini is now the patron saint of immigrants and there are shrines, churches and educational establishments dedicated to Saint Frances all over the United States.

The Piazza della Vittoria in Lodi

Travel tip:

Sant’Angelo Lodigiano, where Saint Frances was born, is a town in Lombardy in the province of Lodi. It is about 30 kilometres south east of Milan and about 12 kilometres south west of Lodi. Piazza della Vittoria, the main square in Lodi, features porticoes on all four sides and has been listed by the Italian Touring Club among the most beautiful squares in Italy.

Milan's Stazione Centrale was given the name Stazione
Francesca Cabrini in 2010

Travel tip:

Milan’s Central Station was renamed Stazione Francesca Cabrini in 2010 in memory of the patron saint of immigrants. The Vatican newspaper, L’Osservatore Romano, explained at the time that ‘stations where people pass through who are far from home, often alone and therefore extremely fragile and exposed to dangers, are difficult places, and above all, are points of arrival and departure for migratory groups.’ Milano Centrale is one of the main railway stations in Europe. Its cornerstone was laid by King Victor Emmanuel III in Piazza Duca d’Aosta in 1906. The architect, Ulisse Stacchini, won the contest to design the station in 1912.

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Anna Maria Alberghetti - singer and actress

Child prodigy who rejected Hollywood to become Broadway star

Anna Maria Alberghetti's good looks made
her attractive to movie studios

The actress and operatic singer Anna Maria Alberghetti was born on this day in 1936 in the Adriatic resort of Pesaro.

She moved with her family to the United States in her teens and became a Broadway star, winning a Tony Award in 1962 as best actress in a musical for her performance in Bob Merrill’s Carnival, directed by Gower Champion.

Alberghetti was a child prodigy with music in her blood. Her father was an accomplished musician, an opera singer and concert master of the Rome Opera Company, who also played the cello. Her mother was a pianist.

They influenced the direction in which her talent developed and by the age of six she was singing with symphony orchestras with her father as her vocal instructor.

After success touring Europe, Anna Maria was invited to perform in the United States and made her debut at Carnegie Hall in New York at the age of 14. Given the state of Italy after the Second World War, the idea of settling permanently in America became too attractive for the family to resist.

Alberghetti in an early publicity shot
for the MGM studios

At that time, Anna Maria’s focus was on a career as an opera singer but the American cinema industry was obsessed with European actresses and saw in her someone with the same qualities as her contemporary Anna MariaPierangeli, the beautiful actress from Sardinia who became better known as Pier Angeli.

Paramount was the studio that showed the most interest, foreseeing a bright future for her on screen.  She made her debut in the hypnotic Gian Carlo Menotti's chamber opera The Medium in 1951. It was an art-house movie that was well appreciated by the devotees of that genre but Paramount had bigger plans for their new discovery.

However, her talent was used strangely used. After an extended operatic solo in the Bing Crosby comedy Here Comes the Groom (1951), she played a Polish émigré befriended by a singer (played by Rosemary Clooney) who discovers the girl has musical talent of her own in The Stars Are Singing (1953).

But thereafter, her vocals were required less and less as Paramount pushed her towards mainstream parts, casting her in adventure stories and comedies. It was not a path she wanted to follow and after being cast in the Jerry Lewis farce Cinderfella (1960), in which all the songs were sung by Lewis and none by her, she became disillusioned and quit cinema to seek expression on the Broadway stage.

It was on Broadway that she found stardom, landing the part of Lili in the musical Carnival for which she received outstanding reviews. Her delightful and moving performance was rewarded with the Tony Award.

Alberghetti in the Broadway hit Carnival
which established her stardom

More success followed in the title role in Fanny (1963), Maria in West Side Story (1964), Marsinah in Kismet (1967) and Luisa in The Fantasticks (1968), to name just a few. 

Via the Ed Sullivan TV show, she became a familiar face – and voice - to millions of American households and appearances in other TV shows followed, as well as a recording career.

She often figured in the gossip pages of newspapers and magazines after romantic associations with a number of famous figures in the entertainment world, including the singer Vic Damone, the actors Bob Wagner  and Dick Contino and Count Alberto Mochiand, a 30-year-old Italian doctor who bought her a pearl and diamond engagement ring.

She was briefly engaged to the producer-composer Buddy Bregman but cancelled the wedding plans and began dating Claudio Guzman, the Chile-born television director, whom she married in September 1964. They had two children, Alexander, Pilar, but divorced in 1972.  

