Graziella Sciutti - operatic soprano

Vivacious performer who became a successful director

Graziella Sciutti became an opera star in the 1950s

The operatic soprano Graziella Sciutti, a singer known for a vivacious stage presence and engaging personality who excelled in the work of Mozart, Puccini and Verdi, was born on this day in 1927 in Turin.

The daughter of an organist and pianist, she grew up in a bilingual household, speaking both Italian and her mother’s native tongue, French. Her early childhood was spent in Geneva in Switzerland before the family moved to Rome, so that she could attend the Accademia di Santa Cecilia, which is one of the world’s oldest and most prestigious musical institutions.

Sciutti wanted to play the piano like her father but it became clear she had a notable voice and she caught the eye as a soloist when she was still a student.

She was asked at the last moment to appear in a performance of Bach’s St Matthew Passion, conducted by Herbert von Karajan, the up-and-coming Austrian who would become one of the greatest conductors in the world.  It was a daunting prospect, forced on her at short notice after another singer became ill, but she rose to the challenge and won accolades as a result. 

It led her to be spotted by Gabriel Dussurget, founder and leading light of the Festival at Aix-en-Provence Festival, who had enough confidence in his new discovery to cast her in 1951 in the one-woman opera, Menotti's The Telephone, a role regarded as a test for a young, immature singer.

Sciutti's vivacious character made her
a popular performer in Italy and beyond

Her ambition at that stage was to be a concert singer and she was unsure at first whether she could master the dramatics of opera, yet she was to return to Aix many times. It was there, in fact, that she began to acquire her association with the heroines of Mozart, singing Susanna in Le Nozze di Figaro (The Marriage of Figaro), Despina in Così Fan Tutte and Zerlina in Don Giovanni with distinction.  

In 1954, she made her debut at the Glyndebourne Festival in England, playing Rosina in Rossini's Il Barbiere di Siviglia (The Barber of Seville). In subsequent years she enchanted audiences as Nannetta in Verdi's Falstaff and again visited the Mozart roles of Susanna and Despina.

Sciutti undertook the role of Carolina in Cimarosa's Il Matrimonio Segreto (The Secret Marriage) in the inaugural performances of the Piccola Scala, the small theatre in Milan that adjoined the famous Teatro allaScala, in 1955.  At one stage she was nicknamed ‘the Callas of the Piccola Scala’.

Some critics felt her voice to be too thin for her to be seen as one of the great sopranos but she had the technique to project to all corners of the theatre and, for all her early doubts, she had the acting skills to make up for any shortcomings in her voice. Pretty and petite in comparison with many singers, the innocence, perkiness and coquetry demanded of many of her roles seemed to come naturally.

Her debut at the Royal Opera House at Covent Garden followed in 1956. In 1961 she appeared on stage in America for the first time at the San Francisco Opera, going on to make her debut at the Metropolitan Opera in New York soon afterwards.

Sciutti excelled in the arias of Mozart, Bellini and others

At the Vienna State Opera she sang many of her best roles, including Nannetta in a staging of Falstaff conducted by Leonard Bernstein and directed by Luchino Visconti.

Sciutti was a regular at the Salzburg Festival for 20 years, her Mozart interpretations always in demand. Her final appearance there came in 1972 as Norina in Donizetti's Don Pasquale, conducted by Riccardo Muti.

Her voice proved enduring enough to appear at Glyndebourne even at the age of 50 as Elle in Poulenc's La Voix Humaine. This was a production she also directed, paving the way for a new career.

She directed Figaro and L'Elisir d'Amore for Canadian Opera and in 1983 her production of Puccini’s La Bohème at the Juilliard School won praise.  A year later she directed at the Met for the first time. Her 1995 staging of La Bohème at the New York City Opera won her an Emmy Award after it was broadcast on live television.

Always eager to pass on her knowledge to opera students and would-be performers, she taught at both the Royal College of Music in London and the Lyric Centre in Chicago.

