Gianfranco Zola – footballer

Brilliant forward voted Chelsea’s all-time greatest player

Gianfranco Zola scored 58 goals for Chelsea
in the Premier League

Gianfranco Zola, a sublimely talented footballer whose peak years were spent with Napoli, Parma and Chelsea, was born on this day in 1966 in the Sardinian town of Oliena.

Capped 35 times by the Italian national team, Zola scored more than 200 goals in his club career, the majority of them playing at the highest level, including 90 in Italy’s top flight – Serie A – and 58 in the English Premier League.

He specialised in the spectacular, most of his goals resulting from his brilliant execution of free kicks or his dazzling ball control.

Zola went on to be a manager after his playing career ended, although he has so far been unable to come anywhere near matching his achievements as a player.

He was probably at his absolute peak during the seven years he spent playing in England with Chelsea, whose fans named him as the club’s greatest player of all time in a poll conducted in 2003, shortly before he left to return to Sardinia.

However, it was probably the four years he spent with Napoli, his first Serie A club, that were his making as a player, after being spotted playing club football in Sardinia for Nuorese and Torres.

Zola was signed in 1989 and although his appearances at first were limited, he developed a close bond with the club’s Argentinian icon, Diego Maradona, often spending hours alongside him after normal training had finished, trying to emulate his skills, especially in taking free kicks.

He would later comment that he “learned everything from Diego.”

Zola was hugely popular with Chelsea's fans

Although he was essentially still a fringe player at that stage, Zola scored two goals as Napoli won Serie A in 1989-90, giving him his only league winner’s medal.

When Maradona left under a cloud, having been banned from playing for drug offences, Zola took his mantle, largely on the maestro’s recommendation, to which manager Claudio Ranieri responded by giving Zola the No 10 shirt worn by Maradona.

Napoli were not the force they had been without Maradona, yet Zola scored 12 goals in the 1991-92 season and another 12 in the 1992-93 campaign, in which he also made 12 assists, giving him the accolade alongside Fiorentina’s Francesco Baiano of providing the most assists over the Serie A season.

He scored 32 goals in 105 appearances for Napoli, whom he left in 1993 only because the club, in a difficult financial situation, began to sell off their best players to pay debts.

Transferred to Parma for 13 billion lire, Zola established himself as one of the best creative players in Italy alongside Roberto Baggio and Alessandro del Piero.  He scored 18 goals in his first season and 19 in his second campaign as the gialloblù just missed out on the Serie A title in a hard-fought battle with Juventus.

Favoured by manager Nevio Scala, he was less popular with Scala’s successor, Carlo Ancelotti, who could not accommodate Zola’s talents in his 4-4-2 system, leaving the player too often a frustrated figure on the bench, despite his record of 49 goals in 102 appearances.

News that Zola was unsettled began to circulate and in November 1996, Chelsea’s then-manager, Ruud Gullit, pulled off what would come to be regarded as one of the biggest transfer coups in Premier League history, signing Zola for £4.5 million.

He lit up the Premier League, helping Chelsea win the FA Cup twice, the League Cup, the Charity Shield, the UEFA Cup-Winners’ Cup and the UEFA Super Cup.  He helped them qualify for the UEFA Champions League twice as they finished third in the Premier League in 1999 and fourth in 2003, with Zola their leading goalscorer on each occasion.

Zola, pictured on the touchline as West Ham
manager, has not found success as a coach

His goals were often either big-match winners, such as in the 1996-97 FA Cup semi-final against Wimbledon or the 1997-98 Cup-Winners’ Cup final winner, when he scored within seconds of coming off the subs’ bench, or else works of art, none more celebrated than the mid-air backheel he executed to score from a corner in an FA Cup tie against Norwich in 2001-02.

Zola scored 16 times in what would be his final season at Stamford Bridge, having decided he would finish his career back in Sardinia with the island’s top club, Cagliari.  A week after he gave his word to Cagliari that he would be their player in 2003-04, Roman Abramovich completed his takeover of Chelsea.