Travel tip:

Pesaro, in the Marche region on Italy's Adriatic coast, is a traditional seaside resort blessed with sandy beaches, particularly popular with Italians. Situated to the north of the region, it is around 40km (25 miles) south of the better known resort of Rimini and represents an interesting alternative, although with a population of 95,000 it is by no means a quiet backwater. A feature, too, is its many cycle paths, which earned Pesaro the nickname City of Bicycles.

Rossini's birthplace is now a museum

Travel tip:

The older part of Pesaro, inland from the grid of streets parallel with the shoreline where most of the hotels and holiday apartments are situated, has no shortage of history.  Look out for the Ducal Palace and Rocca Costanza, the palace and castle built by the Sforza family in the 15^th century and the 16^th century Villa Imperiale, built in the 16^th century for Duke Francesco Maria della Rovere and his wife.  The Piazza del Popolo is a pleasant main square where there is a regular market. The town’s most famous son, the opera composer Gioachino Rossini, is commemorated in many ways, in particular with the a museum at his birthplace in what is now Via Rossini and the Conservatorio Statale di Musica in Piazza Oliveri.

More reading:

Rossini's legacy to Pesaro

Pier Angeli - talented actress who died tragically young

How screen siren Virna Lisi turned her back on glamour roles

Also on this day:

1567: Composer Claudio Monteverdi baptised

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Anthony Martin Sinatra - father of Frank

Sicilian who became a professional boxer in New York

Anthony Sinatra had 30 fights as a professional boxer

Saverio Antonino Martino Sinatra, who at various times was a fireman, a professional boxer and the owner of a bar, was born on this day in 1894 in Lercara Friddi, a mining town in Sicily, about 70km (44 miles) south-east of the island’s capital, Palermo.

Usually known as Antonino, after emigrating to the United States he married Natalie Garaventa, a girl from near Genoa who lived in his neighbourhood in New York City.  They set up home in New Jersey and had a son, whom they christened Francis Albert, who would grow up to be better known as Frank Sinatra, one of the most popular entertainers of all time.

Lercara Friddi today is a town of between 7,000 and 8,000 inhabitants, which at the time of Antonino’s birth was an important centre for the mining of sulphur.  His father, Francesco, worked there as a shoemaker and married Rosa Saglimini. They had seven children, although two of them were believed to have died during an outbreak of cholera.

Early in Antonino’s life, Francesco decided to join the growing number of Sicilians who believed their prospects of escaping a life of poverty in their homeland were slim and after sailing to Naples boarded a ship bound for New York.

Hoboken, New Jersey, where Frank Sinatra was born

New York already had many shoemakers but Francesco found work in a pencil factory, sending money home so that his family could eventually join him.  After first sending her eldest children, Isidore and Salvatore, to make the journey unaccompanied, Rosa followed just before Christmas in 1903 with a then nine-year-old Antonino and his sisters, Angelina and Dorotea, on board the SS Città di Milano.

It was a tough life for the family at first but Lercara Freddi was at the heart of Sicily’s Mafia country. Not far away were the towns of Corleone and Prizzi, notorious Cosa Nostra strongholds. Francesco was happy he had left that world behind and life improved when they saved enough money for Rosa to open a small grocery store in Little Italy.

Antonino adopted the Americanised name of Anthony Martin Sinatra.  After reaching working age, he initially followed his father’s trade as a shoemaker.  Powerfully built, he was handy in a fight and developed a second income as a prize fighter. He might have fought under the name of 'Tony the Shoemaker',which was the nickname he had among friends, but he chose to fight as Marty O’Brien, passing himself off as Irish because Italians at the time were considered inferior athletes.

Frank Sinatra (right) began his career with The Hoboken Four

His earnings in the ring enabled him to give up his day job but his boxing career was abruptly curtailed when he broke his wrist after 30 professional fights. By then he had met Natalie, also known as ‘Dolly’, with whom he eloped to New Jersey after her family, proudly Ligurian, refused to countenance their daughter’s marriage to a semi-literate Sicilian boxer and disowned her.

They lived in Monroe Street, Hoboken, in a largely Italian neighbourhood, where Frank was born in 1915.  Anthony’s hopes of finding work as a merchant seaman were dashed because he suffered from asthma but, encouraged by Natalie, he applied to become a fireman and was taken on by the Hoboken Fire Department in 1927, eventually attaining the rank of captain.  