She married an American singer, Robert Wahoske, in 1955, but they divorced in 1960.  She died in Geneva in 2001, a few days before what would have been her 74^th birthday, and was survived by her daughter, Susanna.

The historic headquarters of the Accademia
was in central Rome, near Piazza di Spagna

Travel tip:

Rome’s Accademia Nazionale di Santa Cecilia is one of the oldest musical institutions in the world, founded by a papal bull (public decree) issued by Pope Sixtus V in 1585. Saint Cecilia is the patron saint of music. Its historical headquarters was in Via Vittoria, not far from Piazza di Spagna, but since 2003 it has been headquartered in Viale Pietro de Coubertin at the Renzo Piano-designed Parco della Musica in Rome. It has had a permanent symphony orchestra and choir since 1895. Alumni include Beniamino Gigli, Sergei Rachmaninoff, Ennio Morricone and Cecilia Bartoli.

An audience at the Piccola Scala in 1978

Travel tip:

The Piccola Scala, next to Teatro alla Scala, the opera house in Milan considered to be one of the world’s great opera venues, was opened in 1955 as a theatre dedicated to ancient works that were suited to a fairly intimate setting.  It had room for no more than 600 people. As well as Cimarosa's Matrimonio Segreto, early productions included works by Handel and Monteverdi. Later it staged operas by contemporary composers, including Nino Rota, who was better known for his film music but actually wrote the score for 11 operas.  Sadly, the theatre closed in 1985 after the capacity was reduced to 350 because of new regulations, too small to make it economically viable.

More reading:

How mezzo-soprano Cecilia Bartoli has helped revive lesser-known composers

Giacomo Puccini - musical genius who assumed Verdi's mantle as Italy's greatest

Maestro Muti shows no signs of slowing down

Also on this day:

1598: The birth of astronomer Giovanni Riccioli

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Bernardo Bertolucci - film director

Caused outrage with Last Tango in Paris

Bernardo Bertolucci

The controversial film maker Bernardo Bertolucci was born on this day in 1940 in Parma.

Bertolucci won an Oscar for best director as The Last Emperor picked up an impressive nine Academy Awards in 1988 but tends to be remembered more for the furore that surrounded his 1972 movie Last Tango in Paris.

Last Tango in Paris, starring Marlon Brando and Maria Schneider, caused outrage for its portrayal of sexual violence and emotional turmoil and was banned in Italy.

Although the storm died down over time, it blew up again in 2007 when Schneider, who was only 19 when the film was shot, claimed she felt violated after one particularly graphic scene because she had not been told everything that would happen.  Schneider died from cancer in 2011.

The controversy has overshadowed what has otherwise been an outstanding career, his movies placing him in the company of Federico Fellini, Michelangelo Antonioni, Luchino Visconti and Franco Zeffirelli among the greatest Italian directors of all time.

As a young man, Bertolucci wanted to become a poet, inspired by his father, Attilio Bertolucci, who was a poet as well as an art historian.

He moved to Rome to study modern literature at Sapienza University yet it was his father's part-time occupation as a film critic that was to shape his career.

Marlon Brando in a scene from Last Tango in Paris

He had helped Pier Paolo Pasolini find a publisher for his first novel and Pasolini in turn took on Bernardo as his first assistant when he began his film directing career with Accattone in 1961.  It was not long afterwards that Bertolucci quit university and at the age of 22, in 1962, he directed his first movie, La commare secca, with a screenplay by Pasolini and produced by Tonino Cervi.

Last Tango came 10 years later, by which time Bertolucci was beginning to acquire a reputation as a director of talent, having attracted particular acclaim for his 1970 film, The Conformist, based on a novel by Alberto Moravia.

