Gaspara Stampa – poet

Gaspara Stampa is seen by some
as Italy's greatest female poet

Beautiful sonnets were inspired by unrequited love

Gaspara Stampa, the greatest female poet of the Italian Renaissance, died on this day in 1554 in Venice at the age of 31.

She is regarded by many as the greatest Italian female poet of any age, despite having had such a brief life.

Gaspara was born in Padua and lived in the city until she was eight years old. Her father, Bartolomeo, had been a jewel and gold merchant, but after he died, Gaspara’s mother, Cecilia, took her three children to live in Venice. They were accommodated in the house of Geronimo Morosini, who was descended from a noble Venetian family, in the parish of Santi Gervasio and Protasio, now known as San Trovaso. 

Along with her sister, Cassandra, and brother, Baldassare, Gaspara was educated in literature, music, history and painting. She excelled at singing and playing the lute and her home became a cultural hub as it was visited by many Venetian writers, painters and musicians, among them Francesco Sansovino, a poet and writer who was the son of the great Florentine architect, Jacopo Sansovino.

Gaspara dedicated most of her poems to Count Collatino di Collalto of Treviso, with whom she had an affair.

Much of Gaspara Stampa's best work came after she
had suffered a break-up with her lover 

When he broke off the relationship she was devastated and suffered from depression, but she wrote some of her most beautiful poems at this time, creating for herself a lasting literary reputation.

Only three of her poems were published during her lifetime although many were circulated among her literary friends in Venice.

Gaspara went to live in Florence for some time because of poor health, hoping that the milder climate might help her. But on her return to Venice in 1554 she became ill with a fever and died after 15 days on April 23. The parish register recorded the cause of her death as ‘fever, colic and mal di mare', which today would be understood as 'seasickness', although the theory has also been put forward that it could have been a suicide.

The first edition of Gaspara Stampa’s poetry, Rime di Madonna Gaspara Stampa, was published in Venice six months after her death.

Gaspara’s 311 poems are considered to be the most important collection of female poetry of the 16th century. They were edited by Gaspara’s sister, Cassandra, and the edition was dedicated to the Florentine poet and writer, Giovanni della Casa.

The 19th century German poet, Rainer Maria Rilke, refers to Gaspara Stampa in the first of his Duino Elegies, which were written while he was staying at Duino Castle on the Adriatic coast near Trieste. The Duino Elegies are now considered his greatest work.

Giotto's extraordinary decoration of the Scrovegni Chapel.
which is one of the highlights of a visit to Padua

Travel tip:

The city of Padua in the Veneto, where Gaspara Stampa was born, is one of the most important centres for art in Italy. Padua has become acknowledged as the birthplace of modern art because of the Scrovegni Chapel, the inside of which is covered with frescoes by Giotto, an artistic genius who was the first to paint people with realistic facial expressions showing emotion. His scenes depicting the lives of Mary and Joseph, painted between 1303 and 1305, are considered his greatest achievement and one of the world’s most important works of art.

The two facades of the Chiesa di San Trovaso, the
centrepiece of the neighbourhood of the same name

Travel tip:

San Trovaso is a neighbourhood within the Dorsoduro sestiere of Venice, just across the Accademia Bridge from the bustle of San Marco. At its heart is the Chiesa di San Trovaso, a church dedicated to the saints Gervasio and Protasio, rebuilt in 1584 on the site of a former church built in the 11th century. The church contains works of art by Domenico Tintoretto as well as his father, Jacopo, and by Michele Giambono and Palma il Giovane. The church is unusual in that it has two facades, one looking out across the Rio de San Trovaso canal, the other facing the Rio del Ognisanti. San Trovaso is also home to Venice’s oldest working gondola yard, the 17th-century Squero di San Trovaso, one of only two surviving squeri in Venice.

More reading:

Giovanni della Casa - the 16th century advocate of etiquette and good manners

Petrarch - the Renaissance poet whose work helped shape the modern Italian language

The death in Florence of English poet Elizabeth Barrett Browning

Also on this day:

1857: The birth in Naples of opera composer Ruggero Leoncavallo

1939: The birth of Stefano Bontade, a Sicilian Mafia boss with links to ex-PM Giulio Andreotti

1964: The birth of orchestral conductor Gianandrea Noseda


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Guido Menasci - poet, librettist and biographer

Respected writer and historian who found fame from an opera

Guido Menasci (right) with fellow librettist Giovanni
Targioni-Tozzetti, flanking composer Pietro Mascagni

The writer Guido Menasci, who is best known as a co-author of the libretto for composer Pietro Mascagni’s successful opera Cavalleria rusticana but was also a respected historian, was born on this day in 1867 in the Tuscan port of Livorno.

Menasci, a law graduate from the University of Pisa and briefly a prosecutor at the Court of Appeal in Lucca, wrote for a number of literary magazines in Italy and beyond and produced a biography of the German poet and playwright Johann Wolfgang Goethe that is considered a definitive work.

Fluent in French as well as Italian, he published books and gave lectures in Paris, often on the subject of art history, which was another of his fascinations.

Yet he was most famous for his work with Mascagni and his fellow librettist, Giovanni Targioni-Tozzetti, whom he met through his involvement with literary and cultural societies in Livorno, where all three grew up.

They collaborated on a number of operas, the most famous of which by some way was Cavalleria rusticana, which was performed for the first time in 1890, at the Teatro Costanzi in Rome.