The Russian billionaire was desperate to keep Zola at Stamford Bridge but the Italian told him he would not renege on his promise.  Rumour has it that Abramovich even considered buying the entire Cagliari club in order to transfer Zola back to Chelsea.

In the event, Zola kept his promise, helping Cagliari gain promotion to Serie A in his first season, before retiring at the end of the 2004-05 season, scoring twice against Juventus in his final match.

Capped 35 times by Italy, scoring 10 goals and playing in the 1994 World Cup finals in the United States, Zola then moved into coaching, at first as assistant to his friend and former Chelsea teammate Pierluigi Casiraghi in the Italy Under-21 set-up, then in club football.

However, his management career has so far been dismal compared with his playing career.  He has managed West Ham, Watford and Birmingham City in England, Cagliari in Italy and Al-Arabi in Qatar, but has been either sacked or obliged to resign from all five posts because of poor results.

Married to Franca, Zola has three children. His son, Andrea, has played for West Ham reserves and for Essex non-League club Grays Athletic.

A church and market in Oliena

Travel tip:

Oliena, a mountainous town notable for its multi-coloured rooftops, sits in the shadow of Monte Corrasi, towards the north of the island of Sardina, about 100km (62 miles) south of Olbia and 200km (124 miles) north of Cagliari. Probably founded in Roman times, it is famous now for beautiful silk embroidery and its red wine, Nepente di Oliena.

The waterfront at Cagliari

Travel tip:

Cagliari is Sardinia’s capital, an industrial centre and one of the largest ports in the Mediterranean. Yet it is also a city of considerable beauty and history, most poetically described by the novelist DH Lawrence when he visited in the 1920s. He set his eyes on the confusion of domes, palaces and ornamental facades which, he noted, seemed to be piled on top of one another as he approached from the sea. He compared it to Jerusalem, describing it as 'strange and rather wonderful, not a bit like Italy.’

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Giuseppe ‘Nuccio’ Bertone – car designer

The man behind the classic Alfa Romeo Giulietta Sprint

Nuccio Bertone (right), pictured with his
 father, Giovanni

Automobile designer Giuseppe Bertone, who built car bodies for Alfa Romeo, Fiat, Lamborghini, Ferrari and many other important names in the car industry, was born on this day in 1914 in Turin.

Nicknamed ‘Nuccio’ Bertone, he was regarded as the godfather of Italian car design. His career in the automobile industry spanned six decades.

His father Giovanni was a skilled metalworker who made body parts for cars in a workshop he founded two years before Giuseppe was born.

Giovanni had been born in 1884 into a poor farming family near the town of Mondovi, in southern Piedmont. He had moved to Turin in 1907 and became gripped by the automobile fever that swept the city.

It was under the direction of his son that the company – Carrozzeria Bertone – was transformed after the Second World War into an industrial enterprise, specialising at first in design but later in the manufacture of car bodies on a large scale.

An accountant by qualification, Nuccio joined his father's firm in 1933, although his passion at first was racing cars as a driver. He raced Fiats, OSCAs, Maseratis, and Ferraris.

Through the 1930s, much of the work done by Carrozzeria Bertone was still craft-based and the car bodies finished by hand, but Nuccio understood the need to turn to mass production if the company was to enjoy real success.

Bertone's Alfa Romeo Giulietta Sprint 

After he took control in the 1950s, his first designs were for the British company M.G., but his big break came in 1954, when he landed a contract to design and build 500 Alfa Romeo Giulietta Sprints. They were to be given away in a state raffle but generated such interest that, in the end, Bertone built more than 40,000, transforming the company from a small craft organisation into an industrial one.

He went on to produce numerous models for Fiat and Alfa Romeo and for Lamborghini, which were noted for their beautiful design and strong performance.

Bertone’s revolutionary Lamborghini Miura, unveiled at the 1966 Geneva Auto Show, had a centrally placed engine and a shark-like nose that became a common basic feature in many later designs. The Lamborghini Espada and the Countach, and the Fiat X 1/9, were characterised by sleek lines and grills that create an aura of menace. Bertone’s Ferrari Dino 308 GT4 is another sought out by collectors.