It was Last Tango that thrust him into the spotlight, however.  Though there was an Oscar nomination, it was overshadowed by the backlash of moral outrage.  The Italian authorities, as well as ordering initially that all copies of the film should be destroyed - an appeal court later allowed three to be saved - launched a prosecution for obscenity against Bertolucci, who was given a four-month suspended jail sentence and a five-year revoking of his civil rights.

Nonetheless, his career moved to another level.  He made his comeback in 1976 with 1900, an epic that ran to five hours and 17 minutes in its uncut version, telling the story of two men from different ends of the social spectrum in Bertolucci's native Emilia-Romagna, set against the background of political turmoil in Italy in the first half of the 20th century.  Boasting a cast that include Robert De Niro, Gérard Depardieu, Donald Sutherland and Burt Lancaster, 1900 was hailed as a masterpiece.

A publicity poster for Bertolucci's
acclaimed 1976 epic tale, 1900

More success followed with La Luna and Tragedy of a Ridiculous Man before The Last Emperor, his British-Italian biographical film about Puyi, the last emperor of China before the People's Republic of China imposed communist rule.  The first western feature film for which the producers were authorized to film in the Forbidden City in Beijing, it won nine Academy Awards, including best picture and Bertolucci's best director.   The Last Emperor marked the beginning of his working relationship with the British producer, Jeremy Thomas.

Although hampered by serious back problems that now mean he is increasingly wheelchair-bound, Bertolucci continued to work into his 70s.  In 2007, he received the Golden Lion Award at the Venice Film Festival for his life's work, and in 2011 the Palme d'Or at the Cannes Film Festival.

Married to Clare Peploe, a writer who worked on the screenplay of Antonioni's 1970 classic Zabriskie Point, Bertolucci is a former supporter of the Italian Communist Party.  He was awarded a Star on the Hollywood Walk of Fame at 6925 Hollywood Boulevard in Hollywood, California on November 19, 2013.

Parma's cathedral and octagonal baptistery

Travel tip:

Bertolucci's home city of Parma suffers a little from living in the shadow of Modena and Bologna, both of which have achieved greater fame.  Yet the home of prosciutto di Parma and parmigiano reggiano is an elegantly wealthy city with a virtually car free centre, a host of fine churches - including the Romanesque cathedral and baptistery and the Sanctuary of Santa Maria della Steccata - and some beautiful palaces.

Travel tip

Emilia-Romagna is one of the wealthiest regions in Europe, let alone Italy. Its capital, Bologna, is the home of the University of Bologna, the oldest university in the world, while the region is a major centre for food and car production. It is the home of companies such as Ferrari, Lamborghini, Maserati, Pagani, De Tomaso and Ducati, and a thriving tourist trade based around the popular coastal resorts of Cervia, Cesenatico, Rimini and Riccione.

More reading:

The brilliant legacy of Federico Fellini

How Shakespeare adaptations made Zeffirelli a household name

Why Francesco Rosi can be counted among Italian cinema's greats

Also on this day:

1886: The birth of Emilio Lunghi, Italy's first Olympic medallist

1978: The terrorist kidnapping of former prime minister Aldo Moro


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Anna Magnani - Oscar-winning film star

Roman one of only three Italians to land best actor award

Anna Magnani, the Rome-born
actress who died in 1973

Anna Magnani, who found fame for her performance in Roberto Rossellini's neorealist classic movie Rome, Open City and went on to become one of only three Italian actors to win an Academy Award, died on this day in Rome in 1973.

Magnani had been quietly suffering from pancreatic cancer and her death at the age of just 65 shocked her fans and even close friends. Rossellini, with whom she had a tempestuous five-year relationship before he ditched her for the Swedish actress, Ingrid Bergman, was at her bedside along with her son, Luca.  Rossellini was considered to be Magnani’s one great love. The American playwright Tennessee Williams, who wrote two parts for her in his plays (Serafina in The Rose Tattoo and Lady in Orpheus Descending) specifically with Magnani in mind, was so devastated he could not bring himself to attend her funeral.