The tenor Roberto Stagno and soprano
Gemma Bellincioni in the premiere
of Cavalleria rusticana in Rome

Based on a novella of the same name by Giovanni Verga, Cavalleria Rusticana is a simple story of betrayal and revenge involving two men and two women in a Sicilian village. Its success turned Mascagni, a modest music teacher, into a composer of international fame, not least for the beautiful intermezzo that has become a popular piece standing alone from the opera.

Menasci inherited his gift for writing from his father, who was a shopkeeper but also a published author of a number of books of verse and was a councillor in Livorno involved with education.

He began to write poetry at the same time as he was studying law, amusing his fellow students by composing summaries of lectures in verse.

Soon, his poetry was appearing regularly in the pages of publications such as Lettere e arti, a well-known Bolognese magazine founded by Enrico Panzacchi, others in Italy and in foreign periodicals such as the French daily Le Siècle , the Austrians Neue Freie Presse and Neue Wiener Tagblatt, and the English monthly The English Illustrated Magazine.

His collaboration with Targioni-Tozzetti, whose father, Ottaviano, had taught him literary studies at high school, began in 1899 and included the libretti for several other operas in addition to Cavalleria rusticana, including I Rantzau and Zanetto, also by Mascagni, and Umberto Giordano’s Regina Diaz. He and Targioni-Tozzetti also edited an Italian version of Werther by Jules Massenet.

At the same time, Menasci was working independently for other composers, such as the Germans August Scharrer and Ignaz Brüll. During a lengthy stay in Germany he compiled his biographical study of Goethe (1899), which was considered remarkable even among the many works dedicated to the German poet.

Menasci devoted much time to the study of other German writers and to figures in French literary and civil history. He wrote elegantly in French and was able to address conferences and deliver lectures in Paris with full confidence in his command of the language.

His versatility extended to writing stories for children and numerous studies devoted to the history of art.

In his later years, he returned to Livorno and became a professor at the prestigious Naval Academy. He died in Livorno in 1925 after a period of declining health.

Livorno's elegant promenade Terrazza Mascagni was
named after the composer Pietro Mascagni

Travel tip:

The port of Livorno is the second largest city in Tuscany after Florence, with a population of almost 160,000. Although it is a large commercial port with much related industry, it has many attractions, including an elegant sea front – the Terrazza Mascagni - an historic centre – the Venetian quarter – with canals, and a tradition of serving excellent seafood.  The Terrazza Mascagni is named after the composer Pietro Mascagni, who was born in Livorno. Menasci is commemorated rather less grandly in the name of a fairly nondescript street in a residential area close to the city’s main railway station.

Find a Livorno hotel with Booking.com

The Teatro Costanzi, in Via del Viminale, a short distance from
Piazza della Repubblica, is now known as Teatro dell'Opera

Travel tip:

Known today as the Teatro dell'Opera di Roma - Rome’s main opera house - the Teatro Costanzi was built in 1879-80. Financed by Domenico Costanzi, a contractor, it was designed by the Milanese architect Achille Sfondrini, a specialist in the building and renovation of theatres. Built on the site of the house of the Roman emperor Elagabalus, the theatre was inaugurated in November 1880 with a performance of Semiramide by Gioachino Rossini.  Sfondrini paid particular attention to the acoustics of the theatre, the dome of which was adorned with frescoes by Annibale Brugnoli. As well as the world premiere of Cavalleria rusticana, the theatre staged the first production of Tosca by Giacomo Puccini in January 1900 and introduced Roman audiences to Puccini’s La fanciulla del West, Turandot and Il trittico, Richard Wagner’s Parsifal and Modest Mussorgsky’s Boris Godunov among other compositions that would become famous.

More reading:

How one opera was the making of Mascagni

Why Leoncavallo's Pagliacci is one of the world's favourite operas

Hooligans wreck the Rome premiere of The Barber of Seville

Also on this day:

1874: The birth of politician and winemaker Luigi Einaudi

1926: The birth of controversial playwright Dario Fo

1934: The birth of photographer Mimmo Jodice

(Picture credit: Teatro Costanzi by Lalupa)

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Girolamo Benivieni – poet

Follower of Plato, Dante and Savonarola

Girolamo Benivieni, pictured as an old man in
a painting attributed to Ridolfo Ghirlandaio

The poet Girolamo Benivieni, who turned Marsilio Ficino’s translation of Plato’s Symposium into verse, was born on this day in 1453 in Florence.

His poem was to influence other writers during the Renaissance and some who came later.

As a member of the Florentine Medici circle, Benivieni was a friend of the Renaissance humanists Ficino, Giovanni Pico della Mirandola and Angelo Poliziano, commonly known as Polician.

Ficino translated Plato’s Symposium in about 1474 and wrote his own commentary on the work.

Benivieni summarised Ficino’s work in the poem De lo amore celeste - Of Heavenly Love - These verses then became the subject of a commentary by Pico della Mirandola.

As a result of all these works, Platonism reached such writers as Pietro Bembo and Baldassare Castiglione and the English poet, Edmund Spencer.

Benivieni later fell under the spell of Girolamo Savonarola, the fiery religious reformer, and he rewrote some of his earlier sensual poetry as a result. He also translated a treatise by Savonarola into Italian, Della semplicità della vita cristiana - On the Simplicity of the Christian life - and he wrote some religious poetry of his own.