In 1971, Bertone received the Italian equivalent of a knighthood for his services to industry. The 1970s and '80s saw the company’s fortunes dip, but it bounced back by creating convertibles from family cars such as the Vauxhall and Opel Astras and Fiat Punto.

Bertone's revolutionary Lamborghini Miura

When Volvo launched a special series of limited-production two-door sports cars in the United States in 1991, they not only featured bodies designed and built by Bertone, they also bore his signature on a plaque on the dashboard.

Bertone, an avid sailor and skier, had a penchant for sharp tailoring and sunglasses. He was inducted into the Automotive Hall of Fame in 2006, nine years after his death in Turin at the age of 82.

In the years after his death, Bertone’s company ran into financial difficulties, eventually declaring bankruptcy in 2014. The name lives on after the licence was bought by a Milan company, Bertone Design, that designs trains, including the high-speed Frecciarossa 1000.

The Civic Tower in the centre of Grugliasco

Travel tip:

Grugliasco, where the Bertone Group was based before its collapse, is a town of some 38,000 residents in the metropolitan area of Turin about 9km (6 miles) west of the centre. The history of the town goes back to the 11^th century at least. The centre is dominated by the Civic Tower, originally built to aid the defence of the town, in time it became the bell tower for the adjoining church of San Cassiano.  The town’s patron saint is San Rocco, credited with delivering the population from an outbreak of plague in 1599. In more recent times, the town was victim to a massacre carried out by German soldiers, who killed up to 66 partisans and citizens in April 1945 in retaliation for a partisan attack on a Fascist division the previous day.

Travel tip:

Examples of Bertone’s designs can be viewed in the Centro Stile Bertone museum in Via Roma, Caprie, a small town about 35km (22 miles) west of Turin along Val di Susa, which was established by Nuccio’s widow, Lilli, who rescued most of the Bertone Collection when the Grugliasco plant was sold. It is now protected by the Ministry of Heritage and Culture as part of Italy’s artistic heritage. Viewing is by appointment (Tel: +39 011 9638 322).

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Alessandro Blasetti - film director

Reputation tarnished by links with Mussolini

Alessandro Blasetti was one of the first directors
to use the techniques of neorealism in his films

Alessandro Blasetti, the film director sometimes referred to as ‘the father of Italian cinema’ for the part he played in reviving the film industry in Italy in the late 1920s and 30s, was born on this day in 1900 in Rome.

In his directing style, Blasetti was seen as ahead of his time, even in his early days.  His films were often shot on location, used many non-professional actors and had the characteristics of the neorealism that would make Italian cinema famous in the post-War years.

Yet he will forever be seen by some critics as an apologist for Fascism, a charge which stems mainly from his support for at least part of the ideology of Benito Mussolini, which led to a number of his films being interpreted as Fascist propaganda, although the evidence in some cases was rather thin.

The son of an oboe professor at Rome’s Accademia Nazionale di Santa Cecilia, Blasetti graduated in law from the Sapienza University of Rome.   Married in 1923, his first job was as a bank clerk but after a year he began to work as a journalist and wrote the first film column to appear in an Italian national newspaper.

He used his position to campaign for a revival of film production in Italy, which at that time had largely ground to a halt, despite Rome having been a major hub of the silent movie industry before the First World War.

Adriana Benetti and Gino Cervi in a scene from
Blasetti's 1942 film Quattro pasi fra le nuvole 

Blasetti helped begin the resurgence with his first movie, Sole – Sun – in 1929, with a storyline set against the real-life draining of the Pontine Marshes, south of Rome, a project organised by Mussolini.

Mussolini applauded the end result, declaring it to be ‘the dawn of the Fascist film’. Financed through a co-operative, it was not a commercial success yet it was significant in that Mussolini saw film as a way of spreading his message and would later invest much state funding in the Italian film industry.

Blasetti’s early neorealism was clear in 1860, a film made in 1934 about Garibaldi’s campaign to unite Italy as seen through the eyes of two peasants, again with much location filming and imbued with the same kind of visual starkness that would be associated with Luchino Visconti, Roberto Rossellini, Vittorio De Sica and others in the post-War years.