In time, Natalie followed the example of Anthony’s mother by opening a shop, supplementing the family’s income so that they could afford a bigger apartment. Eventually, her husband was able to retire from the fire service and open a bar, which he called ‘Marty O’Brien’s.’  

The church of Santa Maria della Neve in Lercara Friddi

Travel tip:

The name Lercara Friddi is thought to be derived in part from the Arabia ‘al kara’ meaning quarter, and the Sicilian dialect word ‘friddi’ meaning cold. The 18^th century church of San Giuseppe, the nearby church of Santa Maria della Neve and the church of San Alfonso are attractive buildings. Apart from the Sinatra family, the town was home to the anti-Fascist politician Andrea Aprile, a leading figure in the Sicilian independence movement in the 1940s, and of the Mafia gangster Lucky Luciano, who was controversially freed from prison in the United States in order to help the Allied invasion in 1943.

Lumarzo sits on a hillside in Liguria

Travel tip:

Frank Sinatra’s mother, Natalie, came from Rossi, a frazione of the village of Lumarzo in Liguria, about 15km (9 miles) inland, to the east of Genoa. Since 2008, the village has organised an event, entitled "Hello, Frank!", as a musical tribute from Ligurian artists and guests to the actor and singer, who in the course of his career sold more than 150 million records.

More reading:

Salvatore 'Lucky' Luciano - crime boss recruited by Allies in Second World War

Joe Petrosino - policeman from Campania who fought for the good name of Italians in New York

Vito Antuofermo - farmer's son who conquered world in the boxing ring

Also on this day:

1655: The birth of Bartolomeo Cristofori, inventor of the piano

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Antonio Meucci - inventor of the telephone

Engineer from Florence was 'true' father of communications

Antonio Meucci, the Florentine scientist
and engineer who lived in New York

Antonio Meucci, the Italian engineer who was acknowledged 113 years after his death to be the true inventor of the telephone, was born on this day in 1808 in Florence.

Until Vito Fossella, a Congressman from New York, asked the House of Representatives to recognise that the credit should have gone to Meucci, it was the Scottish-born scientist Alexander Graham Bell who was always seen as father of modern communications.

Yet Meucci’s invention was demonstrated in public 16 years before Bell took out a patent for his device. This was part of the evidence Fossella submitted to the House, which prompted a resolution in June, 2002, that the wealth and fame that Bell enjoyed were based on a falsehood.

It has even been suggested that Bell actually stole Meucci’s invention and developed it as his own while the Italian died in poverty, having been unable to afford the patent.

Meucci’s story began when he was born in the San Frediano area of Florence, which was then part of the Grand Duchy of Tuscany, the first of nine children fathered by a policeman, Amatis Meucci, and his wife, Domenica.  A plaque marks the address in Via dei Serragli where he grew up.

At the age of 15, Meucci gained a place at the Florence Academy of Fine Arts as its youngest student, studying chemical and mechanical engineering. He had to leave after two years because he needed to find work but continued to study part-time.

A plaque marks the house in Florence's Via dei Serragli,
where Antonio Meucci was born in 1808

He worked as a stage technician at the Teatro della Pergola in Florence, where he constructed a type of acoustic telephone to communicate between the stage and the theatre’s control room. He married costume designer Esterre Mochi, who worked at the same theatre, in 1834.

A year after they were married, Meucci and his wife emigrated to Cuba, largely because Meucci was fascinated by research being conducted in Havana into treating illnesses with electric shocks. In helping to further this research, he discovered by accident that sounds could travel by electrical impulses through copper wire.

Realising there was commercial potential in what he had stumbled upon, he moved to the United States in 1850, acquiring a house at Staten Island, near New York City, where he set up a workshop in the basement.  He had considerable savings from his time in Cuba, which he invested in a tallow candle factory.

His personal circumstances changed, however, when severe rheumatoid arthritis left his wife paralysed and in need of care.

A replica of the handsets Meucci created for his
prototype telephone, which he unveiled in 1860

In one respect, this provided an opportunity. He devised a system, using copper wire, whereby Esterre could communicate with him by a rudimentary telephone linking to his workshop.  

This consisted of two wooden cylinders, each containing an electromagnet and a soft iron membrane, which converted the vibrations made by voice soundwaves into electrical impulses that travelled along a length of connecting wire, which were in turn reproduced as the same sounds at the other end of the line.  With handles attached, the two components resembled hand bells.