Benivieni's tombstone behind the statue of
Savonarola in the Church of San Marco

He took part in Savonarola’s Bonfire of the Vanities and documented the destruction of art works worth ‘several thousand ducats’ at the time.

Lucrezia de’ Medici supported him in his writing and they shared an interest in the works of Dante Alighieri. In 1506 Benivieni published an edition of Dante’s Divine Comedy with maps by Antonio Manetti and commentaries by Benivieni and Manetti.

He drafted a letter for Lucrezia to send to her brother, Pope Leo X, seeking his assistance in bringing Dante’s body back to Florence from Ravenna where he was buried.

Benivieni also used his connection with Lucrezia to advance his ideas on church reform with her brother, and later with her cousin, Pope Clement VII.

In 1530 he wrote a letter to Pope Clement in defence of Savonarola, seeking to have his reputation restored within the Church.

He died in 1542, a few months before his 90th birthday and was buried in the Church of San Marco in Florence next to his friend, Pico della Mirandola.

The Church of San Marco in Florence is close to where
the fiery priest Girolamo Savonarola lived

Travel tip:

The Church of San Marco, where Girolamo Benivieni and Giovanni Pico della Mirandola are buried together, is in Piazza di San Marco to the north of the Galleria dell’Accademia, which houses Michalangelo’s David. The original tombstone is in Latin. It says: ‘Here lies Giovannni Mirandola; known both at the Tagus and the Ganges and maybe even the antipodes. He died in 1494 and lived for thirty-two years. Girolamo Benivieni, to prevent separate places from disjointing after death the bones of those whose souls were joined by Love while living, provided for this grave where he too is buried. He died in 1542 and lived for eighty-nine years and six months.’ Next to the church is the convent of San Marco, now the Museo Nazionale di San Marco, where Savonarola and the painters, Fra Angelico and Fra Bartolomeo, once lived.

The tomb of Dante Alighieri adjoins the
Basilica of San Francesco in Ravenna

Travel tip:

A tomb built for Dante in the Basilica di Santa Croce in Florence still remains empty. Dante died while living in exile in Ravenna in about 1321. He was buried at the Church of San Pier Maggiore in Ravenna and a tomb was erected there for him in 1483. Florence has made repeated requests for the return of Dante’s remains to the city but Ravenna has always refused.


More reading:

The Bonfire of the Vanities - preacher Savonarola's war on Renaissance 'excesses'

Giovanni Pico della Mirandola – the philosopher who wrote the 'Manifesto of the Renaissance'

Pietro Bembo - the poet and scholar who became Lucrezia Borgia's lover

Also on this day:

1577: The birth of Roman heroine Beatrice Cenci

1778: The birth of the poet and revolutionary Ugo Foscolo

1908: The birth of six-times Italian prime minister Amintore Fanfani


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Ugo Betti - playwright

Judge who combined writing with legal career

Ugo Betti wrote 27 plays between 1927
and his death in 1953

Ugo Betti, a playwright whose works exploring facets of the human condition are considered by some to be the finest plays written by an Italian after Luigi Pirandello, was born on this day in 1892 in Camerino in Le Marche. 

Betti wrote 27 plays, mainly concerned with evil, guilt, justice, atonement and redemption, largely in his spare time alongside a career in the legal profession.

Although he started life in what was then a remote town in the Apennine mountains, about 75km (47 miles) inland from the Adriatic coast and a similar distance from the city of Perugia, Betti moved with his family at an early age to Parma in Emilia-Romagna.

He followed his older brother Emilio in studying law, although his progress was interrupted when he was enlisted as a volunteer in the army after Italy entered the First World War. He was captured in the disastrous Battle of Caporetto and interned in a German prisoner of war camp.

By chance, he found himself in the company of two writers, Carlo Emilio Gadda and Bonaventura Tecchi, who encouraged him in his own writing. His first collections of poems, entitled Il re pensieroso (The Thoughtful King) and published in 1922, were written while he was in German captivity.

Betti's plays have been reproduced
in many editions in Italy

Betti returned to his studies after the war and became a magistrate and then a judge, first in Parma and later in Rome.  As a young man, he was also an enthusiastic amateur footballer and was one of a group that formed the city’s football club in 1913. In fact, along with another in the group, Betti designed the club’s original shirt - white with a black Latin cross - which has been revived this season as one of the Serie A team’s alternative strips.

His first play, La padrona (The Proprietress), was performed in 1927 at Rome's Teatro Odescalchi and received enough critical acclaim for him to continue. By the time the Second World War broke out, he had written seven more.

In one of these, Frana allo scalo nord (Landslide at the North Station), published in 1932, Betti explored the concept of collective guilt through a story about a court inquiry into an accident which had caused the death of some labourers and a girl. As the story evolves, the circle of those responsible becomes wider and wider so that ultimately humanity itself is on trial.

As a writer during the Fascist period in Italy, he was accused at different times of being anti-Fascist and a Fascist apologist, to the extent that he was threatened with imprisonment, although ultimately he continued to write unimpeded.  A job after the war in the library at the Ministry of Justice allowed him more time to write.

Betti managed to combine his literary career with
his position as a judge in the Italian legal system

Many consider his greatest play to be Corruzione al Palazzo di Giustizia (Corruption in the Palace of Justice), written between 1944 and 1945 although not performed until January 1949 at the Teatro delle Arti in Rome.