It can be argued that several of Blasetti’s 1930s films are critical of the Fascist regimes. Vecchio guardia - The Old Guard - recounts Mussolini’s 1922 March on Rome, which led to his ascension to power. Ironically, it was criticised by some in the Fascist government for having too few scenes of public enthusiasm for Il Duce.

Blasetti pictured in 1965

Blasetti, however, did not discourage Mussolini’s interest in his work and took every opportunity to lobby for state funding and support. One outcome was the construction of the large, state-of-the-art Cinecittà studios in Rome, which would give Italian filmmakers the resources to make a real impact.

A marked shift to neorealism came with Quattro pasi fra le nuvole – Four Steps in the Clouds – his 1942 story of a married salesman who agrees to save the honour of a pregnant girl he meets on a train by presenting himself to her family as her husband.

As well as his films, Blasetti’s notable contribution to Italian cinema was as founder of the school that was to become the Centro Sperimentale, Rome’s noted film study centre archive.  He died in Rome in 1987.

Coastal lakes or lagoons typify the Pontine Marshes

Travel tip:

The Pontine Marshes is a reclaimed area of land south of Rome, bordered roughly by the Alban Hills, the Lepini Mountains, and the Tyrrhenian Sea.  It was a marshy and malarial area that several emperors and popes tried unsuccessfully to drain and until the early part of the 20^th century it was inhabited by just a handful of shepherds. However, in 1928 the Fascist government drained the marshes, cleared the vegetation and built new towns, notably Littoria (now Latina) in 1932, Sabaudia in 1934, Pontinis in 1935, Aprilia in 1937, and Pomezia in 1939. By the Second World War the only untouched area was the Monte Circeo National Park. The area is now the most productive agricultural region in in Italy.

Travel tip:

The Centro sperimentale di cinematografia – the Italian national film school - was established in 1935. The oldest film school in Western Europe, it is still financed by the Italian government. It is located near Cinecittà, about 10km (6 miles) south-east of the centre of Rome along Via Tuscolana.

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Pierre Cardin - fashion designer

Star of Parisian haute couture was born in Italy

Pierre Cardin, pictured in 2009

Pierre Cardin, who has been described as the last survivor of the heyday of Parisian haute couture in the 50s and 60s, was born on this day in 1922 in the province of Treviso, north of Venice.

There are differing versions of the story of Cardin’s Italian origins.

One says that his parents were French but had a holiday home in Italy and that he was born in the village of Sant’ Andrea di Barbarana, on the Piave river, where his parents had a house.

Another says that his father was Italian, a labourer, that he was born in another small town in the province, San Biagio di Callalta and that he was the last of 11 children. This version suggests his father was in his 60s when Pierre – christened Pietro – was born.

What is agreed is that the family left Italy for France in 1924, possibly because of his father’s unease at the rise of Mussolini and his opposition to Fascism.

They settled in the industrial city of Saint-Etienne, where Pierre began his career in the clothing industry in 1936 when he was taken on as a tailor’s apprentice.

He moved to Vichy in 1939 and worked during the Second World War for the Red Cross before relocating to Paris in 1945, determined to make his name in the fashion world.

The trademark Pierre Cardin
bubble dress of the 1950s

At first, he worked with the Italian designer Elsa Schiaparelli and designed costumes for the film director Jean Cocteau. before joining Christian Dior.  His talent shone through from an early stage and in 1950 he started his own fashion house.

The first Pierre Cardin dresses were unveiled at a lavish masquerade ball in 1953 – dubbed ‘the party of the century’ – in a palace on the Grand Canal in Venice.

Cardin’s first boutique, Eve, opened in Paris in 1954, the same year that his so-called ‘bubble dress’ – a loose-fitting dress tightened near the waistline and brought in at the hem to create a ‘bubble’ effect – brought him international success.

He became known for his avant-garde designs, inspired often by things he had seen in travelling around the world.  His clothes for a while showed a Japanese influence after he had visited Tokyo in 1957 to open Japan’s first high fashion store.