Instead he sent 20 dozen roses to signify the bond they developed while working together over 24 years.  When Williams was in Rome they would meet for cocktails on the roof-top terrace of her home, overlooking the city, always at eight o'clock - "alle venti" in Italy, where times are generally expressed according to the 24-hour clock.  They would sign off letters and telegrams to one another with the words "Ci vediamo alle venti" or "See you at eight."

The funeral procession attracted crowds in the tens of thousands. Countless businesses closed and many streets were shut to traffic as Magnani's coffin was taken to the Basilica di Santa Maria Sopra Minerva, near the Pantheon in central Rome, where the service took place.  The Piazza Minerva was thronged with people, who broke into spontaneous cheering when the coffin appeared.

The original movie poster for the film
of the Tennessee Williams play

It was the movie version of The Rose Tattoo, for which Williams wrote the screenplay, that won Magnani her Oscar in 1955, playing opposite Burt Lancaster. She was the first of two Italian actresses to win the Academy Award, to be followed six years later by Sophia Loren for Vittorio De Sica's La Ciociara, which was renamed Two Women for the American market.

Loren’s role was originally designed for Magnani and Loren was supposed to play the role of her daughter. Magnani refused to play opposite Loren, who was already 26 years old and not right for a teenaged virgin, and actually gave De Sica the idea to cast Loren as the mother; a role for which she would win the Best Actress Oscar in 1962.

Roberto Benigni is the only Italian-born male actor to win an Oscar, for Life is Beautiful in 1998.

Magnani's acting was notable in that she was able to bring her own personality, her affinity with the ordinary people she grew up with, to her roles, in which she was often cast as una popolana - a coarse woman of working class background.  Raised largely by her grandparents in a poor, working-class part of Rome, Anna was a product of a short-lived marriage between her mother, Marina Magnani, and an itinerant Calabrian father (who worked in Egypt) whom she met only once.

Some erroneous biographical notes suggest she was born in Alessandria, Egypt but Magnani herself insisted that while her mother may have been in Egypt when she fell pregnant, she had moved back to Rome and was living in the Porta Pia area by the time she gave birth.  Magnani was given her maternal surname, the last name of both her mother and grandmother.

While Anna had a tough upbringing in Rome, her grandmother managed to send her to a convent school, learned French, played piano, and, at age 17, went on to study at the Eleonora Duse Royal Academy of Dramatic Art in Rome for two years. She often said she felt more at home with the more down-to-earth people in her own neighborhood as it taught her to become streetwise at a young age. Magnani soon was supporting herself by singing in cabarets and nightclubs, where her performances drew comparisons with the French singer, Edith Piaf.

Magnani had her first film role in the 1920s, although it was 20 years before her breakthrough in Rossellini's 1945 movie Rome, Open City, which is generally regarded as the first film in the Italian neorealist genre to achieve commercial success. Magnani's performance as Pina, the pregnant widow of an Italian resistance fighter murdered by the occupying Germans forces as she tries to protect her fiance, was acclaimed for its brilliance. Although she was not regarded as a conventional beauty, she had an earthy sensuality that audiences found captivating.

Anna Magnani, centre, in a scene from Rome, Open City,
the film that was the turning point in her career

Her relationship with Rossellini, often punctuated with violent rows in which they were renowned for throwing crockery at one another, foundered after five years, when Rossellini began an affair with Bergman, reneging on a promise to make Magnani the star of his 1950 film, Stromboli, and giving the role instead to the Swedish actress.  Magnani retaliated  by making her own film with director William Dieterle entitled Vulcano.

Yet Magnani's career never faltered as it this very time, in 1949-50, that her friendship with American playwright Tennessee Williams would blossom. She went on to work with many of the great Italian directors, such as Luchino Visconti, Pier Paolo Pasolini and Federico Fellini, whose 1972 film, Roma, would be her last.