The play, in which an unscrupulous judge, having clawed his way to the presidency of the Supreme Court, realizes his own guilt after being investigated for corruption and and gives himself up. Again, Betti’s implication is that all of humanity is culpable.

Along with Delitto all'isola delle capre (Crime on Goat Island), a violent tragedy of love and revenge, and La regina e gli insorti (The Queen and the Rebels), in which the case is made for compassion and self-sacrifice, Corruzione al Palazzo di Giustizia established Betti’s reputation internationally.  Actors of the calibre of Vittorio Gassman, Enrico Maria Salerno, Salvo Randone and Tino Buazzelli - all highly regarded in Italian theatrical circles - eagerly accepted parts in Betti plays.

Betti, who finished his legal career at the court of appeal in Rome, won a number of awards, including the that of the Istituto Nazionale del Dramma in 1949 and the Premio Roma the following year.

He also co-founded the National Union of Dramatic Authors (SNAD), with the aim of safeguarding the work of dramatists and theatrical writers.

He died in Rome in June 1953, aged 61.

The walls of the Rocca Borgesca remain intact

Travel tip:

Camerino is built over the site of Camerinum, a Roman settlement, although no remains are visible, lying at least one metre below ground level. However, the town, which has a population of around 8,000, does have a neoclassical cathedral built in the early 19th century, a university that dates back to 1336 and, just outside the town, the Rocca Borgesca, a castle built after Camerino was invaded by Cesare Borgia in 1502. The fortress was built around a convent, although most of the buildings within the walls were demolished in the 17th century after the castle fell into disuse. Today the walls remain, surrounded by gardens, while a surviving stable building inside the walls has become a restaurant.

Search for hotels in Camerino with tripadvisor

The pink marble baptistery is one of the
attractions of Parma's elegant centre

Travel tip:

Parma, where Betti grew up and began his working life, is an historic city in the Emilia-Romagna region, famous for its Prosciutto di Parma ham and Parmigiano Reggiano cheese, also known as ‘parmesan’. Noteworthy buildings include the 12th century Romanesque cathedral and its pink marble baptistery. The golden fresco that covers the cupola in the cathedral is Correggio’s 1520s masterpiece The Assumption of the Virgin. The Teatro Regio, a 19th-century opera house, is a noted theatre and the Galleria Nazionale, inside the Palazzo della Pilotta, displays works by painters including Correggio and Canaletto. The composer Giuseppe Verdi was born near Parma at Bussetto.


More reading:

Pietro Badoglio - the controversial general who presided over Italy's defeat at the Battle of Caporetto

Why Carlo Emilio Gadda's work draws comparisons with James Joyce and Carlo Levi

Vittorio Gassman - multi-talented star of stage and screen

Also on this day:

1667: The birth of painter Alessandro Magnasco

1676: The birth of 'forgotten' composer Giacomo Facco

1875: The birth of patriotic campaigner Cesare Battisti

2014: The death of novelist Eugenio Corti

(Picture credits: Rocca Borgesca by Tuvok89; Parma baptistery by Wistula via Creative Commons)


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Giovanni Pascoli – poet

Painful childhood inspired great verse

Giovanni Pascoli is considered to be
one of Italy's greatest poets

Giovanni Placido Agostino Pascoli, who was regarded as the greatest Italian poet writing at the beginning of the 20th century, was born on this day in 1855 in San Mauro di Romagna, then part of the Kingdom of Sardinia.

Pascoli’s poems in Latin won prizes and he was regarded by the writer Gabriele D’Annunzio as the finest Latin poet since the Augustan age, which lasted from approximately 43 BC to AD 18 and was thought to be the golden age of Latin literature.

Although Pascoli was the fourth of ten children, his family were comfortable financially and his father, Ruggero Pascoli, was administrator of an estate of farmland on which they lived.

But when Giovanni Pascoli was just 12 years old, his father, returning from Cesena in a carriage drawn by a black and white mare, was shot and killed by an assassin hiding in a ditch at the side of the road. The mare carried on slowly and brought home the body of her master, Ruggero, but the murderer was never brought to justice.

Giovanni Pascoli’s mother died the following year and five other children in the family had also died before he became an adult.

Giovanni Pascoli (right) as a child,
pictured with his father and two brothers

In 1871 Pascoli moved to live in Rimini with some of his siblings, where he began to join in with Socialist demonstrations. He was briefly imprisoned in Bologna for preaching political anarchy after a protest against the capture of the anarchist Giovanni Passannante, who had tried to kill King Umberto I.

Pascoli composed an Ode to Passannante, but he tore it up soon after reading it during a Socialist gathering in Bologna.

He had been studying at the University of Bologna under the poet, Giosuè Carducci, but after his imprisonment he began a career in teaching, first in secondary schools and then in universities, as a professor of Greek, Latin and Italian literature.

In 1905 he was appointed to the Chair of Italian Literature at Bologna.

Pascoli’s first literary work, Myricae, was a collection of short, delicate lyrics inspired by nature and reflecting the psychological unrest of his student years.

His best work is considered to be Canti di Castelvecchio, a collection of moving songs about his sad childhood that also celebrated nature and family life.