Later, after he had visited NASA headquarters in Washington, his designs began to have a futuristic space-age look.

Cardin was one of the first designers to realise the potential of ready-to-wear as haute couture began to decline in the 1960s. Indeed, he was expelled from the snooty Chambre Syndicale – the guardian of fashion standards – for launching a ready-to-wear line in the department store Printemps, although he was quickly reinstated.

He was also a pioneer of the designer label culture, launching a collection during the late 1960s that was the first to include the designer’s logo stitched on each garment.  He became something of an iconic figure of the Swinging Sixties era, designing clothes for both The Beatles – the collarless jackets were his idea – and The Rolling Stones.

The Pierre Cardin logo is known the world over

In 1971 he turned a former theatre in Paris into Espace Cardin, where he would not only show his clothes but would also promote rising artistic talents – in music and theatre – by offering them the chance to perform on his stage.

In time, much to the disapproval of some of his contemporaries in the Paris fashion world, the Pierre Cardin name began to appear on all manner of products – from baseball caps to cars – as the company sought to exploit the brand.  Some critics condemned him for ‘cheapening’ the company’s image; others applauded his entrepreneurialism.

The company bought Maxim’s in Paris in 1981 and from it developed a worldwide chain of exclusive restaurants and hotels.

In 2011, the business was valued at around $1 billion. Cardin’s proud boast was that he built the business from scratch, without ever having to borrow money.

Cardin, now in his 90s and, until recently, still designing clothes personally in his studio, owns among other homes a castle at Lacoste, Vaucluse once owned by the Marquis de Sade and a palazzo in Venice that he claims once belonged to Giacomo Casanova, although history shows that its historical owner was Giovanni Bragadin di San Cassian, Bishop of Verona and Patriarch of Venice.

The Ca' d'Oro is one of the most famous palaces
on the Grand Canal in Venice

Travel tip:

The buildings that line the Grand Canal in Venice, of which there are about 170, were mostly built between the 13th and the 18th century, when noble Venetian families wanted to show off their wealth in suitable palaces. Among the most famous are the Palazzo Barbaro, Ca' Rezzonico, Ca' d'Oro, Palazzo Dario, Ca' Foscari, Palazzo Barbarigo and the Palazzo Venier dei Leoni, which today houses the Peggy Guggenheim Collection.

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Gino Meneghetti - career burglar

Pisa-born criminal became legend in Brazil

Brazilian police mugshots of Meneghetti in two of
the many disguises he used while on the run

Gino Amleto Meneghetti, a small-time thief in Italy who became a romanticised figure for his criminal exploits after emigrating to Brazil, was born on this day in 1878 in Pisa.

His early days were spent in a fishing village outside Pisa, but his father could find only low-paid work and moved the family to a different neighbourhood so he could take a job in a ceramics factory.

It was there that Gino fell in with a gang of boys who regularly engaged in petty crime, stealing fruit or chickens or other objects of minimal worth.  The young Meneghetti was arrested for the first time at 11 years of age.

After teenage years spent largely thieving, he made an attempt to change his life, going back to the classroom to learn to be a mechanic and a locksmith.  He found work and saved money, but then decided to move to Marseilles in France to live with an uncle, who owned a restaurant.  

It was not a wise move. Like most large commercial ports, there was a seamier side to Marseilles and Meneghetti again fell into bad company.  His next arrest was for a more serious offence - illegal possession of weapons.  Found guilty, he spent some time in prison before being deported to Italy.

To avoid compulsory military service, Meneghetti feigned madness, an act so convincing he spent the next five years in various asylums.  After eventually returning to normal society, he decided to emigrate to Brazil in 1913, knowing there were relatives in São Paulo who would put him up.

Meneghetti's hiding place in São Paulo

Briefly, Meneghetti worked as a bricklayer. He also met and married the daughter, Concetta, of the owner of a restaurant he used to frequent, but it was not long before he was tempted to put the Brazilian police to the test.  He broke into a gun store and stole many weapons, planning to sell them on the black market.