Magnani married Italian director, Goffredo Alessandrini, in the 1930s but they were together only briefly before the marriage was annulled.  Her son, Luca, was born in 1942, the product of an affair with an Italian actor, Massimo Serato. Luca was stricken with polio as a child (1944) but Anna dedicated her life to caring for him in his younger years and providing him with the best (Swiss) medical care. Luca Magnani - Anna fought in court for him to keep her maternal surname - would go on to be a noted architect and real estate developer.

Luca Magnani's daughter, Olivia Magnani, born in Bologna in 1975, has followed her grandmother in becoming a movie actress. She is the fifth generation to carry on the Magnani name.

The stage play, Roman Nights, by Italo-American playwright Franco D’Alessandro recounts the inspired, fruitful, and tumultuous friendship between Anna Magnani and Tennessee Williams. 

The beautiful vaulted ceiling of the Basilica
di Santa Maria sopra Minerva in Rome

Travel tip:

The Basilica di Santa Maria sopra Minerva is the only existing example of an oroginal Gothic church in Rome, its Renaissance-style frontage concealing a Gothic interior featuring an arched vaulted ceiling painted blue with gilded stars.  It contains a marble sculpture, Cristo della Minerva, by Michelangelo, and the strikingly beautiful Carafa Chapel, with frescoes by Filippino Lippi.  Buried in the church are Saint Catherine of Siena, the Renaissance painter Fra Angelico, and at least four popes.

Travel tip:

Porta Pia, from which the neighbourhood in which Anna Magnani was born takes its name, is a gate in Rome's Aurelian Walls, designed by Michelangelo and named after Pope Pius IV.  It was close to Porta Pia that a breach of the walls made by Bersaglieri soldiers from the north of Italy enabled Rome to be captured and completed the unification of Italy in 1870.  It was also the scene of a failed assassination attempt on Benito Mussolini in 1926 by anti-Fascist activist Gino Lucetti.

Also on this day:

1982: The birth of World Cup winning football coach Enzo Bearzot

1997: St Francis Basilica struck by earthquake

More reading:

Roberto Rossellini - father of neorealism

Federico Fellini - genius behind La Dolce Vita

Gina Lollobrigida - 60s sex symbol

(Photo of interior of Basilica by Tango7174 GFDL)

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Franco Zeffirelli – film director

Shakespeare adaptations made director a household name

Franco Zeffirelli excelled in adapting
classic plays and operas for the big screen

The film, opera and television director Franco Zeffirelli was born on this day in Florence in 1923.

He is best known for his adaptations of Shakespeare plays for the big screen, notably The Taming of the Shrew (1967), with Richard Burton and Elizabeth Taylor, Romeo and Juliet (1968) and Hamlet (1990) with Mel Gibson. 

Boldly, he cast two teenagers in the title roles of Romeo and Juliet and filmed the tragedy against the backdrop of 15th century buildings in Serravalle in the Veneto region. His film became the standard adaptation of the play and has been shown to thousands of students over the years.

His later films include Jane Eyre (1996) and Tea with Mussolini (1999), while he directed several adaptations of operas for the cinema, including I Pagliacci (1981), Cavalleria rusticana (1982), Otello (1986), and La bohème (2008). 

Zeffirelli's name was, in fact, an invention, and a misspelled one to boot.

He was the child of Alaide Garosi, a fashion designer, as a result of an affair with a wool and silk dealer, Ottorino Corsi. Since both his parents were married to other partners, his registered surname could neither be Garosi or Corsi. Instead, his mother intended him to be registered as Zeffiretti - the Italian for 'little breezes' - in a reference to a line in Mozart's opera, Idomeneo. However, it was misspelled in the register and he became Gian Franco Corsi Zeffirelli.

Zeffirelli worked with Luchino Visconti
in his early days of film direction

Alaide died when Franco was six and he subsequently was looked after within expatriate English community in Florence, an experience that later inspired his film Tea with Mussolini, which was semi-autobiographical.