The cover of Pascoli's book
of lyric poetry, Myricae

These were written at the home in Castelvecchio di Barga - now known as Castelvecchio Pascoli - in Tuscany that he shared with his sister Maria after 1895.

In his later years, Pascoli wrote nationalistic and historic poetry such as Poemi del Risorgimento, published in 1913. The way he focused on small things in his poetry and scaled back on the era’s grandiose language and rhetoric is thought to have contributed to the modernisation of Italian poetry.

His poems were translated and published in English in the 1920s and he also translated poems by Wordsworth, Shelley and Tennyson into Italian.

Pascoli died in 1912 at the age of 56 in Bologna.

An Italian literary award, the Pascoli Prize, was established in 1962 to commemorate the 50th anniversary of his death and his birthplace was renamed San Mauro Pascoli in 1932 in his honour.

San Mauro is also notable for the ruins of former Roman
brick furnaces discovered during digging for a canal

Travel tip:

San Mauro Pascoli, renamed to honour the poet, is a town in what is now the province of Forlì-Cesena in the Emilia-Romagna region, about 100km (62 miles) southeast of Bologna and just 7.5km (4.7 miles) from the sea. The Italian shoe designer Giuseppe Zanotti was also born there. Pascoli's family home, in what is now Via Giovanni Pascoli, is open to the public as a museum. For more information visit www.casapascoli.it. The town is also notable for the remains of Roman brick furnaces discovered during the construction of the Romagnolo Emiliano Canal.

The Casa Pascoli at Castelvecchio was left to the hamlet
of Barga in Giovanni's sister Maria's will

Travel tip:

Giovanni Pascoli’s house in the hamlet of Castelvecchio Pascoli is also now a museum dedicated to his life and work. After the poet’s death in 1912, his sister, Maria, took care of the house, faithfully preserving its structure and original furnishings. She left the house to the Municipality of Barga in her will and it has since been declared a national monument. In the chapel, which had been restored by Pascoli himself, Maria was laid to rest after her death in 1953, next to her brother.


More reading:

Giosue Carducci, the first Italian to win a Nobel Prize in Literature

Salvatore Quasimodo, the engineer whose poetry won a Nobel Prize

How Gabriele D'Annunzio combined writing with a military career

Also on this day:

The Festa di San Silvestro

1842: The birth of Belle Époque artist Giovanni Boldini

1990: The death of architect Giovanni Michelucci

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Teofilo Folengo – poet

Style of writer’s verses took its name from the dumpling

A portrait of Teofilo Folengo by Girolamo Romanino,
owned by the Uffizi museum in Florence

Teofilo Folengo, who is remembered as one of the principal Italian ‘macaronic’ poets, died on this day in 1544 in the monastery of Santa Croce in Campese, a district of Bassano del Grappa in the Veneto.

Folengo published, under the pseudonym Merlin Cocaio, a macaronic narrative poem entitled Baldo, which was a humorous send up of ancient epic and Renaissance chivalric romance.

Writing in verse that mixed vernacular language with Latin became known as macaronic verse, the word deriving from the Latin macaronicus and the Italian maccarone, which meant dumpling, fare mixed crudely from different ingredients that at the time was regarded as a coarse, peasant food. It is presumed to be the origin of the modern Italian word maccheroni.

Folengo was a runaway Benedictine monk who satirised the monastic life using an invented, comic language that blended Latin with various Italian dialects.

Born Girolamo Folengo in 1491 in Cipada, a village near Mantua, he entered the Benedictine order as a young man taking the name Teofilo. He lived in monasteries in Brescia, Mantua and Padua, where he produced Latin verse written in the Virgilian style.

The cover of a book of macaronic verse
by Folengo under his pseudonym 

But he left the order to travel around the country with a young woman, Girolama Dieda. They often experienced great poverty as Folengo had no money apart from what he earned through writing.

For a few years he lived as a hermit near Sorrento, but he was readmitted to the Benedictine order in 1534 and remained in it, continuing to write, until his death.

Out of all his poetry, Baldo is considered to be his masterpiece and it has been republished five times. Full of satire and humour it describes the adventures of Baldo, who is supposed to be a descendant of the cousin of the medieval epic hero Roland. Baldo suffers imprisonment, battles with authority, pirates, witches and demons, and goes on a journey to the underworld.

The poem blended Latin with various Italian dialects in hexameter verse. The first English version, translated by Ann Mullaney, was published in 2007.

The term macaronic is still used to describe literature where the mixing of languages has a humorous or satirical effect. It is believed to have originated in Padua in the late 15th century, after the comic poem, Macaronea, by Tifi Odasi was published in about 1488, satirising the broken Latin used by doctors and officials to communicate with ordinary people.

Folengo once described his own verses as ‘a gross, rude and rustic mixture of flour, cheese and butter.’

Many modern Italian authors, including Umberto Eco and Dario Fo, have continued to use macaronic text.

The Palazzo Ducale in Mantua was the seat of the Gonzagas

Travel tip:

Cipada near Mantua, where Teofilo Folengo was born, was a village on the banks of a lake, but it no longer exists, having become part of the industrial area of Mantua. A main street, Strada Cipata, is the only reference to it that remains. On the other side of the lake is the historic area of Mantua, where the Palazzo Ducale, the seat of the Gonzaga family between 1328 and 1707, can be found.