In the event, he was caught quickly, sent to trial and, in 1914, sentenced to eight years in jail, with hard labour. But far from being the end of his criminal career his subsequent escape marked the beginning of the Meneghetti legend.

Consigned to solitary confinement in a disused well, he managed to find a way out via a manhole, forced open the heavy iron cover and found himself emerging in a city street. He ran away and was able to find a hiding place far from the prison before it was noticed he had even gone.

For the next few years, he lived a life on the run, assuming many identities and disguises, moving from city to city to stay ahead of the police.  After stealing some jewellery in the city of Juiz de Fora he was caught in Rio de Janeiro but, falling back on his earlier ploy of pretending to be insane, he was confined to a hospital, from which he easily escaped.

He made his way back to São Paulo, making his home in the district of Bixiga, an Italian community, with his wife and two children. Soon a series of high-profile burglaries, always committed at the homes of wealthy individuals in the swankiest part of the city, became a big story, with the newspapers convinced they were the work of the mysterious Meneghetti.

Each robbery brought new headlines and the press began to portray Meneghetti as almost an heroic figure – “the good thief” – because he targeted only the wealthy and because he broke in to homes only when they were empty and therefore no one was ever hurt.

But the pressure on the police to capture him only intensified. Eventually, in April 1926, they pinpointed his home in Bixiga and arrived to search the premises, where a stash of jewellery and weapons was found, only for Meneghetti to give them the slip.  They arrested Concetta and put his children into care.

The stash of equipment used by Meneghetti that was
discovered by police after he was arrested 

He taunted police via a series of letters to the newspapers after they failed to find his new hiding place, in an apartment only a few minutes from the centre of São Paulo.  Eventually, they set a trap for him, luring him to an address where he was tricked into believing he would be able to see his children.

Instead, once he was inside, the police laid siege to the building in the biggest operation the city had scene.  Even so, it was only after he had spent a whole afternoon and evening jumping from rooftop to rooftop, that he was eventually caught. According to witnesses, at point he was seen on a roof, shouting to police: “I am Meneghetti, Caesar, the Nero of São Paulo.”

This time his jail sentence was 43 years.  Meneghetti was blamed for the death of a senior police commander, who failed to recover from a gunshot would suffered during the siege, although the bullet that killed him did not match any of the weapons in Meneghetti’s possession.

He was released after 19 years, yet was unrepentant, continuing to break into houses.  Extraordinarily, he had passed his 90^th birthday when, arrested again after climbing on to the roof of a house, he finally told a court he was calling it a day. Charges were dropped and he was released.

Meneghetti died in 1976, aged almost 98. His life story has been the subject of numerous books and a documentary film.

Marina di Pisa from the air

Travel tip:

As well as the city with its famous Leaning Tower, the Pisa area can also offer tourists the attraction of Marina di Pisa, a seaside town located 12km (7 miles) from Pisa that began to develop in the early 17^th century when Ferdinando I de’ Medici, Grand Duke of Tuscany, decided to move the mouth of the Arno river in a bid to reduce the effect of silting up, which he believed caused flooding in Pisa. On the left bank, a new customs building was erected and fishermen began to build houses around this structure. The official foundation of the town was in 1872. In June1892 a steam railway line from Pisa to the Marina was opened, contributing to its rapid growth as a tourist destination, which saw the opening of restaurants, hotels and beach resorts and the construction of many beautiful Art Nouveau and neo-medieval villas. Many celebrities chose to buy a house there, including Gabriele D’Annunzio, the writer, poet and journalist.

Piazza dei Cavalieri in Pisa's medieval centre

Travel tip:

Although it was the world-famous Leaning Tower that undoubtedly put Pisa on the map, the city has much more to offer. The city centre has a wealth of well-preserved Romanesque buildings, Gothic churches and Renaissance piazzas and has a lively charm enhanced by the city’s reputation as a centre of education. The University of Pisa, founded in 1343, now has elite status, rivalling Rome’s Sapienza University as the best in Italy, and a student population of around 50,000 makes for a vibrant cafe and bar scene.