Zeffirelli studied art and architecture at Florence University before fighting as a partisan during the Second World War.

After the war he worked as a scenic painter in Florence until he was hired by Luchino Visconti, initially as an actor and stage director in his theatre company, and subsequently as assistant director on his 1948 film La terra trema (The Earth Trembles). He also worked with directors Vittorio De Sica and Roberto Rossellini in Italy's booming post-war cinema industry.

His focus then switched more to stage design, particularly for opera. His first major design for opera was a 1952-53 production of Gioachino Rossini’s L’Italiana in Algeri for La Scala in Milan. He maintained his link with opera in theatrical and arena settings throughout his career, working on notable productions of La traviata, Lucia di Lammermoor, La Bohème, Tosca, Falstaff, and Carmen. He became a friend of Maria Callas, eventually directing her in La Traviata in America and in Tosca at the Royal Opera House in London, with Tito Gobbi.

A 17-year-old Olivia Hussey in Zeffirelli's Romeo and
Juliet, which established the director's reputation

The Taming of the Shrew was Zeffirelli's first film as director in 1967. It was originally planned that Sophia Loren and Marcello Mastroianni would take the starring roles but to help fund production it was decided that Taylor and Burton would give the film a higher profile. 

Zeffirelli's major breakthrough came the year after with Romeo and Juliet (1968), which earned $14.5 million dollars at the box office in the United States and made Zeffirelli's name, earning him a nomination for Best Director at the Oscars, although at the same time it set a standard that some critics believe he never quite met in his subsequent work, for all his success. 

As well as Shakespeare adaptations, Zeffirelli made a number of films with religious themes, such as a life of St. Francis of Assisi entitled Brother Sun, Sister Moon (1972), then his TV mini-series Jesus of Nazareth (1977), although these attracted criticism from some religious groups for what they perceived as the blasphemous representation of biblical figures. 

Zeffirelli, who received the Order of Merit of the Italian Republic in 1977, is a former senator for the Forza Italia political party and received an honorary knighthood in Britain in 2004. 

UPDATE: Franco Zeffirelli died in Rome in June 2019 at the age of 96.

The Florence floods of 1966 did huge damage
to precious art treasures

Travel tip:

The University of Florence can trace its origins back to the 14th century, but the modern University, where Zeffirelli studied, dates back to 1859, when a number of higher studies institutions were grouped together. When his native Florence was flooded in the 1960s, causing millions of pounds worth of damage to precious art and literary treasures and the buildings housing them, Zeffirelli made a documentary film, Florence: Days of Destruction, to raise funds for the disaster appeal.

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A typical Serravalle palace

Travel tip:

Serravalle, where Zeffirelli filmed Romeo and Juliet, was combined with the town of Ceneda nearby and renamed Vittorio in 1866 in honour of King Vittorio Emanuele II. After the last decisive battle of the First World War had taken place nearby, Vittorio was renamed Vittorio Veneto. The small town of Serravalle is the more picturesque of the two places that make up Vittorio Veneto and its fine 15th century palazzi and pretty arcaded streets made a wonderful backdrop for Zeffirelli’s film.  

Hotels in Serravalle by Booking.com



More reading:

Why Luchino Visconti was called 'the aristocrat of Italian cinema'

The genius of Vittorio De Sica

Sophia Loren - glamorous star is one of just three Italian Oscar-winning actors

Also on this day:

1602: The birth of Baroque painter Michelangelo Cerquozzi

1799: The death of biologist Lazzaro Spallanzani, pioneer of artificial insemination

1937: The birth of Vittorio Emanuele, heir to the last King of Italy

1944: The birth of actress and singer Claudia Mori

(Picture credits: Zeffirelli in 2008 by Alexey Yushenkov; Serravalle palace by Paolo Steffan; via Wikimedia Commons)

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