The former monastery of Santa Croce
in Campese, where Folengo died

Travel tip:

The monastery of Santa Croce, where Teofilo Folengo died, is in Via IV Novembre in Campese, a district of Bassano del Grappa on the banks of the Brenta Canal. The monastery dates back to 1124 and for centuries was the most important religious centre in the area around the Brenta. There is a monument to Teofilo Folengo in the monastery, which is now used as a church. Close by is a square named after the poet, Piazza Teofilo Folengo.


More reading:

Giosuè Carducci - the poet who became the first Italian to win a Nobel Prize in literature

Why Torquato Tasso is known as Italy's greatest Renaissance poet

How Dario Fo's work denounced crime, corruption and racism

Also on this day:

1920: The birth of politician Carlo Azeglio Ciampi

1920: The birth of Bruno Ruffo, Italy's first motorcycling world champion

1946: The birth - near Vicenza - of Indian politician Sonia Gandhi


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Dino Buzzati - author

Novelist likened to Camus whose short stories remain popular

Dino Buzzati was a journalist, author and
painter in an extraordinary career

The multi-talented author Dino Buzzati, whose output included five novels, several theatre and radio plays, a children’s novel, five opera libretti, some poetry, a comic book in which he also drew the illustrations, and several books of short stories, was born on this day in 1906 in Belluno.

Buzzati’s most famous novel, Il deserto dei Tartari (1940), titled The Tartar Steppe in the English translation, saw Buzzati compared to Albert Camus and Franz Kafka as a work of existentialist style, but it is for his short stories that he still wins acclaim.

A new collection entitled Catastrophe and Other Stories, which showcases Buzzati’s talent for weaving nightmarish fantasy into ordinary situations, was published earlier this year.

Buzzati, who worked as journalist for the whole of his adult life and also painted prolifically, was the second of four children born to Giulio Cesare Buzzati, a distinguished professor of international law, and Alba Mantovani, a veterinarian born in Venice.

The family’s main home was in Milan but they had a summer villa in San Pellegrino, a village just outside Belluno in the foothills of the Dolomites, which was where Dino was born.

Dino Buzzati, pictured in his studio, was almost as
prolific as a painter as he was a writer

After studying at high school in the Brera district of Milan, Buzzati enrolled in the law faculty at the University of Milan in respect for his father, who had died when he was only 14. After graduating, he joined the Milan newspaper Corriere della Sera, beginning a relationship that would be maintained until his death in 1972.

At different times he was a war correspondent, embedded with the Italian navy, editor, essayist, foreign correspondent, crime reporter and art critic.

He began to write fiction in the early 1930s with two novels set in the mountains, inspired by the landscapes around Belluno. Barnabò delle montagne (Barnabus of the Mountains, 1933) and Il segreto del bosco vecchio (The Secret of the Ancient Wood, 1935), both of which were made into films in the 1990s, introduced the Kafkaesque surrealism, symbolism, and absurdity that was a characteristic of all his writing.

Buzzati pictured near the offices of Corriere
della Sera on Via Solferino in Milan

The novel generally considered his finest, Il deserto dei Tartari, a tale of garrison troops at a frontier military post, poised in expectancy for an enemy who never comes and unable to go forward or retreat, drew comparisons with Camus’s philosophical essay The Myth of Sysyphus.

The novel was turned into a movie in 1976 under the direction of Valerio Zurlini and starring Vittorio Gassman and Giuliano Gemma, with a soundtrack by Ennio Morricone.

Buzzati’s collections of short stories include Sessanta racconti (Sixty Tales, 1958), while other novels include Il grande ritratto (Larger Than Life, 1960), a science fiction novel, and Un amore (A Love Affair, 1963). 

Of his plays, which were hugely popular, the most important is Un caso clinico (A Clinical Case, 1953), a Kafkaesque horror story in which medical specialists and machinery freakishly kill a perfectly healthy man. His children’s novel, La famosa invasione degli orsi in Sicilia (The Bears' Famous Invasion of Sicily, 1945) is still a favourite today.

Buzzati’s paintings ranged from his early landscapes, depicting his beloved mountains, to the Italian black comic art and the pop art that dominated his work in the 1960s.  His most famous painting is probably his Piazza del Duomo (1952), in which Milan cathedral’s distinctive grid of pinnacles and spires becomes a jagged Dolomite mountain, surrounded by green pastures.

He was also a devotee of the opera, writing the libretto for four operas for which the music was composed by his friend, Luciano Chailly.  Away from his extraordinary productivity in words and pictures, he would spend every September in the mountains around Belluno, climbing difficult routes in the company of mountain guides.

Buzzati, who did not marry until he was almost 60 years old, died in 1972 after developing pancreatic cancer. His ashes were scattered on Croda di Lago, a mountain in the Dolomites near Cortina d’Ampezzo.

Piazza dei Martiri is one of the central squares in the
beautiful town of Belluno in northern Veneto

Travel tip:

Belluno, in the Veneto region, is a beautiful town in the Dolomites, situated just over 100km (62 miles) north of Venice, more than 325km (200 miles) from Milan. It occupies an elevated position above the Piave river surrounded by rocky slopes and dense woods that make for an outstanding scenic background. The architecture of the historic centre has echoes of the town's Roman and medieval past. Around the picturesque Piazza Duomo can be found several fine buildings, such as the Palazzo dei Rettori, the Cathedral of Belluno and Palazzo dei Giuristi, which contains the Civic Museum.