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Allegra Versace – heiress

‘Favourite niece’ who inherited Gianni fortune

Allegra Versace at a show in Milan
with her mother, Donatella

The heiress Allegra Versace, owner of half the Versace fashion empire, was born on this day in 1986 in Milan.

The daughter of Donatella Versace, the company’s chief designer and vice-president, she was the favourite niece of Gianni Versace, who founded the fashion house in 1978.

When Gianni was shot dead outside his mansion in Miami in July 1997, Allegra was just 11 years old but could look forward to becoming immensely rich after it was announced that her uncle had willed his share of the business, amounting to 50 per cent, when she reached her 18^th birthday.

By the most recent valuation of the Versace group, this means Allegra – now 30 – has a personal fortune worth $800 million. The remainder of the empire is owned by her mother, who has 20 per cent, and Gianni’s older brother, Santo Versace, who has 30 per cent.

Yet the promise of wealth and privilege did not bring her happiness as a young woman.  The daughter of Paul Beck, a former Versace model to whom Donatella was briefly married, Allegra enjoyed a contented childhood in which she read books and played the piano given to her as a gift by Sir Elton John, a family friend, but her world was shattered when her uncle was killed.

A regular visitor to his home in Miami, she reportedly found out about his death watching a television news bulletin before her mother had a chance to break the news to her.  She is said to have been inconsolable at the funeral and though her mother sought counselling for her it did not stop Allegra sliding towards depression.

Donatella Versace 

By the time she reached adulthood and the riches she had been promised became real, she had become almost reclusive, rejecting the family name and, after studying French and art history at the University of California in Los Angeles, attempting to live in anonymity in New York, where she worked as a theatre dresser.

She developed anorexia nervosa, telling friends that she wished she were not a Versace, that she wanted to be no one, but that she could not escape.

It took until 2011 for Donatella to persuade her daughter to return to Italy and take up the role her uncle wanted her to fulfil, as a Versace director, although she still shuns the spotlight and has spent time working with a designer friend from outside the company, helping to organise shows and publicity without ever taking centre stage herself.

The Villa Fontanelle on Lake Como

Travel tip:

Gianni Versace’s homes included the Villa Le Fontanelle, a stunning waterfront property on Lake Como, where Allegra often visited him while he was in Italy. The grounds were designed by the art historian and landscape architect Sir Roy Strong and inside were a collection of 18th century paintings, red marble baths and a crystal chandelier that once hung in the Russian imperial palace in St Petersburg.  As well as 50 per cent of the company, the house was bequeathed to Allegra in Gianni’s will.

Travel tip:

The headquarters of the Versace empire in Milan is the Palazzo Versace in Via Gesù, which adjoins the five-star Four Seasons Hotel and stretches from the main entrance at No 10 towards Via della Spiga.  Via Gesù is off Via Montenapoleone, which is generally recognised as the centre of the Italian high fashion district of Milan, with virtually every top name having a presence there.  The Versace shop is at No 11.

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Oriana Fallaci - journalist

Writer known for exhaustively probing interviews

Oriana Fallaci interviewed politicians and
leaders from around the world 

Oriana Fallaci, who was at different times in her career one of Italy’s most respected journalists and also one of the most controversial, was born in Florence on this day in 1929.

As a foreign correspondent, often reporting from the world’s most hazardous regions in times of war and revolution, Fallaci interviewed most of the key figures on both sides of conflicts.

Many of these were assembled in her book Interview with History, in which she published accounts of lengthy conversations, often lasting six or seven hours, with such personalities as Indira Gandhi, Golda Meir, Yasser Arafat, Zulfikar Ali Bhutto, Willy Brandt, Shah of Iran Mohammad Reza Pahlavi, Henry Kissinger and the presidents of both South and North Vietnam during the Vietnam War.

Others she interviewed included Deng Xiaoping, Lech Wałęsa, Muammar Gaddafi and the Ayatollah Khomeini.

She seldom held back from asking the most penetrating and awkward questions. Henry Kissinger, the diplomat and former US Secretary of State, later described his meeting with Fallaci for a piece published in Playboy magazine as "the single most disastrous conversation I have ever had with any member of the press".