It was this device that he demonstrated in public in 1860, attracting sufficient interest that New York's Italian-language newspaper carried the story.

But events conspired against Meucci.  He improved and developed his device but his candle factory went bankrupt, which meant he had no funds to invest. His limited English made it difficult for him to find American backers, while most of his Italian friends, including the unification hero Giuseppe Garibaldi, were not from moneyed backgrounds.

It did not help that he was badly burned in an accident aboard a steamship, which further impacted on his ability to earn money. Meanwhile, needing to pay for treatment for her illness, Esterre sold his prototype machines to a second-hand goods shop for $6.

Meucci quickly made another device but could not afford the $250 needed for a definitive patent. Instead, in 1871, he filed a patent caveat - one-year renewable notice of an impending patent. Three years later he could not even find the $10 for the patent caveat.

He sent a model and technical details to the American District Telegraph Company, a subsidiary of Western Union based in New York, but failed to generate much interest. When he asked for his materials to be returned, in 1874, he was told they had been lost.

Two years later Bell, said to have worked in the laboratory where Meucci’s notes, diagrams and prototype devices were stored, filed a patent for a telephone. He subsequently struck a lucrative deal with Western Union, which made him wealthy, and a celebrity.

Suspecting that Bell had hijacked his ideas, Meucci sued. He appeared close to winning when the Supreme Court agreed to hear the case and proceedings against the Scot to annul the patent were begun in January 1887.

However, by this stage Meucci was in failing health and he died in 1889 before the process could reach a conclusion, the legal action dying with him.

The church of San Frediano in Cestello in Florence

Travel tip:

The parish of San Frediano is the part of the Oltrarno section of Florence that forms the neighbourhood around the Chiesa di San Frediano in Cestello, a church dedicated to St Fridianus, an early Christian Irish pilgrim who became bishop of Lucca. He is said to have miraculously walked across the surface of the Arno river near where the church was built.  Work began on the church in 1460 and it was rebuilt between 1680 and 1689. Although rather plain on the outside, the church contains many fine frescoes and paintings by Florentine artists.

Florence hotels from Booking.com

Teatro della Pergola in central Florence

Travel tip:

Primarily a court theatre used by the Grand Dukes of Tuscany, it was only after 1718 that the Teatro della Pergola, in Via della Pergola, was opened to the public. A highly prestigious theatre in its heyday, it was at La Pergola that the great operas of Mozart were heard for the first time in Italy. Gaetano Donizetti's Parisina and Rosmonda d'Inghilterra, Giuseppe Verdi's Macbeth and Peitro Mascagni's I Rantzau all made their debuts at the theatre.  Today, the theatre presents primarily 250 drama performances, by authors ranging from Molière to Neil Simon. Opera productions are hosted only during the annual Maggio Musicale Fiorentino. The theatre is about 10 minutes' walk from the Duomo.

More reading:

How Marconi made the world's first radio communication

Alessandro Volta - creator of the first electrical battery

What Luigi Galvani did to add a new word to the language

Also on this day:

1920: The birth of Roberto Calvi, the man they called 'God's banker'

1928: The birth of racing driver Giannino Marzotto

(Picture credits: Meucci plaque and Teatro della Pergola by Sailko; prototype telephone courtesy of the Milan Museum of Science and Technology; San Frediano in Cestello by Amada44; all via Wikimedia Commons)

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Antonio Scotti - baritone

Neapolitan singer who played 35 seasons at the Met

Antonio Scotti in his most famous role as
Baron Scarpia in Puccini's Tosca

The operatic baritone Antonio Scotti, who performed at the Metropolitan Opera House in New York for a remarkable 35 consecutive seasons, was born on this day in 1866 in Naples.

Scotti's career coincided with those of many fine baritones and experts did not consider his voice to be among the richest. Yet what he lacked in timbre, he compensated for in musicality, acting ability and an instinctive grasp of dramatic timing.

Later in his career, he excelled in roles that emerged from the verismo movement in opera in the late 19th century, of which the composer Giacomo Puccini was a leading proponent, drawing on themes from real life and creating characters more identifiable with real people.

For a while, Scotti's portrayal of the chief of police Baron Scarpia in Puccini's Tosca, for example, was the yardstick against which all performances were measured, at least until Tito Gobbi's emergence in the 1930s.  Indeed, in 1924 the Met chose a gala presentation of Tosca as a fitting way for Scotti to mark the 25th anniversary of his debut there.