The Villa Buzzati is now available for guests to stay in
bed and breakfast accommodation

Travel tip:

Visitors to Belluno can stay at Buzzati’s family villa in Via Visome, about 4km (2.5 miles) from the centre of the town. It is managed by Valentina Morassutti, whose grandmother was Dino Buzzati’s sister.  The Villa Buzzati has two rooms that are available all year round for guests wishing to stay on a bed and breakfast basis. On the first Sunday of each month from April to October, Morassutti can arrange small-group visits to the Villa and the places that were dear to Buzzati.

More reading:

Why Alberto Moravia is remembered as a major literary figure

The brilliance of Strega Prize winning novelist Corrado Alvaro

What made Vittorio Gassman one of Italy's finest actors

Also on this day:

1885: The birth of athlete Dorando Pietri, famous for being disqualified

1978: The election of Pope John Paul II


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Andrea Zanzotto - poet

Writer drew inspiration from landscapes of Veneto

Andrea Zanzotto wrote 15 volumes of poetry
during his active career, while also teaching

Andrea Zanzotto, who was regarded as one of Italy’s greatest 20th century poets, was born on this day in 1921 in Pieve di Soligo, the village near Treviso where he lived almost all of his life. 

Zanzotto, who spent 40 years as a secondary school teacher, wrote 15 books of poetry, two prose works, two volumes of critical articles and translations of French philosophers such as Michaux, Leiris and Bataille.

His first book of poetry, Dietro il paesaggio (1951), won a literary award judged by several noteworthy Italian poets. Critics reserved their greatest acclaim for his sixth volume, La beltà (1968), in which he questioned the ability of words to reflect truth.

Zanzotto, whose verse was consistently erudite and creative, was known for his innovative engagement with language and his fascination with the rugged landscapes of the Veneto, from which he drew inspiration and provided him with much symbolism.

His upbringing was difficult at times because his father, Giovanni Zanzotto, a painter who has trained at the Bologna Academy of Fine Arts, was a committed supporter of the Socialist politician Giacomo Matteotti, who was murdered by Fascist thugs in 1924 a few days after accusing Mussolini’s party of electoral fraud.

Zanzotto had a difficult upbringing in the
Fascist Italy of the 1920s and 1930s

Fearing for his own safety, Giovanni fled to France in 1925. He returned to the Veneto, taking a job as a teacher in Santo Stefano di Cadore, about 100km (62 miles) north of Pieve di Soligo, not far from the border with Austria, in 1927 and the family reunited there in 1928.

Giovanni, in fact, painted some frescoes in a church in nearby Costalissoio but his campaigning against the Fascists and the collapse of a co-operative that was providing financial support for his family, forced him into exile again in 1931.

Andrea, who had been deeply affected by the death of his younger sister, Marina, became close to his maternal grandmother and an aunt, and began to develop his love of writing. They helped him to see his first work published in 1936.

After completing school, Zanzotto began to focus on a career in teaching but suffered another loss in 1937 when his other sister, Angela, died of typhus. The grief, combined with the fatigue of commuting to college in Treviso, took a toll on his health, yet he obtained his teaching credentials.

Zanzotto enrolled at the University of Padua, where he received his diploma in literature in 1942, with a thesis on the work of the Italian Nobel Prize winner Grazia Deledda, after which he began teaching in Valdobbiadene and then Treviso.

Andrea Zanzotto spent the majority of
his 90-year life in Pieve di Solito

In the meantime, having avoided conscription because of severe asthma, he participated in the Italian Resistance, working largely on propaganda publications, and after the war spent some time travelling in Switzerland, France and Spain before returning to Pieve di Soligo where he resumed his work as a teacher.

Zanzotto’s poetry was influenced by his study of European intellectual thought and became notable for his of divergent language, from the lofty lingua aulica of the great poets of the past, notably Petrarch and Dante, to the language of pop songs and advertising slogans.

Dialect was one of Zanzotto’s favourite linguistic registers. Section one of Filò (1976) was written in a pseudo-archaic Venetian dialect. It was composed at the request of Federico Fellini for his film Casanova. Section two, in fact, included a diatribe against the film industry.

Dialectal words and phrases reoccurred in Il Galateo in bosco (1978), the first book of a trilogy completed by Fosfeni (1983) and Idioma (1986), which are regarded among his finest works.

Although a lot of his writing suggested nostalgia for disappearing landscapes, languages and cultures, Zanzotto never lost sight of the present and its possible effects on the future. His later works were increasingly engaged with topical issues such as the effects of the Chernobyl nuclear disaster, the war in Bosnia, and local environmental changes.

He died in October 2011 at the age of 90, survived by his wife, Marisa, to whom he had been married for 52 years, and their children.

The neighbourhood of Cal Santa in Pieve di Solito, where
Zanzotto lived for many years in his childhood

Travel tip:

Pieve di Soligo is a town of some 12,000 inhabitants a little more than 30km (19 miles) north of Treviso, in a plain bordered to the north by the Belluno Prealps. At the heart of the town is the cathedral dedicated to Santa Maria Assunta, a neo-Romanesque monument built in the early 20th century by the architect Domenico Rupolo, who is well known for having designed the fish market by the Rialto bridge in Venice. Along the banks of the Soligo river are two of the oldest parts of the town, including Cal Santa, where Zanzotto spent much of his formative years.