During her interview with Ayatollah Khomeini in 1979 she called him a “tyrant" to his face and attacked the chador – the full-length cloak she was obliged to wear for the interview – as representing “the apartheid Iranian women have been forced into after the revolution” and described it as “a stupid, medieval rag”.

Henry Kissinger described his encounter
with Fallaci as "disastrous"

Fallaci’s stance on many political issues related to her background. Her father, Edoardo Fallaci, a cabinet maker in Florence, was a political activist opposed to the dictatorship of Italian Fascist leader Benito Mussolini. Despite her youth – she was only 10 when the conflict began – she supported her father’s cause during the Second World War by joining the anti-Fascist resistance movement, Giustizia e Libertà.

One of the tasks assigned to her was to smuggle a gun concealed in a basket of food into the Pitti Palace, where the Jewish writer Carlo Levi, author of the 1945 book Christ Stopped at Eboli, was in hiding.

She later wrote: “Whether it comes from a despotic sovereign or an elected president, from a murderous general or a beloved leader, I see power as an inhuman and hateful phenomenon ... I have always looked on disobedience toward the oppressive as the only way to use the miracle of having been born.”

As well as a child fighter against the Fascists, Fallaci also displayed precocious talent as a journalist, becoming a special correspondent for the Italian paper Il mattino dell'Italia centrale in 1946, when she was just 16.

Her work as a war correspondent began in earnest 20 years later.  Beginning in 1967, she worked as a war correspondent for a number of newspapers and magazines, covering Vietnam, the Indo-Pakistani War, the Middle East, and South America.  During the 1968 massacre of students at Tiatelolco in Mexico, she herself was shot three times.

Fellaci in the chador she was told to
wear to interview Ayatollah Khomeini

Fallaci won many awards for her work and was also honoured by the Italian state, the city of Milan and the Council of Tuscany, where she kept a home even while living mostly in New York, for her contribution to Italian culture.

Later in her career, she attracted controversy for her writings on Islamic fundamentalism, which she regarded as a threat which was the equal of Fascism in her youth.  She accused European politicians of not taking the threat seriously.

Two books, The Rage and the Pride and The Force of Reason, sold more than a million copies in Italy alone but Fallaci was criticised for using language that was extreme and for appearing to demonise Muslims in general, although a number of legal actions against her failed because the state ruled that she was protected by freedom of speech laws.

Fallaci died in Florence aged 77 in 2006, having suffered from lung cancer.  Although a smoker all her life, she claimed she developed the disease after being exposed to smoke from oil wells torched on the orders of Saddam Hussein while she was reporting from Kuwait in 1991.

She was buried at the Cimitero Evangelico agli Allori in Florence alongside family members and close to a memorial to Alexandros Panagoulis, a former Greek resistance fighter with whom she formed a relationship in the 1970s but who was killed in a mysterious road accident, which Fallaci claimed was an assassination by remnants of the 1960s Greek military junta.

Fallaci's tomb at the Cimitero
Evangelico degli Allori

Travel tip:

The Cimitero Evangelico agli Allori is situated between Florence and Galluzzo Certosa, a town about five kilometres outside the city centre. It was in 1860 when the non-Catholic communities of Florence could no longer bury their dead in the English Cemetery in Piazzale Donatello. Apart from Fellaci, it houses the remains of the British writer and aesthete Sir Harold Acton, the American sculptor Thomas Ball and Alice Keppel, the mistress of the British monarch King Edward VII.

Travel tip:

Florence’s Palazzo Pitti – the Pitti Palace – was originally built in the second half of the 15th century by Filippo Brunelleschi for Luca Pitti, but was unfinished at his death in 1472. The building was purchased in 1550 by Eleonora da Toledo, the wife of the Grand Duke Cosimo I de' Medici, and became the official residence of the family. It was expanded in 1560 by Bartolomeo Ammannati. More work was carried out in the 17th century by Giulio and Alfonso Parigi, giving the building its present day look.

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