Scotti's parents in Naples were keen for him to enter the priesthood but he chose to pursue his ambitions in music. He received his first serious training at the Naples Conservatory under Esther Trifari-Paganini and Vincenzo Lombardi, who was the vocal coach employed by Enrico Caruso.

Most accounts of Scotti's career say he made his debut in Malta in 1889 in Giuseppe Verdi's Aida but some suggest he had already performed in public at the Circolo Filarmonico in Naples in Gaspare Spontini's La vestale.  What is agreed is that audiences and critics were impressed by the young baritone and he was soon being booked to appear elsewhere, not only in Italy but in Spain and Portugal, Russia and South America.

Teatro alla Scala in Milan, where Scotti made his debut
in 1898 in Richard Wagner's Der Meistersinger

His status as a singer destined for an illustrious career was confirmed when he made his debut at La Scala in Milan in 1898 in the role of Hans Sachs in Richard Wagner's Der Meistersinger, under the baton of Arturo Toscanini.

He performed at Covent Garden in London for the first time in 1899 as Don Giovanni in Mozart's opera of the same name, in which he also made his New York debut in the same year.  He would return to Covent Garden almost every year until the outbreak of war in 1914.

Scotti's association with Baron Scarpia in Tosca began in 1901, when he became the first artist to sing the role in America.  He would go on to perform the role a further 216 times, playing opposite 15 different Toscas, including the beautiful American soprano Geraldine Farrar, with whom he was said to be infatuated.

Farrar had an affair with Toscanini and was rumoured to be involved romantically also with Caruso, who became Scotti's close friend, their careers at the Met running parallel.  Scotti was Rigoletto to Caruso's Duke of Mantua when the latter made his debut at the house in Verdi's opera in 1903 and they would share the stage on many occasions.

A dapper Antonio Scotti pictured in New
York in 1915 at the height of his fame

By the time he retired, Scotti had clocked up more than 1,200 performances with the Metropolitan Opera House Company, either in New York or on tour.  Among his other notable roles, he was Puccini's Marcello in La bohème and Sharpless in Madame Butterfly, each on more than 100 occasions.

From 1919 he also toured with his own troupe of singers, under the name of the Scotti Opera Company, although the venture was not a financial success.

His final Met appearance came in January 1933, shortly before his 67th birthday, when he sang Chim-Fen in Franco Leoni's one-act opera L'Oracolo, a role he had premiered at Covent Garden in 1905 and which he played in New York several times.  Despite a voice that was by then beginning to fail, a dynamic performance was still hailed as a fitting send-off.

Scotti made a number of recordings, including several duets with Caruso, Farrar and with the Polish coloratura soprano, Marcella Sembrich, although he did not enjoy the commercial success that came the way of Caruso.

He returned to Naples, intending to enjoy retirement in the city of his birth, but had not been able to turn his years of celebrity in New York into financial security and after three years in reduced circumstances, relying on money he was sent occasionally by sympathetic friends and fans in the United States, he died in hospital in 1936 from arterial disease.

Travel tip:

Milan's famous opera house, Teatro alla Scala - popularly known as La Scala - came into being in 1778.  It was at first called the Nuovo Regio Ducale Teatro alla Scala, having been commissioned by the Empress Maria Theresa of the House of Hapsburg, of which the Duchy of Milan was at the time a part, as replacement for the Teatro Regio Ducale following a fire in 1776.  It was built on the site of the former church of Santa Maria alla Scala.  As with many theatres of the time, La Scala was also a casino, and opera-goers in the early days had to contend with the distraction of gambling activities taking place at the same time as the cast were performing on the stage.

The Naples Music Conservatory is next to the
Church of San Pietro a Majella 

Travel tip:

The Naples Music Conservatory occupies the former monastery adjoining the church of San Pietro a Majella at the western end of Via dei Tribunali, one of the three parallel streets running from east to west that mark the grid of the historic centre of the city, one of which - Via San Biagio dei Librai - is more commonly known as Spaccanapoli.  Formerly housed in the monastery of San Sebastiano, on the eastern side of Piazza Dante, the Conservatory moved to its present location in 1826.

More reading:

The brilliant career of the great tenor Enrico Caruso

Giacomo Puccini - the musical genius who took the baton from Verdi

How Tito Gobbi found fame on both stage and screen

Also on this day:

1348: Devastating earthquake hits Friuli Venezia Giulia

(Picture credit: Church of San Pietro a Majella by Armando Mancini; via Wikimedia Commons)

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