The vine-clad hills around Valdobbiadene, home of Italy's
finest Prosecco wines

Travel tip:

The picturesque hills around Valdobbiadene, where Zanzotto briefly worked as a supply teacher, are famous for the production of what is generally regarded as the best Prosecco in Italy. It is largely made from Glera grapes and though the name comes from that of the village of Prosecco near Trieste, where the grape and wine originated, the only Prosecco granted DOCG status - the classification granted to superior Italian wines - is produced from grapes grown on the hills between the towns of Conegliano and Valdobbiadene, or from a smaller area around the town of Asolo, a few kilometres south of Valdobbiadene.

More reading:

How Grazia Deledda became the first Italian woman to win a Nobel Prize

The tragic brilliance of Giacomo Leopardi

What the Italian language owes to Petrarch

Also on this day:

1881: The death of missionary Saint Daniele Comboni

1891: The birth of Mafia boss Stefano Magaddino


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Giuseppe Gioachino Belli – poet

Sonnet writer satirised life in 19th century Rome

Giuseppe Gioachino Belli's poems often poked
 fun at the Roman Catholic church

The poet Giuseppe Gioachino Belli was born on this day in 1791 in Rome and was christened Giuseppe Francesco Antonio Maria Gioachino Raimondi Belli.

He was to become famous for his satirical sonnets written in Romanesco, the dialect of Rome.

After taking a job in Civitavecchia, a coastal town about 70km (44 miles) northwest of Rome, Belli’s father moved the family to live there, but after he died - of either cholera or typhus - his wife returned to Rome with her children and took cheap lodgings in Via del Corso.

Living in poor circumstances, Belli began writing sonnets in Italian at the suggestion of his friend, the poet Francesco Spada.

In 1816, Belli married a woman of means, Maria Conti, and went to live with her in Palazzo Poli, the palace that forms the backdrop to the Trevi Fountain. This gave him the freedom to develop his literary talents. They had a son, Ciro, in 1824.

The palace was Belli’s home for 21 years, from 1816 to 1837, but he was able to travel to other places in Italy where he came into contact with new ideas. It was during a stay in Milan that he first encountered dialect poetry and satire. The sonnets of Carlo Porta provided him with a model for the poems in Roman dialect that eventually were to make him famous.

The plaque marking the birthplace of Giuseppe Gioachino
Belli, in Via dei Redentoristi in central Rome

His sonnets were often satirical and anti-clerical. For example, he dubbed the Cardinals ‘dog-robbers’ and referred to Pope Gregory XV as ‘someone who kept Rome as his personal inn.’

However, during the democratic rebellion that led to the declaration of a short-lived Roman Republic of 1849, he defended the rights of the Pope.

Belli produced more than 2,200 sonnets that document the life of common people in 19th century Rome. He kept them hidden, apart from occasionally giving recitals to friends. Just before his death he asked his friend, Monsignor Vincenzo Tizzani, to burn them but fortunately his friend handed them over to Belli’s son, Ciro, who published a selection of them in 1866, editing them to prevent them from causing offence at the time.

The first complete edition of Belli’s work was not published till 1952, nearly a century after his death.

Belli satirised the way ordinary
 working class Romans lives

Belli’s sonnets expressed with humour what he observed of the Roman lower classes, satirising the way people lived and the clerical world that oppressed them.

Ironically, the poet later worked as an artistic and political censor for the papal government and prevented the work of Shakespeare, Verdi and Rossini from being circulated, among others.

After his wife’s death in 1837, Belli’s economic situation had worsened again and as he grew older, he lost a lot of his vitality and became increasingly critical of the world around him, describing himself as ‘a dead poet’.

He died in Rome after a stroke in 1863 at the age of 72.

His nephew, the painter Guglielmo Janni, wrote his biography in ten volumes, which was published posthumously.

The monument to Belli off Viale Trastevere

Travel tip:

A plaque next to the door marks Giuseppe Gioachino Belli’s birthplace at number 13 Via dei Redentoristi, a back street near the Basilica of Sant’Andrea delle Valle, which is in Corso Vittorio Emanuele II, a short distance from the Pantheon in central Rome.  There is a monument to the poet in Piazza Giuseppe Gioachino Belli, which is off Viale Trastevere in Rome, overlooking the Tiber near the Basilica of San Crisogno. It was placed there in 1913 and paid for by the public of Rome.

The Palazzo Poli is the palace immediately behind
the Trevi Fountain in the centre of Rome

Travel tip:

The Palazzo Poli, where Belli lived for more than 20 years, dates back to 1573, when the Anguillara family commissioned the architect Martino Longhi to transform a former palace of Baldovino Del Monte, brother of Pope Julius III. In time it was acquired by Lucrezia Colonna and was renamed in 1712 after her husband, Giuseppe Conti, the Duke of Poli. When plans were drawn up for the Trevi Fountain, the central section was demolished and replaced with the monumental facade designed by Luigi Vanvitelli as the backdrop for fountain, which was designed by Nicola Salvi and completed by Giuseppe Pannini in 1762.

More reading:

The brilliant lyric poetry of Giacomo Leopardi

How Vittorio Alfieri's poetry inspired the oppressed

Ugo Foscolo - poet and revolutionary

Also on this day:

1303: The kidnapping of Pope Boniface VIII

1893: The founding of Italy's oldest surviving football club


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